Here are 81 books that Love & Terror on the Howling Plains of Nowhere fans have personally recommended if you like
Love & Terror on the Howling Plains of Nowhere.
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As a former Prison Governor who has had to work with a number of murderers and serial murderers – and who now writes about them as Emeritus Professor of Criminology – my professional life has inevitably been dominated by violent men. As they might say in the United States, I have “walked the walk” before doing my talking and I try and bring this applied dimension into my written and more academic work.
First published in 1990 – based on a series of articles originally written for The New Yorker, this book is a warning to true crime authors the world over about the morality of reaching out and writing with and about murderers.
The journalist in question is Joe McGinniss and the murderer is the former Special Forces Captain Dr Jeffrey MacDonald who became the subject of McGinniss’s 1983 book Fatal Vision. Is it ethical to collaborate with someone who has been accused of murder? What are the pitfalls that need to be managed? And, at the end of the day, who is conning who – the journalist or the murderer?
'Every journalist who is not too stupid or too full of himself to notice what is going on knows that what he does is morally indefensible'
In equal measure famous and infamous, Janet Malcolm's book charts the true story of a lawsuit between Jeffrey MacDonald, a convicted murderer, and Joe McGinniss, the author of a book about the crime. Lauded as one of the Modern Libraries "100 Best Works of Nonfiction", The Journalist and the Murderer is fascinating and controversial, a contemporary classic of reportage.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I selected the five works below, as each highlights different themes explored in my latest work. Taken together, this collection delivers a well-rounded, multi-dimensional view into a world that is often simplified in popular culture but far more complex, courageous, and human than most people realize. These books illuminate different facets of law enforcement—from the raw courage required in moments of crisis to the resourcefulness demanded in prolonged investigations.
Above all, these works stand out for their honesty and realism, revealing both the triumphs and the tolls of a career committed to protecting others. Together, they provide readers with a deeper appreciation of the people, the pressures, and the evolving landscape of modern law enforcement.
David Simon’s Homicide stands as one of the most honest and most vivid looks at police work ever put on paper.
Simon drags us into this violent and chaotic world as few could, based on a year he spent alongside detectives in the Baltimore Police Department’s homicide unit. This insider access produces an immersive experience that unfolds in dramatic fashion.
What absolutely leaps off the page is the weight of the implications of such violent crimes and what it demands of the detectives investigating. These are men and women gripped in a desperate vice, toiling relentlessly in the darkest corners of the city, absorbing grief, frustration, and exhaustion while trying to bring answers to families who are desperate for them.
Simon doesn’t overdramatize the work. He doesn’t need to. He brings us inside the grind: sleepless nights, leads that don’t pan out, political machinations, and the quiet toll the constant…
From the creator of HBO's The Wire, the classic book about homicide investigation that became the basis for the hit television show
The scene is Baltimore. Twice every three days another citizen is shot, stabbed, or bludgeoned to death. At the center of this hurricane of crime is the city's homicide unit, a small brotherhood of hard men who fight for whatever justice is possible in a deadly world.
David Simon was the first reporter ever to gain unlimited access to a homicide unit, and this electrifying book tells the true story of a year on the violent streets of…
I’m always intrigued by certain kinds of crime stories, but usually not by the crimes themselves. Straightforward whodunits bore me, and simplistic retellings of the hero myth just strike me as wrong. About thirty years ago, I began to wonder why—which crime stories intrigue me and which seem more like exercises in voyeurism. Turns out the stories I really get into wrap me in previously unseen worlds. They offer a fresh take, bring up unexpected considerations, present a new way to view the crime, or demonstrate why what I’d always thought was mistaken or insufficient. Such books present the crime, but contain much more than the crime.
Somehow, I’d never heard of the crime The Burglary details: the 1971 burglary of FBI field offices. And somehow, the burglars remained anonymous for decades.
A reporter forThe Philadelphia Inquirerat the time, Medsger was one of journalists who received copies of the FBI files stolen bythree professors, a daycare worker, a social worker, and others who called themselves The Citizens’ Commission to Investigate the FBI. The stolen files exposed COINTELPRO and other illegal FBI investigations, and fundamentally altered the FBI.
The Burglarytold me the value of detailed research, especially relating a 50-year-old crime, and showed me the essential importance of understanding the society surrounding the crime in order to fully comprehend the crime.
The never-before-told full story of the history-changing break-in at the FBI office in Media, Pennsylvania, by a group of unlikely activists—quiet, ordinary, hardworking Americans—that made clear the shocking truth and confirmed what some had long suspected, that J. Edgar Hoover had created and was operating, in violation of the U.S. Constitution, his own shadow Bureau of Investigation.
It begins in 1971 in an America being split apart by the Vietnam War . . . A small group of activists—eight men and women—the Citizens Commission to Investigate the FBI, inspired by Daniel Berrigan’s rebellious Catholic peace movement, set out to use…
"She plunged her blade into his chest, feeling it grind along his ribs..."
Outcast swordfighter, Kyer Halidan, was abandoned in a cornfield at age three. Now, twenty years on, she’s searching for answers: Who left her there? And why?
Kyer doesn’t suffer fools, and when she kills a man in…
I’m always intrigued by certain kinds of crime stories, but usually not by the crimes themselves. Straightforward whodunits bore me, and simplistic retellings of the hero myth just strike me as wrong. About thirty years ago, I began to wonder why—which crime stories intrigue me and which seem more like exercises in voyeurism. Turns out the stories I really get into wrap me in previously unseen worlds. They offer a fresh take, bring up unexpected considerations, present a new way to view the crime, or demonstrate why what I’d always thought was mistaken or insufficient. Such books present the crime, but contain much more than the crime.
I’ve long admired Sebastian Junger, who writes with precision, empathy, and intelligence.
He’s best known for A Perfect Storm, but in A Death in Belmont, a 1962 photograph shows him as an infant in his mother’s lap, posing with the two carpenters who’d just added an art studio to the Jungers’ home: The younger man is Albert DeSalvo, later known as The Boston Strangler.
Junger argues, convincingly but not definitively, that DeSalvo may have been responsible for the rape-murder of Bessie Goldberg, who lived near the Jungers, despite the conviction, based on circumstantial evidence, of Roy Smith, an African-American man seen walking the neighborhood,
My copy is feathered with Post-it notes marking passages that speak to the nature of murder and the difficult process of investigating a wrongful conviction.
In the spring of 1963, the quiet suburb of Belmont, Massachusetts, is rocked by a shocking sex murder that exactly fits the pattern of the Boston Strangler. Sensing a break in the case that has paralyzed the city of Boston, the police track down a black man, Roy Smith, who cleaned the victim's house that day and left a receipt with his name on the kitchen counter. Smith is hastily convicted of the Belmont murder, but the terror of the Strangler continues.
On the day of the murder, Albert DeSalvo-the man who would eventually confess in lurid detail to…
The newspaper crime beat sunk its talons into my flesh nearly 50 years ago and has never let go. As Shakespeare knew, the best stories—about love and hate, life and death, good and evil—can be found on the daily police blotter. I’ve spent my career writing about those tales in newspapers, online, and in books. My interest has never really been the gore—a tally of the knife wounds or the volume of blood lost. No, my fascination is the mind and the psychology of the criminal, who always believes he is smarter than the rest of us—and is generally proven wrong.
I don’t know of a criminal case—or a true crime book—that better exemplifies America’s fractured political divide. With deep access to the central figures in this heartbreaking story, author Sexton investigates the gulf between one side and the other and how we got there.
The book focuses on a night of violent conflict in Omaha, Nebraska, in May 2020, during the social unrest following the police killing of George Floyd in Minneapolis. Sexton takes readers inside the decision-making process of key players in the drama, including family members as well as law enforcement and criminal justice professionals.
You will not be surprised to learn that misinformation and half-truths from spurious social media sources played a key role in this case, equal parts tragedy and debacle.
“A meticulously researched and briskly written account that deftly weaves the influences of racial injustice, economic disparity, incendiary social media, and guns.” —Associated Press
From the award-winning journalist Bob Woodward calls “one of the truly great reporters working today,” a searing account of two linked and tragic deaths stemming from the 2020 George Floyd protests that explores the complex political and racial mistrust and division of today’s America.
“One of the most superb testaments about the confusion, despair, and—hopefully—humility that frames our century that one could ever hope to read.”…
My family moved frequently and, as a result, I was raised in a number of different small towns in Montana, Nebraska, Kansas, Texas, and Massachusetts. I now live in a large city but the experience has never left me. There was always a certain amount of crime and corruption in the towns I grew up in, but I only had a child’s eye view of it. However, a child’s eye view is usually the most vivid. This experience and the books that I have listed above all had a direct influence on Blue Hotel.
This is a portrait of Nebraska (and Nebraskans) where most of my own book takes place. It’s also the state where I went to high school. I like Hansen’s spare and precise writing style because it perfectly fits the time and place, as well as the characters themselves who are presented stripped of the conceits and pretensions. For me, it’s a style, though different from McCarthy’s, that creates the illusion of actual direct experience as opposed to something I happen to be reading about. His story “Wickedness” creates a powerful image of winter on the Great Plains and its effect on people.
Stories of the heartland by the National Book Award finalist and author of The Assassination of Jesse James by the Coward Robert Ford.
“Nebraska captures a rowdy, changing America. Written with wit and brawny lyricism, in voices ranging from hip to tender, the stories gathered here are as diverse and expansive as the country they celebrate…References to America’s heartland abound throughout the book and serve as a central metaphor for what’s close to American hearts, what connects us: dreams, myths and possibilities as vast as the Great Plains. Wise and smart-alecky, creaking with legend and crackling with modernisms, these tales…
A mysterious stranger traps teen siblings in a precarious game where each must overcome their embittered past for the other to survive.
This suspenseful, yet winsome novel explores the power of family and forgiveness. But take heed. The truth can cut like shards of glass, especially for those who’d rather…
I love these books because they hold thinking as the highest virtue, and they value the rights of the individual. I like to challenge the norm. These stories seek to preserve and enhance human life through art and science.
Of all twenty-some books (and counting) in Child’s Jack Reacher series, this one stands out. In an interview, Lee once said, "I just wrote this one by the numbers." To me his final solo effort feels like he finally figured out how to say what he always wanted. It’s personal, yet geopolitical. Empathetic, yet very tough. In this tale of two half-cities run by rival gangs, the Armenians and the Ukrainians, he does so simply and brilliantly.
The story’s government is corrupt, as so many are, full of bribe-taking politicians who are unable to protect the citizenry from organized crime. To fill that void, in steps Jack Reacher with some intuitive detecting, a little romance, and a lot of bad-guy killing.
There's trouble in the deadly wilds of Nebraska . . . and Reacher walks right into it. He falls foul of the Duncans, a local clan that has terrified an entire country into submission.
But it's the unsolved case of a missing eight-year-old girl that Reacher can't let go.
Reacher - bruised and battered - should have just kept going. But for Reacher, that was impossible.
What, in this fearful county, would be worth dying for?
_________
Although the Jack Reacher novels can be read in any order, Worth Dying For follows on directly from the end of 61 Hours.
Like Thomas Jefferson, I cannot live without books. And, while I read in a variety of genres, from early childhood on, my favorite stories were the ones that began with “once upon a time.” My fascination with historicals started with one of my father’s few books from his childhood, The Cave Twins, which introduced me to a world far different from suburban America. For me, the appeal of historicals is the opportunity to learn about another era and to escape from the modern world. And so, if you want to escape from what seems like an endless pandemic, I invite you to explore the worlds six talented authors have created.
“You ought to write inspirationals.” Every time a reader told me that, I’d shake my head and reply, “They’re too preachy.” But then a dear friend’s death made me reconsider the direction of my writing, and I began to research the inspirational market. One of the first books I read was Secrets on the Wind, the first of Whitson’s Pine Ridge Portraits trilogy. To my delight, she combined meticulous research, sprinkling her story with “telling” details that brought the Nebraska prairie and Fort Robinson to life, and unforgettable characters to create a story that’s lingered in my memory for more than a decade. Best of all, she demonstrated that faith-friendly fiction doesn’t need to be preachy. I’m deeply grateful to her because Secrets on the Wind convinced me that this was the right market for me.
The Pine Ridge Portraits series opens as two soldiers discover a desperate woman hidden in a cellar, then take her back with them to their U.S. Army post at Fort Robinson. The painful secrets surrounding Laina Gray and her seeming indiffernce toward those who try to help her will touch readers deeply as her journey to faith unfolds. Every effort is made to reach out to this strange, silent woman, but after living through her worst nightmare, she isn't soon ready to trust anyone with her secrets...not God, and definitely not the handsome soldier who tries to befriend her.
I am deeply passionate about human resilience. From Louis Zamperini's unwavering spirit in the face of war and captivity to Santiago's quiet determination against nature's harsh realities to Michael Jordan's relentless drive to overcome setbacks, these narratives resonate with me on a profound level. I'm particularly drawn to how these stories explore not just physical resilience but emotional and psychological strength as well. They serve as a powerful reminder that true victory lies not in the outcome but in the unwavering spirit we bring to life's struggles.
Jim Harrison's book is a masterpiece. I love how Harrison crafts Dalva's character; she's simultaneously tender and tough, with a complexity that resonated deeply with me. I found myself completely immersed in her world. The bold narrative structure, especially the contrasting voice of Michael, thrilled me as a reader. I love how Harrison fearlessly explores themes of loss, resilience, and self-discovery through Dalva's journey.
The vivid portrayal of the American West and its history added layers that I found fascinating. What I appreciate most is Harrison's prose—it's so powerful that I often find myself rereading passages just to savor the language. This book touched me profoundly.
From her home on the California coast, Dalva hears the broad silence of the Nebraska prairie where she was born and longs for the son she gave up for adoption years before. Beautiful, fearless, tormented, at forty-five she has lived a life of lovers and adventures. Now, Dalva begins a journey that will take her back to the bosom of her family, to the half-Sioux lover of her youth and to a pioneering great-grandfather whose journals recount the bloody annihilation of the Plains Indians. On the way, she discovers a story that stretches from East to West, from the Civil…
In Renaissance Venice, the deadliest weapon isn’t a blade… it’s a secret.
Angelo Mascari is a master swordsman whose greatest battle isn’t fought for crown or country, but for love. When treachery strikes and the Republic turns against him, Angelo is forced into a desperate flight that leads him across…
I grew up watching my mother suffer under a strict patriarchal religion. She never felt she had a choice in her life, and yet she always remained a dreamer, collecting newspaper articles about events in history that interested her. They piled up in a box and I’ve no idea what she thought to do with them. She would thumb through them between bouts of standing over a ringer washer or hanging wet clothing outside in freezing weather. There were 15 of us, you can imagine the laundry. I never saw her cry…despite working like a mule. I admire her and women like her for getting through.
The title says a lot about why this book moved me. Susan La Flesche was a warrior for her people, and what greater reason do any of us have for our existence? La Flesche overcame impossible odds and gave up a great deal to become a doctor. Time and again she risked her life to travel to homes in the dead of night or through snowstorms to reach someone who needed her. That dedication and drive inspire me. Reading the book makes me roll my eyes at my own short list of accomplishments. Also, I was raised close to the famous Indian School in Genoa, Nebraska. I grew up fascinated by the buildings and the haunted feelings in the classrooms. Starita’s lyrical descriptions of the land also transported me back.
"An important and riveting story of a 19th-century feminist and change agent. Starita successfully balances the many facts with vivid narrative passages that put the reader inside the very thoughts and emotions of La Flesche." —Chicago Tribune
On March 14, 1889, Susan La Flesche Picotte received her medical degree—becoming the first Native American doctor in U.S. history. She earned her degree thirty-one years before women could vote and thirty-five years before Indians could become citizens in their own country.
By age twenty-six, this fragile but indomitable Native woman became the doctor to her tribe. Overnight, she acquired 1,244 patients scattered…