Here are 100 books that June Bug fans have personally recommended if you like
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I’m a seventh-generation West Virginian. My husband and I own the farm that’s been in my family since before the Civil War. My Appalachian roots are sunk deep, so when it comes to “writing what you know,” this is it! I was baptized in stories by my father who transformed my ancestors and my history into a living, breathing cast of characters I longed to meet. So, I began to write their stories in the guise of novels about made-up people. My seven novels (and two novellas) are love letters to the place that shaped me.
This nonfiction work is the quintessential handbook to the biological diversity of Appalachia. Plus, it’s fun to read! Brooks grew up on a farm not far from where I did in north-central West Virginia. I like to think he fell in love with the flora and fauna of our region the same way I did—by simply being exposed to it from the day he was born. His account of a snake visiting camp after dark one night is told in true West Virginia style. With a tongue-in-cheek humor I love almost as much as these mountains!
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’m a seventh-generation West Virginian. My husband and I own the farm that’s been in my family since before the Civil War. My Appalachian roots are sunk deep, so when it comes to “writing what you know,” this is it! I was baptized in stories by my father who transformed my ancestors and my history into a living, breathing cast of characters I longed to meet. So, I began to write their stories in the guise of novels about made-up people. My seven novels (and two novellas) are love letters to the place that shaped me.
Don’t you love that title?!? And the novel is based on a true story about a ghost who testified at her own trial. Seriously. Testimony from the Greenbrier Ghost was accepted in a court of law. I’m just sorry I didn’t get around to writing about this one before Sharyn did!
From New York Times bestselling author Sharyn McCrumb comes this finely wrought novel set in nineteenth-century West Virginia, based on the true story of one of the strangest murder trials in American history-the case of the Greenbrier Ghost.
Lakin, West Virginia, 1930-Following a suicide attempt and consigned to a segregated insane asylum, attorney James P.D. Gardner finds himself under the care of Dr. James Boozer. Eager to try the new talking cure for insanity, Boozer encourages his elderly patient to reminisce about his experiences as the first black attorney to practice law in nineteenth-century West Virginia. In his forty-year career,…
I’m a seventh-generation West Virginian. My husband and I own the farm that’s been in my family since before the Civil War. My Appalachian roots are sunk deep, so when it comes to “writing what you know,” this is it! I was baptized in stories by my father who transformed my ancestors and my history into a living, breathing cast of characters I longed to meet. So, I began to write their stories in the guise of novels about made-up people. My seven novels (and two novellas) are love letters to the place that shaped me.
This book is about the other West Virginia. The one where the Vanderbilts and the Astors traveled down to the Greenbrier to spend their summers taking the waters. The story centers around famed interior designer Dorothy Draper and her design for the Greenbrier. And while the story is definitely “high class” it also highlights Dorothy’s love for the beauty of my home state which she captured in so many elements of her final design.
She has one last chance to prove she chose the right course for her life.
In 1908, young Dorothy Tuckerman chafes under the bland, beige traditions of her socialite circles. Only the aristocracy's annual summer trips to The Greenbrier resort in West Virginia spark her imagination. In this naturally beautiful place, an unexpected romance with an Italian racecar driver gives Dorothy a taste of the passion and adventure she wants. But her family intervenes, sentencing Dorothy to the life she hopes to escape.
Thirty-eight years later, as World War II draws to a close, Dorothy has done everything a woman…
In the small town of Grady, Montana, twenty-four-year-old Tad Bungley has a reputation for trouble. When he lands a job at Come Around Ranch, however, his life seems to take a positive turn. As he develops a soft spot for Sam, the ranch owner's disabled son, and a special bond…
I’m a seventh-generation West Virginian. My husband and I own the farm that’s been in my family since before the Civil War. My Appalachian roots are sunk deep, so when it comes to “writing what you know,” this is it! I was baptized in stories by my father who transformed my ancestors and my history into a living, breathing cast of characters I longed to meet. So, I began to write their stories in the guise of novels about made-up people. My seven novels (and two novellas) are love letters to the place that shaped me.
Mary and I both grew up in West Virginia. And while her family life was rougher than mine, I recognize so many of the characters she writes about in her bittersweet memoir. This is Mary's story of trying to move past poverty, shame, and those doggone hillbilly stereotypes to discover who she really is. And in doing so, she reminds us all of who we are too—broken people trying to get the dirt out from under our fingernails before anyone sees. If you've ever struggled to embrace your roots, this is the book for you!
Dirt is a story about the places where we start. From a single-wide trailer in the mountains of rural West Virginia to the halls of Yale Law School, Mary Marantz's story is one of remembering our roots while turning our faces to the sky. From growing up in that trailer, where it rained just as hard inside as out and the smell of mildew hung thick in the air, Mary has known what it is to feel broken and disqualified because of the muddy scars leaving smudged fingerprints across our lives. Generations of her family lived and logged in those…
I’m a writer that absolutely loves baking! There’s just something about taking commonplace ingredients and creating something extraordinary. I’m amazed at the way food brings people together and lifts them up. That’s why I am so captivated by stories that include cooking or baking. All the better if there’s a strong family theme and an element or two of magic. I included books on my list that do these things really well, and relate to my own Bake Believe trilogy. Try not to get too hungry while you read!
Foster dreams of having her own cooking show one day but is hampered by a secret she’s never told anyone. When she and her mama have to skip town quickly to escape her mama’s crazy, Elvis-impersonating boyfriend, they end up in Culpepper. A tiny, little podunk place too small to be called a town. Foster wows the local, severely grumpy, cafe owner with her delectable baking skills and works out a deal to supply him with cupcakes and more. She also strikes up an unlikely friendship with a reclusive woman who gives Foster the courage to face her secret. This book was lovely from start to finish.
Foster McFee dreams of having her own cooking show like her idol, celebrity chef Sonny Kroll. Macon Dillard's goal is to be a documentary filmmaker. Foster's mother Rayka longs to be a headliner instead of a back-up singer. And Miss Charleena plans a triumphant return to Hollywood. Everyone has a dream, but nobody is even close to famous in the little town of Culpepper. Until some unexpected events shake the town and its inhabitants-and put their big ambitions to the test. Full of humor, unforgettable characters, surprises, and lots and lots of heart, this is Joan Bauer at her most…
I’m passionate about this theme because I grew up inside the kind of silence most people never see—the kind shaped by responsibility, fear, love, and the need to stay strong before you’re old enough to understand why. I’ve lived through the quiet wounds, the invisible burdens, and the unspoken grief that shaped every part of me. Stories like these make people like me feel less alone. They remind us that survival has its own language, and that the things we carry silently are worth naming. I write about quiet pain because it’s the world I came from, and the world I learned to rise out of.
I loved this book because it captures childhood in the rawest way—messy, painful, confusing, and resilient.
Walls writes about instability and survival with such clarity that I found myself nodding through entire chapters. I related deeply to the burden of growing up too fast and learning how to take care of people before you ever learned how to take care of yourself.
What moved me most was the love within the chaos—the complicated, contradictory love between parent and child that shapes you long after you’ve grown. It reminded me that you can carry pain and tenderness at the same time, and both can be true.
Now a major motion picture starring Brie Larson, Naomi Watts and Woody Harrelson.
This is a startling memoir of a successful journalist's journey from the deserted and dusty mining towns of the American Southwest, to an antique filled apartment on Park Avenue. Jeanette Walls narrates her nomadic and adventurous childhood with her dreaming, 'brilliant' but alcoholic parents.
At the age of seventeen she escapes on a Greyhound bus to New York with her older sister; her younger siblings follow later. After pursuing the education and civilisation her parents sought to escape, Jeanette eventually succeeds in her quest for the 'mundane,…
Seven years ago, a hidden betrayal scattered three friends living in the shadow of Biltmore Estate. Now, when Biltmore Industries master weaver Lorna Blankenship is commissioned to create an original design for Cornelia Vanderbilt's 1924 wedding, she panics knowing she doesn't have the creativity needed. But there's an elusive artisan…
I’ve always loved books about outsiders and stories that make you palpably feel what others do. In real life and fiction, the characters that interest me most are often outsiders. Because characters on the outside of social groups and norms are often isolated and lonely, there is something so powerful about works that can bring you inside their experience and relate what their inner life is like. Interiority is the great strength of literature, and stories that convey the inner architecture of outsiders have always attracted me. I love books that make me feel deeply connected and that linger in my subconscious long after I’ve read them.
The characters and stories in this book carved out a permanent place in my inner life. It took me a long time to read the book because I wanted to savor each sentence. I have rarely found a book that combined such an emotional impact, compulsive readability, and such striking, polished sentences.
Every story has the raw, ringing truth of felt experience, and this experience worked its way into my consciousness like a dream or memory. There is a universal quality of aloneness and separateness among all of Pancake’s characters. The Appalachian settings in this book are as symbolic, arresting, and affecting as the characters. Character and setting are inseparable, both bearing an emotional weight and haunting quality that is rarely found in even the best literature. There is no other book like this.
A collection of short stories that memorably capture American life in rural Appalachia by Breece D'J Pancake, the brilliant writer praised by Joyce Carol Oates as "a young writer of such extraordinary gifts that one is tempted to compare his debut to Hemingway's."
Breece D'J Pancake cut short a promising career when he took his own life at the age twenty-six. Published posthumously, this is a collection of stories that depict the world of Pancake's native rural West Virginia with astonishing power and grace.
"Breece D'J Pancake's is an exceptional voice: gritty, mordant, invested with the texture of stroked reality,…
As a girl growing up in the 1960s, I loved books that were set in the past—Anne of Green Gables, A Little Princess, and A Tree Grows in Brooklyn were among my favorites. But those books weren’t historical fiction because they were written back then. So discovering that I could set my own books in the past was a thrill. I love evoking the sights, sounds, and smells of the past. And I especially love describing what my characters wear. Vintage clothes are my passion and being able to incorporate that love into my work is an ongoing delight.
Here’s another one about tony people leading their tony lives, this time in the hills of West Virginia which is home to the Greenbrier Resort, a real place that catered to the rich and famous. This novel follows the story of four members of the Zelner family—Jews in a decidedly inhospitable environment.
It’s the women who really stand out. First, there is scrappy, defiant Sylvia, unhappy in her marriage and seeking consolation in another man’s bed, and then later, her daughter Doree, who, like her mother, chafes against the restrictions imposed by class and religion. But Doree is more adept at navigating a hostile world and finds happiness in a way her mother never did.
The mother-daughter relationship, by turns fraught, contentious, and tender is at the heart of this story, and it won my heart too.
Four generations. One remarkable hotel. Countless secrets.
Nestled in the hills of West Virginia lies White Sulphur Springs, home to the Greenbrier Resort. Long a playground for presidents and film stars, the Greenbrier has its own gravitational pull. Over ten decades, four generations of the Zelner family must grapple with their place in its shadow . . . and within their own family.
In 1942, young mother Sylvia is desperate to escape her stifling marriage, especially when it means co-running Zelner’s general store with her husband. When the Greenbrier is commandeered for use as a luxury prison, Sylvia finds her…
Behind every cloud, a silver lining, right? You have to take the good days with the bad. But those clichés miss that life is funny, sad, hilarious, mournful, at the same time. We understand that the happiest of days have a tinge of sadness about them. Conversely, real sadness or missing someone possesses a strange beauty. But sometimes we forget that when it comes to our books. We want our novels to be “a comedy,” or “a romance,” a “laugh riot,” or “tear-jerker,” even though Life doesn’t put itself into those separate boxes. Funny, sad, romantic–all have informed my own writing, and all are present in this list of books as well.
West Virginia’s Jayne Anne Phillips made a noisy arrival on the literary scene with her triumphant collection of short stories, Black Tickets. One of the first of the “dirty realists,” Phillips paints the backroads and forgotten lives of rural West Virginia during a time when that state, and many like it, were on no one’s radar. As one of her characters says, “This ain’t the South…this is the goddam past.” Phillips captures the loneliness and the disconnected lives of young women and men in a way few books have done.
This collection of short stories looks at the undeniable power of myth, these tales of initiation and betrayal focus on a gallery of characters - a rootless young woman confronts her divorced parents and a 14-year-old girl who leaves a series of foster homes for the world of drug addicts.
I grew up in West Virginia and believed you had to leave the region to write. Only after I’d published my first novel did I discover books like these and many more. I have become a wide reader in our literature, with a special interest in novels that both tell the stories of individuals and families and explore the connection between resource extraction and poverty. It’s also a pleasure to read about regional successes as well as losses.
This is a foul-mouthed, sexist, scatological, absolutely hilarious novel about a boy’s last year in his hometown.
It is a traditional American young-man-coming-of-age novel, set during the Korean War. The real star is the tall tale version of a real town in Southern West Virginia called Crum. It is a great American novel from Appalachia in its quintessential form of coming of age and breaking away.
It is about friendship, sexual initiation, and growing up. Much of the novel sits just this side of the line separating humor from ugly stereotypes, and Maynard often pushes very close to the line, but always somehow brings us through safely to understanding and affection.
In Crum, a gritty coal town on the West Virginia-Kentucky border, the boys fight, swear, chase and sometimes catch girls. The adults are cramped in and clueless, hemmed in by the mountains. The weight of wonder, dejection, and even possibility loom over this tiny, suffocating town. This story is the tale of Jesse Stone, who doesn't know where he's going, but knows he is leaving, and whose rebellion against the people and the place of his childhood allows him to reject the comfort and familiarity of his home in search of his place in a larger world.