Books like Indonesia, Etc.

I devoured this one, and not only because the subject matter is close to my heart. As a writer, I learned a lot about craft here. It was a master class in weaving history—both natural and human—into a propulsive narrative.

It was also a model for relying almost exclusively on written sources to bring long-forgotten scenes to life in the most vivid way possible.

When we think of maps, we usually assume they are about established geography, but that is completely wrong. Maps have been used to hold and elucidate everything about human behavior, especially politics and world affairs, and they vary dramatically in their presentations; the word “geopolitics” is spot on. 

You might envision the world as a blue, green, and brown sphere, but geographers (and world leaders and their kind) then load on every layer possible about how humans divide up this global space. Think of nations, names of continents, where people live, what they eat. And then think of maps that illustrate over the global landscape where we get sick (or not), what we eat, what we grow, how we earn money, where we shop—it’s mindboggling how geography can explain much of what people do, and how that can be exploited.  

During much of our lives, we don’t even think about… show more.

OK, I’ll confess. I have this Dr. Zhivago fantasy (that may also involve Julie Christie). I travelled more than 200 miles on the Trans-Siberian Railway while on a fellowship in Russia’s southern Urals. It was not as romantic a journey as I had expected—lots of forest and drunks in the restaurant car—but I wish I’d traveled further. David Greene, NPR’s former Moscow bureau chief, has traveled the whole line, more than 5,000 miles from Moscow to Vladivostok. It’s not the view from the train window of the landscape of Siberia—spectacular though it sometimes is—that drives the story along. It’s the people Greene meets, the stories of their lives and hardships, and how passengers traveling together day and night for almost a week cope with the journey and each other. 

I’ve traveled to many of the places that Thubron, the acclaimed travel writer and novelist, visits, but his take on them is much different from mine. He delves deep into the histories of the peoples of the steppes, mountains, and fertile agricultural regions of Central Asia, their art, architecture, belief systems, and cultures. It is a broad historical sweep, from the rise of the Mongol empire to Stalin's deportations to the wrenching economic, social, and political challenges faced by the governments and populations in the post-Soviet era. Thubron’s research is impeccable, his descriptions of places and people engaging and lyrical. 

This account of a backpacker’s quest for hedonistic excess made me want to pack my bags and set off into the unknown. A kaleidoscopic rollercoaster of an adventure story moving from India to Thailand, Australia, Hong Kong, and Indonesia… the whole odyssey, like so many of my favorite reads, starts from a simple sliding door moment.

With all its gripping twists and turns, this was vicarious living at its best. Such an adrenaline hit. And it’s all true!

This is one of the best armchair travel books out there. I can’t surf and don’t know the first thing about surfing, but Finnegan’s personal story of chasing waves from continent to continent throughout the 60s and 70s had me nostalgic for a life I’ve never led.

He takes risks and roughs it in ways I never would, but his depictions of places like Madagascar, Hawaii, and Indonesia are so enticing I yearned to hop a plane every time I got to a new chapter. It’s easy to see why Finnegan won a Pulitzer for this autobiography—his writing made for an un-put-downable escape.

From the first chapter, I could not put this book down.

When a lethal and highly transmittable virus turns its victims blue, and the Russians blame America for unleashing a deadly virus, I knew I was about to dive into a true medical thriller. I also thought the timing of this novel was disturbing, reminding me all too well of recent disease outbreaks and then taking me on a journey into a world where plagues and pandemics can easily become commonplace.

To his credit, Lawrence Wright managed to weave science and fiction into a plot that frightened as well as entertained.

This one is a contemporary story and is another of my favorites because it’s got more than a little bit of action keeping you going even if you’re not interested in the romance part of the story.

There are actually two stories/romances going on in this one, one now and one during WWII. The characters are real people with strengths, flaws, hopes, and dreams, and bonus, they are just as insecure about themselves and their interactions with each other as the rest of us are.

And they make me laugh. Like really laugh. Bonus points to the audiobook because the performances were amazing.

This true story occurred over twenty years starting in 1920. A haunted garden on a small island of the Indonesian Maluku archipelago. Here, Felicia has spent her early childhood with her grandmother, the last of an old line of Dutch spice growers. Felicia returns from Europe, after a ruinous marriage, with her baby son Willem. The plantation, overgrown and abandoned, reaches down to the blue-green waters. Felicia and her grandmother settle down again together to the ebb and flow of life surrounded by clove and nutmeg trees, and mystery. But slowly strange events happen in that Garden of Eden and a fascinating story of violence and murder unfolds in a world dominated by the psychic forces of nature, where nothing is predictable or a cliche. 

I love a seamless blend of science and history that creates a gripping story, and Krakatoa is at the top of my list. The book left me in awe at the power of nature.

The Krakatoa eruption unleashed a 120-foot tsunami, killed tens of thousands, and cast ash into the atmosphere that cooled temperatures around the globe. I was fascinated by Winchester’s tale of how the cataclysm contributed to our understanding of volcanology, tsunamis, and the revolutionary theory of plate tectonics.

To top it off, he took me into another world by weaving in a moving story of Dutch colonization and Indonesian resistance. I was sorry to reach the end.