Here are 100 books that Jerusalem`s Queen fans have personally recommended if you like
Jerusalem`s Queen.
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I love stories where characters become more than what was expected of them, and where I can feel the human emotions they endure in their rise or fall. I write stories for the fearful, the voiceless, the broken, and the brave—reminders that pain can shape purpose, that hope can rise from heartbreak, and that no one endures alone. Ancient queens typically embody those truths. Dismissed as pawns, they carried dynasties on their shoulders, often at great personal cost. Their humanity—their love, fear, sacrifice, and imperfections—reminds me that beneath the crowns, we all bleed, we all long, and we all need each other to survive.
This book stayed with me long after I finished it.
What gripped me most was the way Signe Pike gave Languoreth fierce humanity, a woman, well, a girl, who was given to royal marriage, had a good husband, yet, for all her childish love affair, still took on a lover. This story pitted family against family, friend against friend, in the political upheaval of Christianity against paganism.
I felt Pike captured Languoreth's torn heart beautifully, with every unfairness to every heart entwined in her decisions. I also appreciated the deep dive into the Arthurian historicity of the story in the author's note at the end.
“Outlander meets Camelot” (Kirsty Logan, author of The Gracekeepers) in the first book of an exciting historical trilogy that reveals the untold story of Languoreth—a powerful and, until now, tragically forgotten queen of sixth-century Scotland—twin sister of the man who inspired the legendary character of Merlin.
Intelligent, passionate, rebellious, and brave, Languoreth is the unforgettable heroine of The Lost Queen, a tale of conflicted loves and survival set against the cinematic backdrop of ancient Scotland, a magical land of myths and superstition inspired by the beauty of the natural world. One of the most powerful early medieval queens in British…
A brilliant scholar, ancient libraries in danger due to war, suppressed women’s religious history, and a renegade monastery.
A doggedly determined Sofia Papandréou pursues evidence for women in leadership in early Christianity in the dusty corners of libraries, long ignored. Or worse, actively hidden away to deny women their heritage…
I love stories where characters become more than what was expected of them, and where I can feel the human emotions they endure in their rise or fall. I write stories for the fearful, the voiceless, the broken, and the brave—reminders that pain can shape purpose, that hope can rise from heartbreak, and that no one endures alone. Ancient queens typically embody those truths. Dismissed as pawns, they carried dynasties on their shoulders, often at great personal cost. Their humanity—their love, fear, sacrifice, and imperfections—reminds me that beneath the crowns, we all bleed, we all long, and we all need each other to survive.
What I loved most about this book was how it told the rise of Nefertiti through the eyes of her quieter sister, Mutnodjmet. That perspective stayed with me.
It showed power and ambition not only from the throne, but from the shadow it cast on those forced to serve it. It reminded me that the greatest power struggles are never won without sacrifice, especially from those who never asked to play the game.
When the Crown Prince of Egypt needs a wife, the beautiful, charismatic, ambitious and connected Nefertiti is his mother's first choice. She quickly becomes accustomed to the opulence of her new life. As Queen of the world's first great empire at the height of its power, all her dreams are realised. Beguiling and wilful, Nefertiti is soon as powerful as the Pharaoh himself. But when her husband breaks with a thousand years of tradition, defying the priests and the military, it will take all Nefertiti's wiles to keep the nation from being torn apart. Watching from the shadows, her sister,…
I love stories where characters become more than what was expected of them, and where I can feel the human emotions they endure in their rise or fall. I write stories for the fearful, the voiceless, the broken, and the brave—reminders that pain can shape purpose, that hope can rise from heartbreak, and that no one endures alone. Ancient queens typically embody those truths. Dismissed as pawns, they carried dynasties on their shoulders, often at great personal cost. Their humanity—their love, fear, sacrifice, and imperfections—reminds me that beneath the crowns, we all bleed, we all long, and we all need each other to survive.
What I loved about this book was how it carried me into the world of Boudica before she became a legend.
She is not yet the warrior queen who defied Rome, but a daughter traded in the games of men, listening to the whispers of the oaks even as her fate is bargained away. I was drawn into the greenwood, the gods, the old ways of the druids, and into a story that felt raw and mythic.
It reminded me that rebellion is born not only of rage, but of sacrifice.
Fated to lead a rebellion against Rome.Destined to become a legend.From New York Times bestseller Melanie Karsak, author of the Celtic Blood series, comes a gripping historical fantasy series of ancient Britain, Celtic gods, a fated romance, and the warrior queen who defied Rome.Britain, A.D. 42—Boudica, second daughter of a Celtic king, has little concern for tribal tensions and political intrigues. Called by the gods and the stirrings of her own wild heart, she listens instead to whispers of the oaks. But Boudica would be wiser to heed the warning cries of eagles.Rumors abound that the Romans are amassing forces…
Before the events of Holy Terror, there was a quickening. This prequel carries readers back to the dawn of creation, following Thumos - the last angel made by God, appointed as Heaven's right hand of vengeance - through the defining moments of Scripture.
I love stories where characters become more than what was expected of them, and where I can feel the human emotions they endure in their rise or fall. I write stories for the fearful, the voiceless, the broken, and the brave—reminders that pain can shape purpose, that hope can rise from heartbreak, and that no one endures alone. Ancient queens typically embody those truths. Dismissed as pawns, they carried dynasties on their shoulders, often at great personal cost. Their humanity—their love, fear, sacrifice, and imperfections—reminds me that beneath the crowns, we all bleed, we all long, and we all need each other to survive.
I loved how Hatshepsut, as a girl, came alive on the page.
Thornton’s writing made me feel the desert heat, hear the chants of the gods, and sense Hatshepsut's ambition as she became more than a pawn and seized control of Egypt when she was destined to be overlooked by history as a royal daughter.
It reminded me that courage often begins where fairness ends.
Egypt, 1400s BC. The pharaoh's pampered second daughter, lively, intelligent Hatshepsut, delights in racing her chariot through the marketplace and testing her archery skills in the Nile's marshlands. But the death of her elder sister, Neferubity, in a gruesome accident arising from Hatshepsut's games forces her to confront her guilt...and sets her on a profoundly changed course.
Hatshepsut enters a loveless marriage with her half brother, Thut, to secure his claim to the Isis Throne and produce a male heir. But it is another of Thut's wives, the commoner Aset, who bears him a son, while Hatshepsut develops a searing…
I made my first visit to Pompeii at age seven. That day, I told my parents that I had been there before. It was all very familiar. And that sense of déjà vu has never left me. I feel it whenever I go back to Pompeii, Herculaneum, and the Roman Forum. I don’t believe in reincarnation, but... As an adult, I’ve returned many times to those places and visited others featured in my books: the Etruscan necropolis at Caere, which was already 1,000 years old at the time of my novels; Athens; and the ancient ports of Piraeus in Greece and Itanos in Crete. I earned a Ph.D. at Northwestern University, taught for many years, and enjoyed a million marvelous experiences, but my lifelong love of ancient Rome is the direct result of that long-ago visit to Pompeii with my parents.
Hadas-Lebel’s fine biography brings to life one of history’s most charismatic and controversial authors, generals, and traitors. The Jewish scholar turned Roman collaborator known today as Flavius Josephus was born Yosef ben Matityahu. His evolution from Yosef the aristocrat of Jerusalem to Josephus the “Jew of Rome” is a classic truth-is-stranger-than-fiction tale. As Yosef, he plays a key role in my second novel. As Josephus, he does the same in my third. So I had to internalize as much about his life, character, and personality as possible. This book gave me the level of detail that I needed to make Yosef/Josephus “real” in my own way.
Richard Miller translates this narration of an eye-witness account of Rome's first-century conquest of Judea.
Through the eyes of a Jewish priest, general, Roman captive, and historian, Miereille Hadas-Lebel, comes this narration of the key first-century events in Judeo-Christian culture.
I have been fascinated by the lives of women in the Renaissance for as long as I can remember – growing up I devoured biographies of Lucrezia Borgia, Mary Stuart, and Elizabeth Tudor. Now, as a professor, author, and researcher, I feel lucky to have turned my passion into my profession! Along with writing about Renaissance women, I edit a series dedicated to women’s global history. I love books that explore the richness and complexity of the female experience, and which help us to understand how women in other historical eras dealt with questions of autonomy, power and gender inequality – issues that are still with us today.
I really enjoyed Leah Chang’s beautifully written Young Queens. It adds a new twist to the “royal biography” genre by tracing the interconnected lives of three women – Catherine de’ Medici, Elisabeth de Valois, and Mary, Queen of Scots – from childhood into adulthood.
Chang has a gift for bringing history to life, interweaving her sources with a sweeping narrative so that you feel like you can hear these women speaking in their own voices. She shows the paradox at the heart of their lives: even at the height of power, these queens were measured by their gender and their bodies, seen as vessels for the future of the state. It’s an important counterbalance to the usual narrative of royal history.
LONGLISTED FOR THE WOMEN'S PRIZE FOR NON-FICTION
WATERSTONES' BEST BOOKS OF THE YEAR: HISTORY
The boldly original, dramatic intertwined story of Catherine de' Medici, Elisabeth de Valois and Mary, Queen of Scots - three queens exercising power in a world dominated by men.
'Alluring, gripping, real: an astonishing insight into the lives of three queens' ALICE ROBERTS
'Takes us into the hearts and minds of three extraordinary women' AMANDA FOREMAN
'Conveys the vitality of the past as few books do. An enviable tour de force' SUZANNAH LIPSCOMB
Catherine de' Medici, Elisabeth de Valois and Mary, Queen of Scots lived together…
I used to be afraid of the thriller section, assuming it was synonymous with horror. It took me until my 30s to register that I’d been reading thrillers for years without realising it. Tomorrow When the War Began, the Hunger Games, A Wrinkle in Time, The Darkest Minds, Mortal Engines: they’re all big loves. I’ve come to realise that thriller basically just means heart-pumping. There’s something about a book keeping you on the edge of your seat, desperate to turn the page and find out what happens next.
I love complicated protagonists and I particularly love a good twist (which Lynette Noni is a master of). I was initially skeptical about this story because it didn’t sound like something I’d be interested in (set in a prison), but I decided to read it anyway because I’ll read anything by Lynette Noni. Boy, am I glad I did because this story is a corker!
Yes, it feels a little too typical YA with the “trials trope” and such, but it had a very good reason for it in the end, which I can respect. This book is fast paced and surprisingly enjoyable for a story that takes place in a prison.
'A marvelous and inventive storyteller' Sarah J Maas, #1 New York Times Bestselling Author
At Zalindov, the only person you can trust is yourself.
Seventeen-year-old Kiva Meridan is a survivor. For ten years, she has worked as the healer in the notorious death prison, Zalindov, making herself indispensable. Kept afloat by messages of hope from her family, Kiva has one goal and one goal only: stay alive.
Then one day the infamous Rebel Queen arrives at the prison on death's door and Kiva receives a new message: Don't let her die. We are coming.
I’ve been fascinated by the early modern period–the Tudors and the Stuarts–since falling in love with Mary Queen of Scots, Elizabeth, Henry VIII, and his wives when I was a child. I graduated from Horrible Histories as a child to lengthier nonfiction and fiction books about the era as a teenager before gaining a BA Honours, a Masters, and a PhD focussing on Elizabethan language and literature. I now teach English Literature at Strathclyde University. Because I never lost the urge to read everything I could about the Tudors and Stuarts, I began writing about them, too, and because I devour both fiction and nonfiction, I write both!
This beautifully written nonfiction book brings to life Henry VIII’s tragic fifth queen. It reveals the complexities and colour of the ageing tyrant’s court.
It’s a book packed with detail and yet so rich in narrative that I couldn’t put it down. Henry’s wives are popular figures for biography–but Russell breathes new life into his youngest, most tragic consort.
SHORTLISTED FOR THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE 2017
During one of the hottest summers on record the court of Henry VIII is embroiled, once again, in political scandal. The King's marriage to Anne of Cleves has failed, his closest adviser Thomas Cromwell is to be executed for treason and, in the countryside, an aristocratic teenager named Catherine Howard prepares to become fifth wife to the increasingly irascible, unpredictable monarch.
Her story is both a very dark fairy tale and a gripping thriller. Born into nobility and married into the royal family, Catherine was attended every waking hour by…
As an only child, until I was 10, books were a constant companion. I loved entering new worlds and making friends with the characters in them. I always admired the strong female characters who could accomplish anything if they put their mind to it, which is also a notion I share with my own children. With an active imagination, reading and creating stories was a way for me to escape boredom or anxiety, and it has flourished into a need to share the world with others.
I love this book by Nisha J. Tuli because of the strong female main character, Lor. She's fearless, smart, and captivating. Lor's resilience and strength make her journey thrilling.
I couldn't put it down between the deadly trial, finding out who she is, and the steamy romance. Plus, her character development is incredible, making the story engaging and empowering. It's a must-read!
A Court of Thorns and Roses meets The Fourth Wing in this pulse-pounding, enemies-to-lovers fantasy romance—with fae magic, high-stakes trials, and a dark prince—from Booktok favorite author Nisha J. Tuli.
Ten women. A deadly contest. Only one can win the Sun King's heart.
Lor has endured twelve long years of torment under the Aurora King’s rule. Her only desire is to escape and pay him back for every moment of misery she's endured.
When a surprise release finds her in the hands of the rival Sun King, Lor is thrust into the spotlight as she competes against nine other Tributes…
I have always loved history, ever since my childhood obsessions with Boudica, Anne Boleyn, and the witch trials. I love exploring different historical periods through literature, as books can help us develop real feelings of connection and empathy with people who lived in times and places very different from our own. I like to think that, in turn, this encourages us to be more empathetic with others in our own time. Since coming out as lesbian when I was 14, I have read a great deal of queer fiction, seeking to immerse myself in my own queer heritage and culture.
This is another two-for-one book! It is a historical fiction about the life of Alexander the Great, told by his male lover, Bagoas. But it was written in 1972, only five years after the decriminalization of homosexuality in the UK. Bagoas is a nuanced character; he is frank about the nature of his love for Alexander the Great, and there are even a few sex scenes! As I read it, I couldn’t help reflecting on how groundbreaking this must have seemed in the context of the 1970s.
Mary Renault is a very interesting figure in her own right. She was undoubtedly queer and lived with her partner for over 50 years. There are relatively few women in her novels, and many of them are unflatteringly depicted. Renault eschewed the label of ‘lesbian,’ was uncomfortable with the early gay pride movement, and is said to have told people that she wished…
The Persian Boy traces the last years of Alexander's life through the eyes of his lover, Bagoas. Abducted and gelded as a boy, Bagoas is sold as a courtesan to King Darius of Persia, but finds freedom with Alexander the Great after the Macedon army conquers his homeland. Their relationship sustains Alexander as he weathers assassination plots, the demands of two foreign wives, a sometimes mutinous army, and his own ferocious temper. After Alexander's mysterious death, we are left wondering if this Persian boy understood the great warrior and his ambitions better than anyone.
