Here are 100 books that Love in the Time of Cholera fans have personally recommended if you like
Love in the Time of Cholera.
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I grew up without a TV (well, we had a monitor for movies), so we spent a lot of time as a family reading. And the novels that I gravitated more and more towards were ones with psychological themes. It didn’t matter if they were modern or ancient; if they got at something unexplainable (or even explainable) about the human psyche, about what motivates us to behave in the ways that we do—especially if those behaviors are self-destructive—I wanted to read them. And I still do.
I know it’s a bit cliché, but I can never stop myself from talking about my favorite novel of all time—Jane Eyre.
Not only does Jane’s voice sweep me off my feet every time I reopen the novel, but the novel itself always gets me thinking. It’s one of those rare books that somehow contains every genre, and does it well.
I get sucked into the mystery of the noises in Rochester’s house. My heart breaks when Jane’s only friend, Helen, dies. But most of all, I feel the romance, the chemistry between Mr. Rochester and Jane. All of it keeps me coming back for more.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I am passionate about little-told stories of women’s lives. Too often, women have been either minimized or silenced, and in so doing, we have ignored the experience of half of humanity. I grew up in the 1950s and ’60s in the South, where girls and women were not listened to. For this reason, among others, it was hard for me to speak up for myself, hard for me to write. I found the stories of strong, courageous women—bad-ass women—whether fictional or real, to be life-affirming and inspirational in my own journey as a writer. These stories have helped me to say, “It’s my turn. I’m talking now.”
I love this book’s two freedom fighters: the historical Sarah Grimké and the fictional enslaved woman Handful.
It’s the early 1800s in Charleston, SC. Privileged white girl Sarah bucks cultural expectations for women, while Handful fights the cruel slavery system. Sarah repudiates her upbringing in order to support abolition, and Handful stakes everything in pursuit of freedom, “to leave or die trying.”
I loved learning about the Grimké sisters, giants in the abolition movement, and the West African story-quilt tradition, whereby women tell their lives through the art of needlework. This book was transformative for me; Sarah’s and Handful’s transgressive courage has helped me through difficult times of my own. If they could face their obstacles, then by golly, I can face mine.
From the celebrated author of The Secret Life of Bees and the forthcoming novel The Book of Longings, a novel about two unforgettable American women.
Writing at the height of her narrative and imaginative gifts, Sue Monk Kidd presents a masterpiece of hope, daring, the quest for freedom, and the desire to have a voice in the world.
Hetty "Handful" Grimke, an urban slave in early nineteenth century Charleston, yearns for life beyond the suffocating walls that enclose her within the wealthy Grimke household. The Grimke's daughter, Sarah, has known from an early age she is meant to do something…
I am a British novelist and biographer who lived on and off in Latin America from the 1960s to the late 1980s. I was a boy in Brazil during the Death Squads; an adolescent in Argentina during the Dirty War; and a young journalist in Peru during the Shining Path insurgency, publishing a reportage for Granta on my search for Abimael Guzman. I gave the 2010 Borges Lecture and have written two novels set in Peru, the second of which, The Dancer Upstairs, was chosen as the best novel of 1995 by the American Libraries Association and turned into a film by John Malkovich.
Neither novel nor travel book, this classic journey defies category.
Purportedly a quest for a scrap of giant slothskin, which the author finds in a cave in southern Chile, it zig-zags through time and space, alighting on travellers from Magellan to Butch Cassidy, while trampling down conventional boundaries.
“Everyone says: ‘Are you writing a novel?’ No, I’m writing a story and I do rather insist that things must be called stories. That seems to me to be what they are. I don’t quite know the meaning of the word novel.”
Bruce Chatwin sets off on a journey through South America in this wistful classic travel book
With its unique, roving structure and beautiful descriptions, In Patagonia offers an original take on the age-old adventure tale. Bruce Chatwin's journey to a remote country in search of a strange beast brings along with it a cast of fascinating characters. Their stories delay him on the road, but will have you tearing through to the book's end.
'It is hard to pin down what makes In Patagonia so unique, but, in the end, it is Chatwin's…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
I am the product of a love triangle—an unusual one, between a French Holocaust survivor, an African student from France’s colonies, and a black GI. My parents came of age during really turbulent times and led big, bold lives. They rarely spoke about their pasts, but once I began digging—in the letters they exchanged, in conversations with my grandmother and aunts, with their childhood friends—I realized that all three had witnessed up close so much of the drama and horrors of the twentieth century and that what they had lived together merited being told. My parents’ love triangle is at the heart of my love of love-triangle stories.
Another classic—this one, from 1955, which was twice made into a movie, in 1958 and in the superior 2002 remake, with Brendan Frazier and Michael Cain. The Quiet American is described as many things—as a Vietnam war book, as a critique of American imperialist impulses. But at heart, it’s the story of a love triangle.
And the woman at the center of the love triangle, Phuong, is an all-time favorite character of mine. With watchful attention and subtle silences, she dictates the fate of the two men. More important than anything we ever see her say are the things we see her do and not do.
I love the novel’s spare prose and its observations and asides, which are astute and oftentimes quite funny. And in the book’s pages, Vietnam, in the years just before the disastrous French then American wars, comes vividly to life. But Phuong is the reason…
Graham Greene's classic exploration of love, innocence, and morality in Vietnam
"I never knew a man who had better motives for all the trouble he caused," Graham Greene's narrator Fowler remarks of Alden Pyle, the eponymous "Quiet American" of what is perhaps the most controversial novel of his career. Pyle is the brash young idealist sent out by Washington on a mysterious mission to Saigon, where the French Army struggles against the Vietminh guerrillas.
As young Pyle's well-intentioned policies blunder into bloodshed, Fowler, a seasoned and cynical British reporter, finds it impossible to stand safely aside as an observer. But…
I am passionate about historical facts, and fiction. My narrative has a universeal appeal making my work relevant to readers of diverse backgrounds. My books entertain and at the same time educate the reader, giving him/her a greater appreciation of the complex world of Latin America and the resilience of its people. I love reading diverse approaches to history and exploring ideas of how our personal interpretations of history shape our opinions.
This book by Mario Vargas Llosa explores the last days of the Dominican Republic's Trujillo dictatorship. I really enjoyed this novel for its blending of historical facts with fiction and for providing a detailed depiction of Rafael Trujillo's regime, its impact on the country, and his assassination in 1961.
The narrative combines three storylines: The character of Urania, who returns to the Dominican Republic after many years in the United States, and shows us the long-lasting psychological impact of Trujillo's rule on her and her family. Trujillo’s last days, personality, control over the country, and the loyalty and fear he commanded. Finally, the group of people plotting to assassinate Trujillo, their motivations, fears, and actions show us that freedom is one of our most valuable treasures worthy of risking our lives.
Vargas Llosa's detailed and compelling narrative profoundly examines how dictatorial regimes can distort societies and damage lives.
'The Feast of the Goat will stand out as the great emblematic novel of Latin America's twentieth century and removes One Hundred Years of Solitude of that title.' Times Literary Supplement
Urania Cabral, a New York lawyer, returns to the Dominican Republic after a lifelong self-imposed exile. Once she is back in her homeland, the elusive feeling of terror that has overshadowed her whole life suddenly takes shape. Urania's own story alternates with the powerful climax of dictator Rafael Trujillo's reign.
In 1961, Trujillo's decadent inner circle (which includes Urania's soon-to-be disgraced father) enjoys the luxuries of privilege while the…
A writer friend asked me, "If you could write about anything you wanted, what would that be?" I thought immediately of Sicily and then of women (and men) trying to break free from cultural definitions that have historically kept us in traditional roles of housewife, cook, and mother, or breadwinner and protector. Having choice and being able to carve one's path is paramount, a deeply held value for me, both as an individual woman and as a psychotherapist. The courage of some of my clients who have dared to follow their own paths, along with my challenge to steer my own path, were also inspirations for the books I chose.
After I visited Sicily at 22 (the same age as Mariella in the book) and stayed with relatives in Siracusa, I fell in love with Sicily (and all of Italy) and wanted to know everything I could about it, its history, its customs, architecture, food, and especially to understand the collective psyche of its people.
My grandmother was born in Sicily and never spoke English even after moving to the United States, and my uncles and father spent a good part of their childhoods in Catania, where the Sicily part of Becoming Mariella takes place. I had never before felt the deep longing of a cultural belonging, and this book, written in 1958, is one of the finest works of twentieth-century fiction (according to Daunt Books), and opened my eyes to the pride and richness of the Sicilian people and its aristocracy, their stubbornness and an understanding of how,…
The Leopard is a modern classic which tells the spellbinding story of a decadent, dying Sicilian aristocracy threatened by the approaching forces of democracy and revolution.
'There is a great feeling of opulence, decay, love and death about it' Rick Stein
In the spring of 1860, Fabrizio, the charismatic Prince of Salina, still rules over thousands of acres and hundreds of people, including his own numerous family, in mingled splendour and squalor. Then comes Garibaldi's landing in Sicily and the Prince must decide whether to resist the forces of change or come to terms with them.
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
From my first exposure to Elisabeth Elliot’s writing when I was a teenager, I was intrigued by her story: a missionary few had ever heard of who became an author with several books published by a Big Five publishing company. Over the years I both wrestled with and was encouraged by her work. I’ve now spent more than a decade conducting original research on Elliot’s life. I believe learning more about her and the influences that shaped her enriches our understanding of our past and, thus, of our present and offers us important tools for approaching the future.
Leo Tolstoy’s follow-up project to the massive War and Peace explores the meaning of human existence and the interplay of socio-political events and individual free will through the medium of infatuation, marriage, and love.
It’s also a real page-turner. When she finished it, Elisabeth Elliot called it the greatest book she had ever read, writing that Anna Karenina’s character had held a mirror up to her soul and showed her what her own heart was capable of.
In 1872 the mistress of a neighbouring landowner threw herself under a train at a station near Tolstoy's home. This gave Tolstoy the starting point he needed for composing what many believe to be the greatest novel ever written.
In writing Anna Karenina he moved away from the vast historical sweep of War and Peace to tell, with extraordinary understanding, the story of an aristocratic woman who brings ruin on herself. Anna's tragedy is interwoven with not only the courtship and marriage of Kitty and Levin but also the lives of many other characters. Rich in incident, powerful in characterization,…
I have picked these books because I have a passion for good reading material. All the books I have chosen have become reading classics in their own way. They are well written and have plots that go well beyond normal literature in a sense that they unveil the 'human condition' into the realm of the protagonist being up against all odds, where in the end, truth reveals all!
Everybody loves this book because it, of course, has become an international classic of literature and one of the best works F. Scott Fitzgerald wrote, which takes the reader on a time-traveling secretive world of the upper-class set in New England life in the 1920s.
In F. Scott's work, we are casually and comfortably introduced to an America where new money met old money, and the tender tightrope one had to walk in order to vie for position, marriage, and peer acceptance in a world founded on wealth and prestige.
As the summer unfolds, Nick is drawn into Gatsby's world of luxury cars, speedboats and extravagant parties. But the more he hears about Gatsby - even from what Gatsby himself tells him - the less he seems to believe. Did he really go to Oxford University? Was Gatsby a hero in the war? Did he once kill a man? Nick recalls how he comes to know Gatsby and how he also enters the world of his cousin Daisy and her wealthy husband Tom. Does their money make them any happier? Do the stories all connect? Shall we come to know…
As a UK registered lawyer, I have spent most of the past 35 years writing about my work. But what has always excited me, from my childhood, is the science fiction worlds which state a truth which is yet to happen, The worlds of H.G Wells; Huxley; Aldous; Orwell; Bradbury; and Atwell. An individual's struggle against overwhelming odds. Not always somewhere where you would want to go. But from which you will always take something away.
What intrigues me about this book is the way the author, Margaret Atwood, took the (Genesis 30) story of Jacob, who impregnated his wife's handmaiden to produce the children which his wife could not conceive.
She then puts herself in the place of that handmaiden and asks some serious questions. Was that handmaid even given a choice in the matter? What would have happened to her if she had refused? She then rolls the same idea forward 4,000 years to a pseudo religious society in which the sole purpose of handmaidens is to use their bodies to conceive and gestate the next generation for those whom they serve.
** THE SUNDAY TIMES NO. 1 BESTSELLER ** **A BBC BETWEEN COVERS BIG JUBILEE READ**
Go back to where it all began with the dystopian novel behind the award-winning TV series.
'As relevant today as it was when Atwood wrote it' Guardian
I believe in the resistance as I believe there can be no light without shadow; or rather, no shadow unless there is also light.
Offred is a Handmaid in The Republic of Gilead, a religious totalitarian state in what was formerly known as the United States. She is placed in the household of The Commander, Fred Waterford -…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I write historical fiction based on the lives of my ancestors: Agnes Canon’s War is the story of my twice-great grandparents during the Civil War. An Irish Wife is based on their son. I write about the Gilded Age, which is only now drawing the attention of historical novelists and the wider public: the vast wealth of industrialists contrasted to the poverty of the lower classes, scandalous politics, environmental degradation, fear of and prejudices about immigrants. My ancestors lived through those days; I want to imagine how that tumultuous society affected them, how they managed, what they lost and gained, and to memorialize those stories as a way to honor them.
Before there were Daniel Day Lewis and Michelle Pfeiffer, there was the book that brought them together (in the movie): Edith Wharton’s The Age of Innocence, Wharton’s lush, sepia-toned tale of the New York haut ton of the 1870s. Gilded Age society at its best; it won the 1921 Pulitzer for fiction, making Wharton the first woman to win the prize. Read it first, then stream the movie. I loved its opulent portrayal of the well-heeled society of upper-class New York and its spot-on portrayal of moral hypocrisy. The battles that nineteenth-century women of all classes fought to live their lives with integrity and honesty seem to me to echo today in the ongoing injustices perpetrated against society’s powerless.
Edith Wharton's novel reworks the eternal triangle of two women and a man in a strikingly original manner. When about to marry the beautiful and conventional May Welland, Newland Archer falls in love with her very unconventional cousin, the Countess Olenska. The consequent drama, set in New York during the 1870s, reveals terrifying chasms under the polished surface of upper-class society as the increasingly fraught Archer struggles with conflicting obligations and desires. The first woman to do so, Edith Wharton won the Pulitzer Prize for this dark comedy of manners which was immediately recognized as one of her greatest achievements.
