Books like Letters from the Lighthouse — picked by fans

I’ve been fascinated by England’s World War II evacuations since I was a child. Appropriately enough, I first learned of this extraordinary historical event in a story: it’s the reason the Pevensies are sent to the Professor’s house in C.S. Lewis’s The Lion, the Witch, and the Wardrobe. In the dark days of World War II, more than a million English children boarded trains, buses, and ships, to be picked up and cared for by strangers, in some cases for the duration of the war. It’s a historical event that is as astonishing to me now as it was when I first read of it all those years ago. 

I’ve been fascinated by England’s World War II evacuations since I was a child. Appropriately enough, I first learned of this extraordinary historical event in a story: it’s the reason the Pevensies are sent to the Professor’s house in C.S. Lewis’s The Lion, the Witch, and the Wardrobe. In the dark days of World War II, more than a million English children boarded trains, buses, and ships, to be picked up and cared for by strangers, in some cases for the duration of the war. It’s a historical event that is as astonishing to me now as it was when I first read of it all those years ago. 

Not only have I written six critically acclaimed novels for middle-grade readers, including three historical fictions, I am the parent of a tween and teen who is always looking for great read-alouds and read-alongs for my own family. I am a firm believer that this is a valuable way to encourage literacy and love of story as I wrote in a recent, much-discussed essay in The Atlantic. Having lived abroad, including as an exchange student and camper in the Soviet Union and for three years in Belgium, I am also a huge believer in expanding our own as well as our kids’ knowledge of history beyond our own borders, cultures, identities, and perspectives. 

I’ve been fascinated by England’s World War II evacuations since I was a child. Appropriately enough, I first learned of this extraordinary historical event in a story: it’s the reason the Pevensies are sent to the Professor’s house in C.S. Lewis’s The Lion, the Witch, and the Wardrobe. In the dark days of World War II, more than a million English children boarded trains, buses, and ships, to be picked up and cared for by strangers, in some cases for the duration of the war. It’s a historical event that is as astonishing to me now as it was when I first read of it all those years ago. 

I’m endlessly fascinated by the stories of young women from the WW2 era, who came of age at the moment the world was torn apart. As an author of wartime historical fiction with strong female characters, it’s vital for me to understand the experience of ordinary women who grew up in such extraordinary times, so I’m always on the hunt for real voices from the era. I’d love to think that in similar circumstances I’d face my challenges with the same humour, resourcefulness, bravery, and humanity as my favourite five female memoirists selected for you here.

I’m a pragmatist and a problem-solver. As a student of innovation, I draw inspiration from a risk-taker’s approach to attacking a problem. I’ve changed my life drastically from a farmland kid to a global technology CEO and then author. Along the way, I’ve had opportunities to struggle. I’ve found conventional wisdom seldom fixes the problem, so I’ve refined the ability to look for unique paths. I believe women provide the best examples to learn from because they don’t walk into the room bluffing their way to the solution. They credit the resources they tapped for their solution and bring others along in the journey to raise the education level.

I wrote A Crisis Wasted precisely with the goal of changing the way government makes decisions at inflection points in history, when change is happening at a 10x scale. That was the situation between the collapse of Lehman Brothers in September 2008 and the inauguration of the new president in January 2009. I felt at the time and later that the way problems were analyzed, options created and decisions made were tragically disappointing, not because the people involved were badly motivated but because of the assumptions and convictions to which they were firmly bound before they approached the problems. I had no idea in 2019 that the next crisis would be the pandemic and only had only hope that the next Administration would include many of the same people involved in 2008-9. But as history unfolded the lessons of 2008-9, as I decoded them, applied with uncanny accuracy to the decisions made by the Biden team in 2020-21. So far at least, their ability to learn from history has served the country well.

Jeremy Black is a prolific lecturer and writer, the author of over 100 books. Many concern aspects of eighteenth-century British, European, and American political, diplomatic and military history but he has also published on the history of the press, cartography, warfare, culture, and on the nature and uses of history itself.

I am not a historian but a journalist, and in writing the book I wanted to do what I have done in my political writing. Namely to cut through the lies, to bring accuracy to the distortions, and to point a finger at the politicians and pundits who would prefer that we wallowed in the phony nostalgia of our imagined past. Tackling fake history is like tackling fake news. You need not only to seek out the truth that lies underneath but also discover in whose interests myth-making works in the first place. That's why fighting fake history matters and that is why I wrote the book.

Dr. Mark Baldwin – aka Dr. Enigma – is a world expert and speaker on the Enigma machine and has delivered over 700 presentations and demonstrations (using his own, genuine wartime Enigma machine) to some 70,000 people around the world. He has spoken to a wide range of audiences, from cybersecurity experts and software developers at leading Silicon Valley tech companies such as Facebook, Dropbox, and PayPal, to academic audiences at universities, executives at business conferences, and the general public in a couple of hundred one-man theatre shows.