Books like If I'm Being Honest — picked by fans

I’ve always been drawn to stories where characters discover the magic within and channel it to confront overwhelming odds. Dystopian fantasies meld the intricate worldbuilding of an oppressive world with a character’s unique abilities to fight back. When I was a young adult, these types of books made the most challenging moments in life manageable, not only for the escapism but for their message of hope. They reminded me I wasn’t alone and that my voice mattered. At their core, they’re made for the dreamer in all of us. They inspired me to become an author and write about the transformative power of self-discovery.

There’s never been a time I haven’t had a pen in my hand, crafting a good story. And as the YA literature movement grew, so did my love of it. There’s not a more “blooming” time of life when life and love and friendship can grow with such authenticity and excitement. And true to my Deep South roots, I write and gravitate to romance novels that capture the beauty of first love and Southern culture in tandem, from the slow, relaxed pace to the sometimes gritty culture to the never-meet-a-stranger, colorful personas. Where humidity is thick but the accents are thicker, that’s where you’ll find my Southern-fried heart!

I love the idea of taking a familiar story and making it fresh for a modern audience, which is probably why I’ve written two YA retellings. My first book (Match Me If You Can) is a retelling of A Midsummer Night’s Dream, and my sophomore novel (How To Speak Boy) is an adaptation of You’ve Got Mail. When I’m reading, I give bonus points to any adaptation that includes a love story, because I am all about the happily ever afters. So, if you’re like me and you enjoy the comforting familiarity of classics but want to be able to put yourself in the story, this list is for you.

I love the idea of taking a familiar story and making it fresh for a modern audience, which is probably why I’ve written two YA retellings. My first book (Match Me If You Can) is a retelling of A Midsummer Night’s Dream, and my sophomore novel (How To Speak Boy) is an adaptation of You’ve Got Mail. When I’m reading, I give bonus points to any adaptation that includes a love story, because I am all about the happily ever afters. So, if you’re like me and you enjoy the comforting familiarity of classics but want to be able to put yourself in the story, this list is for you.

I have been fascinated with Queen Elizabeth I and Shakespeare since I was a child and read a kid biography of the queen and saw a Shakespearean comedy. The two topics are completely intertwined—Elizabeth saw Shakespeare’s plays at court and the strong women in Shakespeare’s plays reflect the queen. Elizabeth and Shakespeare have been both my passion and my profession. I have loved teaching and writing about them. One of my favorite things to do is to go see Shakespeare plays and to see portraits of the queen at museums. This passion has so enriched my life. The queen and the playwright have been very good to me. 

I am an award-winning and USA Today bestselling South African author, social anthropologist, and transformational life coach. Human transformation and the question of human social nature are key themes in all of my writing, which explores the experiences of people on the margins or with a background of overlapping cultures. I am a book dragon who loves reading adventures in almost every genre and that broad scope of my reading explorations has wormed its way into my writing style which, though broadly defined as fantasy, encompasses elements from other styles in a rich and ‘aromatic’ blend.

I have always been fascinated with the macabre and things that go bump in the night. My parents took me to see my first horror movie when I was a month old. It was the 1974 version of It’s Alive. I have been a horror lover ever since. I read my first Stephen King novel, Pet Semetary, at age nine. Then I moved on to Salem’s Lot and The Shining, devouring all three books before I was ten. I have had experiences of things moving in my bedroom when I am the only one there. I believe in the things that go bump in the night. 

When I first saw Shakespearean text, I could not get how anyone related to things written so many centuries ago. It took me several years before my soul awakened to these words that now felt fresh, like they could have been whispered to me that very day by a best friend who understood all the pain and all the laughter of my life. Very little is known about the man himself leaving writers a lot of room to create their own version of Shakespeare. I know my Shakespeare is just that: my magical, enigmatic, wise Shakespeare. It’s exciting to see how others give him life in their own stories.

My book is about political intrigue, violence, war, heroes and villains, libels and dreams, secret plots to overthrow governments, and murders most foul. It unfolds during a tense era of cultural upheaval and radical social change. A lifetime immersed in the works of Shakespeare helped prepare me to write it. I spent more than 20 years working for the New York Times, most of it as a foreign correspondent. My foreign postings placed me at the center of historic events and, at times, in the line of fire.

I am a Lecturer in English Language and Literature at the University of Oxford, where I specialize in early modern drama (including Shakespeare) and book history. Since my undergraduate degree, I have been fascinated by historical drama, poetry, prose, and the often-porous boundary between ’truth’ and fiction during the sixteenth and seventeenth centuries. Most of my research–including a major project on ‘Wartime Shakespeare’ that produced two books and a public exhibition at The National Army Museum in London–explores the profound impact of the stories we tell about the past and what they reveal about concerns and interests in the present.