100 Books Like Ice! Poems About Polar Life

I have always found the Eyewitness series of books to be very appealing and this one is no exception. Because every two-page spread can stand alone, readers can read the book from cover to cover or just dive into whatever sections or topics are most appealing to them. I find myself captivated by the high-quality photographs throughout, whether of colorful sea stars living in the cold waters around Antarctica or a fuzzy moose calf living in the Arctic. As a geographer, I find this book to stand out because it covers animals and plants of the polar regions, as well as what life in these harsh regions is like for both native peoples of the Arctic and explorers in both polar zones.

As a fan of the Magic Tree House series, I love the way that this nonfiction book weaves great information with illustrations and photographs in a fun-to-read format. This title will be a hit with animal lovers, whether they are curious about the daily lives of penguins in Antarctica or why krill are so important to the food web here. Adventure seekers will revel in the daring exploits of explorers from the past. They’ll also learn about what it’s like to visit Antarctica today. The additional resources in the back of the book looked terrific and made me want to explore more of this frozen continent.

When I first saw this book, I was intrigued by the Photicular movies. Getting a chance to watch the colorful lights of the auroras move was an exciting way to bring a scientific topic to life. As I made my way through the book, it was wonderful to get a chance to both read about then watch “movies” of all of the topics that were covered—from sled dogs on the move to walruses lumbering over the ice. Kaufmann’s writing style makes you feel like you are learning from a wise friend who’s taking you on an exciting journey to the polar regions. Young readers will enjoy her weaving in mentions of Harry Potter when talking about snowy owls or Santa’s sleigh when discussing reindeer. 

As soon as I picked up this book, I was blown away by its spectacular illustrations. There are two special foldouts where the book expands to have four-page wide illustrations of the Antarctic and Arctic regions. Most kids’ books that cover the Antarctic don’t get into as much detail about the different environments there—from pack ice to the islands around the continent. But this book does a beautiful job of showing that the Antarctic is more than just ice and snow and that the wildlife is diverse and fascinating. I also loved the section on the Arctic’s polar desert with its beautiful dwarf lupin and moss balls. Readers might be surprised to discover the butterflies and bearberries of the tundra regions as well. 

Like Brockmeier’s book, this book is in my top-five all-time novels. I can fall in love with a novel purely for its language, and Barrett’s ability to describe the settings her characters encounter is unparalleled. It, too, has a rare polar setting, this time aboard the ship the Narwhal bound for the Arctic in 1855 to find the remains of a previous, lost expedition. So visceral are her descriptions that they put me right back in the Arctic.

She’s also masterful at interleaving science and history with her characters’ desires without becoming didactic. One of her protagonists, the scholar-naturalist Erasmus Darwin Wells, screens the world and his philosophical musings through the lens of his scientific inclinations. I admire novels that manage to teach me something while not feeling as if the author is desperate to cram all the research s/he has acquired into the book. Barrett succeeds in avoiding this… show more.

In All the White Spaces, WWI has just ended and we follow stowaway Jonathan Morgan to Antarctica, where he hopes to fulful his older brother’s dreams of adventure and exploration.

When the ship gets stuck in the frozen Weddell Sea, the crew is forced into the icy wilderness of the South Pole. As they prepare to spend the winter there, they find something terrible waiting for them in the frozen wasteland.

A chilling ghost story exploring themes of identity, If you loved Dan Simmon’s The Terror, you will love this. 

There’s this rumor that poets look longer and harder at the ornaments of the world than do anyone else.  They keep looking, and looking, and looking, after most everyone else has long ago looked away, moved on. Here, in the wonderful world of poet Aimee Nezhukumatathil’s first book of nonfiction, whimsy and reverence twine like the DNA helices of the flora and fauna she examines. In her essay on the firefly, I adore the part when the insects “…lose their light rhythm for a few minutes after a single car’s headlights pass. Sometimes it takes hours for them to recalibrate their blinking patterns.”

All the books I’m drawn to have striking and beautiful illustrations and this one is no exception. I love the joyful and varied way that friendship is expressed in this board book. I purchased the book when my daughter was still in preschool (she’s in high school now), and the message of finding camaraderie in as many places as possible still resonates deeply.

Most of the books I read with my kids have animals as the main characters, but few books aimed at adults do, so I was thrilled to find these stories where wolves, vultures, and tigers provide nuanced, complex perspectives on a threatened world. I learned about love and deep ocean noise from a young whale and felt the loneliness of a polar bear who is parted from his mother, his twin, and others of his kind.

Through these mythic stories, I realized the deep strangeness that comes from losing my connection to other animals and the true pleasure of returning to my place as a creature of the world—something I felt when I became a mother and again as I read these stories.

I love what Young is doing—breaking out of her “college prof” shell and talking directly to us about her life with animals—dead and alive. She starts with her dog Frankie’s cancer diagnosis and wraps her own reactions to his treatments into her study of 19th-century fiction that focuses on animals—like the famous horse narrative Black Beauty and the equally-famous-but-now-forgotten dog narrative Beautiful Joe. Her travels take her through both physical and imaginative time and place—from Beautiful Joe’s origins in Nova Scotia to her meditations on the art of animal taxidermy. I learned a lot about the history of animal/human relations from this book, and I really enjoyed Young’s voice and puns. It’s a great addition to our goal to bring academic knowledge out into the public sphere.