Here are 74 books that Landings fans have personally recommended if you like
Landings.
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I am a professor of French Literature and Creative Writing at The Ohio State University. A Franco-American writer, I am the author of books and essays published in both France and the United States, including Posthumous America, The Paradoxes of Posterity, American Pandemonium, and Sentinel Island. My work encompasses various genres (novel, short story, essay, and critical study) to explore recurring themes: exile and the representation of otherness; disinformation and the social impact of new technologies; nostalgia and the experience of mourning; the legacy of the Enlightenment and the Age of Great Discoveries; and America’s history and its troubled present.
In this book, Jules Verne takes readers on an extraordinary journey deep beneath the Earth’s surface, exploring uncharted realms and encountering strange and wondrous phenomena.
Through the intrepid expedition led by Professor Lidenbrock, the novel captures the human fascination with the unknown and continues a rich literary tradition dedicated to imagining what wonders might be concealed under the surface of our world.
As the characters navigate through subterranean landscapes filled with peril and discovery, Verne masterfully explores themes of exploration, adventure, and the limits of human knowledge. This timeless classic continues to captivate readers with its imaginative portrayal of a forbidden world hidden beneath our feet.
"The reason Verne is still read by millions today is simply that he was one of the best storytellers who ever lived." — Arthur C. Clarke An adventurous geology professor chances upon a manuscript in which a 16th-century explorer claims to have found a route to the earth's core. Professor Lidenbrock can't resist the opportunity to investigate, and with his nephew Axel, he sets off across Iceland in the company of Hans Bjelke, a native guide. The expedition descends into an extinct volcano toward a sunless sea, where they encounter a subterranean world of luminous rocks, antediluvian forests, and fantastic…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am an Icelandic writer, best known for crime fiction although I have also written horror and children’s books. From a young age I have been a fan of creepiness and horror. My threshold for the macabre is thus high, maybe best witnessed by me noting that my first crime series featuring lawyer Thora was a cosy crime series, only to be reminded that in the first installment the eyes of a dead body were removed with a teaspoon, in the second a child was killed and the third featured decapitation. Whenever I need a reprise from writing crime I revert to horror, the best received of these being I Remember You.
If small-town creepy mystery is your thing, then the setting of this book´s setting is the mother of all such premises. The book takes place in a small, remote fishing village with only a handful of inhabitants. None of which are exactly warm or welcoming to newcomers. We witness odd goings-on through the eyes of a young teacher, hired to teach the two children residing in the minuscule community. To add to the claustrophobic atmosphere of the situation, the attic room the protagonist is provided is haunted by the ghost of a young girl. This book is atmospheric and best enjoyed in a solitary environment, read by candlelight. Highly recommended for those in need of a creepy, ghostly fix.
THE NAIL-BITING SUNDAY TIMES BESTSELLER FROM THE MILLION COPY BESTSELLING AUTHOR
'Is this the best crime writer in the world today?' The Times
'A world-class crime writer . . . One of the most astonishing plots of modern crime fiction' Sunday Times
'It is nothing less than a landmark in modern crime fiction' The Times ________
'TEACHER WANTED AT THE EDGE OF THE WORLD . . .'
After the loss of her father, Una sees a chance to escape Reykjavik to tutor two girls in the tiny village of Skalar - population just ten - on Iceland's storm-battered north coast.
I’ve always been drawn to stories of good versus evil and watching a hero overcome a great struggle to beat a villain and win the day. I feel it’s innate in humans to want to hear such tales ever since the days gathered around the campfires thousands of years ago, and when it’s done well, it can be a story that inspires you in your own life. Hopefully, these novels can do the same for you!
Another slightly left-field pick, but the atmosphere in this author’s books is just as compelling as in Without Fail as mentioned above. In a snowy, cold Iceland, a beleaguered detective investigates the murder of a local man who was once a shining light as a child.
Lost potential, old vendettas, and evil preying on the weak are all elements here, in a very unique setting, with a dogged lead who refuses to give up. Slower and colder but just as gripping.
Detective Erlendur encounters memories of his troubled past in this gripping and award-winning continuation of the "Reykjavik Murder Mysteries". At a grand Reykjavik hotel the doorman has been repeatedly stabbed in the dingy basement room he called home. It is only a few days before Christmas and he was preparing to appear as Santa Claus at a children's party. The manager tries to keep the murder under wraps. A glum detective taking up residence in his hotel and an intrusive murder investigation are not what he needs. As Erlendur quietly surveys the cast of grotesques who populate the hotel, the…
Mia Lark is running out of options. There is only one way to change the score: the fantasy planet Revivium.
Armed with the powerful magic in the helm and the friendly AI, Hex that goes with it, Mia throws caution out the window. It’s time to find the main guildhall…
There’s nothing like personal experience. You have to read the literature, it’s true. That’s how we’ve all met here at Shepherd. But you have to roll up your sleeves and get down to visiting, too, if you want to write about travel. I first approached the Arctic in 1991 and I return above sixty degrees north every year, although I must confess to a secret advantage; I married a Finn. We spend summers at a little cabin north of Helsinki. I know the region personally, I keep coming back, and I invite you, whenever you can, to come up and join us!
Iceland is one of the first off-the-beaten-track places I visited as an aspiring young travel writer and I arrived with the onset of the first Gulf War - the one against Saddam Hussein.
I visited with three other people. We immediately met a man in Reykjavik who introduced us to his diplomat friend, and before it was all said and done we spent most of that trip with the Icelander and the Frenchman in front of a much more rudimentary CNN, watching the war.
While I’ve been back to Iceland a number of times since, that first trip, the instant friendships, and the very odd experience of watching war in the desert from up at the Arctic Circle, sealed the deal for me about visiting the far north, and indirectly led to my own later book.
Halldor Laxness is the greatest of Icelandic authors and Independent People is very nearly…
Inspired by my dad–a fan of Hammond Innes, Alistair MacLean, and the like–and two older brothers, I discovered Desmond Bagley as a teenager. My passion for his style of action-adventure has never dwindled. As the crime thriller genre appears to move relentlessly in the direction of dark, gritty, serial-killer territory, I can’t help but wonder if there isn’t something to be said for the now less-fashionable escapist worlds these writers created. Thanks to HarperCollins, I was given the chance to work on Bagley’s last posthumous novel, Domino Island, and my own original books inevitably followed.
This fantastic Desmond Bagley novel has a gripping opening line and never lets up the pace.
It’s one of the first Bagleys I read, and I was hooked as a fan from page one. I love every one of his 17 novels and keep going back to them; he really is the master at what he does: action-adventure, with "everyman"-type heroes thrust into dangerous and deadly situations.
For some reason, he’s fallen out of fashion, but I’m on a mission to change all that–alongside his publishers, HarperCollins, who have commendably kept his books constantly in print.
It all begins with a simple errand - a package to deliver. But for Alan Stewart, standing on a deserted road in Iceland with a murdered man at his feet, the mission looks far from simple. Set amongst some of the most dramatic scenery in the world, Stewart and his girlfriend, Erin, are faced with treacherous natural obstacles and deadly threats, as they battle to carry out the mission. The contents of the package are a surprise for the reader as much as for Stewart in a finale of formidable energy.
In 2009, when I decided to set a crime series in Iceland, I embarked on a decade of research into the country, its people, its literature, its culture, and its elves. I visited the country, I spoke to its inhabitants and I read books, lots of books – I couldn’t find an elf, but I was told where they live. I needed to understand its criminals, its victims, its police, and most of all my detective Magnus Jonson. These are the best books that helped me get to grips with Iceland.
I don’t think it is overly ambitious to claim that you can learn a lot about a country from its crime novels. I certainly did, devouring novels by Yrsa Sigurdardóttir, Lilja Sigurdardóttir, Ragnar Jónasson, and the Englishman Quentin Bates. A good crime novel describes not only a place and its people but what makes them tick, what they fear, and what they desire. It’s very hard to pick just one crome novel from so many great ones, but Arnaldur Indridason’s Silence of the Grave won the British Crime Writers Association Gold Dagger in 2005 and also features the British occupation of the country during the war. Plus, it’s a damned good story.
Building work in an expanding Reykjavik uncovers a shallow grave.
Years before, this part of the city was all open hills, and Erlendur and his team hope this is a typical Icelandic missing person scenario; perhaps someone once lost in the snow, who has lain peacefully buried for decades. Things are never that simple.
Whilst Erlendur struggles to hold together the crumbling fragments of his own family, his case unearths many other tales of family pain. The hills have more than one tragic story to tell: tales of failed relationships and heartbreak; of anger, domestic violence and fear; of family…
Winner of the 2024 New Mexico - Arizona Book Award.
In this deeply researched novel of America's most celebrated outlaw, Mark Warren sheds light on the human side of Billy the Kid and reveals the intimate stories of the lesser-known players in his legendary life of crime. Warren's fictional composer…
I love the idea that much of folklore is based on universal human stories that are still true today. Selkies may be mystical creatures but they are also women treated badly by men, then judged for their response by wider society. Because of this universality, as well as the compelling magical element, there are many modern novels that make use of selkie folklore, which in several ways shares roots with the folklore of mermaids. I’ve picked out a few that spoke to me. I hope many more readers will discover these sea-faring, shape-shifting, magic-realist tales.
I love this book for many reasons. The Sealwoman is a passenger on the slave ship that takes our protagonist form her beloved homeland, and the ‘gift’ of the title is the story she tells of her shapeshifting roots. The voyage is hellish, and contains a terrifying birth scene among other unspeakable, unimaginable, only just survivable events. It’s based on a true story, which makes it all the more powerful, and it makes me wonder about the hidden truths in the folklore contained within it, especially the sealwoman’s story.
'A remarkable feat of imagination... I enjoyed and admired it in equal measure' Sarah Perry, author of The Essex Serpent 'An extraordinarily immersive read, that emphasises the power of stories, examining themes of motherhood, identity, exile and freedom ... a journey that not only crosses continents, but encompasses tragedy and rich sensuality' Guardian 'A powerful tale of Barbary pirates ... richly imagined.' Sunday Times 'Engrossing' Sunday Express 'Fascinating ... a really, really good read' BBC R2 Book Club 'The best sort of historical novel.' Scotsman 'A lyrical tale' Stylist 'A poetic retelling of Icelandic history.' Daily Mail 'Compelling stuff' Good…
As a historian of feminism, I am always on the lookout for sources that reveal women’s voices and interpretation of experiences often imagined as belonging primarily to men. Whether erudite travelogue, personal journey of discovery, or sensationalist narrative of adventure and exploration, books written by women traveling on their own were among the most popular writings published in the Victorian era. Often aimed at justifying the expansion of woman’s proper “sphere,” these books are perhaps even more enthralling to the contemporary reader —since they seem to defy everything we think we know about the constrained lives of women in this era. In addition to illuminating the significant roles that women played in the principal conflicts and international crises of the nineteenth century, these stories of women wading through swamps, joining military campaigns, marching across deserts, up mountains, and through contested lands often armed only with walking sticks, enormous determination, and sheer chutzpah, never fail to fascinate!
In 1842, after 45 years of frustratingly sedentary domesticity, the Austrian-born Ida Pfeiffer gave full vent to her wanderlust. Within five years, her jaw-dropping round-the-world journeys would make her one of the most widely-traveled persons of that century, while her talent for vivid portrayals made her one of the most well-known travel writers. Of her many chronicles, I especially enjoy this tale of her 1845 trip to the northern reaches of Scandinavia and Iceland—a place almost no continental Europeans had visited and few even knew existed. Pfeiffer’s insights and thoughtful reportage, as well as a newly emerging fascination with Iceland and Icelanders in our own time, has given this rare travel narrative new currency.
This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
I've always been fascinated by the way history feels inherently uncanny, as we inhabit the same places as people long dead. I suppose that’s why the novels I write tend to be in historical settings, and they tend to have a speculative twist. For much of my working life, I was a journalist, so I love the research part of writing historical fiction. I tend to be drawn to old stories, and I especially love looking at those stories from angles I haven't seen before. Two of my novels bookend the European Middle Ages: The Valkyrie, set in the 5th century CE, and The Chatelaine, set in the 14th century CE.
This is a slim book and it's told in an intimate, lyrical voice that feels like it's speaking directly to you from the period – which, in this case, is the 9th century CE.
All the Horses of Iceland follows a Norse trader through Rus to Mongolia in the company of Khazars. It's a ghost story, with notes of sadness mixed with wonder. And while it is possible to trace the journey and pick up on historical signposts, the book doesn't acknowledge that it knows when and where its reader might be – which bolsters the illusion of reading something very old.
A hypnotic historical fantasy with gorgeous and unusual literary prose, from the captivating author of The Fourth Island.
Everyone knows of the horses of Iceland, wild, and small, and free, but few have heard their story. Sarah Tolmie’s All the Horses of Iceland weaves their mystical origin into a saga for the modern age. Filled with the magic and darkened whispers of a people on the cusp of major cultural change, All the Horses of Iceland tells the tale of a Norse trader, his travels through Central Asia, and the ghostly magic that followed him home to the land of…
Ramon Ramirez’s Dog is a collection of essays written over the years about the adventures and misadventures, mostly outside but occasionally inside the diplomatic career of a U.S. ambassador. Common threads weaving the stories together are a desire for a life well-lived, balancing career with family and friends, keeping physically…
Ever since childhood I’ve been fascinated by the history of England, and fifteen years ago I made the decision to write a series of novels set before the Norman Conquest. Since then I’ve immersed myself in the history of that period and made numerous visits to the locations where I set my novels. I’ve been frustrated though by the enormous gaps in the historical records of that time, in particular the lack of information about the women. Because of that I am drawn to the work of authors who, like me, are attempting to resurrect and retell the lost stories of those remarkable women.
In this genre-bending novel the author weaves Norse myth with a tale set in the very real world of early medieval Iceland. Her descriptions of the landscape are wondrous, and her portrayal of the lives and culture of the early settlers of Iceland ring true. I loved how she quite successfully brought the Norse gods and one particular goddess down to earth. I am not as knowledgeable about the Nordic gods and their stories as I would like to be. This novel was a terrific way to begin a journey of discovery taking me in that direction.
A beautiful epic of love, longing, redemption, and enchantment in the tradition of Marion Zimmer Bradley?s The Mists of Avalon
Iceland, AD 1000 Freya knows that her people are doomed. Warned by the Fates of an impending disaster, she must embark on a journey to find a magnificent gold necklace, one said to possess the power to alter the course of history. But even as Freya travels deep into the mountains of Iceland, the country is on the brink of war. The new world order of Christianity is threatening the old ways of Iceland?s people, and tangled amidst it all…