Here are 100 books that Ilium fans have personally recommended if you like
Ilium.
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I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.
This book is prophecy, power, and paranoia wrapped in a sandstorm.
It was the first book that showed me how deeply philosophy and politics could be embedded in a fantastical world. It taught me that “epic” doesn’t mean loud—it means legacy. I still marvel at Herbert’s precision—his control of tone, symbolism, and tension.
It’s the rare kind of book that makes you feel like you’re trespassing into something sacred and dangerous. Every time I return to it, I leave with something new—and a little unsettled.
Before The Matrix, before Star Wars, before Ender's Game and Neuromancer, there was Dune: winner of the prestigious Hugo and Nebula awards, and widely considered one of the greatest science fiction novels ever written.
Melange, or 'spice', is the most valuable - and rarest - element in the universe; a drug that does everything from increasing a person's lifespan to making interstellar travel possible. And it can only be found on a single planet: the inhospitable desert world of Arrakis.
Whoever controls Arrakis controls the spice. And whoever controls the spice controls the universe.
Perturbations Of The Reality Field
by
A. R. Davis,
Thou shalt not go supraluminal.
When the spiritual and the physical universes collide, a cosmic mystery places humanity into a stellar prison where the inmates are dangerously nearby. Will mankind succumb to the same distractions as their alien predecessors; the struggle for survival, the quest for power, the fanaticism of…
I write and read fantasy that doesn’t play safe—where magic is messy, divine, rotten, or reborn in mud. I’m obsessed with stories that walk barefoot through forgotten folklore, eerie townships, and mythic detours. The Fallow Swallow grew from this exact craving: for fantasy that’s personal, poetic, and just a little unwell. I gravitate toward tales that embrace magical realism, morally grey characters, and dark humour—and these books helped shape my voice as a writer.
This was one of the first books that showed me fantasy could be bold and heretical.
The world was so rich—daemons, armored bears, oppressive religions—and Lyra felt like a character who’d been waiting to burst off the page for centuries. It’s a coming-of-age tale wrapped in cosmic questions and rebellion, and it sparked something in me that’s never gone out.
Philip Pullman invites you into a dazzling world where souls walk beside their humans as animal companions and powerful forces clash over the nature of the universe.
When fearless young Lyra uncovers a sinister plot involving kidnapped children and a mysterious substance called Dust, she sets out on a daring quest from Oxford to the frozen Arctic. With armored bears, witch queens, and a truth-telling compass as her allies, Lyra must face choices that will shape not just her destiny—but that of countless worlds. A thrilling blend of adventure, philosophy, and wonder, perfect for curious minds.
I’ve been a science fiction fan for as long as I can remember. As someone who never quite felt like I fit in, these stories became a kind of refuge and revelation for me. They taught me that being on the outside looking in can be its own kind of superpower—the ability to see the world differently, to question it, and to imagine something better. I’m drawn to characters who are flawed, searching, and human, because they remind me that courage and belonging are choices we make, not gifts we’re given. That’s the heart of every story I love and the kind I try to write.
When I strapped in to read Red Rising, I was mentally prepared for a modern Dune-style space opera, complete with a chosen-one arc. But what kept me turning pages was Darrow’s humanity.
I was thrilled to discover how he breaks, rebuilds, and keeps fighting to become more than the system that made him. I loved that it refused to give me a perfect hero. Every victory costs something, and every choice leaves a scar.
It reminded me that courage doesn’t always look noble—sometimes it’s messy, angry, and uncertain. But that’s what makes it real.
This book made me feel the weight of change and how hard it is to stay kind while tearing down what’s broken.
NEW YORK TIMES BESTSELLER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY ENTERTAINMENT WEEKLY, BUZZFEED, GOODREADS AND SHELF AWARENESS
Pierce Brown's heart-pounding debut is the first book in a spectacular series that combines the drama of Game of Thrones with the epic scope of Star Wars.
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'Pierce Brown's empire-crushing debut is a sprawling vision . . . Ender, Katniss, and now Darrow' - Scott Sigler, New York Times bestselling author of Pandemic
'[A] top-notch debut novel . . . Red Rising ascends above a crowded dystopian field' - USA Today
“A non-stop action thrill ride of fantasy meets sci-fi meets cyberpunk.”
Camber Maypole was human once, an avid climber and chief medical officer aboard the Vera Rubin, a colony ship headed for a distant planet. But the day before launch, she was scrubbed for "insubordination." Against her will, her consciousness…
My dad raised me on science fiction and fantasy. At first, it was enough for me to be entertained by stories of spaceflight, of rescuing maidens in distress, and of fighting bug-eyed monsters. But over the years, as I read more, I realized that I wanted stories with a moral or ethical center, stories where murder, mayhem, and war were to be avoided if possible, and where, if they couldn’t be avoided, the protagonists struggled deeply with the moral dimensions of the actions forced upon them. I wanted to see characters growing into their ethical consciousness.
I love this book because although it seems at a casual glance to be written in the mold of 50s and 60s science fiction, with earthmen fighting bug-eyed aliens, it’s, in fact, a profound exploration of the morality of war, of chances, lost and motives misunderstood and of the ruthless use of children as combatants.
The training regimen of the children is gripping, as is the climactic space battle, but it’s the ending of the novel that gives the story its deep spiritual resonance.
Orson Scott Card's science fiction classic Ender's Game is the winner of the 1985 Nebula Award for Best Novel and the 1986 Hugo Award for Best Novel.
In order to develop a secure defense against a hostile alien race's next attack, government agencies breed child geniuses and train them as soldiers. A brilliant young boy, Andrew "Ender" Wiggin lives with his kind but distant parents, his sadistic brother Peter, and the person he loves more than anyone else, his sister Valentine. Peter and Valentine were candidates for the soldier-training program but didn't make the cut―young Ender is the Wiggin drafted…
I have wanted to live on a spaceship since I was eight years old, watching reruns of Star Trek on the local UHF channel. At eight, I couldn’t have told you why. The Enterprise, by the twin miracles of sci-fi tech and TV budget, has the same gravity, air, and people (mostly) we have right here on Earth. Later, I came to understand the appeal: on the Enterprise, the only true enemy is space itself, unfeeling and impersonal in its hostility. The only hate in space is what we bring with us, and the silent, empty gulfs between worlds remind us that we can choose to leave it behind.
For someone who’s read every book in the Hornblower and Aubrey-Maturin series, it’s hard to find an age-of-sail book that has anything truly new to add.
Or so I thought until I picked up this book. It asks the question, what if Jack Aubrey could have sailed a wooden frigate to a Barsoomian version of Mars? The obvious answer, of course (and the one in this book) is that Britain would have extracted every plank of Marswood, ounce of Marsspice, and bag of Marstatoes it could get its imperialistic little hands on.
That’s Arabella’s world, where cannons boom in the interplanetary air currents, and spaceships are driven by sail power. As a fan of both sea stories and space operas, I’m there for it.
From David D. Levine comes Arabella the Traitor of Mars, the newest book in the Adventures of Arabella Ashby series.
Hail the conquering heroes!
The tyrant, Napoleon, has been defeated with Arabella and the crew of the Diana leading the final charge. But, victory has come at a tremendous cost. Britain’s savior, Lord Nelson, has not survived the final battle and the good people of the Diana must now return to London as both heroes and pallbearers.
At last husband and wife, Arabella and Captain Singh seem to have earned the attention of great men, ones who have new uses…
I became enthralled by the ancient world when as a child I first saw those sand and sandals movies back in the sixties, Ben Hur and Spartacus especially. I began learning Latin aged nine and Greek aged twelve. I started a Ph.D., abandoned it, went to drama school, became a schoolteacher, worked as a professional gardener, became a schoolteacher again, eventually finished my Ph.D., and was lucky to get a job at Colgate University. Over time I realised that what really fascinated me about history was trying to insert myself imaginatively into the ancient world, so I began to ask questions about what it was like to be disabled, to be a refugee, to be a child, and so on.
This book made a deep impact on me when I first read it decades ago and it influenced me in the way I try to understand and write history to this day. I’d already read The Odyssey when I encountered Finley’s book, but Finley made me believe in a world that became real despite being imaginary. The World of Odysseus is an amalgam of the half-remembered world in which it is set – the twelfth century BC – and of the world in which Homer was composing – the eighth century BC – and of the big gap in between the two, known as the Dark Ages.
It’s a completely artificial world but it’s wholly convincing and coherent – a world, incidentally, dominated by a large cast of formidable women. Finley provides by far the best introduction to it, and he writes in an engaging, unpedantic, highly accessible, and informative…
The World of Odysseus is a concise and penetrating account of the society that gave birth to the Iliad and the Odyssey--a book that provides a vivid picture of the Greek Dark Ages, its men and women, works and days, morals and values. Long celebrated as a pathbreaking achievement in the social history of the ancient world, M.I. Finley's brilliant study remains, as classicist Bernard Knox notes in his introduction to this new edition, "as indispensable to the professional as it is accessible to the general reader"--a fundamental companion for students of Homer and Homeric Greece.
The Cave of Past and Present is an archaeological descent into a living labyrinth—part ruin, part machine, part prophecy.
When Moria Chione follows a vanished colleague into the empire’s wild fringes, she uncovers a sentient subterranean archive that reshapes itself around intruders and rewrites their memories as easily as stone.…
I have always loved being around children, first as a primary school teacher, then as a parent and now as a grandma. The love, laughter, humour, and fun that I share with my grandkids keep me young in mind, body, and soul. My story is about the wonderful adventures we have. There is nothing more rewarding than seeing the world through the eyes of a child and I am enjoying every minute of it.
I love this crazy, silly book. The plot will captivate the children’s attention as there are so many twists and turns throughout the story. Are the grandmas really grandmas or are they aliens? How will they solve this mystery? The use of rhyme adds to the flow and humour of the tale. Illustrations are imaginative and off the wall funny. The ending is priceless. I think there definitely should be a sequel.
Fred and Nell's grandma is babysitting and the kids couldn't be happier. But hang on, there's something not quite right about her. In fact, she's acting very strangely indeed. And is that a spare eyeball? A tail? A striped tongue? That's NOT their grandma; it's an alien ... RUUUUUUN!
Find out how Fred and Nell overcome the invasion by grandmas from Mars (and get their own grandma back!) in this completely crazy and brilliantly bonkers, fun and irreverent picture book from the talented Michelle Robinson, with illustrations by rising star Fred Blunt.
As a long-term advocate of space colonization I’ve always been drawn to Mars, not by adventure stories but by the idea that ordinary people may someday live there. So this was the theme of my first novel. I wrote it before we had gone to the moon, though it wasn't published until 1970, after my better-known book Enchantress from the Stars. When in 2006 I revised it for republication, little about Mars needed changing; mainly I removed outdated sexist assumptions and wording. Yet the book still hasn’t reached its intended audience because though meant for girls who aren’t already space enthusiasts, its publishers persisted in labeling it science fiction rather than Young Adult romance.
This is a short but comprehensive overview of why we need to colonize Mars and the problems that must be solved in settling it. We would already be there, Petranek points out, if we had preserved and improved the technology that got us to the moon. In his view, NASA has accomplished little of value during the hiatus. But now private companies are making real progress toward turning humankind into a spacefaring species, which is essential both as insurance against disaster on Earth and because “when the first humans set foot on Mars, the moment will be more significant in terms of technology, philosophy, history, and exploration than any that have come before it.” I recommend this book not so much for the information it contains as for the inspiration it offers.
It sounds like science fiction, but award-winning journalist Stephen Petranek considers it fact: within 20 years, humans will live on Mars. We'll need to. In this sweeping, provocative book that mixes business, science and human reporting, Petranek makes the case that living on Mars is an essential back-up plan for humanity, and explains in fascinating detail just how it will happen.
It's clear that the race is on. Private companies (driven by iconoclastic entrepreneurs like Elon Musk and Sir Richard Branson); Dutch reality show/space mission Mars One; NASA and the…
Life is a complex matter, and so sometimes you need a few aliens, werewolves, and dragons in order to make sense of it. From struggling with one’s career, to finding your identity, to finding forgiveness in myself, I’ve struggled with a lot in life, and these are all things that I tackle in my stories, because in addition to being entertaining, I also believe that what we read should also be insightful.
The Lady Astronaut of Mars takes place in a science fictional world, but like all the best sci-fi, it knows to keep its focus on its characters. There are no hour-long passages about future technologies or scientific theory. Instead it uses its setting to tell a human story about the missed opportunities in life and about growing old. Second chances are rare, and sometimes the decision about what to do isn’t so clear, but The Lady Astronaut of Mars reminded me that more often than not, experiences are worth having.
Thirty years ago, Elma York led the expedition that paved the way to life on Mars. For years she's been longing to go back up there, to once more explore the stars. But there are few opportunities for an aging astronaut, even the famous Lady Astronaut of Mars. When her chance finally comes, it may be too late. Elma must decide whether to stay with her sickening husband in what will surely be the final years of his life, or to have her final adventure and plunge deeper into the well of space.…
Also known as “Margaret Mead among the Starfleet,” I’m a Princeton professor who has been embedded with NASA missions for two decades as a social scientist. I’ve observed missions to Mars, Jupiter, Saturn, Pluto, and beyond; consulted with NASA as a sociological expert; and written two books, with a third on the way. Growing up, I always loved science and technology, but not just for the ideas: for the people behind the findings, the passion they bring to their work, and the ways in which culture and politics play a role in how science gets done. Writing about this, I hope to humanize science and make it accessible for everyday readers.
If you think you have a crazy schedule, imagine what it would be like to go to work every day on Mars, while living and working on Earth.
Mars’ day is thirty-six minutes longer than ours, so your standing daily meeting at 9am will begin tomorrow at 9:36am, the day after at 10:12am…and eventually, at two in the morning. I loved learning about how the Mars Exploration Rover scientists at NASA ate endless ice cream and checked their Mars-time watches in an attempt to turn their own bodily clocks off and stay awake despite constant jetlag.
Reading about how they turned themselves into robots, especially during our own “Zoom-era” of constant meetings and emails, I wonder how much the demands of our contemporary, hustling, always-on workplaces do the same to us.
An examination of how the daily work of NASA's Mars Exploration Rovers was organized across three sites on two planets using local Mars time.
In 2004, mission scientists and engineers working with NASA's Mars Exploration Rovers (MER) remotely operated two robots at different sites on Mars for ninety consecutive days. An unusual feature of this successful mission was that it operated on Mars time—the daily work was organized across three sites on two planets according to two Martian time zones. In Making Time on Mars, Zara Mirmalek shows that this involved more than a resetting of wristwatches; the team's struggle…
