Here are 100 books that I Had Trouble in Getting to Solla Sollew fans have personally recommended if you like
I Had Trouble in Getting to Solla Sollew.
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I’m primarily a music composer for film and TV, but I’ve also ventured into filmmaking, with one of my films being featured at an international film festival, so my journey in storytelling spans many years, and comedy has always been at its heart. Growing up, my father worked as a pit musician, which gave me exposure to the comedy acts of the time. Humor was a constant in our home, so when I started writing fiction, it felt only natural my writing would find a home in comedy.
This is an absolute classic of the comic novel genre, so popular that it found its way onto the big screen. This dark comedy plays out more like a farce as we follow the misadventures of Henry Wilt, an underappreciated and frustrated teacher. His life spirals out of control due to a series of absurd and ridiculous misunderstandings. The novel’s momentum is driven by these absurdities and gross misinterpretations, all skillfully woven together by the flawed actions of a cast of colorful characters, each caricatured to deliver maximum comedic impact.
Tom Sharpe imbues his characters—whether it's the incompetency of the police, Wilt’s oppressive wife, or Wilt himself—with wit and cynicism. His writing is a blend of slapstick, satire, and dark comedy, frequently veering into the absurd and ridiculous. Despite the over-the-top plot, the novel maintains a consistent pace and a dry, ironic tone. As a comic novelist myself, who values…
La más famosa novela de Tom Sharpe, en la que el autor no deja títere con cabeza. El protagonista, Henry Wilt, encadenado a un empleo demencial como profesor en un politécnico, acaba de ver postergado su ascenso una vez más. Mientras, las cosas no marchan mejor en casa, donde su maciza esposa, Eva, se entrega a imprevisibles arrebatos de entusiasmo por la meditación trascendental, el yoga o la última novedad recién olfateada. Wilt, que se siente impotente con respecto a su empleo, no vacila en entregarse a fantasías cada vez más asesinas y concretas acerca de su mujer, con la…
In a time of alternative facts and the loss of a shared sense of reality, A Foot is Not a Fish playfully illustrates the difference between what is true and what is not through absurd fun comparisons that every child—and parent—will instantly understand.
I’m a writer (‘natch) and work with my fabulous wife, Susan McLennan. We’re winners of two regional Emmy awards and have created and/or written television shows for PBS, Disney, BBC, and CBC. I’ve always gravitated toward characters who really get put through the physical and emotional ringer. If they’re enduring an outlandish pile-on of hardships, I’m with them all the way. I’m not sure what this says about me, but what I love is how these hard done by characters find ways to turn things around and stagger to victory, often when all seems lost–not by magic, not by divine intervention, but thanks to some unseen force inside themselves.
London, 1795 (the starting point in this book, for the current location and time, please check your phone). Ned Rise is a put-upon rogue whose life has been filled with personal catastrophes and several brushes with death. After being falsely accused of murder (because that’s how it goes when you’re Ned) he finds himself condemned to the malarial jungles of Africa, and providing free labour for the real-life Scottish explorer Mungo Park. Their fatal journey down the Niger River makes his days on the squalid streets of London look like a picnic, and Ned Rise proves to be more level-headed and resilient than the famous Scottish adventurer. T.C. Boyle is one of my favourite authors, and the creative energy and scathing social commentary in this fantastic book never lets up.
Set in 1795, "Water Music" is the rambunctious account of two men's wild adventures through the gutters of London and the Scottish Highlands to their unlikely meeting in darkest Africa.
My doctorate is in music, and although I am now more active as a composer, I was at one time a performer (pianist). Thus, I have both personal ties to the author (my mother) and professional insights into the subject matter. I have also interviewed a number of the world’s leading violinists (Bell, Chase, Markov, Zukerman, and others) and composed two works for the instrument (my Op. 4 and Op. 5, published by Broadbent & Dunn). Moreover, my series, The Passion of Elena Bianchi, also involves classical music and musicians, and echoes Paganini Agitato with concerts, poker, the great love of a child, and elements of the supernatural and/or demonic.
Of course, the entire notion of a ferocious enmity between Mozart and Salieri is fiction. They were actually friends and once even collaborated on a short cantata, Per la ricuperata salute di Ofelia [On the Recovery of the Health of Ofelia].
However, the story is a marvelous conception, seasoned by the central idea that the envious Salieri somehow ruined Mozart and drove him to his death (from overwork — also quite fictitious!). It truly “works” literarily. The play goes even further, accentuating the overbearing political influence of Italian musicians in the court.
I recommend the script of the play (from which the movie derived) so that the reader can get an even deeper appreciation for Salieri’s villainous character—and I can also recommend the award-winning movie!
0riginating at the National Theatre of Great Britain, Amadeus was the recipient of both the Evening Standard Drama Award and the Theatre Critics Award. In the United States, the play won the coveted Tony Award and went on to become a critically acclaimed major motion picture winning eight Oscars, including Best Picture.
Now, this extraordinary work about the life of Wolfgang Amadeus Mozart is available with a new preface by Peter Shaffer and a new introduction by the director of the 1998 Broadway revival, Sir Peter Hall. Amadeus is a must-have for classical music buffs, theatre lovers, and aficionados of…
I’m a writer (‘natch) and work with my fabulous wife, Susan McLennan. We’re winners of two regional Emmy awards and have created and/or written television shows for PBS, Disney, BBC, and CBC. I’ve always gravitated toward characters who really get put through the physical and emotional ringer. If they’re enduring an outlandish pile-on of hardships, I’m with them all the way. I’m not sure what this says about me, but what I love is how these hard done by characters find ways to turn things around and stagger to victory, often when all seems lost–not by magic, not by divine intervention, but thanks to some unseen force inside themselves.
I’m a total Looney Tunes fan. Okay, the Roadrunner and Coyote were never my go-to toons (I’m more of a Daffy man), but this short story hits the funny bone at just the right angle. The most resilient of all cartoon characters is Wile E. Coyote: Despite getting blown up, run over, and frequently falling off cliffs, he never quits. He’s a silent, comedic antagonist who always has new and creative approaches in his attempts to bag that bird. That said, there was a rather unhealthy reliance on those Acme products that never did him any good… So now he’s doing something about that! Wile E. has filed a product liability suit against the Acme Company. Those malfunctioning rocket sleds ruined his life and he’s seeking $17 million in damages.
Twenty-two side-splitting glimpses into some oddball corners of the American mind from bestselling author Ian Frazier.
The title essay of Coyote v. Acme, Frazier's second collection of humorous essays, imagines the opening statement of an attorney representing cartoon character Wile E. Coyote in a product liability suit against the Acme Company, supplier of unpredictable rocket sleds and faulty spring-powered shoes. Other essays are about Bob Hope's golfing career, a commencement address given by a Satanist college president, a suburban short story attacked by the Germans, the problem of issues versus non-issues, and the theories of revolutionary stand-up comedy from Comrade…
My passion for visions and pathways to a better world is based on three main cornerstones: (1) The discontent with the current state of affairs in our immediate cultural environment as well as in geopolitics. (2) My belief is that successful action needs visions, including scientific visions. (3) The experience that visions interact with their Implementation; they actually live by being put into (partial) existence. And since we are all parts of the same biological species, we are able to develop also via writing and reading.
This is a very old book–written when merchant capitalism just started to take off. It always impresses me–I have read it several times now–how 500 years ago, such an agglomeration of innovative ideas, of visions for a future society, could have been formulated.
A vision, that today is as vibrant and thought-provoking for an author and scientist like me, as it must have been at the time when it was written. Simply stupendous!
First published in Latin in 1516, Utopia was the work of Sir Thomas More (1477–1535), the brilliant humanist, scholar, and churchman executed by Henry VIII for his refusal to accept the king as the supreme head of the Church of England. In this work, which gave its name to the whole genre of books and movements hypothesizing an ideal society, More envisioned a patriarchal island kingdom that practiced religious tolerance, in which everybody worked, no one has more than his fellows, all goods were community-owned, and violence, bloodshed, and vice nonexistent. Based to some extent on the writings of Plato…
I come from a reservation town in Wisconsin, and make my livelihood as a horticulturist in the water-strapped state of Colorado. I’m mix-race and LGBT. These influences have shaped what I look for in stories. I write and seek to read about communities in which the person creating medicine and the person growing food is just as important as the fighter, because let me tell you: if you don’t have the means to make food and heal wounds, all the guns in the world won’t save you. I particularly appreciate stories that explore ecology, agriculture, and plant science in innovative ways. These make my little horticulture-geek heart sing.
By turns uplifting, bloody strange, heartbreaking, and joyful, this story collection touches on so many things: gender relations, race, hope, the need to feel safe, and the need to feel dignity among them. There are versions of America in this series that I dread, and versions of America that I long for. This is a book we need right now: a collection of dire warnings and beautiful dreams, hopes, and fears. We’re at a crossroads in history. This book reminds us that we can take a turn into the dark or the light. And wherever we go, we’ll be taking our whole selves and all our facets along for the ride: good and bad, kind and cruel, genetic and historical.
A glittering landscape of twenty-five speculative stories that challenge oppression and envision new futures for America—from N. K. Jemisin, Charles Yu, Jamie Ford, G. Willow Wilson, Charlie Jane Anders, Hugh Howey, and more.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY PUBLISHERS WEEKLY
In these tumultuous times, in our deeply divided country, many people are angry, frightened, and hurting. Knowing that imagining a brighter tomorrow has always been an act of resistance, editors Victor LaValle and John Joseph Adams invited an extraordinarily talented group of writers to share stories that explore new forms of freedom, love, and justice.…
Understanding the world is important for everyone. For me, it takes the form of analyzing colorful images and artifacts in the built environment. In the broad traditions of the global northwest, color is regarded as deceptive and unreliable. For centuries now, and throughout disparate media and technical systems, color has had to maintain this secondary, subordinate status as “other,” linked to falsity, manipulation, and deceit or, to quote David Batchelor, “some ‘foreign’ body". In my work, I argue that we have all inherited this tradition in the global northwest, fetishizing color as both excessive and yet indispensable in its capacity to retroactively confirm the sanctity of what it is not.
Once again, some of our most profound insights into contemporary culture derive from a deep understanding of history. For example, why is there a fundamental distrust of surfaces and shiny “bling”?
In The Republic, and in “Book X” in particular, Plato outlines a theory of images, truth, deception, and appearances that we continue to relive in everyday life.
Long regarded as the most accurate rendering of Plato's Republic that has yet been published, this widely acclaimed work is the first strictly literal translation of a timeless classic. In addition to the annotated text, there is also a rich and valuable essay,as well as indices,which will better enable the reader to approach the heart of Plato's intention. This new edition includes a new introduction by acclaimed critic Adam Kirsch, setting the work in its intellectual context for a new generation of readers.
The child’s immersion into nature is a most relevant theme for me as an environmental educator, but it is critical to America as a whole. Our future depends upon it. We continue to live in a culture that shoves nature into the background, something viewed as pleasant scenery but not truly interactive in our lives. The “store” has become the source of things to many young people. The current generation of American parents is not equipped to teach children about nature and its indelible place in our survival as a species; therefore, books must become surrogates in this mission.
I loved this book for its dissection of the human relationships formed against a background of wilderness.
With survival comes tension, and though this throws discord into the lives of the characters, it makes for a compelling plot. This is one of those books that will form an indelible bond with the reader, who cannot help but imagine his/her interaction with the cast, should he/she have been part of the story.
A plane crashes on a desert island and the only survivors, a group of schoolboys, assemble on the beach and wait to be rescued. By day they inhabit a land of bright fantastic birds and dark blue seas, but at night their dreams are haunted by the image of a terrifying beast. As the boys' delicate sense of order fades, so their childish dreams are transformed into something more primitive, and their behaviour starts to take on a murderous, savage significance.
First published in 1954, Lord of the Flies is one of the most celebrated and widely read of modern…
It took a career as a librarian to help me understand my need for order, instead of the emotional chaos I grew up with in a large family. Being the child of an alcoholic father and a codependent mother gave me little personal value. After gaining some sense of worth in college, I wanted to give my kids the stability and support every child deserves, but I had to learn how to do this. I used my resources: education, self-scrutiny, honesty, art, nature, and the good Lord of the universe.
The key to understanding our lives is to enlarge our perspectives, and human behavior hasn’t changed much in 2000 years.
Plato gives several suggestions for maintaining stability in organized society, including guarding against the influence of Sophists, who manipulate language to manipulate their listeners, reminding me of our salesmen today.
Especially valuable is his allegory of the cave, where educators present images to an audience chained in place since early childhood. The glare of the sun awaits anyone who manages to leave the cave, and coming back in won’t be easy, but those who leave and find genuine truth need to come back and serve those still in the cave. Make the world a better place.
The classic translation of the cornerstone work of western philosophy
Plato's Republic is widely acknowledged as one of the most influential works in the history of philosophy. Presented in the form of a dialogue between Socrates and three different interlocutors, it is an inquiry into the notion of a perfect community and the ideal individual within it. During the conversation other questions are raised: what is goodness; what is reality; what is knowledge; what is the purpose of education? With remarkable lucidity and deft use of allegory, Plato arrives at a depiction of a state bound by harmony and ruled…
I have a weird imagination and care deeply about being kind in all areas of life. I think people, in general, need to be kinder to one another and to the earth. I find humanity to be too anthropocentric and dismissive of the intelligence of other creatures. The incredible complexity and interconnectedness of nature fascinate me, and I constantly look for connections between two seemingly disparate systems. Writing my book allowed me to put insects at the focal point of planetary control. It was an incredibly fun story to write.
I love how Huxley depicts a utopic community in a sea of unrestrained capitalism. This book got me thinking about solutions to problems I didn’t know existed. It got me to rethink how I view family structures, community, responsible drug use, and meditation. I appreciate how he centered the conflict around his ideal world versus the world imposed on his ideals by reality.
For over a hundred years the Pacific island of Pala has been the scene of a unique experiment in civilisation. Its inhabitants live in a society where western science has been brought together with Eastern philosophy to create a paradise on earth. When cynical journalist, Will Farnaby, arrives to research potential oil reserves on Pala, he quickly falls in love with the way of life on the island. Soon the need to complete his mission becomes an intolerable burden and he must make a difficult choice.
In counterpoint to Brave New World and Ape and Essence, in Island Huxley gives…
