100 Books Like Land of Big Numbers

How often do we consider the people behind the objects we use every day?

This book offers an unrivalled glimpse into the lives of the female workers who manufacture many of the products we take for granted and, in so doing, provides a human face to China’s rapid development. Through her interactions and interviews, Chang illustrates how the emergence of new industrial metropolises is transforming the opportunities and aspirations of young rural women.

While she does not shy away from showing the grittier aspects of China’s colossal factories, crucially, Chang demonstrates how their workers are autonomous individuals with concerns and dreams both relatable and unfamiliar.

This stimulating read is one of my favourite texts to use with university students, raising, as it does, all sorts of questions about gender, class, culture, and individual agency, but it has much to offer a wider audience, too, not least in providing an important… show more.

China's gargantuan size has haunted its efforts to become a modern nation. Anthropologist Greenhalgh argues that in the late 1970s, Chinese rocket scientists, influenced by doomsday policymakers in the West, convinced the Chinese government to impose a one-child family planning program. The draconian enforcement of the one-child policy subjected millions of women to intimate corporeal surveillance that resulted in uncounted numbers of forced abortions, hidden births, and suffering for the masses. By 2016, when the two children policy was instituted, family planning contributed to an unbalanced gender ratio, delayed marriages, and a possibly irreversible population decline. Social engineering is a modus operandi of the Chinese state, and ironically, its most famous strategy threatens the nation's sustainability as a world industrial power.

This engaging book looks at globalization and art from a perspective well beyond the conventional art world. Wong analyzes the work of artists in the Chinese "urban village" of Dafen where some five million paintings are produced a year–copies of Western masterpieces. Rather than viewing this industry condescendingly, Wong takes Dafen as a laboratory for understanding what qualities make an artist, and how creativity exists even in contexts of reproduction and replication. 

This collection, by anthropologists and psychiatrists, gives us a glimpse of soul searching by ordinary people as China compresses centuries of industrial growth into two decades. The unprecedented fragmentation of families and loss of culture have scattered lives and disoriented minds. The chapter authors consider intimate topics --  death, sex, depression, stigma, suicide, and madness -- that lie beneath the glossy images of Chinese achievements. They reveal the deep confusion of ordinary people as they struggle with questions of morality and humanity in a relentless, turbulent world.

The unyielding Fragrant Princess who rejects the Emperor’s advances left an indelible mark on my mind. Although she is not portrayed as a heroine, it is her ultimate sacrificial act of defiance, made in order to alert her lover (rebel leader of the Red Flower Society) of the Emperor’s trap, that deeply moved me.

This was the first novel written by Jin Yong, the wuxia fiction icon and my literary idol. It was also the first novel that I came across and read as a child during one summer vacation. The thrilling martial arts fight scenes and the addictive plot certainly had me enthralled and would send me down the wuxia rabbit hole in ensuing summers! Recently, I re-read this novel, and I still adore it.

The first of Qiu Xiaolong’s Inspector Chen series is just a great story. One reason I read is to explore places, and one place I’m always happy to return to is Shanghai.

This book contains events and characters that can only be found in China, and yet the story itself is pure genre, a police procedural centered on a detective who really wishes he were a poet. 

Without the setting, it’s a great read. With the setting, it’s a chance to explore China.

This novel broke my heart so many times. It did so with beautiful and subtle prose, with its astonishing depiction of tragedy and loss, and with its magical insistence that the music we make can outlive us all. But what broke my heart the most in Thien’s novel is the reminder, or perhaps the revelation, of how much art’s existence depends on an unpredictable, ever-shifting, uncaring, brutal world.

It was staggering, watching generations of a family of musicians fight through a century of political turmoil in China and not knowing if they, and the music, would survive. But I loved it. This novel is a marvel.

I really enjoy moving through history in the context of the lives of women. Leap forward several centuries from the Ming Dynasty and women in China are still limited by tradition and binding their feet. Peony loves, and her love is returned by David ben Ezra, the son of a wealthy Jewish merchant. But Peony is a bondswoman, and while David struggles with the decision to marry his mother’s Jewish choice of bride or the beautiful Kueilan, she must observe from afar.

I loved how this book vividly illustrated, through the course of Peony’s life, how the blending and integration of Chinese and Jewish cultures led to the assimilation of the Kaifeng Jews. Peony embodies the shared respect and understanding between the communities. At the conclusion of the novel, Peony is an elderly Buddhist nun. Her end of life reflections indicate a keen awareness of what the blending of the… show more.

I was totally engrossed in this story about brave, intelligent women in 15th-century China. Yuxian is trained to be a doctor by her grandmother within the constraints of traditional Chinese society. I was amazed by her ability to see past obstacles and challenges. I found myself holding my breath as she was confronted with unbelievable scenarios.

Like Yunxian herself, every woman in her circle, especially her lifelong friend Meiling, finds ways to rise to a higher plane within the limitations of arranged marriages and class prohibitions. Through friendship and purpose, this woman of the Ming dynasty left a remarkable legacy for generations to come.

I cannot think of a more perfect title for Michael Wang’s Further News of Defeat. Imminent loss haunts the edges of each story, ready to pounce on Wang’s indelible characters. In America, we’re often uncomfortable with this kind of storytelling. We prefer our characters to be redeemed, to either prevail over calamity or to fail due to their own weaknesses. Wang’s characters are both at the mercy of outside events and circumstances and participants in their own fates. Most of the stories are set in fictional cities and rural villages in China. War, regime and societal changes, poverty, immigration, and identity are running themes. Several of these stories are so gripping I could imagine them as longer works. Further News of Defeat is a beautifully rendered and well-researched book.