Here are 100 books that In Stitches fans have personally recommended if you like
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I think our collective fascination with medical training is understandable. What bizarre sorcery molds otherwise sensible college graduates into fully functioning physicians? Is it possible to maintain your humanity in the process? Or any semblance of a normal relationship? While my book remains the only novel about medical school training, many great physician memoirs detail the typically exhausting, frequently bizarre, and ultimately gratifying experience of becoming a doctor. After graduating from Wesleyan University, I obtained my medical degree at New York University School of Medicine and trained in the primary care internal medicine program at Johns Hopkins Bayview Medical Center. I live in Maryland with my wife and two children.
Dr. Au adapts her popular, quirky blog into a candid memoir that explores her journey to become a doctor, employing both humor and a weary fortitude.
In the second half of her book, she balances pregnancy and early motherhood with the protracted hours and perpetual stress endemic to medical training. I found these later vignettes exploring the competing demands and her mounting insecurities particularly compelling.
Michelle Au started medical school armed only with a surfeit of idealism, a handful of old 'ER' episodes to reference, and some vague notion about 'helping people'. This is the story of how she grew up and became a real doctor. Through her years in medical training, she also attempts to maintain a life outside the hospital as she and her resident husband decide to have a baby. A new mother struggling to balance long days and nights in the hospital with her 'real' life, Au finds herself in the classic struggle of working motherhood, trying to do two equally…
Didn’t Get Frazzled captures with distressing accuracy the gauntlet idealistic college grads must face to secure an MD and, against the odds, come out of it a better human being.
Medical student Seth Levine faces escalating stress and gallows humor as four years of medical school shatter all preconceived notions…
I think our collective fascination with medical training is understandable. What bizarre sorcery molds otherwise sensible college graduates into fully functioning physicians? Is it possible to maintain your humanity in the process? Or any semblance of a normal relationship? While my book remains the only novel about medical school training, many great physician memoirs detail the typically exhausting, frequently bizarre, and ultimately gratifying experience of becoming a doctor. After graduating from Wesleyan University, I obtained my medical degree at New York University School of Medicine and trained in the primary care internal medicine program at Johns Hopkins Bayview Medical Center. I live in Maryland with my wife and two children.
The future Dr. Lawrence sustains two traumatic brain injuries right before starting medical school. After inexplicably not taking any time off to recover, he trundles ahead despite short-term memory loss. What follows is an entertaining and chaotic four years of surmounting formidable obstacles while suffering an imposter syndrome that lingers throughout his training.
I think every medical student aside from the most incurable narcissist feels they are playing doctor much of the time. This memoir is highly relatable.
Ready to learn how to be a doctor? Well, neither was John...
#1 Best Seller " I stayed up far too late, often crying with laughter, reading about the medical mishaps and blunders..." - #1 New York Times Bestselling Author, Lauren Weisberger (The Devil Wears Prada and When Life Gives You Lululemons)
Playing Doctor is a medical memoir full of laugh-out-loud tales, born from chaotic, disjointed, and frightening nights on hospital wards during John Lawrence’s medical training and time as a junior doctor. This candid autobiography will demystify medical education and inspire you. Equal parts heartfelt, self-deprecating humor, and irreverent,…
I think our collective fascination with medical training is understandable. What bizarre sorcery molds otherwise sensible college graduates into fully functioning physicians? Is it possible to maintain your humanity in the process? Or any semblance of a normal relationship? While my book remains the only novel about medical school training, many great physician memoirs detail the typically exhausting, frequently bizarre, and ultimately gratifying experience of becoming a doctor. After graduating from Wesleyan University, I obtained my medical degree at New York University School of Medicine and trained in the primary care internal medicine program at Johns Hopkins Bayview Medical Center. I live in Maryland with my wife and two children.
Written as a series of essays focusing on her experiences with individual patients, Dr. Ofri walks us through the entirety of her training. As she grows in confidence, she learns how to heal her patients and herself.
Dr. Ofri had a life between college and medical school (unlike me), so even though she is older than I am, she started at NYU/Bellevue the year after I graduated. I enjoyed reading how patient care had progressed at Bellevue in the years following my great escape.
A “finely gifted writer” shares “fifteen brilliantly written episodes covering the years from studenthood to the end of medical residency” (Oliver Sacks, MD, author of The Man Who Mistook His Wife for a Hat)
Singular Intimacies is the story of becoming a doctor by immersion at Bellevue Hospital, the oldest public hospital in the country—and perhaps the most legendary. It is both the classic inner-city hospital and a unique amalgam of history, insanity, beauty, and intellect. When Danielle Ofri enters these 250-year-old doors as a tentative medical student, she is immediately plunged into the teeming world of urban medicine: mysterious…
Didn’t Get Frazzled captures with distressing accuracy the gauntlet idealistic college grads must face to secure an MD and, against the odds, come out of it a better human being.
Medical student Seth Levine faces escalating stress and gallows humor as four years of medical school shatter all preconceived notions…
I am a retired, Scottish, NHS consultant forensic psychiatrist, who worked with mentally disordered offenders in prisons, hospitals, and in the community. I am passionate about raising awareness, destigmatisation of mental illness, and introducing the human beings behind the sensationalist newspaper headlines. They are all someone's son or daughter, who didn't ask to get ill. Occasionally mental illness makes good people do bad things. It was my job to find, treat and rehabilitate them. I believe entertaining medical memoirs can engage readers and inform thinking by challenging attitudes and assumptions.
I loved this memoir because it was humorous and it transported me back to my own days as a junior doctor in a District General hospital, in the mid-1980s.
The black humour of a medic combined with the real human stories made it very relatable. This, merged with an easy-to-read diary style, captured the true life experiences and dilemmas of a junior doctor working in the NHS perfectly.
It was a walk down memory lane for me and it would provide an amusing insight for non-medics.
The acclaimed multimillion-copy bestseller, This Is Going to Hurt is Adam Kay’s equally "blisteringly funny" (Boston Globe) and “heartbreaking” (New Yorker) secret diaries of his years as a young doctor.
Welcome to 97-hour weeks. Welcome to life and death decisions. Welcome to a constant tsunami of bodily fluids. Welcome to earning less than the hospital parking meter. Wave goodbye to your friends and relationships. Welcome to the life of a first-year doctor.
Scribbled in secret after endless days, sleepless nights, and missed weekends, comedian and former medical resident Adam Kay’s This Is Going…
I'm not Maggie, my title character, but we share a smart mouth, and it has put me in the dog house more than once. Coming-of-age stories appeal to my “Will-I-ever-grow-up?” nature. At any given moment you’re as old as you’ve ever been, which is why an adolescent, lost in unfolding maturity, seldom has the sense of a zygote—nor does a twenty-something, thirty-something, and on up the line (sixty-six and counting). A backward glance is your best bet at gleaning pearls of wisdom. Passing from one life-phase into another is awkward at best. Its navigation, something humans share regardless of time or place, lends to humor. Oh, there’s heartache. Often suffering. But in laughter lies hope.
I readThe Summer of ‘42 in the spring of ’71, before the movie came out. Having been a teen in the 1940s, my father was intrigued by the title and bought it. I remember him laughing out loud, more than once. Being a curious fifteen-year-old, I had to find out what the hoopla was. Pubescent stirrings, mostly—that awkward stage in life, relatable no matter the era or place. In this case, love’s call comes during a summer vacation in 1942 on Nantucket Island. Hermie, his best friend, Oscy, and their nerd buddy, Benjie, are obsessed with sex—how to get it, how to do it, and how to share information once any progress is made in its endeavor. But when Hermie forms a relationship with a married woman whose husband has just left for the war, he becomes less forthright with his friends. Sometimes innocence lost is best told…
" SUMMER OF '42 is a charming and tender novel...The overall effect is one of high hilarity. Raucher is a comic-artist who is able to convey the fears and joys...of the boy and at the same time give older readers a wrench in the heart. " - PUBLISHERS WEEKLY
A classic coming-of-age story and international bestseller.
Captivating and evocative, Herman Raucher's semi-autobiographical tale has been made into a record-breaking Academy Award nominated hit movie, adapted for the stage, and enchanted readers for generations.
In the summer of 1942, Hermie is fifteen. He is wildly obsessed with sex, and passionately in…
I’m a French-born, London-based novelist and food writer. As an author, I have nurtured my voice at the kitchen counter, where I find language loosens up and as a reader, cookbooks, food memoirs, and novels sit in one pile on my bedside table. Food is never not political and I find that its depiction is a wonderful narrative tool, for plot development with the setting of a meal or to portray a character through ingredients for examples. The relationship between food, culture, and writing is something I also explore with my podcast, book club, and culinary community The Salmon Pink Kitchen. Happy reading, and bon appétit!
I devoured this modern classic comedy of manners like a good period drama.
The novel follows the adolescent years of Sebastian, duke and heir of the country house Chevron, where his mother Lucy plots luncheons and indulges parties where alcohol, games, and affairs are the prime guests. The tone is witty and the food, from the ingredients on display to the behaviours of those who eat, is used as a powerful show of appearances.
An instant bestseller when it was published in 1930, this glittering satire of Edwardian high society features a privileged brother and sister torn between tradition and a chance at an independent life.
Sebastian is young, handsome, moody, and the heir to Chevron, a vast and opulent ducal estate. He feels a deep love for the countryside and for his patrimony, but he loathes the frivolous social world his mother and her shallow friends represent. At one of his mother’s decadent house parties, Sebastian meets two people who shake his sense of self: Leonard Anquetil, a lowborn arctic explorer, who questions…
As someone half-Japanese who grew up in Austria, I've spent the last few years making sense of my relationship to my mother’s homeland. My mother spoke Japanese to us children from an early age, and we spent many childhood summers with our grandparents in Okayama. Because of this, my mother's home feels intimate and familiar to me. But it is also distant and foreign, and it is precisely this unknown, the seemingly exotic and mysterious, that I hope to approach through reading. For me, Japan is a kind of poetic space I set my characters in. In my last three books Japan was both the setting and the secret protagonist.
It doesn’t happen often, but it does happen sometimes: you start a book only to find you simply can’t put it down. This was the case for me with Lonely Castle in the Mirror, a coming-of-age story.
At first glance the book seems like an entertainment novel with a fantasy element. Six teenagers slip through their respective bedroom mirrors and find themselves in a surreal castle with a mission to complete. Only at second glance does it become clear what this book is really about.
It is about loneliness and friendship, and about the painful process of growing up. None of the teenagers are really any good at forming relationships. And yet: by taking the risk and accepting commitments, the sense of responsibility within them grows, and they surpass themselves.
A magical parable. And who actually says that good literature can’t also be entertaining? It’s ideal when both happen at…
For fans of BEFORE THE COFFEE GETS COLD, fairy tale and magic are weaved together in sparse language that belies a flooring emotional punch.
'Strange and beautiful. Imagine the offspring of The Wind-up Bird Chronicle with The Virgin Suicides' GUARDIAN 'Genuinely affecting. A story of empathy, collaboration and sharing truths' FINANCIAL TIMES
Translated by Philip Gabriel, a translator of Murakami _______________________________
Would you share your deepest secrets to save a friend?
In a tranquil neighbourhood of Tokyo, seven teenagers wake to find their bedroom mirrors are shining.
At a single touch, they are pulled from their lonely lives to a…
I'm a contemporary romance writer with two novels: No Hard Feelings and Crushing, stories about complex, messy women making mistakes and learning from them. As I work on my third novel, I'm remembering how hard it is to write when you're in a reading rut. Sometimes every book I pick up is disappointing, and reading feels like a chore, and I risk losing momentum. Sometimes I need something familiar to get back on track and remember why I love my job. These books feel like a long exhale. I can come to them with an overloaded brain, bad moods and doubt and discontent, and turn the last page restored.
What comfort library would be complete without Emily Henry?
I’ll read anything she writes, but Poppy and Alex’s love story is the stuff of my dreams. Friends to lovers, split timelines, and more yearning than I know what to do with Seamlessly blending humour and heart and set between Palm Springs, New York, Italy, and somewhere in the sedate American midwest, You and Me on Vacation was the antidote to my mid-lockdown claustrophobia.
I like to read my fluff on the treadmill – it keeps my brain more occupied than music or podcasts, so I’m less likely to remember how much I hate working out – and it was so delicious I found myself looking forward to time at the gym. A true feat.
Two friends. Ten trips. Their last chance to fall in love...
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'One of my favourite authors' Colleen Hoover, It Ends With Us 'A gorgeous romance' Beth O'Leary, The No-Show 'Loveable characters, hilarious wit and steamy sexual chemistry' Laura Jane Williams, Our Stop
*Also known as People We Meet On Vacation*
12 YEARS AGO: Poppy and Alex meet. They hate each other, and are pretty confident they'll never speak again.
11 YEARS AGO: They're forced to share a ride home from college and by the end of it a friendship is formed. And a pact: every year, one vacation together.
I don’t think I’m alone in considering cults and those who join cults fascinating, but I’ve also always found it frustrating when non-fiction accounts or documentaries focus on the logistics of how the communes operate rather than finding out the why. Why do people join a cult, why do they stay, why do they follow increasingly erratic and dangerous instruction? For me, researching cults for my new novel The Sleepless – about a commune whose disciples believe that sleep is a social construct – was about finding out about the characters, the individuals, who are drawn into organisations which often ask you to relinquish that self-same sense of individuality.
This is a novel about a young woman, the titular Nina, escaping from a Maoist cult and it’s a terrifically absorbing and engrossing tale.
What makes it unique is that it’s as much about the protagonist reclaiming, or even forming, her own identity as it is about the cult that she’s wrestling herself free from. Both the storyline and the form of the book itself involves the reader in that journey into freedom. An excellent and under-rated book.
Winner of the Saltire Literary Award Fiction Book of the Year
'Literary gold . . . Morrison has published his masterpiece' Sunday Times
'Sensational. Like nothing I've ever read. A tour de force' Ian Rankin
Nina X has never been outside. She has never met another child. Nina X has no books, no toys and no privacy. Nina X has no idea what the outside world is like. Nina X has a lot to learn.
Nina X has no mother and no father; she has Comrade Chen, and Comrades Uma, Jeni and Ruth. Her closest emotional connection is with the…
I have always loved reading about individuals and the ways they behave in extraordinary or unusual circumstances. Stories that are about a person growing up and coming to an understanding that the world around them is deeply flawed, and that they themselves are patched-up, imperfect creatures, fascinate me. I find myself observing people and the words they say. Those are the kinds of stories I write, about regular people stumbling along and discovering some truths about themselves.
The protagonist is a Pakistani girl moving from the urban city of Rawalpindi to a rural city in the US, as part of a program that places students abroad for a year in high school.
There were so many instances when I completely understood Hira, the way she talked about the US, about growing up in Pakistan, about language. Her adjusting to life far from home is complicated by her illness, a disease the perception of which further makes us question our prejudices about a place and its people.
'Prose that dances with charge and potency' LOS ANGELES REVIEW OF BOOKS
WINNER OF A 2023 ASIAN/PACIFIC AMERICAN AWARD FOR LITERATURE
On a year-long exchange programme, sixteen-year-old Hira must swap the bustle of urban Pakistan for church and volleyball practice in rural Oregon.
Stuck between two worlds, her experience of America is sometimes freeing, sometimes painful, often quite painful. And while she faces racism and Islamophobia, she also makes new friends and has her first kiss.
But when her new life is blown apart by a shocking health crisis, Hira's sense of belonging is overturned once…
