Here are 100 books that If You Want to Make God Laugh fans have personally recommended if you like
If You Want to Make God Laugh.
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An avid reader, I began a project in 2012 to read one short story a week in supernatural mysteries, ghost stories, and quiet horror genres. I began with the classic authors: Poe, MR James, Lovecraft, Shelley, Stoker, du Maurier, etc. I began a blog, Reading Fiction Blog, and posted these free stories with my reviews (I’m still posting today). Over the years, it turned into a compendium of fiction. Today, I have nearly 400 short stories by over 150 classic and now contemporary authors in the blog Index. I did this because I wanted to learn more about writing dark fiction and who better to learn from than the masters?
I adore reading atmospheric adventures of mystery, supernatural, and ghostly powers; this book has these values in abundance. Noemi’s alluring character is smart, savvy, and admirably vulnerable. Loved her. At High House in the Mexican countryside, Noemi discovers ghostly entities repeatedly forming blisters across the walls. How mysterious and threatening; I was fascinated.
The best part of the novel for me was the emotional intelligence of the characters because their behavior is both suspiciously rational and heart-stopping clever. Gripping as all heck. This family was obsessed with a relentless desire to rule and control their destiny at all costs via Otherworld powers. Absolutely compelling. I was breathless along with Noemi at every step as she was drawn into the dangers and treacherous family secrets that threatened to kill her.
The award-winning author of Gods of Jade and Shadow (one of the 100 best fantasy novels of all time, TIME magazine) returns with a mesmerising feminist Gothic fantasy, in which a glamorous young socialite discovers the haunting secrets of a beautiful old mansion in 1950s Mexico.
He is trying to poison me. You must come for me, Noemi. You have to save me.
When glamorous socialite Noemi Taboada receives a frantic letter from her newlywed cousin begging to be rescued from a mysterious doom, it's clear something is desperately amiss. Catalina has always had a flair for the dramatic, but…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Reading and writing about family dynamics, particularly Black families, has always appealed to me. Particularly when it comes to the generation gap between parents and their children that causes them to see the same world through different lenses. Who we choose to see as our true family, the ones who define the place we call home, may or may not be defined by blood. I am fortunate not to have personally experienced most of the drama and trauma found in novels that I am drawn to, and in stories I have felt compelled to write. Otherwise, I would have turned to memoir writing rather than fiction.
Brit Bennett writes with a steady hand as she immerses us into the minds and lives of three people. Nadia and Aubrey are haunted to womanhood by maternal abandonment. They are friends as well as rivals for the affection of the same man. Luke would have made a mother out of Nadia had they chosen to parent, and he eventually makes a wife and mother of Aubrey. His mother is the first lady of the church that plays a prominent role in their lives. The mothers in Bennett's exceptional novel are hurt and betrayed by callous men and by each other. I rooted for each of them to persevere, but like many of my favorite novels, this is not a happily ever after for everyone type of story.
From the Sunday Times bestselling author of The Vanishing Half.
The Mothers is a dazzling debut about young love, a big secret in a small community and the moments that haunt us most.
All good secrets have a taste before you tell them, and if we'd taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season.
It's the last season of high school life for Nadia Turner, a rebellious, grief-stricken, seventeen-year-old beauty. Mourning her own mother's recent suicide, she takes…
All of these books inspired me to become a better writer and to push my imagination to the limit by getting The Ballad of Perilous Graves onto the page. These books made me want to polish the contents of my own imagination and tell the biggest most heartfelt story I could. Ballad is in good company on library and bookstore shelves, so I wanted it to connect as hard as possible.
Giddings takes the stories of Henrietta Lacks and the Tuskegee experiments and extrapolates them into the present day. A young woman dealing with crushing medical debt agrees to participate in medical trials with strange and debilitating side effects. This book is horrific, lyrically written, and brimming with emotion.
Electric Literature: One of 55 Books by Women and Nonbinary Writers of Color to Read in 2020 | Lit Hub & The Millions: Most Anticipated Books of 2020 | Ms. Magazine: Anticipated 2020 Feminist Books | Refinery29: Books by Black Women We are Looking Forward To Reading | One of The Millions' Most Anticipated Reads of 2020 | Amazon Book of the Month Pick | Audible Editor's Pick | Essence's Pick| Glamour's Must Read | Ms. Magazine's Anticipated Read of 2020
A startling debut about class and race, Lakewood evokes a terrifying world of…
I write to learn what I don’t know about myself and our purpose as flawed beings in this Alice-in-Wonderland world. In the documentary about singer/poet Leonard Cohen, creator of the much-covered “Hallelujah” (title of the documentary), to explain the song, he says that life is so impenetrable that the only options are to shake your fist or exclaim “Hallelujah.” I think there is a third option: to laugh. And I prefer to do all three because that is what comes through me: confusion, pain, and hilarity. And hopefully a better understanding of the whole mess once I’ve written about it. And that is what I hope to share with readers.
This National Book Award-winning novel is the story of an unnamed writer negotiating life in a Black skin that pre-empts most people from seeing him as an individual human being. And it has one of the funniest (pee-in-your-pants) first chapters I’ve ever read.
I not only laughed, but I so identified with the writer (and I think most readers will, no matter what your race—that is the genius of this writing), that I lived every moment of this crazy quest to be seen in a world that absolutely refuses to drop its projections.
But ultimately, the person who needs to see this man as a human being, accepting all of his history, hurt, and uniqueness, is the unnamed writer himself. This is a combination of crazy humor and pain.
Winner of the 2021 Sir Walter Raleigh Award for Fiction, Joyce Carol Oates Literary Prize Finalist, 2022 Chautauqua Prize Finalist, Willie Morris Award for Southern Writing Shortlist, and the 2021 Aspen Words Literary Prize shortlist
A Read With Jenna Today Show Book Club Pick!
An Ebony Magazine Publishing Book Club Pick!
One of Washington Post's 50 Notable Works of Fiction | One of Philadelphia Inquirer's Best Books of 2021 | One of Shelf Awareness's Top Ten Fiction Titles of the Year | One of TIME Magazine’s 100 Must-Read Books | One of…
I’ve loved reading novels about strong, quirky women since childhood (Nancy Drew, Ramona Quimby, Harriet the Spy, the heroines of Judy Blume novels, just for starting examples!). As I grew into writing my own stories, I also started studying women’s history. I merged these two interests to begin writing historical novels with strong women protagonists. I love the challenge of researching to figure out the details of women’s day-to-day lives–so many unrecorded stories!–and I love to advocate for the idea (fortunately not as revolutionary as it once was) that a woman can be the hero of her own story and that each woman’s story is important to tell.
Amy Bloom is one of the authors I admire most in the world, and I loved this story of two fascinating sisters, Eva and Iris, not just for Bloom’s enthralling use of language but also for the spiritedness and intrigue of who the sisters are. (While Iris, "the pretty one,” struggles to make it in Hollywood as a B-movie actress, Eva, “the smart one,” gets roped into offering tarot card readings to help support their ragtag family.)
I loved living in the world that Bloom created in a story that crisscrossed the U.S. and beyond in the 1940s, and I loved being constantly surprised by the sisters’ choices and the events that befall them–and by the riveting words used to describe them.
When Eva's mother abandons her on Iris's front porch, the girls don't seem to have much in common - except, they soon discover, a father. Thrown together with no mothers to care for them and a father who could not be considered a parent, Iris and Eva become one another's family. Iris wants to be a movie star; Eva is her sidekick. Together, they journey across 1940s America from scandal in Hollywood to the jazz clubs and golden mansions of Long Island, stumbling, cheating and loving their way through a landscape of war, betrayals and big dreams.
Everyone knows what it’s like to be the “odd man out”—the despair of being shunned or isolated or ridiculed by the “crowd.” For some, it can last their whole life. I’ve always been curious as to why this occurs, both from the side of those “pointing” and from that of the recipient. Strangeness attracts us by its very uniqueness, and to me, that’s something to be celebrated and marveled over. To some, it is also feared.
There’s something about the grittiness of turn-of-the-century New York that seems especially well-suited to the different and strange, including the depictions in this novel of the Coney Island seashore, the tenements of the Lower East Side, and a brutal asylum.
The characters include a “night-soiler” cleaning out tenement privies, an undertaker’s wife, and estranged twin sisters, and the way their stories weave together is a Dickens-esque plot full of intrigue, deception, heroism, and forgiveness. Over it all is a sense of magic and possibility, including people who aren’t who or what they claim to be.
'A SKILLFUL TRIUMPH' Jessie Burton, author of The Miniaturist - 'IRRESISTIBLE' Emma Donoghue, author of Room
New York, 1895. It's late on a warm city night when Sylvan Threadgill, a young night soiler who cleans out the privies behind the tenement houses, pulls a terrible secret out from the filthy hollows: an abandoned newborn baby. An orphan himself, Sylvan was raised by a kindly Italian family and can't bring himself to leave the baby in the slop. He tucks her into his chest, resolving to find out where she belongs.
Odile Church is the girl-on-the-wheel, a second-fiddle act in a…
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
Being of Eastern European origins, and also a child of the 80s, definitely had a say in what my likings and my character would become growing up. From the cold long winters and the white landscapes, Fantasy genre, and everything Might and Magic have shaped my childhood, my studies, my art (traditional oil painting and clay sculpting) and lingered until now (and definitely beyond).
The Dwarves series (especially the first two books) bring the readers back in time and sets them up, straight from the beginning, on a simpler way of seeing things and also a simpler way of writing, while also being able to convey the true values of the fantasy genre with class.
For countless millennia, no man or beast has ever succeeded in breaching the stone gateway into Girdlegard. Until now . . .
Abandoned as a child, Tungdil the blacksmith is the only dwarf in a kingdom of men. But when he is sent out into the world to deliver a message and reacquaint himself with his people, the young foundling finds himself thrust into a battle for which he has not been trained. Not only his own safety, but the life of every man, woman and child in Girdlegard depends upon his ability to embrace his heritage.
I was a small child when I saw Elizabeth’s photograph in the newspapers. She'd been stolen when she was a few months old and reunited with her family four years later. Many decades afterwards, I traced the photograph for research purposes. It was exactly as I remembered: a confused, little girl who'd believed she was an adored, only child until she was removed from the woman who stole her. Perhaps she’s the reason I’m fascinated by books about children reared under an assumed identity. Such books have offered me a glimpse into another world where such an act is committed and set against a fascinating, informative background.
I’m fascinated by lighthouses. This interest was fostered by my late father, a merchant seaman whose life depended many times on their guidance. So, it was easy to love this book, where I learned about their inner workings through Tom, the meticulous lighthouse keeper.
When he was joined on his remote island by his wife, Isobel, it was the inner workings of their minds that captivated me as they struggled with an ocean that had offered them a longed-for child and a crisis of conscience that was exposed in its searing complexity by the illuminating lighthouse beam.
The years-long New York Times bestseller and Goodreads Best Historical Novel that is “irresistible…seductive…with a high concept plot that keeps you riveted from the first page” (O, The Oprah Magazine)—soon to be a major motion picture from Spielberg’s Dreamworks starring Michael Fassbender, Rachel Weisz, and Alicia Vikander, and directed by Derek Cianfrance.
After four harrowing years on the Western Front, Tom Sherbourne returns to Australia and takes a job as the lighthouse keeper on Janus Rock, nearly half a day’s journey from the coast. To this isolated island, where the supply boat comes once a season, Tom brings a young,…
I believe that laughter is the best way into a person’s heart and also into their head. Life is beautiful, but it is also incredibly fragile. Satire and humor are effective ways to raise the level of awareness of destructive behaviors and/or controversial topics that are otherwise difficult or unpleasant to address. I think satire and humor make it easier to hold up a mirror and look critically at our own beliefs and our actions.
I love this book, which is also a play, for its witty banter and mistaken identities. Oscar Wilde is a master of acerbic wit and putting his characters in situations that fully shine the light on their humanity and also their faults and foibles.
I read this book with a smile pasted across my face from the first to the last page.
Ever since the first night at the St James' Theatre on 14 February 1895, "The Importance of Being Earnest" has been recognised as one of the world's finest comic dramas. Now Judi Dench as Lady Bracknell leads an outstanding cast in this superb new production of Wilde's masterpiece, mounted to celebrate the centenary of the first performance.
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
Teaching middle school made me painfully aware of the disparity in our students’ lives. Some kids have every advantage, while others struggle to survive without enough food, clean water, or a safe, dry place to sleep for the night. All these kids, with their diverse backgrounds, sit side-by-side in class and are expected to perform at the same academic and social levels. In my novels, I feature ordinary teens that are strong, smart, and resilient, like so many of the students who taught me as much as I taught them.
Homecominghas been around for a long time, but it is a story I’ve never forgotten. Voigt opens her novel with Dicey Tillerman, thirteen, and her three younger siblings abandoned by their mother in the parking lot of a shopping mall. The only way Dicey can keep the family together is to get them to a great-aunt’s home, but that means a long journey with little money. This is a tale of fiction, yet it exemplifies the courage and strength that so many kids muster in the face of impossible odds. I’ve always felt that too many people underestimate the resilience of our youth.
The iconic start to the timeless, Newbery-winning series from Cynthia Voigt.
“It’s still true.” That’s the first thing James Tillerman says to his older sister, Dicey, every morning. It’s still true that their mother has abandoned the four Tillermans in a mall parking lot somewhere in the middle of Connecticut. It’s still true that they have to find their own way to Great-aunt Cilla’s house in Bridgeport. It’s still true that they need to spend as little as possible on food and seek shelter anywhere that is out of view of the authorities. It’s still true that the only way…
