89 Books Like London

Henry Mayhew’s sprawling record of nineteenth-century London can be overwhelming, but his ear for the vernacular and eye for weird detail means that the reader can dip in and find something.

London’s population exploded in the nineteenth century, bulked out by a huge number of itinerant workers. Mayhew interviews these people–in the prologue to the first volume, he describes himself as a "traveller in the undiscovered country of the poor"–and because he gives no judgment on their lives, the book feels more like a modern documentary.

The voices are one thing; Mayhew’s statistics are another–"expenditure in ham sandwiches supplied by street sellers is £1,820 yearly…a consumption of 436,800 sandwiches." Anyone who thinks that Dickens’ writes grotesques should read this. The first book that really brought old London alive for me. 

These days, books about London are strewn about thicker than leaves in Vallombrosa, but this was the first definitive book. Writing about London as if it was indeed a legendary person plays to Ackroyd’s great strengths: a sense of history, of place or psychogeography, and a multi-disciplinary approach, incorporating the many voices and experiences of Londoners throughout the ages to capture the soul of this great city. 

By launching this genre, Ackroyd really showed me the way. When I was first commissioned to write Necropolis, I had some misgivings. Would anyone really want to read a book about London cemeteries? Then I went into Oxford Street Waterstones and saw an entire wall of London books, and realized that this was an entirely new genre and one which welcomed me in.

I was also extremely apprehensive when Ackroyd reviewed Necropolis for The Times. I spread the paper out over… show more.

Written in 1927 it is one of the most entertaining accounts you will ever read of a typical day in London. Using the excuse of needing to buy a pencil, Woolf meanders through London taking in all the day-to-day activities of the populace. Admiring and also sometimes disapprovingly, she comments on the ordinary lives of every kind of Londoner from the sales girls at the haberdashery to the costermongers in the street.

Through his jaundiced eyes we accompany our erstwhile hero into coffee shops, the arms of actresses, and experience the ebb and flow of London life. Later we watch as his beloved London undergoes the rigors of the plague of 1665 and then how he buries his beloved cheese in the wake of the Great Fire of London. A true classic.

This novel was a massive influence on me. Rutherfurd takes the city of London as his subject, and follows the life of the city through the centuries, taking in Celts, Romans, Anglo-Saxons, Normans etc…right through to modern times. I don't have quite such a huge canvas in my book, but I do follow a series of historical events in a manner which is somewhat reminiscent of Rutherfurd. Rutherfurd takes you on a wonderful journey. 

In my own writing I’ve recently ventured into the Anglo-Saxon period, so I know how hard it is to conjure the history of these early medieval centuries from the meagre source material that survives. Rory Naismith manages this brilliantly in his highly engaging history of London in the centuries between the end of Roman Britain and the Norman Conquest. Naismith’s earlier books are on coins and coinage, but he does not allow his specialism to pull the book off balance. It’s a comparatively short volume, but it provides a comprehensive overview of the emerging capital, and it wears its considerable learning lightly.

I learnt so much from this book when I was writing my biography of Chaucer. It is hard to find out information about childhood in history, and yet it is impossible to try to understand a society if we don’t know how children were brought up, what games they played, how they were educated, what adolescence was like. This book tells us about all those things. You can find out about how children learnt to read, what happened to orphans, the opportunities for pre-marital sex. Looking at a wide range of historical records and literary texts, Hanawalt pieces together a remarkably complete picture of medieval childhood. Looking at causes of death, for example, tells her where male and female children spent their time and what they were likely to be doing (boys were more likely to be outside). And archaeological finds reveal what kinds of toys children played with. Fascinating… show more.

London is basically built over layer upon layer of graves. I was thoroughly fascinated by the Bronze Age tumulus on Parliament Hill, which Arnold calls one of the oldest burial grounds in the city, predating Highgate Cemetery by over 4000 years.

The book really grabbed me when it explored the plague pits of the Middle Ages. I could have read much more about those centuries, although so little seems to be left above ground to mark them. The Tudor chapters were equally fascinating.

Once the book moves into the exquisite Victorian-era graveyards, Arnold hits her stride. If you are new to the study of all things dead in London, this is crucial material.

P.G. Wodehouse is a comic genius best known for his series of books featuring Wooster and Jeeves, but this book differs from his usual fare in that it has a female protagonist and a sweet little romance.

I loved Jill, who is the type of heroine Jane Austen might have invented: loyal, spunky, and highly principled. Jill’s adventures take us from London to 1920s New York, but this isn’t historical fiction. Like Austen’s books, this is a contemporary novel written in the era in which the author lived.

I love Austen because of her wry humor and her feisty female characters, two things that are also present in this very fun book. 

It’s hard to express the depths of my excitement when I discovered this book. This title allowed me to take research for my novel’s heroine to a whole new level. Should she use parchment or vellum, what was the difference, and when should she use one over the other? (Did you know the most sumptuous parchments were died purple? I didn’t until I read this book!) What was the difference between natural and artificial pigments as understood by medieval artists? And how did they create all those brilliant reds, blues, greens, yellows, purples, and more in their paintings? How did they make paint out of gold or apply gold leaf to their art? All these details and much, much more are laid out here. Everything a medieval artist, in life or in fiction, could possibly need to know! (This book also touches on other forms of medieval painting, like painting… show more.