Here are 100 books that Let Sleeping Gods Lie fans have personally recommended if you like
Let Sleeping Gods Lie.
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When I was younger, I turned to fantastical stories of determined, flawed heroes to bring me a world I could understand and control – unlike the scary reality I lived in. Most of the fantasy stories I read as I grew up were, of course, set in a medieval England-type world. But as I got older, I found myself fascinated by the history and mythology of the New World and got the feeling there was a lot of untapped potential there. So, I started studying Mesoamerican and Native American peoples, as well as picking up alternate history fantasies set in America. So of course, I had to write my own.
I like Seventh Son more than I liked Ender’s Game. There, I said it.
Seventh Son draws on legends and mythology that I’ve tasted throughout my life, but weaves a truly awesome tale of coming into power and heroism inside of all of that. Because Alvin is the seventh son, he’s endowed with a powerful potential but the world around him doesn’t want him to find his power. Evil forces do everything they can to stop him.
That sounds like my life at times. I know I have the ability to do special things, but forces outside my control seem to want me to fail. The Tales of Alvin Maker blew my imagination wide open, but also told me I could do anything if I was determined enough.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
When I was younger, I turned to fantastical stories of determined, flawed heroes to bring me a world I could understand and control – unlike the scary reality I lived in. Most of the fantasy stories I read as I grew up were, of course, set in a medieval England-type world. But as I got older, I found myself fascinated by the history and mythology of the New World and got the feeling there was a lot of untapped potential there. So, I started studying Mesoamerican and Native American peoples, as well as picking up alternate history fantasies set in America. So of course, I had to write my own.
I love a noir detective story. Set that story in a fantastical, blood-drenched Tenochtitlan, the capital of the Aztec empire, and I’m totally sold.
The story follows Acatl, who is a high priest of the dead, as he, I kid you not, tries to solve what appears to be a murder case. Except he’s not walking the streets of some modern city – his journey takes him through the fascinating world of a familiar yet unique Aztec empire where human sacrifice is the only thing keeping the world spinning in its proper order.
Having familiar conflicts, including family issues, makes this one a unique standout. Acatl sounds like people I know. Following his determined efforts to bring a specific evil to heel – all while in a society that seemingly glories in bloodshed – is awesome.
The first book in the critically acclaimed Obsidian and Blood trilogy:
Year One-Knife, Tenochtitlan the capital of the Aztecs. Human sacrifice and the magic of the living blood are the only things keeping the sun in the sky and the earth fertile.
A Priestess disappears from an empty room drenched in blood. It should be a usual investigation for Acatl, High Priest of the Dead--except that his estranged brother is involved, and the the more he digs, the deeper he is drawn into the political and magical intrigues of noblemen, soldiers, and priests-and of the gods themselves...
When I was younger, I turned to fantastical stories of determined, flawed heroes to bring me a world I could understand and control – unlike the scary reality I lived in. Most of the fantasy stories I read as I grew up were, of course, set in a medieval England-type world. But as I got older, I found myself fascinated by the history and mythology of the New World and got the feeling there was a lot of untapped potential there. So, I started studying Mesoamerican and Native American peoples, as well as picking up alternate history fantasies set in America. So of course, I had to write my own.
Witchy Eye instantly transported me to a fascinating, alternate Appalachia, where magic and magical creatures abound.
Not only does this book tell a coming-of-age and heroic story about Sarah Calhoun, it takes place in a fascinating world where the New World has an emperor, legends that I’d heard tell of have come to life, and undead and shapeshifters haunt Sarah’s every step.
Sarah’s voice is accessible and sympathetic. At the same time, her journey to try to claim her own powerful heritage and discover the truth about her lineage, takes place in a world that is totally replete with creatures and mythology from the New World.
DJ Butler is deeply versed in the history and legends of many regions and people from old colonial America – making this a fascinating read.
Sarah Calhoun is the fifteen-year-old daughter of the Elector Andrew Calhoun, one of Appalachee's military heroes and one of the electors who gets to decide who will next ascend as the Emperor of the New World. None of that matters to Sarah. She has a nat
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
When I was younger, I turned to fantastical stories of determined, flawed heroes to bring me a world I could understand and control – unlike the scary reality I lived in. Most of the fantasy stories I read as I grew up were, of course, set in a medieval England-type world. But as I got older, I found myself fascinated by the history and mythology of the New World and got the feeling there was a lot of untapped potential there. So, I started studying Mesoamerican and Native American peoples, as well as picking up alternate history fantasies set in America. So of course, I had to write my own.
New Amsterdam is a collection of noir detective fantasy set in an alternate New World with sorcery, magical creatures, and terrifying evil.
The main character is a fallen figure, Abigail Garrett, who self-medicates with booze while trying to fulfill her duties as a forensic sorceress. She investigates heinous crimes with a voice and motivation that I absolutely loved. Add to this character and world a scenario similar to Murder on the Orient Express and I had to pick this one up.
Abigail is not Hercule Poirot – she’s much more interesting. Her motivations and resigned duty resonated with me and I loved the textured world she inhabited. Fun alternate history with very interesting magic and setting.
Abigail Irene Garrett drinks too much. She makes scandalous liaisons with inappropriate men, and if in her youth she was a famous beauty, now she is both formidable--and notorious. She is a forensic sorceress, and a dedicated officer of a Crown that does not deserve her loyalty. She has nothing, but obligations. Sebastien de Ulloa is the oldest creature she has ever known. He was no longer young at the Christian millennium, and that was nine hundred years ago. He has forgotten his birth-name, his birth-place, and even the year in which he was born, if he ever knew it.…
I'm a lapsed lawyer who decided as an empty-nest project to take a few history of medicine courses just for fun. One thing led to another and I found myself with a PhD and a book about eugenics and law to my name. I love the history of medicine. It connects us right back to the cavemen who worried about the same things we worry about today – illness, injury, our bodies, reproduction, death, dying. The history of eugenics is really a part of that history and it is filled with laws – coerced reproductive sterilization, marriage restrictions based on so-called “fitness,” etc. So it's a perfect union of my background and my newfound love.
Nellie McClung, one of the “famous five,” is a well-known name in Canadian history for her role in fighting for the vote for women. But it turns out she was also a eugenicist. This book does a great job of knitting those two elements together and explaining not just why so many early feminists also believed in eugenic principles but how those principles were part of the same thinking. One of the challenges in understanding eugenics is answering the question of how it was that ideas, which we find repugnant today, had such power a hundred years ago. Devereux’s Introduction is one of the best things I have read to help grapple with that question.
I grew up during the civil rights movement in the US, and my ancestors—the lucky ones—escaped pogroms in eastern Europe at the turn of the 20th century and made it to North America. (The unlucky ones were slaughtered in the Holocaust.) So I suppose it is natural that I would be drawn to write stories about the struggle to overcome persecution, racism, and injustice. I love creating characters who, at the beginning of the story, don’t know that they have what it takes to fight for justice, but then slowly build the confidence and courage to make a difference. And writing about these triumphs is fun, too!
Before I read this book, in the 1990s, I had never heard of Canada’s residential school system for Indigenous children. I was horrified, and also ashamed to have been so ignorant. Over the years, I have heard many Indigenous authors speak and have read many books on the subject, and have come to realize that the residential school tragedy is parallel to the Holocaust for Jews—my family’s story. This is the book that opened my eyes.
Her name was Seepeetza when she was at home with her family. But now that she's living at the Indian residential school her name is Martha Stone, and everything else about her life has changed as well. Told in the honest voice of a sixth grader, this is the story of a young Native girl forced to live in a world governed by strict nuns, arbitrary rules, and a policy against talking in her own dialect, even with her family. Seepeetza finds bright spots, but most of all she looks forward to summers and holidays at home.
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
I wholeheartedly believe that embracing your geeky side is an important part of life and self-discovery. When romance novels incorporate nerdiness, it gives characters (and therefore readers) the ability to understand themselves and what they want on another level, and to gain the courage to pursue what they want. I know that my own forays into TTRPGs, LARPing, Ren Faires, and other such interests have helped shape me as a person. I’m more confident and embodied because I embrace my inner geek, and I want that for my characters and my readers, too. That’s why I want to read and write as many of these stories as possible!
This rom-com is as lighthearted and fun as it gets, but it maintains the nerdy bent we’re all here for. I love LARPing, and this book paints it in the most exciting light! I loved how Daisy used her alter ego, Lade Alenthaea, on her journey to growth, and how this story kept the agency around her personal growth firmly in Daisy’s own hands.
She's no damsel in distress, and he's certainly not wearing shining armour. But one knight can change everything...
Daisy Hastings has always thought she was born in the wrong era. So when she bags a summer job at the Tower of London helping to run their Knight school, it feels like a step in the right direction.
Theodore 'Teddy' Fairfax is a loose cannon. A disgraced distant relative of the royal family, he's tall, dark and now (begrudgingly) helping with the Tower of London's summer programme - and there's nowhere he'd like to be less.
I am a historian and a social geographer whose main interest is in examining why some of us are embraced (legally, politically, economically, culturally) by the society we live in while some others are excluded. Probably due to my status as someone who is an immigrant to Canada and also a person with a disability, the topic of belonging and exclusion fascinates me.
This is an exceptionally well-written and meaningful study that has greatly helped me understand how the national subject is conceptualized in Canada. As an immigrant to this country who became a citizen through a challenging and demoralizing process, this book has enabled me to see how some of us are framed as belonging while others are excluded from the Canadian nation. I have also learned how (above and beyond the national mythology surrounding it) multiculturalism has been deployed to boost Canada’s profile as a liberalizing nation while, at the same time, operating as a tool to control ethnic and religious minorities.
Questions of national identity, indigenous rights, citizenship, and migration have acquired unprecedented relevance in this age of globalization. In Exalted Subjects, noted feminist scholar Sunera Thobani examines the meanings and complexities of these questions in a Canadian context. Based in the theoretical traditions of political economy and cultural / post-colonial studies, this book examines how the national subject has been conceptualized in Canada at particular historical junctures, and how state policies and popular practices have exalted certain subjects over others. Foregrounding the concept of 'race' as a critical relation of power, Thobani examines how processes of racialization contribute to sustaining…
I’m an English nonfiction writer who is, I suppose, best-known for Members Only, my biography of the London strip club owner, theatre impresario, property magnate, and porn baron Paul Raymond, which was adapted into a big-budget movie called The Look of Love. Like many of my books, Members Only strayed into true crime, a genre that has, for all sorts of reasons, been attractive to me as a writer. Probably the most important of those is that it provides the opportunity to tell inherently dramatic stories and to convey a vivid picture of the past, thanks to the wealth of documentation associated with major crimes.
Now that’s a question that can be answered in a few sentences. Here’s goes…
This is among the finest examples of the true-crime genre. It’s an enthralling, pacey, and ingeniously structured account of the murders committed on both sides of the Atlantic by Dr. Neill Cream, a Scottish-born Canadian whose medical career served as camouflage for his psychopathic misogyny.
Macabre though the subject matter is, Jobb never wallows in that side of things, preferring to use the story as a vehicle for his vivid and insightful portrait of late nineteenth-century society.
The Case of the Murderous Dr. Cream takes readers to the late nineteenth century as Scotland Yard follows the trail of a cold-blooded serial killer who was as brazen as the notorious Jack the Ripper and who would finally be brought to justice by detectives employing a new science called forensics.
"When a doctor does go wrong, he is the first of criminals," Sherlock Holmes observed during one of his most baffling investigations. "He has nerve and he has knowledge." In the span of fifteen years, Dr. Thomas Neill Cream poisoned at least ten women in the United States, Britain,…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Maybe it was too much reality TV growing up, especially being raised on figures like Tiffany "New York" Pollard or A Different World's Whitley Gilbert, but bad girl protagonists are insta-buys for me. I love them, and I have a particular fondness for when they're black girls. We're already seen as so angry, but bad girl books show you not only why a girl could get to be so angry but also that you ain't seen nothing yet. I need more people to see how much joy there is in rage, and I chose to explain it with YA horror because it's a genre so driven by catharsis and mood that it's a perfect fit.
Even though Daisy and Brittney are the POV leads of this tale, Ivy – a character without a POV – is the reason I added this book to the list. All three girls are complex leads that seem to wind up tighter before the book delivers a gory, emotional gut-punch of an ending. It's like the embodiment of "they had me in the first half, I'm not gon' lie."
I still feel a swell in my chest when I remember the ending of this book. The feelings of unease I felt as I crept deeper into this haunted house story are just as memorable as the utter relief that ripped through me throughout the epic finale.
I cried, I screamed, and most importantly—I felt a LOT.
The Haunting of Hill House meets Sadie in this evocative and mind-bending psychological thriller following two teen girls navigating the treacherous past of a mysterious mansion ten years apart.
Daisy sees dead people-something impossible to forget in bustling, ghost-packed Toronto. She usually manages to deal with her unwanted ability, but she's completely unprepared to be dumped by her boyfriend. So when her mother inherits a secluded mansion in northern Ontario where she spent her childhood summers, Daisy jumps at the chance to escape. But the house is nothing like Daisy expects, and she begins to realize that her experience with…
