Here are 100 books that Lapvona fans have personally recommended if you like
Lapvona.
Book DNA is a community of 13,000+ authors and super readers sharing their favorite books with the world.
When I first thought about crime writing I was probably too lazy to do the research on police procedures so decided instead to feature an “ordinary” character with no official role but who still intervenes when evil seems to be triumphing and nobody is paying attention. Key elements of this are reflected in my list—the importance of stories and storytelling, some great thrillers, and thoughtful consideration of why someone would put themselves in jeopardy for others. Having worked with many criminals and victims I have seen that ordinary people can make a difference. In a way my books ask the question, “What would you do in David Hidalgo’s shoes?”
I could easily recommend any of Robert Harris’s “intelligent thrillers” however I’ve picked this one because I like the idea of an “ordinary” man who finds himself in the midst of a dangerous mystery. Briefly, The Second Sleep is set in the future after our civilisation has destroyed itself and where life is now functioning at the medieval level. The church, which controls everything, has banned investigation into the past. A humble priest is sent to visit a village in his parish and begins to suspect that things are not as they seem. Eventually, against the orders of the church, he decides to try to penetrate the past with alarming consequences. So, as for my character, David Hidalgo, we find that ordinary people can make a difference!
THE LATEST NOVEL FROM ROBERT HARRIS: chosen as a Book of the Year by The Times, Sunday Times, Guardian, Telegraph, Mail on Sunday, and Express
WHAT IF YOUR FUTURE LIES IN THE PAST? _____________________________________ 'One word: wonderful. Two words: compulsive reading. Three words: buy it tomorrow. Four words: tonight, if it's possible.' STEPHEN KING 'A thoroughly absorbing, page-turning narrative.' SUNDAY TIMES 'Genuinely thrilling.' DAILY TELEGRAPH _____________________________________ Dusk is gathering as a young priest, Christopher Fairfax, rides across a silent land.
It's a crime to be out after dark, and Fairfax knows he must arrive at his destination - a remote…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I fell in love with medieval military history in high school, and have been studying and writing about it as an undergraduate at Harvard, as a graduate student at Oxford, and as a professor of history ever since, eventually bringing the comparative methods and urge to generalize of a world historian to the task. I’ve written ten books and numerous articles. Good history gives me the thrill of time travel without the risk of the bubonic plague, and it has spawned related interests in sword and sorcery fantasy lit and wargaming, alongside my interests in painting, cartooning, and cooking the food of my native New Orleans. My motto: Have fun!
This is a superb example of what a multi-author compilation can achieve: wide coverage, specialist knowledge of a variety of topics and approaches, and thus fascinating details from around the world of medieval warfare. And what it lacks (in coherent overview and broad comparative approach) is supplied by my own book! I think of this as a good companion to my own more global, comparative, and theory-based account of medieval war and conflict.
Volume II of The Cambridge History of War covers what in Europe is commonly called 'the Middle Ages'. It includes all of the well-known themes of European warfare, from the migrations of the Germanic peoples and the Vikings through the Reconquista, the Crusades and the age of chivalry, to the development of state-controlled gunpowder-wielding armies and the urban militias of the later middle ages; yet its scope is world-wide, ranging across Eurasia and the Americas to trace the interregional connections formed by the great Arab conquests and the expansion of Islam, the migrations of horse nomads such as the Avars…
As Alyssa James, I’ve written an Amazon best-selling medieval series titled “Conquering the Heart." This series grew from my passion about medieval times and was inspired by trips to amazing castles throughout the UK and in Europe. I’ve enjoyed watching reenactments of medieval jousting tournaments and done extensive research about life and some specific battles in these times. I’ve also enjoyed learning about King Henry V and examining how he was perceived by both the English and the French. I love novels that can weave in history to make the story feel authentic, without the history dominating the romance story and character development.
I felt Julie Garwood balanced this story brilliantly with a great mix of poignancy and suspense. However, what I loved most was the witty banter between the heroine (Jamie) and the hero (Alec).
Alec Kincade is a Scott who needs to marry an English bride. Jamie was a perfect foil for his gruffness, and she was so loveable and, at times, rather quirky, and there were many times my heart broke for her as her relationship developed with Alec.
Thankfully, as a romance, Julie Garwood delivered on the understood promise of a happy-ever-after ending!
Scottish Laird Alec Kincaid chooses Jamie, daughter of Baron Jamison, as his bride. But Jamie vows never to surrender to this barbarian. Although Kincaid fires her blood, she resists him, until one moment when their clash of wills is quelled and something more dangerous threatens to conquer her.
The woman who inspired Don Quixote sets out across the dangerous roads of Spain to honor her dying lover's final plea.
The daughter of a wealthy merchant, young Dolça Llull Prat is besotted with the dashing, bootstrapping Miguel Cervantes from their first meeting. Despite Miguel's entreaties, the ever-practical Dolça, with…
I have a great love of visionary fantasy fiction, metaphysical mystery thrillers, and fiction that doesn’t conform to generic norms, be it novels or film, as well as music and the arts. I’m also passionate about exploring the unknown, the mysteries of the mind, consciousness, and our existence in this unfathomable universe. In that regard, I love to travel. Some of my most recent escapades have included journeys deep into the Peruvian Amazon, Brazil, the Andes, and Mexico, meeting local indigenous folk wherever possible, and participating in shamanic ceremonies and tribal rituals. And lastly, I’m an ardent Formula One fan – something that has not yet featured in my fiction, though it may.
I was instantly transported by this epic saga of high fantasy steeped in legend and myth. The beautiful descriptions of the rugged, dreamlike, and sometimes sinister lands and fabulous otherworld dimensions of the Elder Isles, make Lyonesse an incomparable read. I love Vance’s stunning prose style, his razor-sharp dry humour, and the complexity of his characters. It is boundary-defying fantasy, mercifully devoid of elves, dwarves, and dragons but brimful with intrigues and subplots, unexpected twists, sudden violence, acts of heroism, and scenes of tragedy, love, strangeness, and betrayal. Lyonesse is magic from beginning to end.
The Lyonesse sequence evokes the Elder Isles, is a baroque land of pre-Arthurian myth now lost beneath the Atlantic, where powerful sorcerers, aloof faeries, stalwart champions, and nobles eccentric, magnanimous, and cruel pursue intrigue among their separate worlds . . .
Prince Aillas of Troicinet is betrayed on his first diplomatic voyage and cast into the sea. Before he redeems his birthright, he must pass the breadth of Hybras Isle as prisoner, vagabond, and slave, an acquaintance of faeries, wizards, and errant knights, and lover to a sad and beautiful girl whose fate sets his bitter rivalry with the tyrant…
Madina Papadopoulos is a New Orleans-born, New York-based freelance writer and author. She is currently working on the sequel to The Step-Spinsters, the first in the Unspun Fairytale series, which retells classic princess stories set in the late Middle Ages. She studied French and Italian at Tulane University and received her MFA in screenwriting at UCLA. After teaching foreign languages at the university level, as well as in childhood and elementary school programs, she developed and illustrated foreign language coloring workbooks for preschoolers. As a freelance writer, she focuses on food, drinks, and entertainment.
Much of the fiction set in the Middle Ages follows landmark historical moments and infamous individuals. But just as today, nothing is more complex than the inner life of a teenage girl, so it was in 1290. Written as a personal diary, this book follows Catherine, nicknamed ‘Birdy,’ as she trudges through her lessons on becoming a lady (sewing, spinning, soap making), her fears of an arranged marriage to a gnarly old nobleman, the importance of friendship and the heartbreak of unrequited love. Universal truths, all comically relatable and sprinkled with amusing details of picking off fleas and using the privy. As a preteen and teen, I read, re-read, and re-re-read Catherine's diary, escaping into her daily life as I easily imagined myself in it. This book was a friend I knew I could always return to for comfort and understanding.
A funny coming-of-age novel about a fourteen-year-old girl's fight for freedom and right to self-determination in medieval England.
Catherine's in trouble. Caught between a mother who is determined to turn her into the perfect medieval lady and a father who wants her to marry her off to much older and utterly repulsive suitor.
Luckily, Catherine has a plan. She has experience outwitting suitors and is ready to take matters into her own hands . . .
Karen Cushman's Catherine, Called Birdy is the inspiration for Prime Video's medieval comedy film directed by…
Marion Turner is a Professor of English Literature at Oxford University where she teaches medieval literature. Her critically-acclaimed biography of the poet Geoffrey Chaucer was picked as a Book of the Year by the Times, the Sunday Times, the New Statesman, and the TLS, and has been hailed as ‘an absolute triumph,’ and a ‘masterpiece.’ It won the British Academy Rose Mary Crawshay Prize and the English Association Beatrice White Prize, and was shortlisted for the Wolfson History Prize.
I learnt so much from this book when I was writing my biography of Chaucer. It is hard to find out information about childhood in history, and yet it is impossible to try to understand a society if we don’t know how children were brought up, what games they played, how they were educated, what adolescence was like. This book tells us about all those things. You can find out about how children learnt to read, what happened to orphans, the opportunities for pre-marital sex. Looking at a wide range of historical records and literary texts, Hanawalt pieces together a remarkably complete picture of medieval childhood. Looking at causes of death, for example, tells her where male and female children spent their time and what they were likely to be doing (boys were more likely to be outside). And archaeological finds reveal what kinds of toys children played with. Fascinating…
When Barbara Hanawalt's acclaimed history The Ties That Bound first appeared, it was hailed for its unprecedented research and vivid re-creation of medieval life. David Levine, writing in The New York Times Book Review, called Hanawalt's book "as stimulating for the questions it asks as for the answers it provides" and he concluded that "one comes away from this stimulating book with the same sense of wonder that Thomas Hardy's Angel Clare felt [:] 'The impressionable peasant leads a larger, fuller, more dramatic life than the pachydermatous king.'" Now, in Growing Up in Medieval London, Hanawalt again reveals the larger,…
Katie's Gamble is an unexpected, unique story about a young woman who's trying to support her younger siblings by keeping her family's confectionery shop open.
In order to do that, she has to take on her older brother, who's a notorious gambler in Louisiana. Additionally, she has to outsmart Rowdy…
I am a professor of Medieval Theology at Durham University, UK, and have published on both medieval theology (especially Thomas Aquinas) and spirituality (especially Jan van Ruusbroec, an author from 14th century Brabant). When I was in my early twenties, I had no interest in Christianity, but I gradually realized that the societal and moral problems of modernity could only be properly addressed by examining a genuinely alternative tradition, namely pre-modern thinkers (if only because postmodern critics of modernity remain all too often beholden to the assumptions of modernity, even in their opposition to them). This explains why I was drawn to medieval theology (and spirituality).
This is a genuine classic. Denys Turner almost single-handedly made us re-evaluate the nature of ‘mysticism’ and spirituality. More in particular, he distances himself from typically modern interpretations of mysticism in terms of an immediate experience of God: given the traditional emphasis upon the unknowability of God, Turner argues that mysticism is not about an experience of God, but it offers ‘categories of experience’: the mystic, transformed by faith, hope, and love, relates to the world, others, and self in a radically different way.
Eckhart’s notion of detachment, involving a letting go or renunciation of the possessiveness that characterizes our ordinary dealings with the world, is a prime example. This may not be an easy read for people new to the field, but it deserves a close reading.
For the medieval mystical tradition, the Christian soul meets God in a 'cloud of unknowing', a divine darkness of ignorance. This meeting with God is beyond all knowing and beyond all experiencing. Mysticisms of the modern period, on the contrary, place 'mystical experience' at the centre, and contemporary readers are inclined to misunderstand the medieval tradition in 'experientialist' terms. Denys Turner argues that the distinctiveness and contemporary relevance of medieval mysticism lies precisely in its rejection of 'mystical experience', and locates the mystical firmly within the grasp of the ordinary and the everyday. The argument covers some central authorities in…
Of the 16 books I have written, to date, every single one of them features strong women. I like to think I'm channeling a little bit of myself in there, or perhaps I'm simply projecting the sort of strength I'd like to possess. I don't know. What I do know is that with all that's going on in the world, it's more important now than ever before to remember how strong we can all be. To be strong women, to support strong women, to seek inspiration from strong women, and to inspire the next generation of women to do the same. And that's why I've chosen to recommend books on this subject.
I first came upon this book about twenty years ago, and it's one I've read cover-to-cover so many times that the cover is barely still attached.
It starts in the year 1218, when a Welsh princess, Eleyne, is born in a castle amidst a huge fire. The story follows her very eventful life through marriages, politics, and love affairs with Kings. And as you'd expect from medieval times, it's hardly plain sailing. As a woman, she doesn't hold much power over her own life, and there are many throughout the story who make it their missionto break her spirit–but no matter how hard they try or what they put her through, they all fail.
She is fierce and powerful and my rebellious side felt such a strong connection with her. It's a long book but one I'd highly recommend to anyone who loves powerful women and historical fiction.
Beautiful repackage of this Barbara Erskine classic, the story of a remarkable mediaeval noblewoman whose life shaped the history of three crowns
The child whose hands would hold three crowns is born in fire.
In 1218 an extraordinary princess is born. Her mystical powers and unquenchable spirit will alter the course of history.
Raised by her fiercely Welsh nurse to support the Celtic cause against the predatory English king, Princess Eleyne is taught to worship the old gods and to look into the future and the past. However, unable to identify time and place in her terrifying…
I was an author of history and travel books before turning to children’s fiction. My books for the publishers Pen and Sword tell the stories of the places associated with the Princes in the Tower, the boys who mysteriously disappeared from the Tower of London during the reign of King Richard III, and King Arthur, the semi-mythical King of the Britons during the Dark Ages. So it was obvious that I should use my passion for medieval history when it came to deciding on a setting for my collection of upper middle grade children’s novels. I hope readers enjoy reading them as much as I have enjoyed researching and writing them!
The great thing about this book is that it combines fast-paced adventure with authentic historical detail – particularly relating to the “classic” medieval themes of castles, battles, and sieges.
It’s a time-travel children’s book that was originally published in 1951 but was republished in 2015, and features as its main character a “contemporary” boy named Peter who, wandering around the ruins of a Welsh castle, finds himself transported back to the 1300s when his Norman ancestors held the castle and he was none other than the oldest son of Sir Roger de Blois.
As the inhabitants of the castle face a rebellion, Peter must learn how to hawk, fight, and shoot a longbow; fascinating aspects of medieval life that come alive on the page thanks to vivid writing by the author.
Young Peter is visiting uncle in the Welsh countryside. When he finds an old knight's gauntlet, he put it on and is transported back in time to the fourteenth century. There he is the supposed son of a great Norman knight, his ancestor. He learns all about the Medieval life, and enjoys every part of his adventure (archery, hawking, jousting), even when danger arrives in the form of attack from the Welsh tribes. He helps his family lift the seige of their castle, but must finally return to his time. Will anyone believe his story? How can he convince them?
Papyrologist Lisa Emmer's world flips when the Sûreté detains her at her Metro station with news of the savage murder of the esteemed Paris historian Dr. Raimond Foix, her friend and mentor in the study of ancient documents.
Horrified, Lisa finds clues at the crime scene left behind for her…
Wolves are magickal to me. Their spirituality, their raw wild power, so fierce and brave, and yet there’s a gentleness present. I find them inspiring. Reading the wolf classics like Call of the Wild and White Fang gave me a foundation. Recently, I toured a wolf conservation in New York State and fell in love with a white wolf there. She pranced like a princess and had the eyes of an angel. Afterward, I became passionate about wolves and their mystery. Reading and writing about wolves sparked me into exploring them at a deeper level. I have a wandering notion that I was a wolf in a past life.
This book, told from the perspective of wolves, had me mesmerized. The author’s keen sense of metaphors brought depth to the story that heightened the wolves' emotions, intelligence, desires, and survival. Despite a lot of killing, the romance between Kar and Lark is enchanting. There is unforgettable bravery going on here.
I learned a lot about the intelligence of wolves, their aggression, and family loyalty. I can’t imagine anyone reading this book and not being captivated.
It is an icy night in the country that long ago was known as Transylvania. The wintry ground crackles as a hunter's paw breaks the hard earth. The wolf pauses, her breath like smoke in the cold air, then a howl pierces the night. But it is her eyes, not her howl, that speak of danger.
Beware of the Sight.
In the shadow of the Carpathian mountains, a pack of wolves seeks shelter from the vicious winter. A legend clings to them - a story of man and wolf, of power and death. The Sight has come into their world.…