Here are 100 books that In the Role of Brie Hutchens... fans have personally recommended if you like
In the Role of Brie Hutchens....
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I’ve always loved books, movies, and shows that feature swoony, satisfying romances. As a middle school teacher and upper middle-grade author, I know it can be tricky to find novels with romance for the middle-grade set. But I also know firsthand that there are many kids who crave these kinds of stories–and that there are major benefits to giving kids a chance to read and hopefully talk about crushes and relationships in all their complexity. I’m always on the lookout for realistic stories with just the right amount of romance to delight middle-grade readers, and these five are some of my favorites.
This book is an absolute delight! Debbi Michiko Florence is a master of middle-grade romance, and I love the way she explores all the giddy, awkward, confusing excitement of a middle-school crush.
The romance in this book is especially juicy because sweet, people-pleasing Keiko develops feelings for the one boy she’s sure she shouldn’t have a crush on–her best friend’s older brother!
In addition to the sweet romance, there are plenty of relatable and thought-provoking friendship dynamics in this story, too. And as a bonus, there’s a companion novel, Just Be Cool, Jenna Sakai, that’s every bit as fun!
Fans of Judy Blume and Jenny Han are sure to fall head-over-heels for this sweet story about first crushes, friendship drama, and finding the courage to stand up for yourself.
Seventh grade is supposed to be a game changer. And Keiko thinks she's got it covered, especially with Audrey and Jenna by her side to shop for a new look, pick out a prime lunch spot, and even hit up that cute new bubble tea place after school. Her trio is ready to tackle life as they always have... together.
But when Audrey decides they need boyfriends before Fall Ball,…
When Elliot finds herself dead for the third time, she can't remember her past, is getting the cold shoulder from her best friend, and has no idea why she keeps repeating the same mistakes across her previous lives. Elliot just wants to move on, but first, she'll be forced to…
I’ve always loved books, movies, and shows that feature swoony, satisfying romances. As a middle school teacher and upper middle-grade author, I know it can be tricky to find novels with romance for the middle-grade set. But I also know firsthand that there are many kids who crave these kinds of stories–and that there are major benefits to giving kids a chance to read and hopefully talk about crushes and relationships in all their complexity. I’m always on the lookout for realistic stories with just the right amount of romance to delight middle-grade readers, and these five are some of my favorites.
I love this book because it somehow manages to be a poignant grief story, a delightful friendship story, and a cute (and funny!) tale of first romance all in one book. And all in one book that’s under 250 pages, to boot!
The voice is engaging, the characters are fully realized, and the tone is as cozy and warm as the special desserts the main character learns to bake. It offers an emotional and fun take on an enemies-to-friends-to-crushes tale for the middle-grade crowd.
Seventh grader Freya June Sun has always believed in the Chinese superstitions spoon-fed to her since birth - but ever since her dad's death a year ago, she's become obsessed, believing that her father is sending her messages through signs from the beyond. Like how, on her way to an orchestra concert where she's dreading her viola solo, a pair of lucky red birds appear, a sure indication that Dad wants Freya to stick with the instrument and make him proud.
Then Freya is partnered with Gus Choi, a goofy and super annoying classmate, for a home economics project. To…
I’ve always loved books, movies, and shows that feature swoony, satisfying romances. As a middle school teacher and upper middle-grade author, I know it can be tricky to find novels with romance for the middle-grade set. But I also know firsthand that there are many kids who crave these kinds of stories–and that there are major benefits to giving kids a chance to read and hopefully talk about crushes and relationships in all their complexity. I’m always on the lookout for realistic stories with just the right amount of romance to delight middle-grade readers, and these five are some of my favorites.
This is an immersive and insightful slice-of-life story that drew me right in. I read it on vacation, and it was a perfect tween beach read to get swept up in!
The chapters alternate between the perspectives of two main characters, Lily and Will, who feel equally real and equally endearing. I loved getting inside both their heads and seeing their lives intersect and their feelings for each other grow.
The writing is lovely and smooth, and there’s just a light sprinkling of romance to liven up a relatable and authentic friendship story.
Secrets, rumors, shifting friendships, overbearing parents, and, on top of all that, a first dance—how does anyone survive seventh grade? Told from dual points of view, this novel about two tweens finding their voices and standing up for themselves is for fans of Lisa Yee, Leslie Connor, and Janae Marks.
Lily, Maddie, and Sasha have always been the perfect friendship trio. But this year, everything is changing. Maddie and Sasha made the elite soccer team, and Lily feels that they’re always leaving her behind. And everyone seems to have secrets now: Maddie, and Sasha, and Lily’s sister, and even Lily…
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
I’ve always loved books, movies, and shows that feature swoony, satisfying romances. As a middle school teacher and upper middle-grade author, I know it can be tricky to find novels with romance for the middle-grade set. But I also know firsthand that there are many kids who crave these kinds of stories–and that there are major benefits to giving kids a chance to read and hopefully talk about crushes and relationships in all their complexity. I’m always on the lookout for realistic stories with just the right amount of romance to delight middle-grade readers, and these five are some of my favorites.
It isn’t easy to find middle-grade rom-coms, but this book checks all the boxes!
I love the concept–an intensely driven eighth grader who scorns the idea of romance and finds out she’s a Cupid–and Nashae Jones delivers with a laugh-out-loud enemies-to-crushes tale. A bit of magic and plenty of hilarious shenanigans make this one a winner.
In this funny and romantic story sprinkled with a dash of magic, a thirteen-year-old girl uses her newfound ability to make people fall in love to sabotage her rival.
Erin Johnson’s thirteenth birthday unfolds like any other day, from her mom’s quirky and embarrassing choice of outfit to racing her nemesis, Trevor Jin, to the best seat in class—front row, center. But her gifts this year include something very out of the ordinary: magical powers.
Erin discovers her mysterious father is actually the love god Cupid and she’s inherited his knack for romance. It’s not the most useful ability for…
As a female grown up in a working-class neighborhood in East Naples (Italy), and as an academic researching political ecologies in Italy, Brazil, and the USA, I am especially interested in how sex/gender, class/work, and race/coloniality are intersected in people’s lives, and especially in how this shapes their perceptions and experiences of environmental problems. This approach has led me to look for the connections between labor and the environment both within and beyond waged/industrial work and formal trade unions, including the unpaid housework and subsistence production done in working-class, peasant, Black, and Indigenous communities and the social movements that represent them.
I read this book as a fictional rendition of 'intersectionality' theory, i.e. the idea that Black women's lives are conditioned by different power dynamics operating at once. However, this idea is beautifully interwoven in real-life events and conversations that make the book's characters alive.
I simply loved each one of them and very much enjoyed the plot as a whole. With a simple and direct, but also poetic and captivating language, the author takes you through unforeseen turns in the experience and feelings of these characters, and unexpected connections with one another.
“A must-read about modern Britain and womanhood . . . An impressive, fierce novel about the lives of black British families, their struggles, pains, laughter, longings and loves . . . Her style is passionate, razor-sharp, brimming with energy and humor. There is never a single moment of dullness in this book and the pace does not allow you to turn away from its momentum.” —Booker Prize Judges
Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language.…
Like most people, I find the history of sex and everything associated with it fascinating! It’s often been difficult to document and interpret the complexities about heterosexuality, gender identity, and same-sex desire as well as women’s reproductive health which is intimately (although not exclusively of course) linked to sex. We are in a golden age of fantastic work on so many aspects of the history of sex. Apart from the intrinsic interest of these books, I think they provide such an important context for our very lively and often very intense contemporary legal, political, and cultural debates over sex in all its forms.
In contrast to stereotypes about lesbians that framed them as bra-burning, men-hating, hairy-legged feminists, Lauren Gutterman evocatively shows how the emergence of post-World War II lesbian desire took place at the center of American life, in the suburbs, often in marriages to men and heterosexual families with children. Married women rejected divorce or labelling themselves as lesbians even while they had affairs with their female neighbors. Her Neighbor’s Wife offers an extraordinary new interpretation of how post-World War II American marriages could accommodate women’s relationships with other women.
At first glance, Barbara Kalish fit the stereotype of a 1950s wife and mother. Married at eighteen, Barbara lived with her husband and two daughters in a California suburb, where she was president of the Parent-Teacher Association. At a PTA training conference in San Francisco, Barbara met Pearl, another PTA president who also had two children and happened to live only a few blocks away from her. To Barbara, Pearl was "the most gorgeous woman in the world," and the two began an affair that lasted over a decade.
Through interviews, diaries, memoirs, and letters, Her Neighbor's Wife traces the…
When I was young and just figuring out the whole gay thing, I had to cross state lines to see the one gay movie and smuggle out the one library book I was too afraid to check out. In the 1970s and 80s I grew up knowing I was part of a group that was rarely talked about, aside from jokes. I've enjoyed so many stories that didn't represent me. If the struggle is real, I want to see, hear, and feel the whole messy bunch of it. I like the uncomfortable process of writing, and make promises that I later break: I can always tone this part down later…and then I never do.
Groundbreaking at the time, simply because it featured a happy ending between two women…what a concept! Seems like this should not have been a tall order, yet, in 1952, it was a revolutionary idea that a lesbian love story would not end with tragedy which was the recipe of the day if a writer dared to write about forbidden love.
If you are addicted to push/pull in romance stories where the stakes are high but the characters are willing to jump higher, you may fall in love with this book.
The novel was mesmerizing and lovingly translated into film. Hollywood learned that if you want a straight audience to easily imagine how a woman who had been living a straight life previously (though not authentically) could fall for another woman, simply cast Cate Blanchett in the film and, boom, everyone gets it.
Therese is just an ordinary sales assistant working in a New York department store when a beautiful, alluring woman in her thirties walks up to her counter. Standing there, Therese is wholly unprepared for the first shock of love. Therese is an awkward nineteen-year-old with a job she hates and a boyfriend she doesn't love; Carol is a sophisticated, bored suburban housewife in the throes of a divorce and a custody battle for her only daughter. As Therese becomes irresistibly drawn into Carol's world, she soon realizes how much they both stand to…
I am a long-time lover of mysteries. Whether it be books, TV, or movies, I love when there is an unknown element to puzzle out. I remember staying up long past my bedtime as a child, reading because I just had to know what happened. I write across a number of genres for different age groups, but at the heart of every story I take on is a mystery that I want to figure out for myself. I love it when readers and audiences come along for the ride, joining me for the plot twists and turns.
I started this book for the unlikely main character–Sister Holiday, a chain-smoking, tattooed, queer nun–but it was the mystery that kept me reading. I always love it when a writer can make me feel like I am the one on the line, like I am fighting for my life or to prove my innocence. This book did just that.
I found I was holding myself tightly as Sister Holiday investigated but just kept finding more evidence against herself. The snippets of her past life made me feel for her more and more, taking the character from an unlikely hero to someone I cared deeply about. I can’t wait to get my hands on the second in the series.
Sister Holiday, a chain-smoking, heavily tattooed, queer nun, puts her amateur sleuthing skills to the test in this "unique and confident" debut crime novel (Gillian Flynn).
When Saint Sebastian's School becomes the target of a shocking arson spree, the Sisters of the Sublime Blood and their surrounding New Orleans community are thrust into chaos.
Patience is a virtue, but punk rocker turned nun Sister Holiday isn't satisfied to just wait around for officials to return her home and sanctuary to its former peace, instead deciding to unveil the mysterious attacker herself. Her investigation leads her down a twisty path of…
I'm a cartoonist with a transgender-biography and I write trans characters into my stories. Even though I value the growing awareness of transgender representation by all writers, those that were written by people with trans-experience carry special significance. I've written a graphic novel and many autobiographical, fictional, and documentary short stories. These works have centered on the themes sexual identity, gender roles, youth culture, family, social structures, and social history. With my work I aim to shed light on issues that are lesser known, with a strong social focus and the intention of using the storytelling medium and the comic format as a way of making the complex understandable.
Body Music is a lyrical compilation of short stories that play in the city life of Montreal. Each story is a small insight into the intimacy shared between two or more people. Very tenderly the author shows how love and connection are as unique and personal as people are different. It was heart-warming to read trans characters who were just one more way in the myriad of ways of being human.
Julie Maroh's first book, Blue Is the Warmest Color, was a graphic novel phenomenon; it was a New York Times bestseller and the controversial film adaptation by French director Abdellatif Kechiche won the Palme d'Or at the Cannes Film Festival in 2013. Maroh's latest book, Body Music, marks her return to the kind of soft, warm palette and impressionistic sensibility that made her debut book so sensational.
Set in the languid, European-like neighborhoods of Montreal, Body Music is a beautiful and moving meditation on love and desire as expressed in their many different forms?between women, men, and gender non-conformists alike,…
4.5 billion years ago, Earth was forming - but nothing could have survived there…
From Cells to Ourselves is the incredible story of how life on earth started and how it gradually evolved from the first simple cells to the abundance of life around us today. Walk with dinosaurs, analyse…
My first memories are of my brother’s death. Maybe that’s why I’ve always wanted to understand the connection between memory and identity. At 17, when I was writing the very first draft of Traces, I was also bandaging my friends’ suicide attempts. I’ve volunteered as a writing tutor for refugees and autistic students, visitor on the closed ward of a psychiatric hospital, advocate for the LGBTQIA+ community (of which I am a member), and celebrant for bereavement ceremonies. As an educator, YA/NA novelist, and poet, I know that nobody can heal unless they feel safe and seen, which is why I believe so strongly in trauma-informed communication and radical acceptance.
Andrea Gibson’s spoken word poems are gut-wrenching testaments to the power of vulnerability and tenderness, weaving anecdotes into fervent pleas for empathy, connection, and social justice. The magic of their pieces lies in the both/and of beauty and pain, unflinchingly facing trauma while clinging to hope. This collection’s strongest poems include “Ashes” (about a gay soldier burned to death) and “Somewhere, a Carpenter” (about the artist’s love for their grandmother). If you want to be truly spellbound, look for the recorded versions of these poems—I’ve attended two of Gibson’s live performances and had goosebumps all over and/or tears streaming down my face from start to finish.
These poems’ topics range from hate crimes to playgrounds, from international conflict to hometowns, from falling in love to the desperation of loneliness. Gibson’s work seizes us by the collar and hauls us inside some of her darkest moments, then releases us out the other side.
