100 Books Like Islandborn

As a part of Teatro SEA,  promoting and strengthening the cultural identity of young latiné audiences is the main focus of our mission and everyone who works there. We have been around since 1985 as SEA (Society of the Educational Arts, Inc.) and are the premiere Bilingual Arts-in-Education Organization and Latino Children’s Theatre in the United States. We create and produce a combination of educational theater, in-school multidisciplinary arts instruction programs, art & cultural festivals/ events, online educational programming, and Theater Books, all intended to raise self-esteem, strengthen cultural identity, and provide educational advancement for our community of latiné children and youth. 

As a part of Teatro SEA,  promoting and strengthening the cultural identity of young latiné audiences is the main focus of our mission and everyone who works there. We have been around since 1985 as SEA (Society of the Educational Arts, Inc.) and are the premiere Bilingual Arts-in-Education Organization and Latino Children’s Theatre in the United States. We create and produce a combination of educational theater, in-school multidisciplinary arts instruction programs, art & cultural festivals/ events, online educational programming, and Theater Books, all intended to raise self-esteem, strengthen cultural identity, and provide educational advancement for our community of latiné children and youth. 

As a part of Teatro SEA,  promoting and strengthening the cultural identity of young latiné audiences is the main focus of our mission and everyone who works there. We have been around since 1985 as SEA (Society of the Educational Arts, Inc.) and are the premiere Bilingual Arts-in-Education Organization and Latino Children’s Theatre in the United States. We create and produce a combination of educational theater, in-school multidisciplinary arts instruction programs, art & cultural festivals/ events, online educational programming, and Theater Books, all intended to raise self-esteem, strengthen cultural identity, and provide educational advancement for our community of latiné children and youth. 

As a part of Teatro SEA,  promoting and strengthening the cultural identity of young latiné audiences is the main focus of our mission and everyone who works there. We have been around since 1985 as SEA (Society of the Educational Arts, Inc.) and are the premiere Bilingual Arts-in-Education Organization and Latino Children’s Theatre in the United States. We create and produce a combination of educational theater, in-school multidisciplinary arts instruction programs, art & cultural festivals/ events, online educational programming, and Theater Books, all intended to raise self-esteem, strengthen cultural identity, and provide educational advancement for our community of latiné children and youth. 

I write about topics I’m curious about. When a friend’s daughter converted to Islam that piqued my interest in the religion. I started researching Islam, not entirely sure of where the journey would take me. Around that same time, I saw a picture in my minister’s office of a Syrian refugee and her young son. They held a handwritten sign that said, WE ARE FROM SYRIA, CAN YOU HELP US? I started writing a story about a Christian girl whose church is helping a Syrian refugee family. To enrich the book, I sought a Muslim coauthor to tell half of the story. Together, we read LOTS of books by collaborators. 

As a mom and children’s author, I’ve seen how much children need reminders that they are already loved, already important, and already enough. I’ve written over 30 picture books that explore kindness, confidence, and emotional resilience, but my heart always comes back to one mission: helping kids see their worth.

I created this list because I believe books are powerful mirrors—they show children not only who they are but who they can grow to be. These stories encourage kids to embrace their differences, trust their voice, and carry the confidence that being themselves is the most beautiful thing of all.

A summer with relatives in Belgium—a country divided by language and culture—inspired me to travel to Santo Domingo in 1988 to learn Spanish and study the fraught dynamics of two countries speaking different languages but sharing an island. My time in the Dominican Republic and Haiti inspired a lifelong exploration of complex issues using many lenses and stories. Today I write mainly about risk, drawing on psychology, culture, policy, and economics. The third book, The Gray Rhino, calls for a fresh look at obvious, looming threats. My fourth book, You Are What You Risk, explores risk perceptions and attitudes using a comparative, socio-cultural lens like the one I used in Why the Cocks Fight.

I’ve never experienced war. But I grew up with children of World War II refugees. Other friends’ fathers served in the Japanese American military unit while their families were interned in the U.S. The Cold War was in full swing, complete with ducking under our desks to “protect” ourselves from an atomic blast. Later, my peers shipped out to Vietnam. Then came the wars in the Middle East. The mental and physical effects of war are lingering—for soldiers and their families. It doesn’t matter which war or how long it’s been. Their stories are eerily similar and very, very real. I’m passionate about sharing them.

I have always been a lover of love stories, yet it can be difficult to find “love stories” that aren’t put into other boxes or aren’t genre romances. My debut is also a family drama that spans sixty years of the twentieth century, but it’s a love story at its core. It’s sometimes classified as a romance because it’s a love story set on a beach. Still, it doesn’t quite fit into typical romance frameworks, which have characters meet and pulled apart before finally ending up back together. My book, instead, explores the reality of loving someone over decades and building a life together.

I became an economist because I realized that economics was a powerful tool that would help society solve vexing problems. While economics has limits, it has so much to offer in terms of better policy design for tackling everything from climate change to economic inequality. My life’s work has been devoted to both economic research and helping others understand the insights of economics. I spent many years in academia teaching economics and writing papers, and I authored Open in an attempt to make the complexities of international economics more transparent. I’ve also had the chance to work firsthand on some of these issues in the early part of the Biden Administration at the US Treasury.