100 Books Like Indonesia, Etc.

You might say I have a love-hate relationship with the Amazon. As a journalist, I’ve been reporting from the rainforest since 2013, and I spent six years working on a book about an Amazonian tribe, often spending weeks a time at one of their villages. It’s not an easy place: hot, wet, insect-ridden. It can also be dangerous, what with all the loggers, prospectors, and sundry other outlaws. But I came to appreciate the singular beauty of the forest, truly a marvel of nature. And I loved befriending Indigenous people who understood the world in a radically different way, and led me to question my own, Western assumptions.

I am an anthropologist and professor at Cornell University, where I taught 20-year-olds for thirty years. It was my job to explore the world, learn about it, and then educate others, underscoring the notion that all peoples and cultures are equally interesting and valuable. I started out, as a graduate student, watching macaque monkeys for my research, testing if their behavior might give us clues to the evolution of human behavior. But then I switched to science journalism for the popular audience and have, for decades, written for magazines, newspapers, and many books about the intersection of biology and culture on human thought and behavior. 

I’m an accidental travel writer. For 25 years, I’ve made frequent work trips to the developing world for workshops and research projects, traveling widely in Central, South, and Southeast Asia and Southern Africa. I record what I see and learn, and my conversations with people and write about them in emails, blogs, and later books. Stanland was the first, followed by Monsoon Postcards: Indian Ocean Journeys and Postcards from the Borderlands. I don’t need to be at a scenic overlook or a historic site to find interest. If you’re new to a place, the every day—things so familiar to those who live there that they don’t think about them—are worth recording.

I’m an accidental travel writer. For 25 years, I’ve made frequent work trips to the developing world for workshops and research projects, traveling widely in Central, South, and Southeast Asia and Southern Africa. I record what I see and learn, and my conversations with people and write about them in emails, blogs, and later books. Stanland was the first, followed by Monsoon Postcards: Indian Ocean Journeys and Postcards from the Borderlands. I don’t need to be at a scenic overlook or a historic site to find interest. If you’re new to a place, the every day—things so familiar to those who live there that they don’t think about them—are worth recording.

Having been born in Fiji and lived in Cyprus, Austria, and Nigeria, I have always had a strong sense of wanderlust and a keen eye for my surroundings – both natural and man-made. I’ve always been open to "what might happen next," which makes sense as to why I became a professional storyteller – an actor, writer, and director. I am thrilled by not knowing what lies ahead, and I’ve always felt there is possible adventure at every turn in life, which is why I am so fond of the evocative and thrilling books I have listed.

I’ve wanted to travel the world since I could look out a window. It’s been an honor to spend my life exploring this planet, despite some of its inhabitants. I knew I’d write books about it, even before I could write my own name. It’s a joy to realize such a deep and early dream. My books are love letters to places I’ve lived and people I’ve met, plus some joking around in order not to scream or weep at some of what’s out there. I’ve been a teacher, film editor, comedian, librarian, and now writer.  Wherever you are, on whatever path: happy trails to you. 

In 2019, I spent a year traveling around the world with my husband and two small kids. These days, we still travel whenever we get the chance, soaking up as many cultures, landscapes, and experiences as possible. Wherever we go, we read books set in our destination, usually by local authors, which deepens our connection to the places we visit. But you don’t need a plane ticket for a good book to transport you overseas. Here are a few of my favorite reads guaranteed to immerse you in faraway lands, even as you sit on your favorite couch at home. 

As a researcher at Wake Forest University School of Medicine and a college professor who has taught biology and anatomy & physiology, I have a unique insight into the mysteries of the human body and how existing and emerging viruses can wreak havoc on the world’s populations. In light of the COVID pandemic that killed millions and the threat of older and increasingly virulent pathogens, I find it terrifying that viruses could be unleashed that leave us defenseless. Despite all our advances and knowledge, medical mysteries continue to intrigue us and spark our imaginations. We are drawn to them, now more than ever, hoping that the fiction we read about will not become reality.

I have been fascinated with travel and adventure stories since I read The Magic Faraway Tree by Enid Blyton. I finished a whole Walter Scott book; with a dictionary balanced on one knee because Jeanie Deans decides to walk from Edinburgh to London. Romance? Bah! Humbug! I’d rather journey into The Heart of Darkness, follow the hobbits to Mount Doom, or ride a sandworm with Paul Atreides. Show me a lone traveler thrown into the middle of an unfamiliar, confusing culture and you have my full attention. Naturally, when I started typing out my first manuscript, it just had to be a fantasy adventure about an Iban headhunter.

The excitement of new visions! Ever since growing up surrounded by Arabian deserts and then Iran’s mountains, I’ve been fascinated with diverse cultures. My path led me to Cairo and Berkeley for university and then onto Greece, Indonesia, and Italy. Today’s dominant world histories remain rooted in Anglo-American narratives. Only by challenging enshrined status quos, can we capture the truth, often long hidden. Now, an interest for critical storytelling may capture a fuller picture. History needs to be told not only from the point-of-view of the victors, but also the vanquished. Counter histories create bridges of dialogue, where there were none. This is what inspires me.