Books like London and the Georgian Navy

This book is carefully researched and gives fascinating insights into the area around London’s docks. Rule begins her account in Roman times and takes the story through into the twenty-first century. She is committed to explaining how London’s docks, which employed around 100,000 men some sixty years ago, could so quickly have been swept away, and she shows huge sympathy for the people who lived and worked in the area. What I especially like is the range of sources she uses, from archaeological records to personal interviews.

This volume explores all the major aspects of the Port of London, from warehousing and ship repair to the quayside and dock trades. The 2000 edition takes the story right up to the redevelopment of what is now called London Docklands, including Canary Wharf and the Millennium Dome. The many well-chosen illustrations help to convey the drama and mystery of the docks but also the daily grind and danger of some of the work that went on there.

Stone looks specifically at the evolution of the Port of London from Roman times to the present day. His enthusiasm for London’s history is evident on every page. The book is well-paced, accessible, and combines a broad chronological sweep with interesting side-stories which help to bring the pages to life. Clear maps showing trade routes and the growth of London’s dock complex greatly help the reader.

Morris and Cozens have written a series of books that look at the history of East London. These books are a rich resource for historians and offer many points of interest for general readers. In this volume they look at Shadwell and Ratcliff, and chiefly focus on the period between 1700 and 1800, analysing hundreds of archives including land tax records and insurance policies. Their research allows them to up-end the traditional view of a deprived East London to show that actually the population in this period was mixed and included many wealthy families.

There are many biographies and other narratives of Jane Austen, with many published since 1997, when Professor Park Honan updated his original book. Even so, his biography is still, in my opinion, the best. It is comprehensive, detailed, and accurate, with copious endnotes. The author also had unparalleled help from descendants of Jane Austen. His writing style is straightforward, and he is excellent at depicting the overall context of her life and how it influenced her writing, from her two brothers in the Royal Navy to productions in the London theatres.

This one’s a story of obsessive love, with a heroine who is undoubtedly flawed, but who you can’t help cheering on, even when she’s doing very bad things.

You wouldn’t want her to be your brother’s girlfriend, but she’d be hilarious company on a night out. The story is darkly funny, but ultimately uplifting, which I think is a great combination in a book.

Dominic wrote two very good crime books in a short series before publishing Vine Street.

I am including Vine Street on my list because, although it’s set in London and is therefore not ‘regional’, it was one of the great crime novels of 2021-22 and deserves to become a classic. I read this book before it was published, and I knew, like everyone else, that it was something special.

The story spans almost a century, from the seedy streets of London’s Soho in the 1930s, until the present day. There are some really well-researched and vividly depicted descriptions of police investigations in the 30s, and just for that it’s worth a read. But there’s also a twisting, mesmerizing plot that takes us all the way to the present.

What really distinguishes Vine Street, though, is the writing itself, which seems to echo the rhythms of the 1930s jazz clubs, and… show more.

Jewel thieves, undercover investigation, and - a fake engagement? I seriously could not predict the twists and turns aplenty in this book from Erin Swann which made me gasp several times, and then frantically keep reading.

I adored the clever descriptions that Erin crafted, and it became impossible not to fall in love with her characters. Grab it now.

This one had me on the edge of my seat. More telling for me to be thrown back in time to the 1960s. I didn’t live this life, but the background was familiar. I remember the Kray brothers and I did once briefly have a job in the sleazy sort of club where the boss had his goons hold a guy so he could punch him in the gut. Scary. Simon Michael’s story is all too believable and it is a testament to his ability to pull me into that world that it threw up long-gone memories. The story is told in first person which works to keep you guessing along with the protagonist barrister sleuth. For me it was a thrill ride into the past.

Throughout this book, the artist and editor, Avis Newman converses with the editor Catherine de Zegher about the practical process of drawing. This approach was also important and also most impactful. In the book, de Zegher asks Newman "What happens in the space between the gesture and its landing on the page?" And we love all conversations around the artist’s “doing” and “thinking." Following this conversation, the book gives the reader a window into how the drawer is thinking in the process of making and illuminates a link between performance and drawing by revealing how a drawing is performative as it comes into the world.