Here are 100 books that Learn to Write Badly fans have personally recommended if you like
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In my career as an academic librarian, I was often asked to teach students to think about the credibility of the information they incorporate into their academic, professional, personal, and civic lives. In my teaching and writing, I have struggled to make sense of the complex and nuanced factors that make some information more credible and other information less so. I don’t have all the answers for dealing with problematic information, but I try hard to convince people to think carefully about the information they encounter before accepting any of it as credible or dismissing any of it as non-credible.
Though written by an academic philosopher, the highly readable On Bullshit weighs in at a breezy eighty pages.
What I love about this book is the way the author differentiates the bullshitter, who attempts to persuade without any regard for the truth, from the liar, who cares about the truth but tries to hide it. Frankfurt goes on to make a strong case for why bullshit is far more dangerous than lying.
In an age where bullshitters get more far attention than they deserve, this is even more relevant than when it was first published in the social-media-free year of 1986.
A #1 NEW YORK TIMES BESTSELLER One of the most salient features of our culture is that there is so much bullshit. Everyone knows this. Each of us contributes his share. But we tend to take the situation for granted. Most people are rather confident of their ability to recognize bullshit and to avoid being taken in by it. So the phenomenon has not aroused much deliberate concern. We have no clear understanding of what bullshit is, why there is so much of it, or what functions it serves. And we lack a conscientiously developed appreciation of what it means…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
What is my passion? Why sociology? I love sociology for several reasons: first, because you study everything, and I mean everything can be “the sociology of….” Second, because it uncovers the layers of deceit, image, and make-up that cover the surface; third, because it deals with deviance and deviant behavior (see my other Five Best on Deviance); and fourth, it explains social conflict. I’m always learning something new, and I love to impart that love of the unknown and the everyday to my thousands of students.
I could easily have chosen The Power Elite, White Collar, or The Causes of World War Three; in fact, this list could have been composed of just books by Mills. Mills came along when the dominant theoretical outlook was a kind of conservative “functionalism” led by a now somewhat neglected Harvard sociologist named Talcott Parsons and his “grand theories” that could explain “everything."
These have fallen by the wayside and been replaced by Robert Merton's “theories of the middle range” and micro-theories. More powerfully, grand theory and functionalism were replaced by conflict theory; that is, we learn more about a society from its conflicts than from its harmony. But in truth, one needs both perspectives to understand society.
C. Wright Mills is best remembered for his highly acclaimed work The Sociological Imagination, in which he set forth his views on how social science should be pursued. Hailed upon publication as a cogent and hard-hitting critique, The Sociological Imagination took issue with the ascendant schools of sociology in the United States, calling for a humanist sociology connecting the social, personal, and historical dimensions of our lives. The sociological imagination Mills calls for is a sociological vision, a way of looking at the world that can see links between the apparently private problems of the individual and important social issues.…
I am a Greek social psychologist and have spent much of my academic career studying myths and stories in social life - stories, even when inaccurate or wrong, serve to create meaning, a fragile and valuable resource, especially in these post-truth times. At the same time, I believe that we must not lose sight of the distinctions between story and fact, fantasy and reality, truth and fiction. I am greatly concerned that the social sciences today, as shaped by the academic publishing game, are preoccupied with trivia and act as black holes into which meaning disappears. I strongly believe that it is our responsibility to restore the meaningfulness of academic research.
This is an old-fashioned sociology book that shows what can be done with some sociological imagination. Many of us do entirely meaningless work and get paid for it, and what is more, we know that we do. And yet, we pay a high price for it. How to avoid doing empty labour and rediscover the meaning of serious academic work.
While most people work ever-longer hours, international statistics suggest that the average time spent on non-work activities per employee is around two hours a day. How is this possible, and what are the reasons behind employees withdrawing from work? In this thought-provoking book, Roland Paulsen examines organizational misbehavior, specifically the phenomenon of 'empty labor', defined as the time during which employees engage in private activities during the working day. This study explores a variety of explanations, from under-employment to workplace resistance. Building on a rich selection of interview material and extensive empirical research, it uses both qualitative and quantitative data…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I am a Greek social psychologist and have spent much of my academic career studying myths and stories in social life - stories, even when inaccurate or wrong, serve to create meaning, a fragile and valuable resource, especially in these post-truth times. At the same time, I believe that we must not lose sight of the distinctions between story and fact, fantasy and reality, truth and fiction. I am greatly concerned that the social sciences today, as shaped by the academic publishing game, are preoccupied with trivia and act as black holes into which meaning disappears. I strongly believe that it is our responsibility to restore the meaningfulness of academic research.
This magisterial book punctures the grandiosity and narcissism of our times when we succumb to the illusions that image, hype, and empty talk create value, when everyone must claim to be cutting edge and a world leader. Alvesson demonstrates that behind such grandiosity lurks an emptiness of meaning, of value, and of imagination. His powerful critical discussions of modern consumption, higher education, professionalism, and leadership insinuate that our current malaise goes far deeper than the economic crisis in which we find ourselves. This is a book that shows how we can recover meaning in the work we do as social scientists.
In this book, Mats Alvesson aims to demystify some popular and upbeat claims about a range of phenomena, including the knowledge society, consumption, branding, higher education, organizational change, professionalization, and leadership. He contends that a culture of grandiosity is leading to numerous inflated claims. We no longer talk about plans but strategies. Supervisors have been replaced by managers. Goods have become brands. Wealthy countries try to show that they are knowledge societies through mass higher education but with limited effect on real qualifications or qualified job opportunities for graduates. The book views the contemporary economy as an economy of persuasion,…
I am passionate about this book list because it helped me get where I am today, a multiple-times bestselling author and an award-winning senior reporter. I began working as an overnight police round reporter before moving into sports, where I became one of Australia's best news-breaking rugby league journalists. I was then appointed News Corp Australia's Chief National Motorsports Writer and traveled the world chasing Formula 1 story, as well as covering Australia's V8 Supercar races. Everyone has to start somewhere, and for me, this list of books helped me begin and continue to grow to reach the level of success that I have.
This one didn’t change my life, but it did provide me with a no-nonsense guide to pesky things like conjunctions and clauses, superlatives and synonyms, prepositions and pronouns, and, obviously, alliteration. Ha.
What I liked most about this book is that it isn’t written like a textbook. I read what is widely considered to be the writer's bible, The Elements of Style by William Struck and E.B. White, and considered giving up on my dream of becoming a writer because the book made me feel as if only someone with an Einstein-like intellect could write.
But, as Mr. King wrote, the story is what matters; everything else is just dressing. But in saying that, being able to string together sentences helps (I think my jokes are funny, but no one else does), and this book gives a simple explanation of how to make your copy sing.
On Writing Well has been praised for its sound advice, its clarity and the warmth of its style. It is a book for everybody who wants to learn how to write or who needs to do some writing to get through the day, as almost everybody does in the age of e-mail and the Internet.
Whether you want to write about people or places, science and technology, business, sports, the arts or about yourself in the increasingly popular memoir genre, On Writing Well offers you fundamental priciples as well as the insights of a distinguished writer and teacher. With more…
I am passionate about this topic because I have known far too many dedicated scholars who struggle to write and publish their work. When I ran into trouble writing my dissertation, I didn’t have any help. I was ashamed and embarrassed and found only a handful of books to guide me. That began a lifetime of exploring how and why academic writing can be so challenging for me and for so many others. Today there is much more advice available to struggling academics, in books and online, including individual (and usually too expensive!) writing coaching. But the challenge of actually getting writing done in a demanding and often unsupportive academic environment continues.
I love this book because it is wise, friendly, and full of practical advice on how to combine academic life with research, writing, and publication without getting distracted and bogged down while still “having a life.”
It is a classic and allowed me to finish my dissertation and have an academic career.
All academics need to write, but many struggle to finish their dissertations, articles, books, or grant proposals. Writing is hard work and can be difficult to wedge into a frenetic academic schedule. How can we write it all while still having a life?
In this second edition of his popular guidebook, Paul Silvia offers fresh advice to help you overcome barriers to writing and use your time more productively. After addressing some common excuses and bad habits, he provides practical strategies to motivate students, professors, researchers, and other academics to become better and more prolific writers. Silvia draws from his…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
When your storytelling simulates imagined physiological experiences, it guides your listeners to vicariously see, hear, smell, taste, and touch the world of your story. While my books suggest six kinds of stories and four buckets to find stories, I also use these favorite resources for training my brain to think in sensory language. Dip in to find a steady supply of metaphors, images, mannerisms, and context builders that make your story come alive. Current strategies that maximize clicks rarely tap into the wealth of sensory language needed to build epic, long-lasting results.
Yes, it says for writers, but this book is a great resource for in-person storytelling. On these pages are thousands of ideas on how you can show, not tell.
Comb through ideas on how to express a character’s emotion with posture, tone, and mannerisms. Don’t just say, “he looked guilty.” Look up “guilt” and find ways to indicate guilt without telling people what to think. Have your guilty character “avert her eyes,” “shift her feet,” “pull at her collar,” or “suddenly lose her appetite.” I regularly flick through this book to train my imagination on the sensory cues that make a story come alive.
The bestselling Emotion Thesaurus, often hailed as “the gold standard for writers” and credited with transforming how writers craft emotion, has now been expanded to include 55 new entries!
One of the biggest struggles for writers is how to convey emotion to readers in a unique and compelling way. When showing our characters’ feelings, we often use the first idea that comes to mind, and they end up smiling, nodding, and frowning too much.
If you need inspiration for creating characters’ emotional responses that are personalized and evocative, this ultimate show-don’t-tell guide for emotion can help. It includes:
As a published author with an MFA in Writing, I know how hard writing can be in terms of how to find a muse, employ an elusive craft, and deal with the soul-shaking consequences of digging deep. But as a survivor of life, including multiple moves, broken relationships, alcoholism, illness, and debilitating grief, I've also experienced the transformative power of writing. I took that belief into the community, and developed writing workshops for cancer survivors, women facing domestic violence, and many other people wrestling with trauma and illness, often recommending some of these books in my workshops. And along the way, I’ve witnessed time and again what the written word can do.
Writing professor Gabriele Rico knows how to take the fear out of writing, which is why this book became such a powerful best-seller and why I love to read and recommend it. Among the many strategies and techniques she offers in Writing the Natural Way, one of my favorites is her brainstorming strategy called clustering, which gives us permission to wander and bypass the critical censorship we are often hindered by. In turn, this fuels creativity and prompts us to make associations among ideas, memories, and feelings that are otherwise seemingly diverse or disorganized. She also firmly believes that, although writing can be a painful process, it’s not what hurts us that matters but rather it’s how we deal with the pain, and it’s through an honest expression of our truth that we can grow and heal.
I am passionate about this topic because I have known far too many dedicated scholars who struggle to write and publish their work. When I ran into trouble writing my dissertation, I didn’t have any help. I was ashamed and embarrassed and found only a handful of books to guide me. That began a lifetime of exploring how and why academic writing can be so challenging for me and for so many others. Today there is much more advice available to struggling academics, in books and online, including individual (and usually too expensive!) writing coaching. But the challenge of actually getting writing done in a demanding and often unsupportive academic environment continues.
This book is most helpful for scholars who worry that they “don’t know the rules” for scholarly writing. The fear of being a clueless newbie can stymie us, especially because there really are unspoken rules in academic writing.
The authors make the structure and norms of scholarly writing clear and accessible, so that hesitant newcomers can recognize them, and then learn how to use them in their own work.
Used and loved by millions of students for its lively and practical advice, this is the book that demystifies academic writing and shows how to engage with the views of others. Extensively revised in response to feedback from our community of adopters, this edition of "They Say / I Say" is an even more practical companion for students, featuring a new chapter on research, new exercises, expanded support for reading and an expanded chapter on Revising.
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I’ve been fascinated by the power of language for as long as I can remember. As a sociolinguist, I study how language shapes our relationships, identities, and the societies we live in. I’ve spent years analyzing how people communicate in high-pressure environments like professional sports, but my passion for this topic goes far beyond my research. Language is everywhere—it’s how we connect, influence, and make sense of the world. The books on this list have deepened my understanding of the profound ways language impacts our lives. I’m excited to share them with you and hope they inspire you to see language in a whole new light!
The words "language" and "myth" have graced the covers of many books, but this one is my favorite. This collection, edited by Laurie Bauer and Peter Trudgill, brings together world-renowned linguists to tackle a spectrum of unhelpful and incorrect assumptions about language. What sets this book apart is its sharp focus on how people’s attitudes toward language often recreate damaging stereotypes.
Bauer, Trudgill, and their contributors, several of whom I was taught by, arrest these misconceptions with insights grounded in linguistic research. Each myth is debunked in short, punchy chapters that are as engaging as they are informative. I love how this book leaves you feeling smarter and better equipped to think critically about the language myths we encounter every day.
A unique collection of original essays by 21 of the world's leading linguists. The topics discussed focus on some of the most popular myths about language: The Media Are Ruining English; Children Can't Speak or Write Properly Anymore; America is Ruining the English Language. The tone is lively and entertaining throughout and there are cartoons from Doonesbury andThe Wizard of Id to illustrate some of the points. The book should have a wide readership not only amongst students who want to read leading linguists writing about popular misconceptions but also amongst the large number of people who enjoy reading about…
