100 Books Like Little Soldiers

Pearl S. Bucks was the first American woman who won the Nobel Prize for Literature. She was brought to China by her missionary parents when she was an infant. She continued to spend much of the first half of her life in China from 1892 to 1934. This autobiography covers her growing up in China and returning to the U.S. Good-hearted and open-minded, she was the very few foreigners who had intimate access to ordinary Chinese people's lives and souls, which remain mysterious to most outsiders to this day. As a sharp-eyed observer and skillful writer, she gave an extraordinary account of the major events such as the collapse of the Qing Dynasty, the Boxer Rebellion, and the civil war between the Nationalists and the Communists. The missionary work brought her to China in the first place, but in the end, she admitted failure in bringing God to China. Pearl… show more.

This book is the comparatively underrated one among my five choices, but I guarantee it worthwhile. Peck went to China in 1935. He served in the U.S. Office of War Information in China throughout the 1940s. This memoir chronicles his life in China from the beginning of the Japanese invasion to the end of the Pacific War, during which the U.S. was the ally of the Nationalists, who lost to the Communists in the following years. The China Peck described was a sleepy, isolated world, characterized by apathetic people, rampant corruption, and senseless internal friction. When the book first came out in 1950, the Communists took over China a few months ago, and the Americans were in a hot debate, “Who lost China?” The valuable historical and political information Peck provided in this book offered a unique voice to answer the burning question. His opinion of China could be summarized… show more.

Growing up in Canada, left-winged Wong dropped out of university and flew to China in 1972 to participate in the Cultural Revolution. But she was soon disillusioned by the reality of a police state and the hypocrisy dominating everyone's life, from which even she, as a foreign nationality, couldn't escape. However, Wong remained in China and eventually worked as a journalist for Canada’s The Globe and Mail. When the Tiananmen Protests happened in 1989, she tracked down and interviewed dissidents and eyewitnesses. This memoir covers her active years in China from the 1970s to the 1990s, during which China was undergoing a sweeping change from Mao’s era to Deng’s era. It is a prelude to China's marching toward its economic prowess.

The first step to enriching perspectives on China is to go there—something more difficult in times of COVID and political tensions. One of the most pleasant virtual visits is to take a back seat as Peter Hessler roams the Great Wall backcountry. He does American things in an un-American place: getting a driver’s license, renting a car, meeting hitchhikers, countryfolk, and their city kids. He moves on to the factories, and we meet the Chinese that put the “Made in China” label on our daily world. Hessler is a regular at the New Yorker, is living in China, and always a good read.

Written in the 1940s, this book takes readers to Hong Kong as the Japanese occupation replaced the British colony. It’s mostly a love story in which the intensity of war reflects the passion of emotions and the restraint on actions. 

But like all of Eileen Chang’s works, it’s also beautifully written. Though the fall of Hong Kong is at the heart of the novella, I’ve always found the city less important in the story than the domestic settings. When the Bai family talks, I’m in the room, sitting in a wingback chair, sipping green tea, and listening.

Like her or not, the reigning queen of the naughty girl subgenre of Chinese literature decidedly is Wei Hui, whose debut, Shanghai Baby, was a cultural phenomenon that resulted in public book burnings, an international media frenzy, dozens of imitators, and one so-bad-it’s-good movie adaptation starring Bai Ling. Not that Wei Hui is a particularly well-regarded writer – Shanghai Baby is basically a knockoff of shallow Western-style chick-lit, about a designer-brand-obsessed young woman who has an affair with a married foreigner – but in 1999 it was groundbreaking for kicking the publishing doors down for the post-1970s generation of Chinese writers.

Shanghai is a city that fascinates and repels both Chinese and foreigners alike. The harsh exploitative past and the contemporary resurgence embrace a sometimes unsettling mix of wealth, style and brutality. The architectural reshaping of the megalopolis of more than 20 million souls reflects this context and no one has captured it better than Greg Girard, a Canadian photojournalist who spent much of his career in Asia. The twilight of eerie neon tones in the smoggy half-demolished city is fertile territory for this image maker chasing the phantoms.

The Chao’s are a mother-daughter duo who have created an absorbing, beautifully-written story.

Each scene is brought to life with well-wrought details. This time period is personally meaningful for me, as my grandparents were a well-off family in Shanghai who left everything behind to forge a new life in the U.S. 

Impressively, Claire Chao strikes the perfect balance between keeping the authenticity of the Chinese names and vernacular while making the storyline clear for an English-speaking audience. I loved being transported to this long-ago world, and am glad that Remembering Shanghai has captured this time and place for posterity.

Shanghai, which was once called the “Hollywood of Asia,” has always been a cinematic city par excellence, so a good way to describe the charms of this book is via movie terms. In one sense, it zooms in tightly on a specific day in the history of the city and what was happening in a single setting. It mixes close-ups of a horse race and some people who came to watch it, though, with wide-angle shots and flashbacks. The author, a skilled historian with deep knowledge of Chinese history and a stylish writer, moves effortlessly between Shanghai in the early 1940s as the Japanese military’s World War II era grip on the city and much of China was tightening and earlier points in its past. He also moves fluidly between the racecourse—a potent symbol, as during the height of the British imperial period, Britons would often build these to mark… show more.

In 1929, Bernardine Szold Fritz, age 33, accepted a proposal of marriage that brought her to Shanghai. From the very beginning, I was intrigued. Why would a single Jewish woman hop a train to China to be with a fourth husband, a man she met briefly in Paris? While the marriage is a disappointment, Art Deco Shanghai is not. 

Like other Jewish women before her, she started a salon in her home and an International Arts Theater that saw the likes of Hollywood luminaries and famous names in the arts and politics. I was mesmerized by how Bernardine’s commitment to intellectual pursuits defied the fragile political situation that existed in Shanghai through the civil wars and the time period leading up to World War II. She brought creativity and joy to a city that would soon change forever.