100 Books Like Kira-Kira

Two African American brothers spend their summer in rural Virginia while their parents navigate a rough patch in their marriage. Genie, 11, and Ernie, 13, get to know their blind grandfather who has a special room filled with plants and songbirds. I identified with Genie, a worrier who likes to pose questions in his notebook. As the two brothers respond differently to their grandfather’s announcement that a brave man learns to shoot a gun at 14, Reynolds is also asking readers to consider what it means to be brave and how we should define family. I loved the themes and vivid setting of the book. As someone who visited a grandparent in a small, rural town each summer, I identified with the boys’ sense that they have travelled not just a state but a whole world away from home.

12-year-old Catherine’s feelings toward her younger, autistic brother are complicated. She’s protective of him and also appears to be embarrassed by his behaviour. All she wants is a “normal” life. When she becomes friends with a paraplegic boy she’s forced to think about what “normal” really means. This book is hopeful, humourous, thoughtful, and explores what it means to interact with someone who is neurodivergent. The author is the mother of a child with autism and the complex relationships and friendships in the book felt real and captured the mixed-up emotions of middle-graders. 

In this book, a sister and brother escape the horrors of suburban Connecticut and take refuge in the Metropolitan Museum of Art, where they discover an art mystery that leads them to a wealthy surrogate grandmother. Beyond the iconic setting, this story has an irresistible only-in-New York feeling to it, so that you can’t help believing it all might have really happened, or still could happen.

What could illustrate sibling tensions better than a book set in a car during a road trip? Raina always wanted a baby sister—until Amara arrived. Now, as she embarks on a weeks-long car trip she remembers what a difficult baby and toddler Amara was, and the ongoing frustration of sharing her parents’ attention Before the graphic memoir is done, the two sisters bond. This is the second in the Smile series, but you can jump in here if you like without getting confused. The art is great, and the story is heart-warming without being sticky-sweet. It brought back memories of road trips with my sisters, sharing snacks, and fighting for space in the back of the station wagon.

This book features Bill Manbo’s original photographs from the Heart Mountain incarceration camp, weaved in with the historical narrative of the camp and the time period.

What is remarkable about the photos is that they are not part of government propaganda but depictions of everyday events by an amateur photographer. Moreover, inmates weren’t supposed to have cameras in camp, so Manbo’s photos are also an act of resistance.

Since I’m always on a quest to really “feel” history, I love how these photos bring me that much closer to the people and the place. Eric Muller and others’ writings provide useful contextualization to both the art and the era. 

Another powerful collection of photographs, this book shows us the images by the famous photographer Dorothea Lange.

The War Relocation Authority (a civilian agency that ran the 10 civilian incarceration camps) hired Lange to “document” life in the camps. They were expecting to receive material that would be useful as propaganda, that would prove to the outside world that the conditions were decent and inmates happy. What they got instead were depictions of harsh conditions and institutionalization. Therefore, many of Lange’s photos were never published until this volume.

Where Billy Manbo’s photos showed us an inmate’s perspective, Lange’s photos can be read as a wordless attempt to criticize the government.

The Eagles were a collection of Japanese American youth interned, with their families, at a relocation camp at the base of Heart Mountain, outside of Cody, Wyoming. In the fall of 1943, they embarked upon an undefeated high school football season, although their triumphs were tempered by the injustice of their families’ incarceration and, ironically, the looming threat of the graduating seniors being drafted into the same military that guarded the perimeter of their camp.  Pearson’s is a disturbing, but ultimately uplifting, look at a dark chapter in America’s history.

The moment I fall in love with a character, I will follow them anywhere. Toss in an intriguing plot, a huge extended family, and heart-warming humor, you get a recipe for a fun, fast read. This first in a chapter book series stars eight-year-old Jasmine Toguchi who’s jealous that her older sister gets to participate in the New Year festivities of making mochi, a Japanese rice cake (and one of my favorite desserts). Jasmine decides she’ll be the first girl to pound the rice—something her sister has definitely never done. Readers will cheer for this flamingo-loving tree climber as she hammers out her own path.  

Much of the general public knows the great performance of the segregated Nisei (2nd generation Japanese American) unit in World War II, but few are still familiar with the Nisei draft resisters.

Eric Muller’s book tells the story of these men, who were drafted from incarceration camps—and then imprisoned in federal prisons for refusing to serve. Over 80 of these resisters came from Heart Mountain, where they had organized around a group called the Heart Mountain Fair Play Committee, but men from other camps also resisted. Their message was unanimous: they love the United States but will not serve before their families are freed.

Told from multiple points of view, this story details the horrific internment of fourteen Japanese American teenagers and their families during the height of World War II. The history of Japanese internment camps is often glazed over in Social Studies classes in favor of celebrating America’s successes in the war, but I was taken by Traci’s unflinching portrait of the teenagers’ lives and choices as they grapple with how to be Asian American in a world that refuses to acknowledge their citizenship and identities.