Books like Kieslowski on Kieslowski — picked by fans

This book coined the maxim far and away the most quoted in Hollywood to this day: “Nobody knows anything.” I first read it the year before I broke in. My copy is heavily annotated with yellow highlighter and red pen; a black paperclip still marks the second of Goldman’s two capitalized maxims, “Screenplays are structure.” The value of this book to anyone wanting to understand – or survive in – Hollywood is that, ironically, Goldman, one of the most successful screenwriters and novelists in Hollywood history, knew almost everything, not only about screenwriting, but also the psychology, cautious care, and perilous feeding of actors, directors, executives, and the rest of the Hollywood zoo. It’s both a textbook and survival guide, illustrated with a veteran’s vivid stories about life behind the tinsel.

Make a list of great American movies of the 20th century—Sidney Lumet has directed a lot of them. 12 Angry Men. Dog Day Afternoon, Serpico, Network, The Wiz, The Verdict, and so many more. When his book came out in 1995, there had never been a book like it.

Sidney Lumet was giving away his secrets? Wow. I purchased it immediately. When I learned that Mr. Lumet was to appear at a book signing in my city, I arrived early, toting my precious, already dogeared volume, and stood in line to get it signed. For all these years since its publication in 1995, it has stood at or near the top of best-selling books about making movies.

Some Like It Hot, The Apartment, Double Indemnity, Sunset Boulevard… Billy Wilder is my favourite filmmaker. I like the elegance of his storytelling and his bittersweet wit. In Wilder’s final years, Cameron Crowe conducted a series of interviews with the writer-director. From fleeing Nazi Germany to his admiration for Ernest Lubitsch, from the trials of working with Marilyn Monroe or Raymond Chandler to the joys of collaborating with Barbara Stanwyck, Jack Lemmon, and Charles Laughton, from his successes to his failures and on to the secret of what makes a good writing partner, Wilder needs little prodding to tell movie-making tales from Berlin to Paris to Hollywood.

As perfectly tragic as one of his Jazz Age characters, Fitzgerald drank himself to death before finishing this novel which in my opinion, could have been his best. Like Gatsby, Monroe Stahr is an eloquent, rich, and isolated character, pining for a mysterious woman. He is a hugely successful movie mogul in the golden age of Hollywood, and Fitzgerald’s contempt for the studio system’s treatment of writers is here on full satirical display. The sparse prose sparkles with diamond-like harshness and clarity as the doomed love affair plays out. I’m sure it's his least known novel since it is technically “unfinished,” but most editions publish Fitzgerald’s unfinished future chapters, his pass at the ending as well as his notes and outlines, making this a master class in novel writing.

David Lynch was not a filmmaker of “weird.” He was a filmmaker of compassion. His chief artistic tool was to embrace his instinctive connection to his subconscious. This slim volume is impossible to summarize.

All I can say is that it relaxed me, centered me, and opened me to a deep permission to pay attention to the impulses of my subconscious mind.

John Cassavetes is a kind of saint in the world of independent films. With his spouse, Gena Rowlands, he made films—A Woman Under the Influence, Faces, The Killing of a Chinese Bookie—that launched a revolution in American filmmaking.

This collection of Cassavetes’ writings and conversations opened my understanding of art and life at the deepest level. This is the quote that I’ve kept with me always: “[When you compromise your vision, you create] a lack of confidence in your innermost thoughts… These innermost thoughts become less and less a part of you and once you lose them then you don’t have anything else.” 

As an American film revolutionary, before there was Cassavetes, before there was Tarrantino, before there was Scorsese or Coppola or Ridley Scott or Christopher Nolan or Jane Campion or Todd Field—there was Elia Kazan. He ushered in a new post-World War II era of naturalism in acting. He gave us James Dean and Marlon Brando.

This book is culled from the actual diaries he kept during rehearsal and production for his theater and film projects. Windows into his hopes, his strategies, his self-doubts. As a creative person myself, I felt given permission to take ownership of my own ambitions, ideas, and fears.

Kelly Rimmer's book is a poignant and deeply moving exploration of self-discovery and the resilience of the human spirit. Set against the backdrop of World War II and the present day, this novel beautifully intertwines two compelling lives that ultimately converge in a powerful tale of love, loss, and redemption.

One of the most captivating aspects of the book is the author's ability to capture the resilience of the human spirit in the face of adversity. Through Alina and Alice's journeys, readers witness the transformative power of courage, love, and sacrifice in overcoming seemingly insurmountable obstacles. This resonated with me because I could relate. 

Moreover, this novel is imbued with a sense of hope and redemption. As Alina and Alice navigate their respective struggles, they discover a strength within themselves they never knew existed. Their stories serve as a testament to the indomitable nature of the human spirit and the… show more.

Who would have thought that late-nineteenth-century Poles’ preoccupation with the problem of prostitution could reveal so much about the Polish mindset? Concerns over the sex industry arose during a period of rapid change when there was no Polish state. Poles voiced their concerns about their nation’s future—and their womenfolk. A historian at the height of her powers, Keely Stauter-Halsted skillfully shows how debates on prostitution and an obsession with the bodies of impoverished women reflected a variety of visions of a future Poland.

Poland is a historical novel that spans Polish history all the way back to 1240, and continues on to cover various years, including WWI, WWII, and up to the early 1980s. The book is centered around three interconnected families throughout this investigation into their pasts, and is a must-read in terms of truly understanding and getting an authentic view into Polish lives throughout the ages. I feel that this book is a stand-out in terms of the authenticity it achieves.