Books like Landscape and Englishness — picked by fans

Oliver Rackham is to historical landscape ecology what W.G. Hoskins is to landscape history.

More than anyone else, Rackham had the vision to understand that the pattern of woods, fields, hedges, moors, and marshes that defines the English countryside, although seemingly natural, was in fact created by a delicate and constantly shifting balance between human intervention and geological, climatological and ecological influences. 

The Chiltern beechwoods I’ve enjoyed walking in since childhood, for example, exist partly because the timber was valuable for the chair-making industry that once flourished there, while the species-rich hay meadows of Swaledale that entranced me on a recent cycle tour were part and parcel of the local dairy-farming tradition, and have been put at risk by its decline.

This has to be the most original and influential book ever written on landscape history – indeed it’s only a slight exaggeration to say that Hoskins invented landscape history. 

He shows us that beneath the lineaments of ordinary, everyday landscapes, a fascinating past can be discerned. A few bumps and hollows in a grassy field can indicate the site of a vanished medieval village; a double line of hedgerows might signify the boundary of an Anglo-Saxon estate. With this book in hand, we can all become landscape historians! 

Most of all, I love Hoskins’s distinctive voice, eloquent and passionate in defence of the landscapes he cherishes, deploring the violence inflicted on them and those who lived in them by the ruthless forces of industrialization and modernity.

Six hundred and fifty pages and every one fascinating, in the true sense of the word, i.e. it cast a spell on me. I read this the one and only time I joined a book club led by a visual artist, which made perfect sense as the book is not only richly illustrated with extraordinary images of paintings, sculpture, and drawings, the author argues that our experience of nature is entirely mediated by art.

We can’t, for example, see a tree, except from an inner perspective shaped by mythic trees seen in some paintings, even a picture postcard or poem from our Grade 8 reader. Using the most extraordinary (have to use that word again) examples, Schama convinced me that every natural thing I see is a mythological artifact.

I’ve been lucky enough to hear Paul speak on many occasions. He has a bright engaged manner and restless energy, ideas and examples pouring out almost too quickly to absorb. It’s the intellectual equivalent of standing under a waterfall.

Storied Ground reflects that energy and originality, prompting us to rethink many longstanding assumptions about the relationship between landscape and national identity. Was the English love of landscape a backwards-looking, conservative force, or a reassuring source of continuity that eased our passage into the modern age? Was it true, as Stanley Baldwin once claimed, that ‘England is the country, and the country is England’, or did the civic pride of prospering towns contribute to national identity too?

To these and many other questions, Paul gives surprising, sometimes challenging and always thought-provoking answers.

I love a “Man on the Run” book. Books like The 39 Steps, Odd Man Out, and The Running Man are stories I truly love. There's something exciting about a chase book because the hero has to be resourceful and resilient, and that’s what we have here.

Harry has to prove his innocence. The other aspect of a chase story is all the odd characters a hero on the run has to turn to for help when there is no one else to turn to, even if they can't be trusted, but Harry has to put his faith in them for the few moments he needs them. Great stuff.

This is one of those books that stayed with me long after I finished the last page. I think the author’s choice to tell the story from the point of view of the two dogs and the other animals they meet is powerful. We get to feel their fear, sadness, mistrust, and hope for a better life. 

This story can pose quite a dilemma for a reader because on one hand, we know that we’d never hurt animals, but we also realize that when we purchase products that are tested on animals, we are the villains in the story.

I first came across this book through Twitter, and was very excited to find it on my present pile later in the year! This is a brilliant telling of each aspect of Keats’ life, looking at the impact the young poet had on those around him, those who knew him by reputation, and those who are still impacted by his legacy – the author included! The research and deliverance of this book is clearly a labour of love, and it makes for engaging reading and a sympathetic look at this historical figure.

Why Keats? Well, Henry Fotherby in my own book has the same overall outlook as the young poet – but he manages to complete his path to becoming a surgeon!

I love this thoughtful, personal, and exceptionally well-informed narrative about doing the right thing on a beautiful piece of land quite near my own home.

Through this book, I learned so much about what good farming looks like and the sensitivities around livelihoods and communities. 

In 1983 the 47-year-old fell runner Joss Naylor set a record of 19 hours 14 minutes for touching all 27 relevant lakes in the Lake District.

His astonishing time for this 169km run still stands. This was not on the flat, of course, but often over rough country, involving over 6km of vertical height gain.

He had to prepare his support team, find his own route and have witnesses at each lake in the days before mobile phones or satnav. The author walked the route in 2020 with a photographer and Joss in 10 days, still not hanging about for a man in his 80s.

Joss chose to donate his royalties for this inspirational book to the Brathay Trust, which helps the disadvantaged, match funded by publishers Cicerone.

This too is a tale of three village generations grappling with historical change.

Here the story is about changing ideas of stewardship of the land, an enthralling account of farming ways in flux and of the intricate, back-breaking, and unpredictable work of restoring degraded farmland to health.

The Rebanks family run a hill-farm in a Lake District village. Rebanks’ grandfather started with horse-ploughs. A tractor replaced the horses, yet he still knew the individual ways of every ewe and cow and farmed lightly on the land. But Rebanks’ father, caught in market pressures, industrialized his farming methods.

Progress became the mantra of all the village farmers, including the young Rebanks himself.

Today, although they recognize the precarity of their livelihood and the damage to the land, most see no alternative to intensifying production. When Rebanks decides to switch to regenerative farming to preserve the land for future generations, his fellow… show more.