Here are 97 books that Improbable Scholars fans have personally recommended if you like
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My father advised me that to be a good writer, I should first learn a trade and particular subject matter from the inside out. As a working criminal justice practitioner for the last two decades, I’ve been lucky to work with some of the smartest people and best run organizations in the country. I’ve always been a big reader and someone who likes to link the sometimes brutally practical, day-to-day work of running an organization (I lead New York City’s main pretrial services agency) to larger philosophical issues. My life’s goal is to show how big ideas play themselves out in the day-to-day practice of public policy.
I am a huge fan of mystery novels written by Michael Connelly featuring the detective Harry Bosch, so I was delighted to read Jill Leovy’s account of real-life homicide detectives in Los Angeles working under very difficult circumstances to provide a measure of justice to otherwise ignored crime victims and their families.
The book does a wonderful job of documenting the craft of good police work and shows how poorly functioning formal legal systems – a legacy of Jim Crow – negatively impacts Black communities.
As the fictional detective Harry Bosch likes to say, “everyone counts or no one counts.”
Leovy’s book shows what it takes for that vision of everyone counting to become a reality.
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY SAN FRANCISCO CHRONICLE, USA TODAY, AND CHICAGO TRIBUNE • A masterly work of literary journalism about a senseless murder, a relentless detective, and the great plague of homicide in America
NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • The Washington Post • The Boston Globe • The Economist • The Globe and Mail • BookPage • Kirkus Reviews
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’m a Penn State professor of sociology and demography who is interested in social inequality, demography, and public opinion. My family moved frequently when I was growing up—I lived in Colombia, Greece, and Mexico. I attended Brown University and worked at the U.S. Census Bureau as an analyst and Branch Chief for several years before returning to academia. My interest in inequality dates back to living in different countries with different cultures, politics, and standards of living. While I have long been interested in the demographics of poverty and inequality, in more recent years I’ve become interested in political polarization and why people disagree about a variety of social issues.
Liberals and conservatives strongly disagree on the appropriate scope of government. No book has helped me understand why more than Thomas Sowell’s Conflict of Visions.
He describes how the ideological difference results from disagreements about the malleability of human nature. The unconstrained vision, typically associated with liberals, sees human nature as altruistic and perfectible. The government should be used expansively to promote social justice and equality to realize this vision.
In contrast, the constrained vision, typically associated with conservatives, sees human nature as limited, selfish, and imperfectible. The government should play a limited role in society, as elites cannot hope to restructure society without unintended destructive consequences.
In this classic work, Thomas Sowell analyzes the two competing visions that shape our debates about the nature of reason, justice, equality, and power: the constrained" vision, which sees human nature as unchanging and selfish, and the unconstrained" vision, in which human nature is malleable and perfectible. He describes how these two radically opposed views have manifested themselves in the political controversies of the past two centuries, including such contemporary issues as welfare reform, social justice, and crime. Updated to include sweeping political changes since its first publication in 1987, this revised edition of A Conflict of Visions offers a…
My father advised me that to be a good writer, I should first learn a trade and particular subject matter from the inside out. As a working criminal justice practitioner for the last two decades, I’ve been lucky to work with some of the smartest people and best run organizations in the country. I’ve always been a big reader and someone who likes to link the sometimes brutally practical, day-to-day work of running an organization (I lead New York City’s main pretrial services agency) to larger philosophical issues. My life’s goal is to show how big ideas play themselves out in the day-to-day practice of public policy.
This is one of the most handsomely illustrated books I’ve ever purchased – and one of the most eye-opening.
Bertaud sums up a lifetime of work in over 40 cities, showing that the preoccupation of many urban planners and architects with aesthetically pleasing design ignores the reality that cities work best when they give residents the ability to make their own decisions about where they want to live and help them access good economic opportunities.
Bertaud also chronicles how well-meaning but paternalistic land use rules (minimum lot sizes, height restrictions, excessive historic preservation regimes) have harmed cities by making them inaccessible to diverse newcomers.
An argument that operational urban planning can be improved by the application of the tools of urban economics to the design of regulations and infrastructure.
Urban planning is a craft learned through practice. Planners make rapid decisions that have an immediate impact on the ground—the width of streets, the minimum size of land parcels, the heights of buildings. The language they use to describe their objectives is qualitative—“sustainable,” “livable,” “resilient”—often with no link to measurable outcomes. Urban economics, on the other hand, is a quantitative science, based on theories, models, and empirical evidence largely developed in academic settings. In this…
Katie's Gamble is an unexpected, unique story about a young woman who's trying to support her younger siblings by keeping her family's confectionery shop open.
In order to do that, she has to take on her older brother, who's a notorious gambler in Louisiana. Additionally, she has to outsmart Rowdy…
My father advised me that to be a good writer, I should first learn a trade and particular subject matter from the inside out. As a working criminal justice practitioner for the last two decades, I’ve been lucky to work with some of the smartest people and best run organizations in the country. I’ve always been a big reader and someone who likes to link the sometimes brutally practical, day-to-day work of running an organization (I lead New York City’s main pretrial services agency) to larger philosophical issues. My life’s goal is to show how big ideas play themselves out in the day-to-day practice of public policy.
In writing our book, my co-author Greg Berman and I relied heavily on Derthick’s classic 1979 account of the development of Social Security in its first 15 years.
Derthick shows that its intentionally incremental development became the key to its later success as the largest and most successful anti-poverty program ever developed.
Derthick shows how two unheralded government bureaucrats nurtured and protected the program in its early years, including against a very popular and more immediately radical alternative.
The book does a good job of showing that choices made by the architects of government programs in their early days help set their long-term trajectories – an understudied topic.
Comprehensively analyzes the American social security program, considering its history, politics, policies, and troubled future and advocating a realistic and less reverent approach to its modification.
I grew up in New Jersey and my paternal ancestors have lived here since 1732. My ancestors served in the Civil War, my father served in World War II and I also served in the military. From an early age, I wanted to be a writer, and that ambition, as well as my experience as an army officer in the Vietnam War, provided the sparks that ignited my writing career.
There are a lot of legends regarding New Jersey and its role in the Civil War, including bogus stories that the state was considering joining the Confederacy. This book was the first attempt at relating the actual story of the state and the war. While it can be criticized in some respects, it is largely correct, and details the history of each of New Jersey’s units in the conflict. It is an invaluable starting point and a resource for anyone writing about the state and its role in the Civil War.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
I’ve loved, I’ve lost, and everything in between! Just like my protagonist, Jenna, in Just Call Me Confidence, life imitated art and I took a page from her “book,” having to begin anew. I’ve been the friend who has entertained all sorts of stories—sex, love, and rock n’ roll (wink, wink)—all without judgment. That role in my life continues, and what I’ve discovered in my “research” is this: Sex is wonderful, but there’s no greater joy than loving someone, even if it’s only for a little while. Read more about my take on sex, love, and rock n’ roll on my blog “Bone Up.”
I couldn’t compile a list of books without including Judy Blume. In the forty years since I read my first Blume novel, a lot of things have changed, and—many have stayed the same. Forever, first published in the mid-70s, is mildly erotic—and raw, and sensuous, and tender, and all the things that love and sex are. The sensual scenes are peppered in with great dialogue between the characters.
I especially love this book because no matter how many experiences I’ve had, I can still find a small piece of myself in protagonist Katherine—first sex, first love, first breakup, first death, and the many “firsts” that I’ve carried through my own life (divorce, pandemic, post-divorce love).
Forever may not always last, but it never fails to define chunks of our lives—always.
Forever is still the bravest, freshest, fruitiest and most honest account of first love, first sex and first heartbreak ever written for teens. It was a book ahead of its time - and remains, after forty years in print, a teenage bestseller from the award-winning Judy Blume.
With a contemporary cover, Forever is a teen classic ripe for a new generation of readers.
Papyrologist Lisa Emmer's world flips when the Sûreté detains her at her Metro station with news of the savage murder of the esteemed Paris historian Dr. Raimond Foix, her friend and mentor in the study of ancient documents.
Horrified, Lisa finds clues at the crime scene left behind for her…
We grew up, brothers, in Cleveland’s Ohio antipode – Cincinnati – and so we knew Cleveland mostly in contrast to our home. Despite the many differences, both cities experienced the urban crisis. Richard, a journalist, was drawn to the story of Cleveland’s frequently burning river. How did the Cuyahoga become a poster child for the environmental movement? And David, an environmental historian, was drawn to Carl Stokes, a Black man with the skills to become mayor of a predominantly white city in 1968. How did he propose to solve the many problems running through the urban environment? We both wanted to know what Cleveland’s changing relationship with its river could tell us about environmental politics.
The subtitle to Robert Sullivan’s The Meadowlands is Wilderness Adventures on the Edge of a City, and it’s Sullivan’s adventures exploring the vast New Jersey wetlands that make the book so entertaining. But Sullivan is right to use the word “wilderness” to describe the 32 square miles of swamp, landfills, and rusting industrial debris along the Hackensack River where it flows into Newark Bay just five miles from the Empire State Building in New York City. Like the Cuyahoga River in Cleveland, the Meadowlands have been abused and degraded for centuries but also show the resilience of nature and how people’s attitudes toward it have changed. “Now it is a good place to see a black-crowned night heron or a pied-bill grebe or eighteen species of ladybugs,” Sullivan writes, “even if some of the waters these creatures fly over can oftentimes be the color of antifreeze.” Sullivan’s loving description…
Imagine a grungy north Jersey version of John McPhee's classic The Pine Barrens and you'll get some idea of the idiosyncratic, fact-filled, and highly original work that is Robert Sullivan's The Meadowlands. Just five miles west of New York City, this vilified, half-developed, half-untamed, much dumped-on, and sometimes odiferous tract of swampland is home to rare birds and missing bodies, tranquil marshes and a major sports arena, burning garbage dumps and corporate headquarters, the remains of the original Penn Station--and maybe, just ,maybe, of the late Jimmy Hoffa. Robert Sullivan proves himself to be this fragile yet amazingly resilient region's…
Before I wrote crime novels, I was a lawyer. Legal mysteries back then were mostly set in traditional firms, with just enough lawyering to set up final courtroom scenes. I preferred novels that showed more of the nitty-gritty, the conflicts, and temperaments peculiar to different workplaces. I’d been binging Dick Francis, with his deep dives into jobs connected to racing, and I wished there were books with his level of detail in settings I knew—students scrabbling to make law review, firebrand litigators in labor firms, double-crosses in corporate practice, the horrors of bank law retreats. When I finished Francis’s excellent Whip Hand, I decided to try writing one myself.
What is it like to be a thief? I picked up Ghostman after writer Barbara Ehrenreich (Nickel and Dimed) joked on Facebook that the book taught her how to rob a casino. This exciting story does that and much more. The protagonist is forced to untangle a caper gone FUBAR and then disappear without a trace. Through multiple twists and backstabbings, readers learn the fine points of pulling off grand thefts and long cons, the tricks and trials of becoming a permanent “ghost.” The information is offered seamlessly, with no jarring breaks from action or characterization. In my opinion, there’s never been a better heist novel, though its sequel, Vanishing Games, comes close. (Sadly, Hobbs died when he was only 26, leaving behind no additional manuscripts.)
'Fast, hard and knowing: this is an amazing debut full of intrigue, tradecraft and suspense. Read it immediately!' Lee Child
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I make things disappear. It's what I do. This time I'm tidying up the loose ends after a casino heist gone bad. The loose ends being a million cash. But I only have 48 hours, and there's a guy out there who wants my head in a bag.
He'll have to find me first. They don't call me the Ghostman for nothing...
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'Brilliantly clever, gripping and action-packed. Utterly original and bound to become a big-budget movie.' SUNDAY MIRROR
I’m a proud Jersey girl who grew up walking to the ice cream shop where Tony Soprano took his last breath and spending summers “Down the Shore,” near the MTV house, where Snookie and Co. tried to claim the Jersey Shore as their own. When I was younger, outsiders almost had me convinced those overdone jokes about New Jersey were on to something. After traveling the world and living in other places, I realized how much my home state had to offer. My four young adult novels feature proud Jersey girl protagonists and two of my books are set at the real Jersey shore—The Summer After You and Me and August and Everything After.
Set at the Jersey Shore, this book by fellow New Jersey native Robin Constantine, is my book’s soul sister (right down to the cover) and Robin is my kindred author spirit. We both write about our home state, rock bands, and first loves in a way that only Jersey girls can. By chance, I read this book while vacationing in Cape May, the town that formed the template for the backdrop of this wonderful love story, which made both experiences even more memorable. Needless to say, I was thrilled when Robin invited me to do a book signing with her in her hometown of Bayonne, New Jersey at an amazing indie bookstore called The Little Boho Bookshop.
From Robin Constantine, author of The Promise of Amazing and The Secrets of Attraction, comes a funny and heartfelt summer romance set in New Jersey. Perfect for fans of Sarah Mlynowski, Jenny Han, and Morgan Matson. Cassidy Emmerich is reeling from a sudden, humiliating breakup. The last thing she wants to do is stick around and be reminded of her ex everywhere she goes. On impulse, she decides to spend the summer with her father and his family at their Jersey Shore bed-and-breakfast. A different scene and a new job working as a camp counselor seem like the perfect recipe…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I have authored four verse novels myself and crafting imagery is my favorite part of writing in the form; most recently, one that revolves around earth imagery, Lilac and the Switchback. I also teach many verse novel classes and have studied the form a great deal, particularly on how to create a successful image system for your novel in verse. When reading verse novels, I am always keeping an eye out as to how the imagery and symbolism help to reveal character growth and change.
I love how this LGBTQ+ verse novel combines magical realism, hurricanes, and family conflict to create a compelling read!
Murray’s deep connection to the ocean is something that shifts and changes through the course of the story as the storm forces her to literally move and for family dynamics to shift.
The water imagery helps reflect Murray’s character growth during the story.
* A Stonewall Award Honor Book * ALA Notable Book * Bank Street Best Book of the Year *
Perfect for fans of Rebecca Stead, Natalie Lloyd, and Jasmine Warga, this beautiful novel in verse explores one girl's struggle to regain her magic after a hurricane forces her to move away from her beloved ocean that, she believes, has given her special powers.
Bighearted and observant twelve-year-old Murray O'Shea loves the ocean. Every chance she gets, she's in it. It could be because the ocean never makes her apologize for being exactly who she is—something her family refuses to do—but…