Here are 100 books that I Survived the Destruction of Pompeii, AD 79 fans have personally recommended if you like
I Survived the Destruction of Pompeii, AD 79.
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Simon has been a student and historian of ancient Rome for most of his life, and has authored one non-fiction work and numerous historical novels set in the era, a number of them set in the ancient city itself. He has spent time in Rome over the decades, hunting down traces of the ancient city and studying architecture and finds, ever deepening his understanding of the place, how it worked, what it looked like, and its place in the world. Rome is the core of three decades of research for Simon.
This is quite simply the best entry-level guide to the ancient culture, world, and city of Rome I have found. Written in a humorous and engaging manner, it walks the reader through the history of Rome from its legendary founding to the date the book is nominally set (the reign of Domitian), all from the point of view of someone of Domitian’s time. It covers every subject from the dos and don’ts of dinner parties to the importance of gods. A perfect start for someone new to the subject, and equally entertaining for the scholar.
Imagine you were transported back in time to Ancient Rome and you had to start a new life there. How would you fit in? Where would you live? What would you eat? Where would you go to have your hair done? Who would you go to if you got ill, or if you were mugged in the street? All these questions, and many more, will be answered in this new how-to guide for time travellers. Part self-help guide, part survival guide, this lively and engaging book will help the reader deal with the many problems and new experiences that they…
The summer holidays have finally arrived and Scout can’t wait for her adventure in the big rig with Dad. They’re on a mission to deliver donations of dog food to animal rescue shelters right across the state. There’ll be dad-jokes, rock-collecting, and a brilliant plan that will make sure everyone’s…
I am a historian of ancient Rome. My interest was sparked in my high school Latin classes. On my first trip to Rome, several years later, I truly fell in love. I could see the famed orator delivering his fierce attacks against Catiline amid the grand temples of the Forum and its surrounding hills. I could imagine myself standing in a crowd, listening. In Washington DC, where I now live and teach at Georgetown University, there are classical buildings all around to keep me inspired. I have written a number of books about Roman political history and have also translated the biographer Suetonius and the historian Sallust.
No city of the Roman world survives more fully than Pompeii in southern Italy. Baths, bars, houses, and temples have been recovered, along with pots and pans, foodstuffs, medical instruments, and skeletons with evidence of an appallingly high rate of disease. For a knowledgeable and witty guide to the city you can’t beat Mary Beard, who helps us see it was not all marble columns and pretty paintings. I especially love her description of the House of the Tragic Poet, in which Edward Bulwer-Lytton set an early scene of his novel The Last Days of Pompeii, a dinner party hosted by the character Glaucus. Beard reveals that just behind this house was a cloth-processing workshop in which the main agent used would have been human urine. “In the background to Glaucus’ elegant dinner party,” writes Beard, “there must have been a distinctly nasty odor.”
Pompeii is the most famous archaeological site in the world, visited by more than two million people each year. Yet it is also one of the most puzzling, with an intriguing and sometimes violent history, from the sixth century BCE to the present day.
Destroyed by Vesuvius in 79 CE, the ruins of Pompeii offer the best evidence we have of life in the Roman Empire. But the eruptions are only part of the story. In The Fires of Vesuvius, acclaimed historian Mary Beard makes sense of the remains. She explores what kind of town it was-more like Calcutta or…
Since the age of seven, I've been conscious of the need to bypass how one is supposed to do things. I realized then that my grandmother could not pursue a writing career because she was also a woman and a wife; a cautionary tale I took to heart since I was already beginning to identify as an artist. I'm driven to uncover how we recognize what we see, and how forces beyond our control engender or foreclose upon new ways of being in the world. A professional life lived in the arts has allowed the fullest flexibility for exploring these ideas as one is generally encouraged to think differently.
This castaway story, about a man trapped on a concrete island under and between converging freeways on the outskirts of London, still stands the test of time.
I found it especially resonant during the imposed isolation of the global pandemic; all of us each marooned in our living rooms. The protagonist, architect Robert Maitland, has to learn to survive and thrive in reduced and restricted circumstances, and he can’t buy or build his way out of it.
When he finally discovers a way off the island he no longer really wants to leave, reminding us that we are sometimes most effectively imprisoned by our own minds and desires.
On a day in April, just after three o'clock in the afternoon, Robert Maitland's car crashes over the concrete parapet of a high-speed highway onto the island below, where he is injured and, finally, trapped. What begins as an almost ludicrous predicament soon turns into horror as Maitland-a wickedly modern Robinson Crusoe-realizes that, despite evidence of other inhabitants, this doomed terrain has become a mirror of his own mind. Seeking the dark outer rim of the everyday, Ballard weaves private catastrophe into an intensely specular allegory in Concrete Island.
I feel like I’ve read all of my life—though I know at some point someone had to teach me—but stories and storytelling are in my DNA. The first four books were my writing “primers.” I learned more about storytelling from them than any how-to book. They also fueled my passion to write in different genres. You will notice the words “blush free” in some of my recommendations. That is because I love well-told stories that live between prim and steamy, books where I don’t have to flip past the steamy stuff to get back to the story. I hope you enjoy them as much as I have!
This recommendation is a little different from the others on my list. This “Titanic in Space” story really caught my imagination. It’s intense, romantic, and wildly believable. It does have romantic tension, but nothing steamy—the characters don’t have time or the safety for messing around. That is also another reason for my recommendation. It is an action and adventure story that includes great world-building and character interactions that make sense. I also love the author’s other books, but they aren’t blush-free. I do have to flip some pages to get past the steam. But it’s the Titanic! In space! Super fun read.
A reimagining of the Titanic disaster set in the far future among the stars…
Traveling unexpectedly aboard the luxury liner Nebula Dream on its maiden voyage across the galaxy, space marine Captain Nick Jameson is ready for ten relaxing days, and hoping to forget his last disastrous mission behind enemy lines. He figures he’ll gamble at the casino, take in the shows, maybe even have a shipboard fling with Mara Lyrae, the beautiful but reserved businesswoman he meets.
All his plans vaporize when the ship suffers a wreck of Titanic proportions. Captain and crew abandon ship, leaving the 8000 passengers…
Worldbuilding is something I absolutely adore, and I have always wanted to see more fantasy in worlds created around a more modern thought process. Worlds that got away from the medieval and instead found inspiration in places like 1920s America or 1950s Mexico or anywhere with cars and motorcycles existing right alongside dragons. It’s what I try to write and its desperately what I want to read. Fantasy has so much more range than I think it is given credit for.
I love this book because it marries the brutality of military sci-fi with epic fantasy in a colossally satisfying fashion. It has dark gods, blood magic, and the grueling rigors of military training. And Ikenna, the main character, takes no crap from anyone, no matter how powerful. You can’t help but to root for her!
Blending fantasy and science fiction, N. E. Davenport's fast-paced, action-packed debut kicks off a duology of loyalty and rebellion, in which a young Black woman must survive deadly trials in a racist and misogynistic society to become an elite warrior.
It's all about blood.
The blood spilled between the Republic of Mareen and the armies of the Blood Emperor long ago. The blood gifts of Mareen's deadliest enemies. The blood that runs through the elite War Houses of Mareen, the rulers of the Tribunal dedicated to keeping the republic alive.
The blood of the former Legatus, Verne Amari, murdered.
No matter the genre, I have always loved surprises in a story. I want characters to do the unexpected and plots to take me to, “Oh, I didn’t see that one coming.” Because that’s how life is, how my own life has been. Due to connections we didn’t understand and secrets people around us have kept (or we didn’t bother to uncover) the unexpected always jumps out in front of us. I also like characters who are either discovering or re-focusing their power in ways that are beneficial to themselves and others. Again, this has been my life’s story and I want my characters to search for that same balance.
Ashley is lost in the woods, an emotional and physical wreck, and she’s got to figure a way out. The two things she has going for her are serious survival skills and a fierce determination to never give up. Some of her challenges border on the unbelievable, but then, so do so many real-life stories we’ve all read about.
The reader gets to know and understand Ashley, with all her flaws exposed, as the worsening events force her to dig deep into who she is and what she’s capable of.The author might push the limit of what qualifies as YA, and as an adult I loved it, but when I was fifteen, I would have loved it even more.
Hatchet meets Wild in this harrowing YA survival story about a teenage girl’s attempt to endure the impossible, from the Edgar Award-winning author of The Female of the Species, Mindy McGinnis.
The world is not tame. Ashley knows this truth deep in her bones, more at home with trees overhead than a roof.
So when she goes hiking in the Smokies with her friends for a night of partying, the falling dark and creaking trees are second nature to her. But people are not tame either. And when Ashley catches her boyfriend with another girl, drunken rage sends her running…
Red is a shelter cat adopted by the Gioppolo family. Fatty is a nameless stray who wanders into Red’s backyard and begins a tentative friendship with him. She’s had a horrible encounter with a human before, so she’s wary of joining the family. After seeing that Red appears to have…
I’ve spent my life journey so far in the outdoors of northern Ontario, Canada. Before I became a conservation officer, I worked for twelve years in a wilderness park as a canoe ranger. I also had eighteen sled dogs and taught dogsledding and winter survival. I’ve always been drawn to reading adventure stories, so when I finally became an author (in my forties. It’s never too late), I naturally wrote the kind of books that I grew up reading. Now I love that I get to share my passions with readers. I hope you find some books of interest on this list and join me on a journey into a new adventure.
The dialogue between the two former friends seriously transported me back to grade school. On top of the authentic voice, throw in the fact that these poor girls are lost in a National Forest with nothing but their bathing suits. Ugh! My skin itches with bug bites just thinking about it. The writing is so good, it also manages to make the Northwoods sound like a lovely place.
From the author of The Disaster Days comes a thrilling survival story, and lost in the woods children's book, about two former best friends who must work together to stay alive after getting lost in a remote national forest. Jocelyn and Alex have always been best friends...until they aren't. Jocelyn's not sure what happened, but she hopes the annual joint-family vacation in the isolated north woods will be the perfect spot to rekindle their friendship. But Alex still isn't herself when they get to the cabin. And Jocelyn reaches a breaking point during a rafting trip that goes horribly wrong.…
Good question. I’ve always found equilibrium in quiet, unpopulated spaces—woods, gardens, and, of course, books. Now, at 56, even though I am happily married and close to friends and family I love, I seek the solitude that nurtured me in childhood. I wonder why. Did the pandemic nudge me to embrace my most essential self?
This is why I chose the theme “Girls on Islands” because even if it’s not our natural state, don’t we all experience isolation? Yet, as John Donne reminds us, no girl is an island; she is “a piece of the continent, a part of the main.” The following works of fiction embody this duality.
Long-listed for the National Book Award in 2017, this fable may have been written for kids, but it has haunted me for four years. A green wooden boat delivers one child per year to a magical, adult-free island. But the boat does not depart empty; an older child must climb aboard. This elegant allegory invites readers of any age to contemplate what childhood is and what it means to have to leave it behind.
"A wondrous book, wise and wild and deeply true." —Kelly Barnhill, Newbery Medal-winning author of The Girl Who Drank the Moon
"This is one of those books that haunts you long after you read it. Thought-provoking and magical." —Rick Riordan, author of the Percy Jackson series
In the tradition of modern-day classics like Sara Pennypacker's Pax and Lois Lowry's The Giver comes a deep, compelling, heartbreaking, and completely one-of-a-kind novel about nine children who live on a mysterious island.
On the island, everything is perfect. The sun rises in a sky filled with dancing…
I’ve clocked so many hours on Fallout 3 and New Vegas(and, less so, on Fallout 4)that it’s disgusting, but my real love of wastelands began with T.S. Eliot. His poem (The Waste Land), with its evocative imagery, fascinated me in university. While not about a literal wasteland, it inspired me to seek out stories of that vein. I even have a tattoo with a line from it! What Branches Growwas the focus of my grad certificate in creative writing and has won two awards. I am a book reviewer, writer at PostApocalypticMedia.com, and the author of the Burnt Shipspace opera trilogy.
This novel takes place thirty years after a disease has reduced most of the human population to a primitive state. A thriller with exceptional action scenes and tension, the novel features two converging plotlines that are quests through South America and the southern United States when it is almost devoid of uninfected humans. As with a lot of post-apocalyptic novels the real villains of the story are other humans—their greed and need for control. While this book came out two years after mine, it resonated with me. The themes of trust run strong in both our novels, as well as lengthy stretches of landscape without any humans.
Thirty years after The Great Fatigue infected the globe - and the treatment regressed most of the human race to a primitive state - Seth Keller makes a gruesome discovery in his adoptive father's makeshift lab. This revelation forces him to leave the safety of his desert home and the only other person left in the world... at least, as far as he knows. Three thousand miles away in the jungles of Costa Rica, Sera Peoples has made her own discovery - just as horrific, and just as life-changing. It will take her far from the fledgling colony of New…
It’s Anny’s first day of middle school and, after years of being homeschooled, her first day of public school ever. In art, Larissa asks what kind of ESP is her favorite: telepathy, clairvoyance, precognition, or telekinesis? Tracy asks how she identifies: gay, straight, bi, asexual, pan, trans, or confused?
In my poetry, stories, novels, and scripts, I have long been drawn to the workings of chance: how it can charm characters by the opportunities it appears to offer; how it can turn attractive prospects inside out; and how it can so often force characters to confront realities which, perhaps for a long time, they have sought to avoid. Through different genres—science fiction, mainstream literary, lyric poetry, and realistic drama—I have, over the years, explored the notion of the fork in the road. Will a character choose their path wisely? Will they choose foolishly but press on against all odds? In literature, in lfe, such questions are crucial.
On the surface, this is a comedy of mistaken identity with identical twins, Sebastian and Viola, at its heart. It concerns members of the nobility: Orsino, Olivia, and Viola (disguised as Orsino’s serving-man, Cesario). But there are other characters, too, who drive the sub-plot. Key among these is the jester, Feste, who knows that all of life is uncertain, a matter of ‘the wind and the rain,’ and that so much of existence is to do with confronting forks in the road. At the end of the play, the ’toffs’ dutifully pair off: Olivia marries Sebastian and Orsino marries Cesario (or rather, Viola, unmasked in the nick of time). And Feste is on hand to pronounce on the mutability of life and on how its choices aren’t always ours to make.
Named for the twelfth night after Christmas, the end of the Christmas season, Twelfth Night plays with love and power. The Countess Olivia, a woman with her own household, attracts Duke (or Count) Orsino. Two other would-be suitors are her pretentious steward, Malvolio, and Sir Andrew Aguecheek.
Onto this scene arrive the twins Viola and Sebastian; caught in a shipwreck, each thinks the other has drowned. Viola disguises herself as a male page and enters Orsino’s service. Orsino sends her as his envoy to Olivia—only to have Olivia fall in love with the messenger. The play complicates, then wonderfully…
