100 Books Like Insignificant Things

Toby Green’s book is a magisterial history of West Africa and West Central Africa during the era of the Atlantic slave trade.

Exploring a large array of sources from three continents the book tells the history of African societies such as the kingdoms of Kongo and Dahomey, by showing how Africa was connected to the rest of the world earlier before Europeans reached the Atlantic coasts of the continent.

With the rise of the Atlantic slave trade Africa exported currencies such as gold, whose great value persisted over time, but kept importing cloth, cowries, iron, and copper, whose value decreased over time.

The book helps us to understand the roots of the inequalities among Africa and the Global North and shows us that these unbalanced economic and diplomatic exchanges were tied to cultural, religious, and artistic dimensions, in which material culture also played a central role.

Colleen Kriger illuminates the commercial exchanges between European and Africans in the Upper Guinea Coast, a region covering present-day Senegal, The Gambia, Guinea-Bissau, Guinea, Sierra Leone, and Liberia, between 1680 and 1715.

Explaining how these economic exchanges relied on existing West African trading routes, Kriger examines the role of England’s Royal African Company which lead the trade of enslaved Africans in the region.

West African commodity currencies such as bar iron, cloth, and cowry shells were carefully organized in bundles that became unities of measure and exchange in the Upper Guinea trade external trade in the late seventeenth and early eighteenth centuries.

She underscores the cultural norms underlying economic exchanges. For example, exchanging gifts to start and continue the trade was a central protocol. Kriger’s book ultimately shows that the trade in people was shaped by the creation and exchange of things.

Mariana Candido’s book brings to light the importance of land ownership among West Central Africans, by contesting the work of historians who up to here have basically agreed with the claims of European conquerors and colonizers who stated that West Central African land was plentiful and empty, therefore available to be occupied by the newcomers.

Drawing on detailed archival research, the book also us how West Central African men and women acquired and owned land and movable property. Candido brings to light how West Central African communities were consumers of European and Asian goods, and therefore connected to other parts of the world.

The book shows how men and women in Angola accumulated wealth, and also how during the rise of colonialism they were deprived of this wealth.  

The Art of Conversion by art historian Cécile Fromont provides us with a rich overview of visual images and material objects witnessing the first contacts between African men and women in the Kingdom of Kongo and European conquerors and missionaries starting in the late fifteenth century.

Richly illustrated with color images of paintings, objects, and artifacts of Christian devotion, this book shows how these early encounters that led to the rise of the Atlantic slave trade in the region of present-day Angola in West Central Africa were marked by the mutual exchanges of valuable objects.

These exchanges were also immortalized in paintings, watercolors, and engravings that help us to understand these first encounters between Africans and Europeans that were so important for the development of the trade in enslaved Africans.

Wise Women. Ancestral Worship. Charms and rituals: Thank you—to author, performer, and ritual priestess, Luisah Teish—for this reminder that “our foremothers knew things that modern science is still struggling with.”

Originally published in 1985, this eclectic mix of memoir, spiritual teachings, and practices is a delightful and accessible road map to New Orleans Voudou, which, like Jamablaya—“a spicy dish with many fine ingredients cooked together”—blends the practices of African ancestor reverence, Native American earth worship, and European Christian occultism into one tradition.

Reading this book, I find myself pulled into the mysteries of the natural and spiritual worlds, and the centuries-old traditions of the ancestors, whose voices echo through time, guiding us and blending with our own.

Amulet is a masterwork of story, imagination, and art.

Tragic circumstances lead to Emily, her younger brother, and her mother having to move into the run-down home of a relative. While cleaning, Emily uncovers an amulet, which almost seems to be meant for her.

That night, her mother is kidnapped by a monster and in order to rescue her, Emily and her brother rush through a portal into another world. And that’s just the beginning!

Emily is a strong young woman who makes bold choices and fiercely defends her family. This adventure story is epic! 

A wise man once said to me, “if you can say it, you can see it." This magical book of art, poetry, and nature is a response to the removal of nature words such as “acorn,” “wren,” and “dandelion,” from a children’s dictionary. His gorgeous writing encourages us to wonder at the forgotten and to behold the ordinary by uttering nature words as a conjuring thing. During a time of environmental loss, grief, and forgetting, McFarlane lets us fall in love again with the greater-than-human world through language and therefore, to renew our capacity to marvel at the living landscape and our own inner landscape. 

A school drama with a dash of Greek Mythology when Helen of Troy’s amulet gets into a young girl's hands.

Juliet is suddenly doused with attention and does her best to navigate it. The story is very funny and lighthearted, this was another one of my favorite school reads.

I love contemporary Greek Mythology!

Twelve-year-old Freddie Ruiz believes he is the victim of a multi-generational family curse: whenever the pressure’s on, he’s likely to stumble, fall, or embarrass himself.

When he finds an old amulet in the garage, he unwittingly releases the ghost of his great-granduncle, and now the curse gets worse: Freddie has just seven days to reverse it if he wants to survive!

A winner of the Sid Fleischman Humor Award, this book also makes powerful references to Filipino history that help ground the fantasy events in the real world. It’s full of nice moments—I giggled when I saw that Chapter 13 was crossed out (“too unlucky!”) and replaced with Chapter 14—and there’s great warmth in the scenes between Freddie and his various family members.

This was the first occult book I ever bought, so it holds a special place in my heart. The title alone, drew me to it and I was not disappointed. The book is full of all kinds of spells and information on herbs, amulets and talismans, ceremonial magic, Satanism & Witchcraft, potions, and many other wicked goodies. I love old occult books and this one, first published in 1970, started my occult library which has continued to grow.