Here are 100 books that Little Bo Peep and More... fans have personally recommended if you like
Little Bo Peep and More....
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My family and I moved from America to Aotearoa New Zealand in 2019. As a children’s author, one of the best parts has been discovering a new world of literature. New Zealand is a very small country, so bookstores, libraries, and schools are filled with books from the U.S., the UK, Australia, and more. As one New Zealander so eloquently put it, “Kiwi kids read the world.” On the flip side, it’s extremely rare for books from New Zealand publishers to make it to other parts of the world, no matter how great they are. I hope this introduction to Kiwi KidLit makes you eager to seek out even more!
Forget Clifford and Snoopy. When it comes to fictional dogs, the most famous of all in New Zealand is Hairy Maclary from Donaldson’s Dairy. (“Dairies” are what New Zealanders call corner stores.)
Hairy Maclary—a black, shaggy dog with a spring in his step—goes off for a walk with some of his cleverly named friends, like Bottomly Potts covered in spots, and Schnitzel vom Krumm with a very low tum. With a fun, sing-songy rhythm, cute dogs, and one very scary cat (the notorious Scarface Claw!), it’s no wonder this book’s been delighting “wee ones” for forty years.
Join Hairy Maclary and his friends on their first ever adventure in this golden 40th anniversary edition of the beloved rhyming classic!
Hairy Maclary is off for a walk in town, and on the way he's joined by many furry friends of all shops and sizes, from Bottomley Potts (covered in spots) to Schnitzel von Krumm (with a very low tum). But when they suddenly find themselves face-to-face with Scarface Claw - the toughest Tom in town - it's time to run all the way back home!
The brilliantly clever rhyme and vivid, engaging pictures have made this story into…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
My family and I moved from America to Aotearoa New Zealand in 2019. As a children’s author, one of the best parts has been discovering a new world of literature. New Zealand is a very small country, so bookstores, libraries, and schools are filled with books from the U.S., the UK, Australia, and more. As one New Zealander so eloquently put it, “Kiwi kids read the world.” On the flip side, it’s extremely rare for books from New Zealand publishers to make it to other parts of the world, no matter how great they are. I hope this introduction to Kiwi KidLit makes you eager to seek out even more!
With all the gorgeous scenery in New Zealand, my family and I have thoroughly enjoyed getting out into nature by hiking on weekends.
In sparse but skillful rhyme, this book follows a group of families that go exploring together. A gentle story with soft illustrations, this contemporary picture book feels like a cozy classic.
Come exploring with our campers as they spot treasures along the track to their campsite. Don't forget to keep an eye out for the cheeky kea along the way! But what happens when the curious campers take a wrong turn?Praise for A Stick and a Stone:'It inspired us to go outside and do a nature treasure hunt. Something in this gorgeous book for everyone!' - Gleebooks'Reminiscent of We're Going on a Bear Hunt and A Summery Saturday Morning, this beautifully illustrated story will delight parents and children alike.…
My family and I moved from America to Aotearoa New Zealand in 2019. As a children’s author, one of the best parts has been discovering a new world of literature. New Zealand is a very small country, so bookstores, libraries, and schools are filled with books from the U.S., the UK, Australia, and more. As one New Zealander so eloquently put it, “Kiwi kids read the world.” On the flip side, it’s extremely rare for books from New Zealand publishers to make it to other parts of the world, no matter how great they are. I hope this introduction to Kiwi KidLit makes you eager to seek out even more!
There’s no way to talk about Kiwi KidLit without acknowledging Margaret Mahy, New Zealand’s most celebrated children’s writer and the author of more than 120 books.
The Boy with Two Shadows is a classic from 1971 about a witch who entrusts a boy with her shadow for two weeks.
I love how the playful story and language have some bite—there’s a deliciously sharp edge here that you won’t find in picture books today. Add wonderfully retro illustrations by Jenny Williams, and you feel instantly transported to 1970s New Zealand.
There once was a little boy who took great care of his shadow...
One day a witch notices the care he has for his shadow and asks him to look after her shadow while she goes away on holiday. But minding a witch's shadow turns out to be more complicated than the boy ever imagined!Discover a magical and mischievous story about a boy, a witch and one cheeky shadow.From the celebrated children's writer Margaret Mahy and award-winning illustrator Sarah Greig.
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
My family and I moved from America to Aotearoa New Zealand in 2019. As a children’s author, one of the best parts has been discovering a new world of literature. New Zealand is a very small country, so bookstores, libraries, and schools are filled with books from the U.S., the UK, Australia, and more. As one New Zealander so eloquently put it, “Kiwi kids read the world.” On the flip side, it’s extremely rare for books from New Zealand publishers to make it to other parts of the world, no matter how great they are. I hope this introduction to Kiwi KidLit makes you eager to seek out even more!
Matariki, the Māori new year, comes in late June, winter in New Zealand. It begins when the star cluster known as Matariki first appears in the sky. It’s a time of honoring ancestors, being with family, reflecting on the past, and dreaming for the future.
This moving story by Brianne Te Paa is about a boy who takes the lead in honoring his koro (grandfather), who dies shortly before Matariki. The sadness and warmth come through the night-sky color palette and the grown-up-feeling illustrations. To an American still learning about Matariki and Māori culture, this story feels unique, yet the way it captures the bonds between whānau (family) makes it feel universal.
A young boy learns about the customs around celebrating Matariki from his grandfather. They watch the stars from the top of a mountain, prepare their offering of food for the gods, and the boy learns about Te Waka o Rangi and the tradition of calling out the names of loved ones who have passed away so that they can become stars. Just before Matariki the following year, the boy's Koro suddenly dies. He gathers and prepares the food offering and asks each family member to come with him up the mountain when Matariki is due to rise, but they all…
Understanding the demographic, technological, and cultural pressures that prompt migration fascinates me. What makes a person leave behind everything they have ever known to go somewhere they have never seen, knowing the move is probably permanent? What features of individual and group identity are most important when you are on the other side of the world from everything that previously formed that identity? Examining such questions makes me reflect on my life and what makes me me. For example, visiting Scotland for my PhD research made me realize that I was not ‘New Zealand European’ but a New Zealander, which is a distinct identity.
What I love most about this book is the focus on women. That sounds really obvious, given the title, but it’s unusual. Male migrants are so easy to find in historical sources. On shipping lists, women and children were often only recorded as ‘wife and 5 children’ of a named man.
Due to this bias in the primary sources, men are usually at the center of 19th-century migration literature. Their experience is taken as the norm. Their motivations are assumed to be the ones guiding the migration. So I really love that this spotlight on women highlights the experiences and importance of these migrants to New Zealand and also that it has forced historians who have come after this publication to try harder to include women in their migration stories, too.
Between the 1840s and 1880s, thousands of young single women came to New Zealand as assisted migrants from Britain and Ireland. In this detailed study of forgotten lives, Charlotte Macdonald highlights the experiences and identities of a vitally important migrant group, one previously overshadowed by the stories of gold diggers, pastoralists, soldiers, adventurers and agricultural labourers.Macdonald, a pioneer of research into women’s history, brings a new perspective on New Zealand’s European settlement. Her compelling study will appeal to anyone seeking to investigate the origins of contemporary New Zealand identity.
I became interested in the genre of memoir during the lockdown when I found myself reflecting on my past during the extended solitary periods. Looking through a shoebox of old letters put me in touch with the person I had once been. I then discovered that the act of writing downmemories opened up areas that I had forgotten about or that had faded almost to nothing, and suddenly they became quite vivid. I decided to create memoirist.org for writing at a more literary level and only publish highly polished pieces. Memoirist now has many followers and some posts have nearly a thousand views.
After graduating, the narrator's family set him up with a job on Wall Street but it just isn't for him despite his upbringing preparing him for this kind of route. A few months later, he sets off on a round-the-world trip. The book features the first eighteen months of this journey spent in Australasia scraping a living in any way he can with occasionally outlandish casual jobs including beekeeping, running a youth hostel, and working on a production line in a cardboard box factory. He comes across a young woman, another traveller, sleeping beneath a table of honey pots and they begin a passionate yet fraught love affair.
Not only is this a great story, it is also punctuated with Bloom's vivid descriptions of landscapes and people he encounters along the way. There are meditations on the quirky details of life and reminiscing on an unusual childhood.
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I am the author of three novels that all explore contemporary notions of fidentity. In 2016 I received a scholarship to travel from New Zealand to Berlin for three months and fell in love with the city. I ended up staying there for nearly four years, until the pandemic started. As a writer I liked the way that being detached from your regular life, and living in a country where you are unfamiliar with the language and the rules, makes you alert to the quirks. It helps you to gain a fresh perspective about the place that you came from, and also the place that you are in.
For me, Catherine Lacey’s debut novel Nobody Is Ever Missing is a kind of reverse exploration of foreignness.
Elyria escapes from a comfortable New York life to New Zealand, where she backpacks down to the South Island towards a half-hearted invitation to stay from a poet she once met. Interesting to see your own country through the eyes of another writer as she observes “a boring little mountain, a plain blue lake, a gas station, the same as ours only slightly not” while she searches for a “small and manageable life”.
As she outwardly drifts through the landscape she also takes us on a very inward journey, interrogating her own thoughts about her adopted sister’s suicide, the mutual grief that drew her to her husband, and her mother’s drinking.
In the spirit of Haruki Murakami and Amelia Gray, Catherine Lacey's Nobody Is Ever Missing is full of mordant humor and uncanny insights, as Elyria waffles between obsession and numbness in the face of love, loss, danger, and self-knowledge.
Without telling her family, Elyria takes a one-way flight to New Zealand, abruptly leaving her stable but unfulfilling life in Manhattan. As her husband scrambles to figure out what happened to her, Elyria hurtles into the unknown, testing fate by hitchhiking, tacitly being swept into the lives of strangers, and sleeping in fields, forests, and public parks.
Nothing about the art of writing is more interesting to me—as both reader and writer—than the power of language to open, or to enhance, or to teach, our perceptions about life and about living in the richest emotional and thoughtful ways possible. My own Sweetbitter is my major effort at imagining in language or with language as a kind of perception. Our intuitions are immensely valuable, when we can catch hold of them; for the writer, the process of imagining and articulating is a kind of method of deepening our perceptiveness and our intuitions. My books of poems, also, are a necessary—for me—practice of the art of writing.
I *adore* Katherine Mansfield’s work. She wrote short stories, not novels.
She was still rather young when she died of tuberculosis. Her portrayals of love, family, and especially of children, are for me gloriously wonderful with insight and perceptiveness about relationships. From the New Zealand settings of many of her stories (where she was born and grew up), she emigrated to London, then to France (where she received medical treatment for TB), and Switzerland (also for treatment for TB—unsuccessful).
She seems to me a lonely genius—perceiving deeply not only other persons (of many sorts) on whom she modeled her short stories but also herself. Her seemingly idyllic childhood in NZ is perhaps the core source of her accomplishment—especially the novellas At the Bay and Prelude. But her adult life was difficult and she seems to have been uncertain about her writing, even though to me she seems a genius…
With an Introduction and Notes by Professor Stephen Arkin, San Francisco State University.
Katherine Mansfield is widely regarded as a writer who helped create the modern short story. Born in Wellington, New Zealand in 1888, she came to London in 1903 to attend Queen's College and returned permanently in 1908. her first book of stories, In a German Pension, appeared in 1911, and she went on to write and publish an extraordinary body of work. This edition of The Collected Stories brings together all of the stories that Mansfield had written up until her death in January of 1923.
As a mystery writer, I’ve always got my eye out for a great place to hide a body. I can’t help it, it’s a hazard of the job. I also love to travel, and a mix of the two has always been irresistible to me, whether I’m reading or writing. I’d say I’m not the only one who enjoys a little sightseeing with my whodunits, because my first book, Death in the Aegean, was nominated for an Agatha Best First Novel Award by the Malice Domestic community. I hope you enjoy these picks that combine some of my ideal vacation spots with entertaining whodunits.
I’ve never been to New Zealand, and this book makes me feel like I’m there with forensic odontologist Alexa Glock, who identifies bodies via dental records.
She navigates men, murder, and the ocean in this tightly woven murder mystery that’s as much about her personal life as her professional one. I learned quite a bit about sharks and whales, and bonus, this mystery includes quicksand!
A new title in the Alexa Glock Forensics Mysteries. When bodies wash up on the beach, is man or animal the culprit? It'll take everything forensic specialist Alexa Glock has to seek out the truth. Because lips may lie, but teeth never do... These thrilling New Zealand mysteries are:Perfect for Fans of Kathy Reichs and Candice FoxFor readers of forensic mysteries and international mysteriesFor lovers of police procedurals and marine scienceAt first, Alexa Glock's initial case as a traveling forensic investigator seems straightforward-her expertise in teeth helps her identify the skeletal remains of a hunter found on the remote Stewart…
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
As a writer from Aotearoa New Zealand, I’ve always been interested in social justice and human rights, and my own writing explores such issues, including who holds the power and who exerts the control. By writing about real-world issues in a speculative future, it allows us to peel back the layers of conditioning and look at ourselves and our actions through the eyes of an outsider – which forces us to examine our best and worst human traits. I love the way speculative fiction can do this, and I love that it challenges us to do better.
Described as an ‘alternate history coming-of-age YA’, Ursa packs a real punch. Set in a world deeply divided into those who can live freely and those denied all human rights, it shows what happens when the desire for freedom in those oppressed ignites into a revolution. Brutal and unflinching, with important things to say about fascism and xenophobia, you won’t be able to stop reading!