Books like Land of Big Numbers — picked by fans

How often do we consider the people behind the objects we use every day?

This book offers an unrivalled glimpse into the lives of the female workers who manufacture many of the products we take for granted and, in so doing, provides a human face to China’s rapid development. Through her interactions and interviews, Chang illustrates how the emergence of new industrial metropolises is transforming the opportunities and aspirations of young rural women.

While she does not shy away from showing the grittier aspects of China’s colossal factories, crucially, Chang demonstrates how their workers are autonomous individuals with concerns and dreams both relatable and unfamiliar.

This stimulating read is one of my favourite texts to use with university students, raising, as it does, all sorts of questions about gender, class, culture, and individual agency, but it has much to offer a wider audience, too, not least in providing an important… show more.

China's gargantuan size has haunted its efforts to become a modern nation. Anthropologist Greenhalgh argues that in the late 1970s, Chinese rocket scientists, influenced by doomsday policymakers in the West, convinced the Chinese government to impose a one-child family planning program. The draconian enforcement of the one-child policy subjected millions of women to intimate corporeal surveillance that resulted in uncounted numbers of forced abortions, hidden births, and suffering for the masses. By 2016, when the two children policy was instituted, family planning contributed to an unbalanced gender ratio, delayed marriages, and a possibly irreversible population decline. Social engineering is a modus operandi of the Chinese state, and ironically, its most famous strategy threatens the nation's sustainability as a world industrial power.

This engaging book looks at globalization and art from a perspective well beyond the conventional art world. Wong analyzes the work of artists in the Chinese "urban village" of Dafen where some five million paintings are produced a year–copies of Western masterpieces. Rather than viewing this industry condescendingly, Wong takes Dafen as a laboratory for understanding what qualities make an artist, and how creativity exists even in contexts of reproduction and replication. 

This collection, by anthropologists and psychiatrists, gives us a glimpse of soul searching by ordinary people as China compresses centuries of industrial growth into two decades. The unprecedented fragmentation of families and loss of culture have scattered lives and disoriented minds. The chapter authors consider intimate topics -- death, sex, depression, stigma, suicide, and madness -- that lie beneath the glossy images of Chinese achievements. They reveal the deep confusion of ordinary people as they struggle with questions of morality and humanity in a relentless, turbulent world.

The unyielding Fragrant Princess who rejects the Emperor’s advances left an indelible mark on my mind. Although she is not portrayed as a heroine, it is her ultimate sacrificial act of defiance, made in order to alert her lover (rebel leader of the Red Flower Society) of the Emperor’s trap, that deeply moved me.

This was the first novel written by Jin Yong, the wuxia fiction icon and my literary idol. It was also the first novel that I came across and read as a child during one summer vacation. The thrilling martial arts fight scenes and the addictive plot certainly had me enthralled and would send me down the wuxia rabbit hole in ensuing summers! Recently, I re-read this novel, and I still adore it.

This is a sweeping saga, the kind I love because it keeps me turning pages.

Against a backdrop of 20th-century China, I was drawn into the fate of a cast of captivating characters. Split into two locales and timelines—Vancouver in 1991 and China from the mid-20th century to the tragedy in1989—the novel is a jigsaw puzzle of countless bits, revealed with skill and delicacy as the pieces finally fit together.

Here is the Cultural Revolution; there Tiananmen Square and in between I was caught up in the lives so cruelly marked by history. 

I was totally engrossed in this story about brave, intelligent women in 15th-century China. Yuxian is trained to be a doctor by her grandmother within the constraints of traditional Chinese society. I was amazed by her ability to see past obstacles and challenges. I found myself holding my breath as she was confronted with unbelievable scenarios.

Like Yunxian herself, every woman in her circle, especially her lifelong friend Meiling, finds ways to rise to a higher plane within the limitations of arranged marriages and class prohibitions. Through friendship and purpose, this woman of the Ming dynasty left a remarkable legacy for generations to come.

I really enjoy moving through history in the context of the lives of women. Leap forward several centuries from the Ming Dynasty and women in China are still limited by tradition and binding their feet. Peony loves, and her love is returned by David ben Ezra, the son of a wealthy Jewish merchant. But Peony is a bondswoman, and while David struggles with the decision to marry his mother’s Jewish choice of bride or the beautiful Kueilan, she must observe from afar.

I loved how this book vividly illustrated, through the course of Peony’s life, how the blending and integration of Chinese and Jewish cultures led to the assimilation of the Kaifeng Jews. Peony embodies the shared respect and understanding between the communities. At the conclusion of the novel, Peony is an elderly Buddhist nun. Her end of life reflections indicate a keen awareness of what the blending of the… show more.

The first of Qiu Xiaolong’s Inspector Chen series is just a great story. One reason I read is to explore places, and one place I’m always happy to return to is Shanghai.

This book contains events and characters that can only be found in China, and yet the story itself is pure genre, a police procedural centered on a detective who really wishes he were a poet. 

Without the setting, it’s a great read. With the setting, it’s a chance to explore China.

Much of the story unfolds in China during the Cultural Revolution, then shifts into realms of imagination, physics, and mathematics. Concepts like stretching a proton to planetary dimensions, encoding information within it, and compressing it back into a spy particle are astounding.

I resonate with the author’s insight: our civilization itself may be the root of humanity's eventual downfall. Politics, religions, culture, and beliefs—rarely sources of pride—are more often causes for shame, a testament to human folly above all else. Breaking free from these constructs is no easy task.