Here are 90 books that Juju fans have personally recommended if you like
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I think there are two great mysteries in our lives: the mystery of the world and the mystery of how we live in it. The branches of literature that explore these conundrums magnificently are science fiction for the world and murder mysteries for how we live. So, it is no wonder that the subgenre that most excites me has to be the science fiction murder mystery, in which, as a reader, I get to explore a strange new world and find out how people live (and die!) in it. This is why I read and, it turns out, what I write.
A brilliant science fictional idea changes everything about the world, and in Tade Thompson’s Arthur C Clarke Award-winning Rosewater, where an alien dome has appeared in Nigeria and opens once a year to heal the sick, the world has been thrown dangerously off-kilter.
The murder-mystery is not a conventional one as our hero Kaaro, a human sensitive created by this alien intrusion and now government agent, is trying to figure out why those like him are suddenly dying. There are many strange science-fictional ideas driving this book, but it is Kaaro – a former thief trying his best to do good in difficult circumstances – that gives this book its wonderful heart.
I believed in and rooted for him even though he doesn’t ever seem to believe in himself.
Rosewater is the start of an award-winning trilogy set in Nigeria, by one of science fiction's most engaging voices.
*Arthur C. Clarke Award for Best Science Fiction Novel, winner *Nommo Award for Best Speculative Fiction Novel, winner
Rosewater is a town on the edge. A community formed around the edges of a mysterious alien biodome, its residents comprise the hopeful, the hungry, and the helpless -- people eager for a glimpse inside the dome or a taste of its rumored healing powers.
Kaaro is a government agent with a criminal past. He has seen inside the biodome, and doesn't care…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I was a child who was very dissatisfied with the idea that this world, with its rules and routines, is all there is. Sunday school filled me with a fear of hell, and heaven sounded boring, a lot of people wearing white and singing. This forced me into the world of fairy and folktales: spirits, tricksters, masquerades, elves, werecreatures, and merpeople. It was all so exciting and, more than that, comforting. The just were rewarded, and the wicked were punished within the timeframe of the story, not later when they died.
I haven't read it in twenty years, having been introduced to Tutuola's work as part of my undergrad degree. It's a book full of ghosts and the sort of mind that perceives and interacts with them. It basically epitomises the saying, 'Fools rush in where angels fear to tread,' but is the palm-wine drinkard a fool, brave, desperate, or just very, very drunk when he wanders off on his quest through the spirit world? Or is he all of the above?
This classic novel tells the phantasmagorical story of an alcoholic man and his search for his dead palm-wine tapster. As he travels through the land of the dead, he encounters a host of supernatural and often terrifying beings - among them the complete gentleman who returns his body parts to their owners and the insatiable hungry-creature. Mixing Yoruba folktales with what T. S. Eliot described as a 'creepy crawly imagination', The Palm-Wine Drinkard is regarded as the seminal work of African literature.
'Brief, thronged, grisly and bewitching.' Dylan Thomas, Observer
'Tutuola's art conceals - or rather clothes - his purpose,…
I am invested in how women juxtapose the day-to-day with the bizarre. I am curious about how women balance their lives with the insoluble and how this contributes to the fluidity of their identities. I live with women, I work with women, I shop with them, eat with them, sit next to them on the bus, I am friends with women, laugh with them, I pray with them, I am these women. In whichever format my work takes shape–whether subtle or direct, either as a performer, writer, designer, or community catalyst, I am committed to intentionally making space for womanhood. Please enjoy my book list.
I am in love with Lesley’s writing, and everyone should be. Period. I will recommend this book a thousand times. The first time I read it, I was left feeling hopeful–hopeful that stories are soft, intentional, deliberate, magical things that can shift people and places enough to make a difference or change minds. With each story in this collection, Lesley peels away the layers (sometimes softly, sometimes jarring) of lives, relationships, and women.
FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE LEONARD PRIZE
SHORTLISTED FOR THE ASPEN WORDS LITERARY PRIZE
A dazzlingly accomplished debut collection explores the ties that bind parents and children, husbands and wives, lovers and friends to one another and to the places they call home.
In “Who Will Greet You at Home,” a National Magazine Award finalist for The New Yorker, A woman desperate for a child weaves one out…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I was a child who was very dissatisfied with the idea that this world, with its rules and routines, is all there is. Sunday school filled me with a fear of hell, and heaven sounded boring, a lot of people wearing white and singing. This forced me into the world of fairy and folktales: spirits, tricksters, masquerades, elves, werecreatures, and merpeople. It was all so exciting and, more than that, comforting. The just were rewarded, and the wicked were punished within the timeframe of the story, not later when they died.
I grew up reading fairy tales from other lands and taking our own oral stories back home for granted. At the very least, our stories belonged to dark, scary places.
This book changed all that. It was magical! It showed me new Igbo mythology and made my culture appealing and heroic. What's not to love?
One of the gifts of the horror genre is that the stories use metaphor to examine human behaviors that defy understanding. My favorite horror novels, novellas, and short stories can be read again and again. While my Feral graphic novel series is for middle school readers, I wanted to provide grey areas, perhaps more than the editor always liked! I wanted the adventure, the scares, the questions, the uncertainty that would let the small town of Feral take on a larger-than-life presence for a reader and encourage revisiting it whenever the mood strikes. It's almost pleasant, the rhythm, the anticipation. A little unnerving too.
This is the only graphic novel/comic book on my list and it goes above and beyond in art and story.
I have enjoyed reading the Harrow County stories many times. I prefer the collected edition where you can take your time and read comic issues 1-16 of Darkhorse Comics Harrow County. The artwork pulls you in, and the story is filled with zippy turns and good dialogue.
It pulls from many of the books I've mentioned in building an early American horror story that heads off in multiple directions. I can smell the grass and trees, hear the click-clack of the horse-pulled carts, and taste autumn in the air while reading these books.
A topic for another time would be examining the different experiences when reading a graphic novel compared to a novel. The strengths and weaknesses, what exactly the illustrations add, but for a horror fan who has never…
The first half of the highly acclaimed, Eisner-nominated horror fantasy tale, collected in a value-priced omnibus.
Emmy always knew that the woods surrounding her home crawled with ghosts and monsters. But on the eve of her eighteenth birthday, she learns that she is connected to these creatures--and to the land itself--in a way she never imagined.
I’ve been fascinated by fairytales since I was a little girl, watching Disney movies with my grandparents. As I grew older, I read fairy tales almost insatiably and was also drawn to mythology and folklore of every variety. When I discovered the fantasy genre, in my early teens, it was like coming home…a genre that combined all of the elements I’d grown up devouring: fairytales, mythology, and folklore. My love of fantasy developed my love of portal fantasy—the idea that other realms, other worlds, other dimensions exist, and we can travel between or to them. I wrote my first portal fantasy novel at eighteen and have continued writing fantasy and portal fantasy novels ever since.
This book is technically more ghost/time travel than strictly fantasy, but it was the book that opened my eyes to the idea of “portal fantasy.” It’s the story of a teenage girl in an old mansion who is able, with her horse, Candlelight, to travel through a portal and meet the girl who lived in the mansion many years before her. It was mysterious, slightly spooky, and used the idea of parallel worlds in such a unique way. I read hundreds of books as a teen, but this one really stuck with me.
Can I Get There by Candlelight? is Jean Slaughter Doty's story of a young girl and her closest friend-a pony named Candlelight.
Lonely and unhappy after her family moves to the East and with only her pony, Candlelight, for company, Gail meets Hilary who is later killed in a pony-cart accident.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Like many of you, my ancestors were immigrants. Mine were Eastern European, some from villages now in Ukraine. Growing up, I heard stories of relatives fleeing the Cossacks, the pogroms, and basically getting out while the getting was good, all for the promise of a better life. Some didn’t make it—they died in gas chambers and work camps. Some didn’t survive the hardships of their new worlds. The ones who thrived were tough, worked hard…yes, some were bitter, but they all had hope. This hope, despite everything, is universal, yet very personal, which is why I’m so drawn to these refugee and immigrant stories from all over the world.
I knew nothing about this book’s author but was immediately hooked by the engaging voice of the young protagonist. I would have followed her anywhere. She led me out of Nigeria, on the run from warlords who burned her village, to a refugee detention center in the UK. Then on the loose, an undocumented young Nigerian woman searching for the one man in London who could vouch for her. What she does find is the man’s widow. And I found a story I couldn’t stop reading. Only later did I learn that the author is a man. And that he’d written the book to shine a light on the cruelty done to Nigerians in the name of oil rights, and the mistreatment of refugees in UK detention centers. Well done, Chris.
Millions of people have read, discussed, debated, cried, and cheered with Little Bee, a Nigerian refugee girl whose violent and courageous journey puts a stunning face on the worldwide refugee crisis.
“Little Bee will blow you away.” —The Washington Post
The lives of a sixteen-year-old Nigerian orphan and a well-off British woman collide in this page-turning #1 New York Times bestseller, book club favorite, and “affecting story of human triumph” (The New York Times Book Review) from Chris Cleave, author of Gold and Everyone Brave Is Forgiven.
We don’t want to tell you too much about this book. It is…
I am an avid reader of fantasy novels and a Nigerian. Born and raised in southern Nigeria, I grew up during a time when Nigerian culture closely resembled that of a century ago. Since the 1980s, my country has undergone significant cultural changes, and I am drawn to stories that remind me of a simpler time, before I started adulting. I am also deeply fascinated with history. I have delved into anthropological articles and textbooks dating back to the eighteenth century to gain a better understanding of my heritage and people. These readings have greatly influenced my own writing, allowing me to paint the vivid historical pictures that captivate me.
Set in precolonial Hausaland, this novel tells the gripping tale of a man on a relentless quest for revenge. The story resonated with me for several reasons, not the least of which was its pre-colonial setting that offered a glimpse into the past.
Ekwensi’s straightforward prose weaves a vibrant tapestry that is rich with cultural details. His portrayal of bravery, determination, and an unwavering sense of justice captivated me from the outset. Reflecting the oral traditions characteristic of Ekwensi’s writing style, the novel imparts social commentary and moral lessons in a manner that I found both entertaining and thought-provoking.
The Passport of Mallam Ilia is a love story tinged with a vengeance mission. On his quest to avenge the death of his wife, Zarah, the hero, Mallam Ilia, misses out on his entire youth.
When I decided to familiarize myself with eighteenth-century authors of African descent by editing their writings, I didn’t anticipate becoming their biographer. In annotating their writings, I quickly became intrigued and challenged by trying to complete the biographical equivalent of jigsaw puzzles, ones which often lack borders, as well as many pieces. How does one recover, or at least credibly speculate about, what’s missing? Even the pieces one has may be from unreliable sources. But the thrill of the hunt for, and the joy of discovering, as many pieces as possible make the challenge rewarding. My recommendations demonstrate ways others have also met the biographical challenge.
English enslavers called Ancona Robin Robin John and Little Ephraim Robin John “princes” because they were literate English-speaking members of one of two ruling African slave-trading families in present-day southeastern Nigeria.
The lives of the Johns illuminate the surprisingly complex relationships among the participants in the transatlantic slave trade, when African suppliers of enslaved Africans often had as much economic and political power as their European customers.
The English allies of the rival family captured the two men during a trade war between the families in 1767.
They were taken to the Caribbean and North America, with several escapes and recaptures, before being brought to England, where they successfully sued for their freedom. They returned to the family business in Africa.
In 1767, two "princes" of a ruling family in the port of Old Calabar, on the slave coast of Africa, were ambushed and captured by English slavers. The princes, Little Ephraim Robin John and Ancona Robin Robin John, were themselves slave traders who were betrayed by African competitors-and so began their own extraordinary odyssey of enslavement. Their story, written in their own hand, survives as a rare firsthand account of the Atlantic slave experience.
Randy J. Sparks made the remarkable discovery of the princes' correspondence and has managed to reconstruct their adventures from it. They were transported from the coast…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Novels are great. I’ve written one myself. I have also written many short stories for major science fiction and fantasy publishing venues—Asimov’s, F&SF, Analog, Lightspeed, etc. But there is something special about single-author short story collections. They are like tasting platters. They reveal running themes and can be a unique way to explore places—through the imaginations of its authors. For example, many of my stories are set in or feature characters from Nigeria. I hope you enjoy the books on this list and that they show you something new about Africa and what (some) African authors dream about.
Kabu Kabu takes its name from Nigerian slang for a dodgy taxi that gets you where you need to go, one way or the other. It’s a fitting name for this short story collection, which took me on a journey of twenty-one stories that include excellent science fiction, fantasy, horror, and excerpts from her wildly popular and award-winning novels. Drawing from her own Naijamericanheritage and using a skillful balance of characters, plot, setting, and themes, Okorafor offers an array of stories based on dual identities, folklore, philosophy, and contemporary issues filtered through a speculative lens.
Kabu kabu-unregistered illegal Nigerian taxis-generally get you
where you need to go. Nnedi Okorafor's Kabu Kabu, however, takes
the reader to exciting, fantastic, magical, occasionally dangerous, and always
imaginative locations you didn't know you needed. This debut short story
collection by an award-winning author includes notable previously published
material, a new novella co-written with New York Times-bestselling author
Alan Dean Foster, six additional original stories, and a brief foreword by
Whoopi Goldberg.