Here are 100 books that Kaiki fans have personally recommended if you like
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I am an Anglo-Irish writer who has lived in Japan for eighteen years. During that time, my interest in the Japanese supernatural has deepened to the point where it is now the main focus of my writing. In my free time, I enjoy traveling around Japan collecting local ghost stories and folk tales. This, along with my extensive reading of both fiction and non-fiction on the topic, has provided a rich source of inspiration for my writing. I am also a keen observer of people, daily life, and the environment in which I live, which helps me to colour and add realism to my stories.
I came across Ugetsu Monogatari in a used bookshop at a time when I was voraciously reading everything I could lay my hands on about the Japanese supernatural. First published in 1776, it is rightly regarded as one of the most important collections of Japanese ghostly fiction. Ugetsu Monogatari gave me a greater and deeper insight into this fascinating world. Almost as Interesting as the book itself is the life story of the author. The son of a prostitute and an unknown father Ueda Akinari was born in a period when the Japanese were deeply interested in yokai and yurei. He himself was a firm believer in the supernatural. It is that belief and the influence of the period which makes this book such an essential read for anyone interested in the subject. It is a book that I often return to.
First published in 1776, the nine gothic tales in this collection are Japan's finest and most celebrated examples of the literature of the occult. They subtly merge the world of reason with the realm of the uncanny and exemplify the period's fascination with the strange and the grotesque. They were also the inspiration for Mizoguchi Kenji's brilliant 1953 film Ugetsu. The title Ugetsu monogatari (literally "rain-moon tales") alludes to the belief that mysterious beings appear on cloudy, rainy nights and in mornings with a lingering moon. In "Shiramine," the vengeful ghost of the former emperor Sutoku reassumes the role of…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve always been a fan of dark stories and unsolved mysteries. As I grew older, this led me to read true crime, historical mysteries, horror stories, and mystery detective fiction. I also have a preference for classic stories from decades gone by, as I have a strong interest in how genre-defining stories that appear at a certain time can have great influence over a generation of writers. So, it’s fitting to say that all my recommendations tend to be great stories from long ago. Much like the Sherlock Holmes stories by Arthur Conan Doyle, people still read these stories today and probably will in the future since great stories are timeless.
Edogawa Rampo is the father of Japanese detective fiction, and this macabre short story collection is a perfect introduction to his work. While not detective stories per se (he’s written some that are), these stories showcase a series of works that are fascinating, varied, dark, and very fun to read.
Borrowing from elements from Western Silver Age detective fiction but adding elements of the grotesque and twisted, he is very distinct from all the Western mystery fiction I’ve read from a similar era. Since detective fiction formally started with Edgar Allen Poe and his C. Auguste Dupin in macabre stories, this seems a throwback to that storied history for me.
This collection of mystery and horror stories is regarded as Japan's answer to Edgar Allan Poe.
Japanese Tales of Mystery & Imagination, the first volume of its kind translated into English, is written with the quick tempo of the West but rich with the fantasy of the East. These nine bloodcurdling, chilling tales present a genre of literature largely unknown to readers outside Japan, including the strange story of a quadruple amputee and his perverse wife; the record of a man who creates a mysterious chamber of mirrors and discovers hidden pleasures within; the morbid confession of a maniac who…
I’ve long been fascinated by tales of the paranormal. Legends of ghosts, ogres, and demons stretch back to prehistory, and as H.P. Lovecraft wrote, “The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.” Advances in science and technology are often seen as a remedy against fearing things that go bump in the night. But in the realm of speculative fiction, what if such technology becomes the opposite: a means for the supernatural to make its presence known? This fearful juxtaposition is skillfully depicted in the five books I describe below. I hope you enjoy them.
I found this novel conceptually fascinating, as it depicts the use of a common (at the time) entertainment technology—a videotape—as a means of attack by a terrifying supernatural menace.
I also enjoy cross-genre fiction, and while this is primarily a horror novel, it is also a mystery in which the protagonist must race against time for a solution to a deadly predicament.
Stunning Japanese thriller with a chilling supernatural twist. The novel that inspired the cult Japanese movie and the Hollywood blockbuster of the same name.
Asakawa is a hardworking journalist who has climbed his way up from local-news beat reporter to writer for his newspaper's weekly magazine. A chronic workaholic, he doesn't take much notice when his seventeen-year-old niece dies suddenly - until a chance conversation reveals that another healthy teenager died at exactly the same time, in chillingly similar circumstances.
Sensing a story, Asakawa begins to investigate, and soon discovers that this strange simultaneous sudden-death syndrome also affected another two…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I’ve been enjoying Japanese stories from the moment I first found them, a direct result of living, studying, and working in Japan for five years, from Imari City (in Kyushu Island) to Tokyo (on Honshu). The pacing of Japanese novels—starting out slowly and deliberately, then speeding up like a tsunami out of nowhere—totally appeals to me, and feels infinitely more connected to exploring the subtleties, complexity, and beauty of relationships. This is especially true when compared to Western novels, which seem overly obsessed with splashing grand, dramatic action and injury on every other page. I just love revisiting Japan through reading.
Whether a fan of anime and video games, or an admirer of ancient Noh drama and Kabuki dances, one can’t really know the heart of Japan without reading Lafcadio Hearn’s translations of ghostly tales, all contained in this amazing volume. There are demons and goblins that exist way-y-y beyond the average Westerner’s mind. There are legends that send chills up and down the spine, creatures without faces, a man who marries the love of his life only to lose her after just five years because she is really the soul of a tree… Enjoy these stories of the bewitched and karmically affected characters.
A blind musician with amazing talent is called upon to perform for the dead. Faceless creatures haunt an unwary traveler. A beautiful woman — the personification of winter at its cruelest — ruthlessly kills unsuspecting mortals. These and seventeen other chilling supernatural tales — based on legends, myths, and beliefs of ancient Japan — represent the very best of Lafcadio Hearn's literary style. They are also a culmination of his lifelong interest in the endlessly fascinating customs and tales of the country where he spent the last fourteen years of his life, translating into English the atmospheric stories he so…
From the age of 11, and an encounter with an illustrated anthology entitled The World of Zen, I have been drawn to and fascinated by the spiritual, philosophical, and folkloric aspects of East Asian Culture. I studied the subject at Cambridge University and subsequently trained in Zen Shiatsu therapy. Most of my books draw from my passion for East Asian culture, and Japan in particular. I have travelled widely in Japan over the last two decades, and for Tsunami Girl spent four years researching, interviewing survivors, and visiting Fukushima. I am now working on a new book on Japanese yōkai and ghosts…
Shigeru Mizuki is the late, great god of alternative manga (or gekiga). Suffused with personal experience and reflections, his work by turns playfully and powerfully explores pre-war childhood, near-death war-time experiences, politics, and – most importantly – the world of Japanese yōkai monsters. Nononba tells the story of his childhood education by his grandmother into the world of supernatural Japan, leading the way to his great yōkai series GeGeGe Kitaro. A memoir of love and loss, childhood innocence and imagination, Nononba was, in turn, a great education for me. Funny, strange, tender, and wise. And in places it freaks you out too!
The first English translation of Mizuki's best-loved work
NonNonBa is the definitive work by acclaimed Gekiga-ka Shigeru Mizuki, a poetic memoir detailing his interest in yokai (spirit monsters). Mizuki's childhood experiences with yokai influenced the course of his life and oeuvre; he is now known as the forefather of yokai manga. His spring 2011 book, Onward Towards Our Noble Deaths, was featured on PRI's The World, where Marco Werman scored a coveted interview with one of the most famous visual artists working in Japan today.
Within the pages of NonNonBa, Mizuki explores the legacy left him by his childhood explorations…
I saw my first Godzilla movie when I was seven years old, and I immediately fell in love: what kid doesn’t want to be a giant radioactive monster with attitude? But unlike baseball cards, I never outgrew Godzilla and, over the decades, came to appreciate the cultural significance of one of the world’s most enduring film icons. In my writing on Godzilla, I explore my own fascination with monsters and contemplate why all societies, from the dawn of time to today, have compulsively created imaginary creatures that terrify them. The books on this list have helped me understand the human obsession with monsters, and I hope you will find them equally enlightening and enjoyable.
I was fascinated by yokai, the weird and wonderful creatures of Japanese folklore, well before they became a thing on social media and in global pop culture. Of all the books designed to introduce yokai to Western audiences, Michael Dylan Foster's is by far the best at explaining how the Japanese understand these legendary creatures and their roles in Japanese culture throughout history.
His stories of kappa and oni and monstrous umbrellas with arms and legs are hilarious, creepy, unforgettable, instructive, and revealing. If I have one gripe about this book, it is that Foster dismisses Godzilla and other kaiju as not being yokai. He’s wrong, but everyone deserves one mistake, especially in an otherwise excellent book.
Monsters, ghosts, fantastic beings, and supernatural phenomena of all sorts haunt the folklore and popular culture of Japan. Broadly labeled yokai, these creatures come in infinite shapes and sizes, from tengu mountain goblins and kappa water spirits to shape-shifting foxes and long-tongued ceiling-lickers. Currently popular in anime, manga, film, and computer games, many yokai originated in local legends, folktales, and regional ghost stories. Drawing on years of research in Japan, Michael Dylan Foster unpacks the history and cultural context of yokai, tracing their roots, interpreting their meanings, and introducing people who have hunted them through the ages. In this delightful…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I lived and taught in Asia for over 30 years and love the place to bits. Leaving Oxford for Singapore may have seemed like a daring adventure in 1980, but it complemented my doctoral research and introduced me to a wonderful set of students who have enriched my life ever since. Asia has a fascination for me that I can’t resist. I have written and edited 15 books on naval and defence themes, much of which have been set in the Asian continent. An associate editor of the Oxford Dictionary of National Biography for the past 25 years, I am also the editor for the series Cold War in Asia.
If you know your Pacific War and are familiar with all the major land and sea battles, you may think there’s not much that’s new to discover about the campaign for Okinawa. And maybe there isn’t. But for those who aren’t specialists, this book will prove fascinating. It’s not a page-turner in the accepted sense of the term because most pages appall with the dreadful futility of it all. I couldn’t read more than a dozen pages at a time without feeling a sense of desperation at the almost casual sacrifice of lives on both sides in this war of attrition. No wonder many veterans of Okinawa found it difficult to talk about the horror of it afterward and carried dark memories of their tortured experiences to their graves.
From the award-winning historian, Saul David, the riveting narrative of the heroic US troops, bonded by the brotherhood and sacrifice of war, who overcame enormous casualties to pull off the toughest invasion of WWII's Pacific Theater -- and the Japanese forces who fought with tragic desperation to stop them.
With Allied forces sweeping across Europe and into Germany in the spring of 1945, one enormous challenge threatened to derail America's audacious drive to win the world back from the Nazis: Japan, the empire that had extended its reach southward across the Pacific and was renowned for the fanaticism and brutality…
Gerhard Weinberg fled Germany at the end of 1938 and experienced the first year of World War II – including the beginning of the Blitz – in England. He completed his PhD after serving in the US Army of Occupation in Japan, researched the captured German documents, established the program for microfilming them, and after writing an analysis of the origins of World War II decided to prepare a book covering the war as a whole.
At last (2015) there is a balanced and carefully researched study of a central figure in the modern history of Japan and the war in the Pacific. The substantial utilization and integration of Japanese sources enhances the work but does not lead to any distortion of the real picture.
This reexamination of the controversial role Emperor Hirohito played during the Pacific War gives particular attention to the question: If the emperor could not stop Japan from going to war with the Allied Powers in 1941, why was he able to play a crucial role in ending the war in 1945? Drawing on previously unavailable primary sources, Noriko Kawamura traces Hirohito's actions from the late 1920s to the end of the war, analyzing the role Hirohito played in Japan's expansion. Emperor Hirohito emerges as a conflicted man who struggled throughout the war to deal with the undefined powers bestowed upon…
I grew up in West Michigan, with a deep interest in American history, politics, and birds. Since boyhood I’ve wanted to learn the life story of my great-great uncle, Senator George P. McLean, who is credited with leading passage of the 1918 Migratory Bird Treaty Act. The MBTA represents a turning point in how the world views and now protects birds and the environment generally. Drawing upon my love of history, my degree in political science from the University of Michigan and a master's degree in Archives Administration, I spent over a year researching McLean’s life story. Thus began my four-year research and writing journey culminating in A Connecticut Yankee Goes to Washington.
This is a World War II memoir by United States Marine Eugene Sledge, first published in 1981.
It is a powerful depiction of war, honest and authentic, describing what it was like to fight in some of the fiercest battles of World War II. The writing is vivid and gripping, sometimes humorous, but mostly reflective of the horrors of war. There is a very refreshing “non-commercial” tone to the narrative.
Sledge originally wrote this as a private memoir for his immediate family, a way to finally tell them what he could never verbalize in person. Sledge’s passion comes through on every page, a reminder that the best books come from the heart.
This was a brutish, primitive hatred, as characteristic of the horror of war in the Pacific as the palm trees and the islands...
Landing on the beach at Peleliu in 1944 as a twenty-year-old new recruit to the US Marines, Eugene Sledge can only try desperately to survive. At Peleliu and Okinawa - two of the fiercest and filthiest Pacific battles of WWII - he witnesses the dehumanising brutality displayed by both sides and the animal hatred that each soldier has for his enemy.
During temporary lapses in the fighting, conditions on…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
Jeremy A. Yellen is a historian at the Chinese University of Hong Kong. His research focuses on modern Japan’s international, diplomatic, and political history. He maintains a strong interest in the history of international relations and international order.
Takashi Fujitani offers a surprising historical narrative, telling the story of Korean soldiers in the Japanese army alongside that of Japanese-American soldiers in the United States during World War II. What is striking here is how total global war pushed both the United States and Japan to similar policies toward minority populations. Both abandoned more “vulgar” forms of racism (explicit discrimination) for what Fujitani calls a “polite racism,” where minority groups were now deemed as capable of cultural assimilation. But what really is inspiring is that Fujitani juxtaposes two wartime enemies—the United States and Japan—to show just how similar they actually were.
Race for Empire offers a profound and challenging reinterpretation of nationalism, racism, and wartime mobilization during the Asia-Pacific war. In parallel case studies - of Japanese Americans mobilized to serve in the United States Army and of Koreans recruited or drafted into the Japanese military - T. Fujitani examines the U.S. and Japanese empires as they struggled to manage racialized populations while waging total war. Fujitani probes governmental policies and analyzes representations of these soldiers - on film, in literature, and in archival documents - to reveal how characteristics of racism, nationalism, capitalism, gender politics, and the family changed on…
