100 Books Like Lolas' House

The novel One Left begins when the elderly protagonist hears a TV report on the last surviving Korean “comfort woman.” She is in fact also a comfort station survivor, one who has remained silent and hence unknown to the public. At the age of thirteen, she was kidnapped into a Japanese military comfort station in northeast China. The protagonist's thoughts flash back and forth between her present-day life and the wartime horrors, the details of which are drawn from  real survivors’ testimonies. “Fifteen men a day was normal,” she recalls, “but on Sunday fifty men or more might come and go from a girl.” “If a girl got pregnant, her uterus was removed fetus and all as a preventive measure.” It is a difficult read, but necessary, moving, and profound. 

This book is essential reading on the “comfort women” issue. Originally published in Japanese in 1995, it has inspired many readers to look more deeply into the history of Imperial Japan's wartime “comfort women.” I consulted this book frequently in my own research and writing about the subject. The book provides a wealth of documentary evidence and first-person testimonies, convincingly proving the Japanese military’s direct involvement in setting up and administering the comfort stations. This English edition includes introductions by both the author and the translator, making the story accessible for English-speaking readers. 

Born in Java of the former Dutch East Indies (now Indonesia), Jan Ruff-O’Herne was the first European “comfort woman” to speak out. She was interned in Ambarawa prison camp with her mother and two sisters when Japanese troops invaded Java in 1942, and forcibly taken to the military comfort station at Semarang two years later. Jan’s depiction of her happy family life before the war and the atrocities she suffered at the prison camp and the military brothel form an unforgettable contrast. Equally unforgettable is her resilience in the face of extraordinary brutality and her courage in breaking the silence around "comfort women" at an international public hearing on Japanese war crimes in 1992. Her book offers a strong message of hope for peace and reconciliation.

This is one of those graphic novels where the drawing style completely matches the harrowing events of being a comfort woman (cw rape) for the Japanese Imperial Army during World War II. Maybe I’m biased as a Korean-American who gets emotional watching Asian elders suffering before my eyes, but every five pages, I have to stop and take a deep breath.

I learned so much in this book than what we were ever taught in the American education system. It’s a gift to have the story of a real former comfort woman told like this. I’ll treasure this book forever.

When I was secretly working as an escort, living and working ‘underground’, and came upon this book, I was immediately drawn in because here, too, despite and thankfully many different circumstances, was a woman witnessing and taking notes not only to keep herself sane but also to bear witness to the real events as they affected women in this terrible and extraordinary moment in history.

Instead of events and general washes of the main players, as is so often what we get when studying a period of history, here was a true, authentic voice of the actual effects and aftermath of the war on the people living through it. And she wrote it as it was being lived! …” with nothing but a pencil stub, writing by candlelight since Berlin had no electricity…”

As the author, she chose to remain anonymous to protect herself. This choice resonated with me until… show more.

I originally read this book when it came out in 1990. It is about a group of young women in the Soviet Union who flew as combat pilots during World War II.

With U.S. women still prohibited from flying in combat in 1990, I was thrilled that women had already proven themselves in combat a half-century earlier. The “Night Witches” flew mostly at night, and their bombs relentlessly terrorized German ground forces invading the Russian homeland.

Many of the women were designated as aces for shooting down at least five enemy aircraft, and others were awarded the Hero of the Soviet Union.

Although the book has been criticized in recent years for not being entirely factual, it is still a great read about these courageous women.

In 2018, I went to an author reading by Liza Mundy. Deep into researching my own nonfiction book, I was fascinated as Mundy talked about interviewing women who became code breakers in World War II.

The government recruited them from top colleges and universities, looking for women who were gifted in math and music. The women were sworn to secrecy and kept their word, telling people they had been secretaries during the war. They maintained that fiction into their old age or their graves.

Mundy tracked down survivors and showed them documentation that the program had been declassified. They had been released from their vow of silence and could share their stories with her. The book is excellent.

I loved this was a historical fiction novel that featured the Six Triple Eight unit from the Women’s Army Corps. The Midwest was heavily featured including Iowa and the way race played in the way women were allowed to serve. This reminded me that I stand on the shoulders of the women who came before me in the Women’s Army Corps and the treatment of women has come a long way. I struggled with some of the scenarios the two main characters, Grace Steele and Eliza Jones were put into but they rang true for a fictional novel. 

An American working in Paris, a German doctor, and a Polish teenager working for the Resistance are thrown together in this WWII story based on real events culminating in the notorious Ravensbruck Camp for women, famous for its medical experimentation during the war. It’s a story of survival and courage and unlikely friendships.

A book with disturbing lessons for our time. This book charts the lives of three women during the 1930s and 40s as the Nazis rise to power and use book burning as a tool to destroy culture and freedom of expression. I adored and was completely captivated by the clever way the author wove a complicated story between three women in three different cities and times. 

Almost a character in itself is the spectre of book censorship and the damage it can inflict on society. This book has some very moving scenes–a burgeoning lesbian love affair, a children's game amid the horror of war, a finale that had me reaching for the tissues, and more. The amount of research in this book is incredible!