Here are 100 books that Lord Arthur Savile's Crime fans have personally recommended if you like
Lord Arthur Savile's Crime.
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Because I love to see how an author progresses in their storytelling abilities. Whether they continue with the same characters or move on to new worlds and new storylines, the art of writing changes as the author becomes more comfortable with their craft. I love knowing that the mind that created Dorian Grey and recorded his story also created Lord Saville. Even though they came from the same mind, they are their own entities, and the author was willing to give life to both. I love when an author is committed to the art of storytelling and not just of genre.
This book is an interesting spin on a well-known fairy tale. I really enjoyed this one because the "princess" isn't a damsel in distress and the "charming" isn't always charming. They are written as multi-dimensional characters with character flaws and imperfections. They don't instantly fall in love. They bicker and disagree, but then learn how to work together to free her family from the curse that put her in the middle of the forest. I like the reality of having to learn how to work with someone else and the growth that comes from that learning.
In Enchantment, Orson Scott Card works his magic as never before, transforming the timeless story of Sleeping Beauty into an original fantasy brimming with romance and adventure.
The moment Ivan stumbled upon a clearing in the dense Carpathian forest, his life was forever changed. Atop a pedestal encircled by fallen leaves, the beautiful princess Katerina lay still as death. But beneath the foliage a malevolent presence stirred and sent the ten-year-old Ivan scrambling for the safety of Cousin Marek's farm.
Now, years later, Ivan is an American graduate student, engaged to be married. Yet he cannot forget that long-ago day…
In this historical farce, Oscar Wilde wagers that actress Olivia Snow can fool a group of country bumpkins into believing she is Genevieve Lamb, the wealthy beauty of the recent Season. The weekend will prove a challenge for the old-fashioned actress and Genevieve's handsome and old-fashioned brother Philip who vows…
I've always loved science fiction, but first developed my love for storytelling as a prosecutor in the Bronx where I would weave the tale of a crime into a coherent story for a jury’s consideration. After several years of prosecuting sex crimes and crimes against children, and publishing a book about that experience, I had enough of the real world and returned to my first love for novel writing. Science fiction is a male-dominated field and most sci-fi heroes are male. My greatest influences are male characters and authors, but I always wished for more diversity in the genre. I’m excited to share this passion and hope it will inspire authors and readers!
I love The Host because it has two female heroes, but one is a parasite inside the other. When a parasitic alien race, the Souls, invades earth, Wanderer is placed in the body of Melanie Stryder. When implanted, Souls are supposed to completely subsume the host, but Melanie Stryder won’t give up her mind or her body that easily. Melanie is a hero because of her strength and willingness to sacrifice anything to maintain her autonomy. Wanderer is a hero because of her empathy and willingness to defy the construct of her society and forge a new path. The book is the most interesting portrayal of the capacity for sentient beings to develop empathy against all odds that I’ve ever read. It’s also a remarkable portrayal of a most imaginative female bond.
Now in the trade paperback edition: New Bonus Chapter and Reading Group Guide, including Stephenie Meyer's Annotated Playlist for the book.Melanie Stryder refuses to fade away. The earth has been invaded by a species that take over the minds of human hosts while leaving their bodies intact. Wanderer, the invading "soul" who has been given Melanie's body, didn't expect to find its former tenant refusing to relinquish possession of her mind.As Melanie fills Wanderer's thoughts with visions of Jared, a human who still lives in hiding, Wanderer begins to yearn for a man she's never met. Reluctant allies, Wanderer and…
If I knew why I'm attracted to ghost stories, spooky stories; “mysteries from beyond the veil”, it wouldn't be a mystery, would it? My brother was the same. We can (or could) suddenly find the streets where we lived as mysterious as a lost world. We used to call it “The Land of Ghosts and Witches”. Did we imagine this feeling? Did we make it up? I don't know. But there is a long name for a condition, a little kink that matches my experiences. I found an article in New Scientist about it once, but I've forgotten what it was.
I find H.Rider Haggard's famous tales of adventure (e.g. King Solomon's Mines) pretty disgusting: bunch of white guys in southern Africa, where they can slaughter and loot at will, far from the constraints of “civilised” society.
But “She” is one of a kind. A perilous wilderness, where the people who put pots on the heads of strangers have a very sinister outlook on life (these are cooking pots, and this is a stranded population, desperate for protein). Their immortal goddess (originally Ancient Greek?) lives in a tomb, doesn't seem to eat or drink; talks like a spoilt, entitled Victorian debutante, and fascinates our hero.
I imagine the author, a humble civil servant when not dreaming of glorious gory derring-do, met young ladies of her kind socially, and was snubbed a few times. She pays... and I won't spoil the horror of it for you, but it's pretty bad! A guilty…
She — subtitled A History of Adventure — is a novel by H. Rider Haggard (1856–1925), first serialised in The Graphic magazine from October 1886 to January 1887. She is one of the classics of imaginative literature, and one of the best-selling books of all time, with over 100 million copies sold in 44 different languages as of 2013. She was extraordinarily popular upon its release and has never been out of print. According to literary historian Andrew M. Stauffer, "She has always been Rider Haggard's most popular and influential novel, challenged only by King Solomon's Mines in this regard".The…
In this historical farce, Oscar Wilde wagers that actress Olivia Snow can fool a group of country bumpkins into believing she is Genevieve Lamb, the wealthy beauty of the recent Season. The weekend will prove a challenge for the old-fashioned actress and Genevieve's handsome and old-fashioned brother Philip who vows…
Because I love to see how an author progresses in their storytelling abilities. Whether they continue with the same characters or move on to new worlds and new storylines, the art of writing changes as the author becomes more comfortable with their craft. I love knowing that the mind that created Dorian Grey and recorded his story also created Lord Saville. Even though they came from the same mind, they are their own entities, and the author was willing to give life to both. I love when an author is committed to the art of storytelling and not just of genre.
I love the entire Dune series, but most readers don't get past the first book. The characters retained the growth and development from the first book and we see how they continue to deal with their differing struggles, like Chani who desperately wants children, while Paul knows that her desire will bring her death. Unable to marry Chani, Paul has taken a wife, in name only, but the woman loves him and desperately wants to be loved by him. I saw myself in these two women who wanted such simple things, but for reasons out of their control, were not able to have them. It made me realize that sometimes we have to let go of what we want and just be grateful for what we have, for as long as we may have it.
The extraordinary sequel to Dune, the greatest science fiction novel of all time.
Twelve years after his victory over House Harkonnen, Paul Atreides rules as emperor from the desert planet Arrakis - but his victory has had profound consequences. War has been brought to the entire known universe, and billions have already perished. Despite having become the most powerful emperor known to history, Paul is powerless to bring an end to the fighting.
While former allies conspire to dethrone Paul and even his own consort acts against him, Paul accepts a gift from the Tleilaxu, a guild of genetic manipulators,…
Military history has always fascinated me. I grew up in Britain with my parents’ tales of service in the Second World War on land, sea, and in the air. The First World War saw the zenith of British sea power and was an obvious draw. The scale and scope of the fighting were huge, and I’ve been researching the naval war in depth for over thirty years. The high levels of literacy of the combatants mean that it is also possible to gain deep insights into their experiences. This makes for stories I'm passionate about discovering as a reader and telling as an author. I hope this list helps you discover them too.
Successful amphibious operations are hard to pull off. The Allies failure at Gallipoli is well known.
This book tells the story of Operation Albion, the successful German seizure of the Russian islands in the Baltic. A large part of the German Fleet was involved and had to overcome stubborn resistance by the battleships, cruisers, and destroyers of the Russian Fleet to break into the Gulf of Riga.
The Baltic is a little-known theatre of naval operations. The book draws on both Russian and German sources to show how the German Fleet and Army worked hand in hand to achieve a decisive victory in this theatre of the naval war.
In late 1917, the Russians, despite the revolution, were still willing to continue the war against Germany. This is an account of Operation Albion, the highly-successful seaborne operation launched by the Germans to change their minds. The Baltic Islands were pivotal for the defence of the Finnish Gulf and St. Petersburg, so their capture wasessential for any campaign towards the Russian capital. Only after the fall of the islands did Russia begin peace negotiations (freeing nearly half a million German soldiers for the Kaiser's last gamble on the Western Front). This then was a campaign of great significance for the…
I am a historian of diplomacy, war, and empire. A founding editor ofThe International History Review, I have written books on ‘Imperial Diplomacy’, on the origins of the First World War, and on the July Crisis.I have edited: the 5-volume Encyclopedia of War andthe 4-volumeEncyclopedia of Diplomacy; the journals of A.L. Kennedy for the Royal Historical Society; numerous collections of essays, and the multi-volume Seminar Studies in History series. I am currently working on a two-volume study of Political Intelligence in Great Britain, 1900-1950, which is a group biography of the men who made up the Department of Political Intelligence in Britain, 1917-1919
One of the most popular explanations for the outbreak of war between 1918 and 1939 was that it had been caused by the ‘Merchants of Death,’ i.e. the large armaments firms and their financiers who profited from international animosity. Although the conspiracy theory tendency in this belief gradually dissipated, the idea that the arms race was a significant contributory factor leading to war has long featured on any list of ‘causes’.
David Stevenson’s exhaustive research in the archives of most of the combatant states has provided us with massive and fascinating detail on the thinking of those involved and the relationship between geopolitical ambitions, strategic calculations, and financial realities. His treatment makes for fascinating reading, enhanced by crisply argued interpretations of the role of military and naval preparedness in the crises that plagued prewar Europe.
The global impact of the First World War dominated the history of the first half of the twentieth century. This major reassessment of the origins of the war, based on extensive original research in several countries, is the first full analysis of the politics of armaments in pre-1914 Europe.
David Stevenson directs attention away from the Anglo-German naval race towards the competition on land between the continental armies. He analyses the defence policies of the Powers, and the interaction between the growth of military preparedness and the diplomatic crises in the Mediterranean and the Balkans that culminated in the events…
I discovered my passion for the First World War when researching my great-grandfather’s service history in the cavalry. I also write historical fiction with several of my books being set during the First World War and have spent thousands of hours over the past twenty years researching different aspects of this period, both from the point of view of the V.A.D.s, wounded soldiers, medical staff treating them, as well as grieving families. The stories I’ve come across never fail to haunt me and I can’t imagine I’ll ever tire of wanting to discover more about the people who survived these experiences, or stop needing to write books about them.
This is the first novel I read about grieving families who commissioned photographers to search for the place where their loved one died, in order that a photo could be taken for them to have as a keepsake.
I love learning something new when I read a book and I discovered so much about the after-effects of losing someone without having knowledge of their last moments and a place to pay one’s respects.
This is about Edie, a widow wanting answers about her husband who she believes might still be alive, despite being classed as ‘missing, presumed dead’ in 1917. She commissions her late husband’s brother to search for him and photograph his final resting place, if indeed there is one.
A wonderful, haunting story of enduring love and loss.
**Don't miss Caroline Scott's brand-new novel When I Come Home Again, a beautiful and compelling story based on true events - out now!!**
A BBC RADIO 2 BOOK CLUB PICK
'This excellent debut is a melancholic reminder of the rippling after-effects of war' The Times 'A touching novel of love and loss' Sunday Times
For fans of The Tattooist of Auschwitz and Where The Crawdads Sing comes a moving story, inspired by real events, about how hope and love will prevail against all odds.
1921 In the aftermath of war, everyone is searching for answers.
I’m Steve R Dunn, a naval historian and author of twelve books of naval history, with two more commissioned for 2024 and 2025. As a child I used to invent naval fleets and have always loved the water. Now, I write about little-known aspects of the First World War at sea, and try to demonstrate that, despite the mass slaughter and ultimate victory on the Western Front, if Britain had lost command of the sea, the war would have been lost. The combination of recognisably modern weapons with Nelsonian command and control systems renders the naval side of WW1 endlessly fascinating to me.
This is the book that got me into naval history and made me want to be a naval historian.
Bennett was a serving officer in the RN and the son of a naval officer. He writes with pace, experience, and clarity about the major naval encounters of the First World War. It is a book that would be a good primer for anyone wanting to start the WW1 at sea journey. I purchased it in a second-hand bookshop in Cambridge and never looked back.
With the call to action stations in August 1914, the Royal Navy faced its greatest test since the time of Nelson.
This classic history of the Great War at sea combines graphic and stirring accounts of all the principal naval engagements -- battles overseas, in home waters and, for the first time, under the sea--with analysis of the strategy and tactics of both sides. Geoffrey Bennett brings these sea battles dramatically to life, and confirms the Allied navies' vital contribution to victory.
Military history has always fascinated me. I grew up in Britain with my parents’ tales of service in the Second World War on land, sea, and in the air. The First World War saw the zenith of British sea power and was an obvious draw. The scale and scope of the fighting were huge, and I’ve been researching the naval war in depth for over thirty years. The high levels of literacy of the combatants mean that it is also possible to gain deep insights into their experiences. This makes for stories I'm passionate about discovering as a reader and telling as an author. I hope this list helps you discover them too.
If there is one story to fire the imagination about naval action in the First World War, it is that of the German cruiser Emden and her crew. Her commander, Karl von Müller, showed skill and chivalrous humanity in equal measure.
Emden raided the Indian Ocean, pursued by numerous Allied warships, causing havoc to commerce. The cruise ended in an epic final action with the Australian cruiser Sydney. Part of the crew then made an audacious escape home across the Indian Ocean and the Arabian Desert.
Lochner’s research is thorough, making extensive use of archive material to tell the story. This is essential for writing well-informed history, but he also brings the crew and their adventures vividly to life.
Based on German, French, and English sources, this World War I saga of the German cruiser Emden provides a colorful portrait of a lost era of naval warfare and a lasting tribute to a legendary merchant raider. Though dauntless in pursuit of enemy ships, the Emden treated captured crews with great courtesy and is remembered today as the last man-of-war that adhered to a chivalric code of conduct. The bold and gallant raids against Allied merchant ships in the Indian Ocean earned the Emden the admiration of friend and foe alike. In a single raid it sank a Russian cruiser…
I’m a historian, and while I have a great deal of experience producing straight ‘nonfiction’ work, the idea of reading something ‘non-fictional;’ within a fictional world has always excited me because it allows many opportunities to talk about us while framing it as them. They also play into what I call the ‘Rutger Hauer Effect,’ where his character in Blade Runner mentions the wonderous things he’s seen in passing. I want to see those things too! Fictional nonfiction books provide a fantastic opportunity to tease the readers with things that their author knows and has seen but exist just beyond the reach of our own imaginations.
Much of my background as a historian focuses on the First World War, and, as a result, I have a particular interest in the ‘invasion literature’ of the late 19th and early 20th centuries. This is a particularly fun and interesting example in that it creates newspaper and press reports to help grant a level of tactile reality to the unfolding invasion of England.
Books like this had a significant impact on British popular culture and mindset before 1914, and Le Queux’s decision to make his fictional work appear to be nonfiction where possible works incredibly well and, as it was serialized in the Daily Mail newspaper, he adapted the text to include many locations readers either lived or would recognize!
...No fewer than two hundred thousand Germans were already upon English soil! The outlook grew blacker every hour.
Eight years before the outbreak of the First World War, when national hysteria over the supposed presence of German spies in England gripped the country, the journalist and novelist William Le Queux imagined a catastrophic scenario in which the German army invaded Britain in a shock attack on the east coast. His novel, first published as The Invasion of 1910 and serialised in the Daily Mail, was intended as a warning to military strategists and the government of the time that England…