Here are 100 books that Icebergs, Zombies, and the Ultra-Thin fans have personally recommended if you like
Icebergs, Zombies, and the Ultra-Thin.
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Since the age of seven, I've been conscious of the need to bypass how one is supposed to do things. I realized then that my grandmother could not pursue a writing career because she was also a woman and a wife; a cautionary tale I took to heart since I was already beginning to identify as an artist. I'm driven to uncover how we recognize what we see, and how forces beyond our control engender or foreclose upon new ways of being in the world. A professional life lived in the arts has allowed the fullest flexibility for exploring these ideas as one is generally encouraged to think differently.
This castaway story, about a man trapped on a concrete island under and between converging freeways on the outskirts of London, still stands the test of time.
I found it especially resonant during the imposed isolation of the global pandemic; all of us each marooned in our living rooms. The protagonist, architect Robert Maitland, has to learn to survive and thrive in reduced and restricted circumstances, and he can’t buy or build his way out of it.
When he finally discovers a way off the island he no longer really wants to leave, reminding us that we are sometimes most effectively imprisoned by our own minds and desires.
On a day in April, just after three o'clock in the afternoon, Robert Maitland's car crashes over the concrete parapet of a high-speed highway onto the island below, where he is injured and, finally, trapped. What begins as an almost ludicrous predicament soon turns into horror as Maitland-a wickedly modern Robinson Crusoe-realizes that, despite evidence of other inhabitants, this doomed terrain has become a mirror of his own mind. Seeking the dark outer rim of the everyday, Ballard weaves private catastrophe into an intensely specular allegory in Concrete Island.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Since the age of seven, I've been conscious of the need to bypass how one is supposed to do things. I realized then that my grandmother could not pursue a writing career because she was also a woman and a wife; a cautionary tale I took to heart since I was already beginning to identify as an artist. I'm driven to uncover how we recognize what we see, and how forces beyond our control engender or foreclose upon new ways of being in the world. A professional life lived in the arts has allowed the fullest flexibility for exploring these ideas as one is generally encouraged to think differently.
This is the book that launched a thousand essays about gentrification in urban neighborhoods and reinvented the term “revanchism” for use in critical geography.
From the French noun revanche, revanchism refers to a policy or movement focused on reacquiring a nation's lost territory. The Revanchist City as it became known after Smith’s book, describes city residents under siege by their own city governments.
Starting with a description of the battles over who could use Tompkins Square Park in New York City’s Lower East Side in the 1980s and 90s, and moving on to other case studies (some global), Smith shows how cities are transformed into zones of international capital investment and class privilege through neoliberal policies enacted at the municipal level.
Why have so many central and inner cities in Europe, North America and Australia been so radically revamped in the last three decades, converting urban decay into new chic? Will the process continue in the twenty-first century or has it ended? What does this mean for the people who live there? Can they do anything about it? This book challenges conventional wisdom, which holds gentrification to be the simple outcome of new middle-class tastes and a demand for urban living. It reveals gentrification as part of a much larger shift in the political economy and culture of the late twentieth…
Since the age of seven, I've been conscious of the need to bypass how one is supposed to do things. I realized then that my grandmother could not pursue a writing career because she was also a woman and a wife; a cautionary tale I took to heart since I was already beginning to identify as an artist. I'm driven to uncover how we recognize what we see, and how forces beyond our control engender or foreclose upon new ways of being in the world. A professional life lived in the arts has allowed the fullest flexibility for exploring these ideas as one is generally encouraged to think differently.
Through the skillful interweaving of personal experiences mixed with scholarly observations and references, Kern catalogs all the ways that cities have historically been designed for men by men.
Stories all women recognize, like the extra costs of keeping oneself safe in the city, or the boundaries imposed on women with young children who can’t get strollers up staircases or into trolley cars, or the discomfort with dining alone at restaurants, remind readers of how urban planners could and must do better.
Kern is attentive to race, ability, and gender in her observations and references as she seeks to balance the here-and-now with pragmatic solutions for future feminist cities capable of serving everyone equally.
What should a metropolis for working women look like? A city of friendships beyond Sex and the City. A transit system that accommodates mothers with strollers on the school run. A public space with enough toilets. A place where women can walk without harassment.
Through history, personal experience and popular culture Leslie Kern exposes what is hidden in plain sight: the social inequalities are built into our cities, homes, and neighbourhoods. She maps the city from new vantage points, laying out a feminist intersectional approach to urban histories and proposes that the city is perhaps also our best hope for…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Since the age of seven, I've been conscious of the need to bypass how one is supposed to do things. I realized then that my grandmother could not pursue a writing career because she was also a woman and a wife; a cautionary tale I took to heart since I was already beginning to identify as an artist. I'm driven to uncover how we recognize what we see, and how forces beyond our control engender or foreclose upon new ways of being in the world. A professional life lived in the arts has allowed the fullest flexibility for exploring these ideas as one is generally encouraged to think differently.
This pocket-sized book of a mere 63 pages can be read in a couple of hours and has a lasting impact.
Fraser, a feminist philosopher I was lucky to take a class with once in graduate school, explains the political and economic conditions that frame the near-constant anxiety one feels daily as witnesses to near-constant national and global crises.
We are all living through a “hegemonic gap;” that is, a profoundly unsettling transformation between the failure of agreed upon political authorities (she labels this progressive neoliberalism) and the lack of any clear future direction. In the mix is the global rise of proto-fascist populism, environmental disaster, increasing wealth gaps, and violence and war.
What can guide us out of this mess? That is the subject of the last few pages…
Across the globe politics as usual are being rejected and faith in neoliberalism is fracturing beyond repair. Leading political theorist Nancy Fraser, in conversation with Jacobin publisher Bhaskar Sunkara, dissects neoliberalism's current crisis and argues that we might wrest new futures from its ruins.
The global political, ecological, economic, and social breakdown-symbolized, but not caused, by Trump's election-has destroyed faith that neoliberal capitalism is beneficial to the majority. Fraser explores how this faith was built through the late twentieth century by balancing two central tenets: recognition (who deserves rights) and distribution (who deserves income). When these began to fray, new…
Trevor Burnard is Wilberforce Professor of Slavery and Emancipation at the University of Hull and author of four books and many articles on eighteenth-century Jamaica. He has recently reviewed 34 books just published on Jamaica in “`Wi Lickle but Wi Tallawah’: Writing Jamaica into the Atlantic World, 1655-1834Reviews in American History 49 (2021), 168-86.
Beautifully illustrated and persuasively argued, this survey of a variety of architectural forms in the eighteenth century, from merchant houses to enslaved yards to great houses shows how studying the built environment of early Jamaica gives insight into a society both rich and highly conflicted.
Through Creole houses and merchant stores to sugar fields and boiling houses, Jamaica played a leading role in the formation of both the early modern Atlantic world and the British Empire. Architecture and Empire in Jamaica offers the first scholarly analysis of Jamaican architecture in the long 18th century, spanning roughly from the Port Royal earthquake of 1692 to Emancipation in 1838. In this richly illustrated study, which includes hundreds of the author's own photographs and drawings, Louis P. Nelson examines surviving buildings and archival records to write a social history of architecture.
I’ve always been interested in art and architecture. I studied Fine Arts at CalArts. I’ve written three books on Mid-century home builders and designers, William Mellenthin, Jean Vandruff, and Robert Byrd, whose life and work in Southern California had gone mostly unnoticed during their lifetimes—with very little information written about them in the press. I spent three years on each book working with the families to uncover their lives and place in local history. This is information that would have otherwise been lost. When you research the life of one person in this profession, you inevitably learn about the life and work of others—some famous, some not.
Having lived in West Hollywood for many years, I have always been interested in the beautiful and historically significant courtyard apartment buildings found throughout the city.
One of the more famous buildings, the Villa Primavera (seen in the Gloria Grahame, Humphrey Bogart film, In a Lonely Place) was designed and built by Arthur and Nina Zwebell in 1923. Their story is quite fascinating, since neither one was formerly trained or a licensed architect.
He designed the building’s exterior, while she designed the interior as well as the furniture.
As cities throughout the U.S. struggle with housing shortages, valuable lessons can be learned from the principles thatunderlie the design of the courtyard house. Whether humble or sumptuous in scale, courtyards create a sense of privacyand enhance quality of life by creating the impression of green space for their residents.
Now available in its fifth printing, Courtyard Housing in Los Angeles documents the historical, technical, and cultural forces that shaped the development of this distinctive West Coast building type. The authors's in-depth research andanalysis is enhanced by the inclusion of numerous plans and technical drawings. Julius Shulman's sensuous black-and-whitephotographs document…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’ve lived in cities all my adult life and currently divide my time between Paris and Philadelphia. And while those two cities are strikingly different places, they have in common the fact that they are both great walking cities –- urban centers that can be explored on foot and easily enjoyed by pedestrians. Walking cities, I believe, provide not only an ideal context for today’s tourists but also a model for a future in which urban dwellers become less reliant on automobiles and urban centers more open to foot traffic than to vehicular pollution and congestion. The books I’ll recommend deal in various ways with the building and rebuilding of visionary cities, and of Paris in particular.
I recommend Joseph Rykwert’s The Seduction of Place for Rykwert’s wonderful reflections on the relation between people and their cities, and on the essential questions of why cities succeed – or why they fail to work successfully for their inhabitants.
Eminent architectural historian, Jospeh Rykwert looks at the complex story of the city since the industrial revolution. He draws on sociology, social, economic and political history and their complex interactions with the history of architecture. Rykwert's knowledge of world cities is remarkable, and the book will draw on Shanghai as much as Los Angeles, Rio as well as London, Melbourne as well as Paris, both in looking at past developments and for models for the future. His book is also a timely celebration of metropolitan values that have recently been denigrated: tolerance, liberalism, cultural vitality, pluralism. It is an important…
We have written 27 “how-to” books on building outdoor projects, including cabins, sheds, and treehouses. David does the illustrations and I do the descriptive writing. Our goal is to make the instructions clear to both right and left brain readers – and to make the two elements complement each other. Our readers often tell us that a computer drawing does not have the same appeal and clarity as hand drawing. We are able to ‘talk’ a reader through the process of building something with our drawings. People often send us photographs of their completed projects – it’s a big part of the satisfaction we get from writing our books.
Lloyd Kahn has long been a leading light in DIY home building, and wrote for The Whole Earth Catalog in its counter-culture heyday. Shelter still inspires the reader with photographs and descriptions of home-built cabins and alternative dwellings from around the world; the range of techniques and materials covered is impressively wide.
Shelter is many things — a visually dynamic, oversized compendium of organic architecture past and present; a how-to book that includes over 1,250 illustrations; and a Whole Earth Catalog-type sourcebook for living in harmony with the earth by using every conceivable material. First published in 1973, Shelter remains a source of inspiration and invention. Including the nuts-and-bolts aspects of building, the book covers such topics as dwellings from Iron Age huts to Bedouin tents to Togo's tin-and-thatch houses; nomadic shelters from tipis to "housecars"; and domes, dome cities, sod iglus, and even treehouses. The authors recount personal stories about alternative…
For more than thirty years I have been discussing, formulating ideas, and writing about Architecture, Building Reuse, and Interiors. I lead the MA Architecture and Adaptive Reuse programme and direct graduate atelier Continuity in Architecture at the Manchester School of Architecture. I am currently the Visiting Professor at the University IUAV of Venice where I am conducting research on the sustainable adaptation of existing buildings with particular emphasis on the environmental concerns within the inherently fragile city of Venice.
Home discusses the complex series of factors that have generated the house as we understand it today. The chapters can be read independently as discussions on, for example, the evolution of comfort or the organisation of the different spaces. However, the book also builds into a fascinating argument for revisiting some of the pre-modern ideas of communal living, shared spaces, and live-work relationships.
Walk through five centuries of homes both great and small from the smoke-filled manor halls of the Middle Ages to today's Ralph Lauren-designed environments on a house tour like no other, one that delightfully explicates the very idea of "home."
You'll see how social and cultural changes influenced styles of decoration and furnishing, learn the connection between wall-hung religious tapestries and wall-to-wall carpeting, discover how some of our most welcome luxuries were born of architectural necessity, and much more. Most of all, Home opens a rare window into our private lives and how we really want to live.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I am a design-obsessed George Washington University (Washington, DC) professor, author, architect, interior designer, sketcher, modernist, city lover, traveler, and University of Michigan alumni who writes about topics on architecture and interior design for people of all ages and backgrounds. Everyone lives in the built environment, but not everyone understands it. For example, sketching is one of the best ways to understand a piece of furniture, interior, or building. You will never see the object the same way after you draw it! All of the books on this list are approachable, interesting, fun, and most importantly inspiring. Enjoy!
This small format hardback is a really enjoyable read, as it asks a lot of good questions about architecture that will really get you thinking and curious about the topics. Each question is answered quickly (in a sentence), and then in a longer format, but still very digestible. It’s a great gift for any architecture lover.
This entertaining and informative book explores the world of architecture through a series of 101 questions and answers that cover a wide range of issues on its practice and theory. There are historical questions, such as "Who was the first architect?" and "Are all churches architecture?" as well as ones that relate to contemporary activity, such as "Have computers changed architecture?" and "How small can a home get?." There are also many that are intriguing and irreverent, such as "Why do architects want to paint the world white?" and "Is Dubai a city?". For each of the questions there is…
