Here are 100 books that Lob fans have personally recommended if you like
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In my high school creative writing class, my teacher once said that good writing was a bit like looking at a star. If you look directly at it, it gets a little fuzzy and hard to see. But if you look just off to the side, the star becomes vivid and clear. That, to me, is exactly the power of spooky stories for young readers. We all deal with monsters, to varying degrees, throughout our lives. Even kids. But if we look at it just off to the side, through the angle of a fun, spooky story, those monsters suddenly become much more comprehensible. More faceable. More beatable.
It’s been said by smarter people than me how writing horror for kids isn’t about scaring them, it’s about showing them how brave they are.
A Monster Calls is the perfect illustration of that. The scariness and the spookiness are a stand-in for the real-life horrors that this kid is facing. Kids deal with a lot, and this book is the perfect example of how to survive when the worst happens.
The artwork too—wow! I wish I could get some of this artwork to hang on my walls. Absolutely gorgeous book.
The bestselling novel and major film about love, loss and hope from the twice Carnegie Medal-winning Patrick Ness.
Conor has the same dream every night, ever since his mother first fell ill, ever since she started the treatments that don't quite seem to be working. But tonight is different. Tonight, when he wakes, there's a visitor at his window. It's ancient, elemental, a force of nature. And it wants the most dangerous thing of all from Conor. It wants the truth. Patrick Ness takes the final idea of the late, award-winning writer Siobhan Dowd and weaves an extraordinary and heartbreaking…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am an author and illustrator of children's picturebooks, having completed my MA at the Cambridge School of Art. I am endlessly fascinated with the picture book as a rich medium for children to safely and slowly approach topics that might be challenging for them. Picture books can be such a versatile, interesting place for curiosity and confidence to thrive, while also creating a lovely time for closeness between parent/carer and child. As we grapple with the long-term effects of the pandemic, I feel that children will need stories more than ever, to help them make sense of their experiences.
This subtle and tender book is a moving look at life continuing in small moments after a bereavement. I love the marriage of words and images, where each part tells a different piece of the story and the relationship between the boy and his father. The boy asks questions, about the birds, the trees, the fox, and his mother, looking for reassurance. When the father repeats "everything is going to be alright," we are all reassured and comforted, and held safe in arms like a boat.
It's quieter than it's ever been. Unable to sleep, a young boy climbs into his father's arms. Feeling the warmth and closeness of his father, he begins to ask questions about the birds, the foxes, and whether his mom will ever wake up. They go outside under the starry sky. Loss and love are as present as the white spruces, while the father's clear answers and assurances calm his worried son. Here we feel the cycles of life and life's continuity, even in the face of absence and loss, so strongly and clearly that we know at the end that…
I am an author and illustrator of children's picturebooks, having completed my MA at the Cambridge School of Art. I am endlessly fascinated with the picture book as a rich medium for children to safely and slowly approach topics that might be challenging for them. Picture books can be such a versatile, interesting place for curiosity and confidence to thrive, while also creating a lovely time for closeness between parent/carer and child. As we grapple with the long-term effects of the pandemic, I feel that children will need stories more than ever, to help them make sense of their experiences.
For older readers, The Hideaway blends themes of domestic violence, difficult family life, community, environment, and care together. Besides an unbearable home life, we are shown how Billy, our main character, finds safety and space in the unlikely setting of a graveyard. His relationship with the old man he meets and the careful work they engage in, help maintain the old man's connection with the past, and Billy's connection with the present. Beautifully illustrated by Smy, and written by her also, this book celebrates the graveyard not as a spooky or scary site, but as a special place where we remember, connect with, and love those we have lost.
The wonderful long-awaited second novel from Pam Smy, celebrated author and illustrator of Thornhill.
The Hideaway tells the story of a boy, Billy McKenna, who runs away from a difficult situation at home and takes refuge in an overgrown graveyard. While hiding there he meets an elderly man who is tending the graves in preparation for a day in November when something magical is set to happen.
The book is written in two alternating narratives, both different aspects of the same story. One thread tells of Billy's experience of hiding away in the graveyard, his mixed-up feelings and emotions, and…
Dr. Power is promoted to a chair of forensic psychiatry at Allminster University and selected by the Vice Chancellor for a key task which stokes the jealousy of the Deans, and he is plunged into a precariously dangerous situation when there is a series of deaths and the deputy Vice…
I’m a children’s book author-illustrator who loves picture books that can tackle difficult topics in a unique way. Along with Where Is Poppy?, I’ve also illustrated The Remember Balloons, written by Jessie Oliveros, which helps to gently explain Alzheimer’s and memory loss to kids without sugarcoating the realities of the illness. I think books can be a great tool for helping kids understand and process ideas that can be a little heavy or overwhelming, even for adults.
This is another book about death that will also make you laugh.
I appreciate how direct this book is while still managing to be tender and sensitive. And the artwork matches the tone of the text well. Death looks both friendly and a little creepy.
It may not be for every family, but I love how oddly funny and heartbreaking this book is.
From award-winning author and illustrator, Wolf Erlbruch, comes one of the world’s best children’s books about grief and loss.
In a curiously heart-warming and elegantly illustrated story, a duck strikes up an unlikely friendship with Death. Duck and Death play together and discuss big questions. Death, dressed in a dressing gown and slippers, is sympathetic and kind and will be duck’s companion until the end.
“I’m cold,” she said one evening. “Will you warm me a little?” Snowflakes drifted down. Something had happened. Death looked at the duck. She’d stopped breathing. She lay quite still.
I went through major surgery when I was in eighth grade. The physical pain was bad, but what hurt more was the emotional side. When I returned to school, the friend groups had shifted, shutting me out because of my extended absence. I had to face that time in life alone. Perhaps that’s why I’m drawn to works about kids who have to face challenges on their own. When we go through hard times, our true selves come out. They have to; we have no one else. We can’t pretend. We can only try to make it. The books I like show characters that shine through their hardships.
First off, this book was written by a good friend of mine and I got to read early, early drafts of it. But more importantly, Myra, the main character, is in a special school on the Moon for kids with magic. Only, she doesn’t have magic. She has to try to fake her way through it.
That is, until she develops the wrong kind of magic. When she discovers she’s a Boton, all is lost. She could be put in jail for having plant magic–or worse. Myra isn’t very good at making friends, but she learns through this tough situation how to trust other people.
"Moongarden blooms with heart and adventure. A stellar update of The Secret Garden, woven with a little science fiction, a lot of magic, a vibrant heroine, and a plucky robot sidekick to rival R2-D2." —Victoria Aveyard, New York Times bestselling author of Red Queen
The Secret Garden meets The City of Ember. Failed climate change policy, an intergalactic conspiracy, and the magical, unlikely heroine who could unearth it all. An explosive STEAM-inspired series starter perfect for young change makers.
Centuries ago, Earth’s plants turned deadly, and humanity took to space to cultivate new homes. Myra Hodger is in her first…
As a child, I spent summers looking for adders on the Common and winters walking through snowstorms pretending to be a Hobbit in Tolkien's Middle Earth. My travels and studies taught me the importance of respecting different cultures and our planet. Glasgow Libraries gave me my first storytelling work in 1992, and I have a Master's degree in Scottish Folklore. I live in Scotland, sharing stories through writing and storytelling. Having collected hundreds of traditional folktales about our ancestors' wisdom and folly, I co-authored my first book, Dancing With Trees, Eco-Tales from the British Isles, to reflect our need to understand nature's wisdom and help us live sustainably on Earth.
This is more than a collection of garden folktales.
Donald Smith takes us on a storytelling odyssey through each month of the year. Reflecting on his garden in Edinburgh, Scotland, during the global pandemic 2020, he presents stories that speak of seasonal rhythms and nature connection.
Smith peppers his unfurling garden journey with snippets of history and musings on nature and storytellers past and present. He includes his unique retelling of classic folktales like Jack and The Magic Beans and fascinating and humorous autobiographical stories.
This book's confident narrative and beautiful artwork connect us to the botanical paradise and wildlife havens that are our glorious gardens.
The garden is an oasis, a pocket of nature in our busy modern lives, full of plants, animals, insects - and a fair bit of magic.
Folk Tales from the Garden follows the seasons through a year of stories, garden lore and legends. Explore the changing face of nature just outside your front door, from the tale of the Creator painting her birds and the merits of kissing an old toad, to pixies sleeping in the tulips, and an unusually large turnip.
The Whale Surfaces follows a daughter of Holocaust survivors who tries to deal with trans-generational trauma.
From the age of eleven to 22, she struggles to be ‘normal’ and to conceal the demons haunting her. Her sensitivity to her parents’ past and to injustices everywhere prevents her from enjoying life.…
I belong to a family of dog lovers – Oscar, the black cocker spaniel; Buddy, the brown-and-white beagle; Riley, the buff cocker spaniel; Buffy, a black boxer mix, Milo and Max, Golden retrievers. In fact, cavorting with Riley at a San Francisco park was my inspiration for Bark Park. I also love children, especially my grandchildren Connor and Kasey. When Kasey, at five years of age, read my book Bark Park aloud for the first time, my heart swelled with joy! It took me back to my own young daughter Laura whose first all-by-herself read-aloud had been: Go, dog, go! So it’s only natural for me to combine my two great loves – dogs and children – with these book recommendations.
Biscuit is a curious little dog who loves the garden. He scampers about enjoying the butterflies and worms and especially the birds. But when Biscuit accidentally knocks over a bag of birdseed, his accident has a happy ending, for the seeds attract even more birds to the garden. Biscuit in the Garden offers simple words and a simple but engaging plot for young readers who are just beginning to read.
For fans of Clifford and Spot, welcome everybody’s favorite little yellow puppy, Biscuit, in an I Can Read adventure!
Biscuit is excited to explore the garden. From the prettiest flowers to the smallest bugs, there's so much to see. And the little puppy even finds his own special way to add to the garden's bounty!
Biscuit in the Garden, a My First I Can Read book, is carefully crafted using basic language, word repetition, sight words, and sweet illustrations—which means it's perfect for shared reading with emergent readers. Books at this level feature basic language, word repetition, and whimsical illustrations,…
I love gardening and learning about unusual plants but I find that many gardening books don’t provide a lot of useful advice. I grow over 3,000 different types of plants and have a background in chemistry and biochemisty. I teach gardening to new gardeners and garden design to more experienced gardeners. My students want to learn practical things like solving pest problems and growing plants with more flowers. I am always on the lookout for books that provide them with hands-on practical advice they can use right away.
Many gardeners, like myself, want to create a stunning garden design. The problem is that we are just not creative enough to come up with the ideas on our own, or at least I’m not. This book, 1,000 Garden Ideas, solves that for us. It is a picture book that gives us the ideas we need to create that special garden design. When I am stuck designing a corner of the garden I just start flipping through the book until I find something that will be suitable for my space and my personal tastes. The book makes it easy to be creative.
The book breaks the ideas down into sections, so for example there is one chapter called pots which shows hundreds of different containers and raised beds, all different shapes, sizes, and styles. This book is just pictures, but it’s fun to flip through it.
Highly successful author and innovative designer Stafford Cliff has visited hundreds of gardens in the course of his travels over the last forty years all over the world, taking photographs and making notes. With his designer's eye and experience, he has created a revelatory work - a unique sourcebook of the very best ideas providing choices and inspiration for every single garden dilemma and possibility, from colour and planting to hard surfaces and features.For every new choice a gardener wishes to make, for every change they wish to introduce, there is a complete wealth of options - the plants, the…
My husband sums up my biography as “I am, therefore I dig.” I live, garden, read and write in Chatham, New Jersey, and have had a long, open love affair with the gardening style “across the pond.” At the New York Botanical Garden I teach English garden history, and I’m a regular contributor to the British gardening journal, Hortus. In my writing, I follow the relationship between the pen and the trowel, that is authors and their gardens. I’ve written books about children’s authors Beatrix Potter and Frances Hodgson Burnett, and, as you might imagine, the research trips to the UK were a special bonus.
Derek Jarmon was a British avant-garde filmmaker, theater designer, and life-long gardener. In the last decade of his life, he built a new garden at a tiny house by the sea in Kent. Prospect Cottage sits on the shingle expanse overlooking the Dungeness Nuclear Power Station and the English Channel. It was an accidental garden, this arrangement of rocks and driftwood, flowers, and found objects. The book sings. Jarmon’s musings and poems wind through a small volume of 140 pages; there are 150 photographs. It is a book about why we garden, how to live, and how to die.
'Paradise haunts gardens', writes Derek Jarman, 'and it haunts mine.' Jarman's public image is that of a film-maker of genius, whose work, dwelling on themes of sexuality and violence, became a byword for controversy. But the private man was the creator of his own garden-paradise in an environment that many might think was more of a hell than a heaven - in the flat, bleak, often desolate expanse of shingle that faces the Dungeness nuclear power station. Jarman, a passionate gardener from childhood, combined his painter's eye, his horticultural expertise and his ecological convictions to produce a landscape which combined…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
As an expert in grass ecology and champion of sustainable design, John Greenlee has created meadows not only in the United States, but throughout the world for over 30 years. Some of his most notable gardens include the Getty Museum, the Norton Simon Museum in Los Angeles, and the savannas at Walt Disney’s Animal Kingdom in Florida. In addition to his consulting and design work for commercial and residential clients, John Greenlee enjoys sharing his knowledge by giving several presentations and lectures throughout the year on the use of natural lawns, native grasses, and meadow restoration.
This book is perhaps the most important garden book of the last twenty years and one of my favorites.
The main premise is that plants matter and that the key to successful gardening and garden design is to know your plants and I could not agree more! I love the gorgeous photography and all the information by two of America's greatest horticulturalists.
For too long, garden design has given pride of place to architecture, artifice, and arbitrary principles. The results? Soulless landscapes where plants play subordinate roles.
With passion and eloquence, Scott Ogden and Lauren Springer Ogden argue that only when plants are given the respect they deserve does a garden become emotionally resonant. Plant-Driven Design shows designers how to work more confidently with plants, and gives gardeners more confidence to design. The Ogdens boldly challenge design orthodoxy and current trends by examining how to marry plantsmanship and design without sacrificing one to the other.