100 Books Like Jews Don't Count

If McWhorter focuses on how woke ideology harms Blacks, Bernstein shows how it harms Jews and inevitably fosters antisemitism.

Like McWhorter, Bernstein provides very specific examples of wokeness in action, both on and off campus. Jews were asked to leave an LGBT Pride event because their flag – a Pride flag with a Star of David on it – “made people feel unsafe”; a Jewish organization that issued a public statement condemning George Floyd’s murder was lambasted because the statement had not been drafted by a person of color; and more.

Bernstein and I are both liberal Jews, but we both fear the consequences of an ideology that divides the world into the non-privileged oppressed and the privileged oppressors – Jews, by virtue of their current success, are automatically considered privileged oppressors despite the long worldwide history of antisemitism.

Recent authoritarian trends and attempts to re-establish white supremacy are not new in America.

In this novel, Philip Roth envisions an alternate history where Charles Lindbergh has defeated Franklin D. Roosevelt in the 1940 Presidential election. He then proceeds to collude with Adolph Hitler and seeks to establish anti-Semitism throughout the country.

The novel is based on the actual attitudes which Lindbergh had toward Jews and other minorities. Of course, this is not truly an insurrection. Still, it is a portrayal of how extreme right-wing attitudes can seek to rob people of our hard-won democracy.

I was raised with a deep respect for freedom for all people in this country. My family had several Jewish friends and we loved and learned from them.

This book was the first time I read a graphic novel with Jewish themes other than the Holocaust. As a comic book artist who was exploring my Jewish roots, it was eye-opening to read a tale with Jewish characters, especially because it deals with the legend of the Golem, a mystical being made of mud and brought to life through Hebrew incantations.  Add to that great action scenes of 1920s baseball, and it makes for a great read.

Focus was the sole novel written by acclaimed playwright Arthur Miller. And while Miller would go on to be known primarily as a dramatist, Focus is an exceptional novel with a timely and engaging premise. 

The protagonist is a somewhat introverted man (Lawrence Newman) who is moderately successful in his field, working in New York City, while residing in Queens. Set in 1945, Focus is set during a particular time of unrest, especially in New York City, where many are resentful of the U.S.’s involvement in WWII. This resentment comes to a head when Lawrence needs to be fitted for glasses due to his developing near-sightedness. 

Yet as a result of how he looks with his glasses, people start to assume that he is Jewish, even though he is not. This misidentification not only leads to him being the unwilling recipient of anti-semitism but also leads to his own resentment… show more.

This book stunned me by becoming something different over and over again.

The characters in Amerikaland are upright role models, but then we dip into their super complicated pasts. When their family pops up, the story begins to weave itself into a wild plot that requires unbelievable fortitude to endure. As the pages kept coming, I no longer had any idea what was going to happen next and felt like anything could happen. These people were driven by inner fires that could burn up the world at any moment.

I had to lay on the couch after this one as I felt completely gutted, but while lying down, I picked it up again and started rereading.

I enthusiastically recommend Legacies of Anti-Semitism in France, a must-read for those intrigued by the complex interplay of literature, history, and cultural context.

This book provides an insightful exploration of the writings of four influential figures—Maurice Blanchot, Jacques Lacan, Jean Giraudoux, and Andre Gide—in the context of France's pre-World War II history of anti-Jewish thought. Mehlman's essays dive into a range of fascinating topics, from Blanchot's unique conception of literature to Lacan's distinctive style, Giraudoux's connection to Racine, and the intricacies of sexual politics in Gide's work.

I found Mehlman's insights into Giraudoux particularly enlightening. Especially his analysis of The Madwoman of Chaillot broadens our understanding of how historical context shapes literary works, offering invaluable perspectives on the intellectual history of contemporary France.

The banquiers that the Madwoman of Chaillot kills in the 1942 play are openly described as Jews in a 1938 Giraudoux’s text: Pleins Pouvoirs. Don't miss the… show more.

This is the first novel by Modiano, who won the Nobel Prize for Literature in 2014.  It has been translated into English but with a French title, which contains a pun that can’t be translated (referring both to a location in Paris and to the infamous badge imposed by the Nazis). A darkly comic and shocking send-up of French antisemitic literature, the novel features a clownish protagonist named Raphaël Schlemilovitch who embraces every antisemitic stereotype imaginable, becoming in turn, a cosmopolitan, a traitor, a collaborator, and a pimp before winding up on the couch of Sigmund Freud begging to be put out of his misery.  Modiano wrote this novel to exorcise the demons of French literature and it helped him carve out a place as a distinctly Jewish voice in the French literary pantheon.

Sometimes, when I talk about this book when I’m teaching writing students, I like to joke: “Luckily, I’m Jewish, so I can say this: Fleming was sexist, racist, and anti-Semitic, but boy, could he write!”

It always gets a laugh. And indeed, I don’t think it’s true. He was a writer in his time. I take pride in my writing being clean, clear, and simple. My inspirations were writers such as Chandler, Hammett, Hemingway, and Fitzgerald. Fleming took the lessons he’d learned from them and created a whole new genre. Pick up any of his novels and see how they are far more complex, compelling, and, as you’ll see, beautifully written. 

There’s so much texture on this cover, and the Renoir painting stands out because it’s probably the most recognizable part. The story involves Irene Cahen d’Anvers, the woman who sat for Renoir as a young girl, and how she came from a prominent Jewish family in France. Irene made some pivotal decisions that would forever change the lives of her ex-husband and daughter.

This is Eliot’s last novel about an ostensible British aristocrat’s journey to uncovering his real identity. Often referred to as Eliot’s “Jewish novel,” it reflects her unerring ability to empathize with the Other. It is very long but also un-put-downable, with two interwoven plots that complement each other masterfully. It’s at once a conventional 19th-century novel and an entirely original and surprising take on the genre. As a Jew with a love of nineteenth-century British novels, this one spoke to me most powerfully.