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I've Been Here All the While.
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History and video games have defined much of my life, so it’s no surprise I’m writing about both. I was born in Sweden and first encountered the Wild West through the Lucky Luke comic books (huge in Europe!), and they instilled in me a fascination with American history. I emigrated to the U.S. with my family at age 8 and misspent most of my adolescence playing video games. In college, I returned to my childhood passion for studying the past and earned a BA, MA, and PhD in American history. Since 2013, I’ve been a professor at the University of Tennessee. Red Dead’s History is my second book.
We tend to remember the railroad tycoons of the late 1800s in one of two ways–good or bad.
In the first, we imagine the Vanderbilts, Stanfords, and Goulds as the brilliant architects of the modern economy, “The Men Who Built America”–to quote the History Channel show. In the second, we imagine them as unscrupulous robber barons, evil geniuses who created the unequal corporate America that we still live in today. But what if both explanations give the railroad men far too much credit and responsibility?
In Richard White’s scathing and often hilarious book, he showcases these larger-than-life figures as bumbling, corrupt, and often bringing ruin and bankruptcy to their shareholders. They weren’t the mighty octopus we remember, but “a group of fat men in an octopus suit,” whose “tentacles of steel were as likely to be slapping at each other.”
This original, deeply researched history shows the transcontinentals to be pivotal actors in the making of modern America. But the triumphal myths of the golden spike, robber barons larger than life, and an innovative capitalism all die here. Instead we have a new vision of the Gilded Age, often darkly funny, that shows history to be rooted in failure as well as success.
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
At some point I decided that if I was going to teach US history, I better have a good sense of what the place looked like. So I drove across the country—and then back again—and then again, and then once more, each time at a different latitude. I drove through North Dakota and South Dakota, Montana and Idaho, Nebraska and Kansas, Arkansas and Oklahoma, Louisiana and Texas, up and down California, Oregon and Washington, and on and on. I got addicted to seeing the landscape in all its amazing variety and vastness, and seeing the landscape made the histories come alive.
Surely the Gold Rush is one of the first things we learn about the West, but who were these people? Where did they come from? Susan Johnson is a great storyteller, and this story is peopled with men and women from across the globe, radicals and racists, Chinese, Mexicans, Germans, Irish, and everyone else, how they worked, loved, and made a life.
The world of the California Gold Rush that comes down to us through fiction and film is one of half-truths. In this brilliant work of social history, Susan Lee Johnson enters the well-worked diggings of Gold Rush history and strikes a rich lode.
Johnson explores the dynamic social world created by the Gold Rush in the Sierra Nevada foothills east of Stockton, charting the surprising ways in which the conventions of identity-ethnic, national, and sexual-were reshaped. With a keen eye for character and story, she shows us how this peculiar world evolved over time, and how our cultural memory of…
At some point I decided that if I was going to teach US history, I better have a good sense of what the place looked like. So I drove across the country—and then back again—and then again, and then once more, each time at a different latitude. I drove through North Dakota and South Dakota, Montana and Idaho, Nebraska and Kansas, Arkansas and Oklahoma, Louisiana and Texas, up and down California, Oregon and Washington, and on and on. I got addicted to seeing the landscape in all its amazing variety and vastness, and seeing the landscape made the histories come alive.
Miroslava Chavez Garcia’s parents were tragically killed when she was very young. As an adult, already an accomplished historian, she came across a trunk in her uncle’s closet filled with their letters to each other. Using those letters, she builds a deeply personal history. Her story adds dimensions we usually cannot know about migration and the emotional bonds it strains and sustains.
Drawing upon a personal collection of more than 300 letters exchanged between her parents and other family members across the U.S.-Mexico border, Miroslava Chavez-Garcia recreates and gives meaning to the hope, fear, and longing migrants experienced in their everyday lives both ""here"" and ""there"" (aqui y alla). As private sources of communication hidden from public consumption and historical research, the letters provide a rare glimpse into the deeply emotional, personal, and social lives of ordinary Mexican men and women as recorded in their immediate, firsthand accounts. Chavez-Garcia demonstrates not only how migrants struggled to maintain their sense of humanity in…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
At some point I decided that if I was going to teach US history, I better have a good sense of what the place looked like. So I drove across the country—and then back again—and then again, and then once more, each time at a different latitude. I drove through North Dakota and South Dakota, Montana and Idaho, Nebraska and Kansas, Arkansas and Oklahoma, Louisiana and Texas, up and down California, Oregon and Washington, and on and on. I got addicted to seeing the landscape in all its amazing variety and vastness, and seeing the landscape made the histories come alive.
When we think of slavery in American History, we mostly think of African Americans enslaved by white settlers. Paul Conrad tells a different story. Focusing on the Apache and through the often poignant stories of particular Apache women and men over the course of four centuries, he details their experience as shifting webs of alliance led to their enslavement by the Spanish and the Mexicans on the North American mainland and Cuba, and imprisoned and held in unfreedom by the United States through the 1880s, and yet still holding onto their identity as a distinct people with a distinct culture.
Across four centuries, Apache (Nde) peoples in the North American West confronted enslavement and forced migration schemes intended to exploit, subjugate, or eliminate them. While many Indigenous groups in the Americas lived through similar histories, Apaches were especially affected owing to their mobility, resistance, and proximity to multiple imperial powers. Spanish, Comanche, Mexican, and American efforts scattered thousands of Apaches across the continent and into the Caribbean and deeply impacted Apache groups that managed to remain in the Southwest.
Based on archival research in Spain, Mexico, and the United States, as well Apache oral histories, The Apache Diaspora brings to…
I care about social justice, equality, and history, as well as beauty and art. As an African-American woman who was raised working class and who understands how history informs the present, I have fallen in love with the depiction of history in poetry and prose. Not all of my writing has something to do with race or gender or class, but all of my writing is about justice in some way. I want to get to the good of people.
It’s a beautiful book, from the cover to the notes. It’s a neo-slave narrative that follows various enslaved, then freed people. Through this book, I learned how poetry collections can be explorations of history based on fact.
Like any good collection, reading one poem compels you forward, but each poem can stand on its own. She is a master of form. For instance, her persona poetry is powerful. The first poem in the book, “The Trapper’s Boast,” devoid of empathy, shows the business of slavery from an undesirable point of view.
But what is moving is the ability to fall in love and to care even in the worst conditions, as well as the will to live and strive towards freedom in spite of any threats.
I started writing neo-slave narrative poems about a woman escaping slavery. I imagined that the poems I was writing, like Suck on the Marrow…
Suck on the Marrow is a historical narrative, revolving around six main characters and set in mid-19th century Virginia and Philadelphia. The book traces the experiences of fugitive slaves, kidnapped Northern-born blacks, and free people of color, exploring the interdependence between plantation life and life in Northern and Southern American towns and illuminating the connections between the successes and difficulties of a wide range of Americans, free and slave, black and white, Northern and Southern. This neo-slave narrative treats the truths of lives touched by slavery with…
I’ve loved learning about the Old West for as long as I can remember. Is this because I was born a few miles from the spot where Jesse James robbed his first train? Or is it because my family watched so many classic western movies and TV shows when I was a kid? Either way, writing books set in the Old West is a natural fit for me. I love researching the real history of that era just as much as I love making up stories set there. In fact, I write a column about the real history of the Wild West for a Colorado-based newspaper, The Prairie Times.
Thanks to Hollywood, we tend to think of the Old West as being populated primarily by white people and Native Americans. This book helps dispel that mistaken concept by highlighting the role of African-Americans in the American West during the 1800s. Showcasing the true diversity of that era is something I am passionate about learning more about and including in my own books.
This book brings to life the biographies of ten African American women who bravely tackled life on the frontier. Among them are teachers, businesswomen, civil rights crusaders, and a stagecoach driver! Each story is very different, but they all serve to show how important African American women were to the settling of the West.
The brave pioneers who made a life on the frontier were not only male-and they were not only white. The story of African-American women in the Old West is one that has largely gone untold until now. The stories of ten African-American women are reconstructed from historic documents found in century-old archives. Some of these women slaves, some were free, and some were born into slavery and found freedom in the old west. They were laundresses, freedom advocates, journalists, educators, midwives, business proprietors, religious converts, philanthropists, mail and freight haulers, and civil and social activists. These hidden historical figures include…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I remember well my first visit to Gettysburg on a high school trip. I had trouble expressing what I felt until I read the words of a battlefield guide who said that he often sensed a “brooding omnipresence.” I have often felt such presences across the historic landscape in the U.S. and elsewhere. I am now Professor Emeritus of History at Indiana University, and former editor of the Journal Of American History. I have also written Preserving Memory: The Struggle To Create America’s Holocaust Museum; The Unfinished Bombing: Oklahoma City In American Memory, and co-edited American Sacred Space; History Wars: The Enola Gay And Other Battles For The American Past; and Landscapes Of 9/11: A Photographer’s Journey.
Photographer Andrew Lichtenstein and historian Alex Lichtenstein offer readers compelling visual expression of the instability of public memory. The authors ask who and what gets remembered and forgotten, and where and how? What is consigned to oblivion and why? What do such choices reveal about what national stories we prize and those we find uncomfortable, even indigestible? The powerful photographs suggest how volatile historic sites can be marked by absence as well as presence.
From Wounded Knee to the Edmund Pettus Bridge, and from the Upper Big Branch mine disaster to the Trail of Tears, Marked, Unmarked, Remembered presents photographs of significant sites from US history, posing unsettling questions about the contested memory of traumatic episodes from the nation's past. Focusing especially on landscapes related to African American, Native American, and labor history, Marked, Unmarked, Remembered reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory.
These powerful photographs by award-winning photojournalist Andrew Lichtenstein are interspersed with…
Few things bother me more than the negative stereotypes that portray Detroit as a deserted city in ruins - a crime-infested, neglected place where residents don’t care about their connections to the city’s history or its future. Detroit is a proud, living city. As a historical archaeologist at Wayne State University, I’ve been on the front lines of leading community-based archaeology projects in Detroit for the past decade. These projects involve advocacy for more inclusive historic preservation efforts, youth training initiatives, collaborative exhibits, and lots of interactions with the media and public. I view historical archaeology as a tool for serving local community interests, unearthing underrepresented histories, and addressing the legacies of social justice issues.
Slavery and its legacy is a northern problem too. Detroiters were slaveholders, but that is a fact that we’ve collectively spent decades, if not centuries, denying and neglecting. Tiya Miles’ gripping history of slavery and freedom reveals the stories of the enslaved Native and African American people who were present in Detroit since the city’s initial decades of European colonization. Her historical narratives, crafted from meticulous archival research, reintroduce readers to the long-forgotten people whose coerced labor laid the foundation for the city’s physical infrastructure and scaffolded the livelihoods of its free residents. The Dawn of Detroit is a stark reminder of how the roots of contemporary inequities run deep through the city’s history.
In this paradigm-shifting book, celebrated historian Tiya Miles reveals that slavery was at the heart of the Midwest's iconic city: Detroit. Miles has pieced together the experience of the unfree - both native and African American - in the frontier outpost of Detroit, a place wildly remote yet at the centre of national and international conflict. The result is fascinating history, little-explored and eloquently told, of the limits of freedom in early America, one that adds new layers of complexity that completely change our understanding of slavery's American legacy.
I am a teacher of Native American skills in the mountains of north Georgia. Each day when I leave my house to enter the forest, I am keenly aware that I am stepping on land that once “belonged” to the Cherokee. Everything around me in the forest was intimately known and used by the original people, and these same items have become the critical tools in my own life. I know the Cherokee history, and I know the white man’s history. I believe the clash of these two cultures deserves to be told in full.
I have never read a better book about a white man trying to be accepted by another culture. Though this story involves African Americans instead of Native Americans, it remains a masterpiece of dissecting the white Anglo-American’s best intentions to help a minority culture learn to assimilate into the white world.
You will eat up these pages and finish the book far too soon. Conroy was a master of a compelling story.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve loved reading short horror stories ever since I got my elementary school-aged hands on a copy of Scary Stories to Tell in the Dark. In high school, I discovered my love of poetry, and I’ve never stopped trying to find a new favorite horror book. I love being able to sit down with a cup of tea on a rainy autumn afternoon and read a whole book in one go. I’m co-chair of the Horror Writers Association’s Seattle Chapter and find myself adding new horror books to my TBR pile every week. I hope you enjoy these books as much as I did!
I read this poetry and prose collection a while back, and it’s still one of my favorites in terms of flow and visuals. I like the way Linda Addison formats the poems on the pages. The indents and line lengths vary, and so, to me, it’s like a little treat for your eyes as you read.
I loved the take on demons and how the “real world” the works felt versus feeling too unrealistic and supernatural.
Who doesn’t need to know How To Recognize A Demon Has Become Your Friend? From the first African-American to receive the HWA Bram Stoker award, this award-winning collection of both horror and science fiction short stories and poetry reveals demons in the most likely people (like a jealous ghost across the street) or in unlikely places (like the dimension-shifting dreams of an American Indian). Recognition is the first step, what you do with your friends/demons after that is up to you.
