Here are 100 books that I Die Each Time I Hear the Sound fans have personally recommended if you like
I Die Each Time I Hear the Sound.
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From Taylor Swift to Lauryn Hill, from Joan Baez to Beyonce, I find that the lyrics, performances, and melodies of women making music inspire my own creativity every day. I am not a musician; I am a writer, editor, and novelist! But I find music to be so accessible, so deeply meaningful, in a way that other art forms, even my own, are not. So naturally, I adore novels about music!
I loved the dreamy quality of this book, which follows a flaming-haired indie rock musician on tour in Europe. Between gigs, she ponders her choices, past loves, and artistic legacy.
From backstage encounters to nights on the road, this story’s immersive mood has stayed with me for the many years since I read it.
Anna Brundage is a rock star. She is tall and sexy, with a powerhouse voice and an unforgettable mane of red hair. She came out of nowhere, an immediate indie sensation. And then, life happened.
Anna went down as fast as she went up, and then walked off the scene for seven years. Without a record deal or clamoring fans, she sells a piece of her famous father’s art to finance just one more album and a European comeback tour.
Anna is forty-four. This may be her last chance to cement her place in the life she chose, the life…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
In 2011, when my all-girl garage band began gigging around Chicago, I couldn’t tell you how many times I heard people call us “riot grrrl.” We weren’t riot grrrls; we were far too late for the movement. But for so many people, riot grrrl was the only reference point they had for scary, brash female musicians. The truth is, women were involved in the movement’s origins in every part of the world. I believe we must understand that riot grrrls weren’t the first women of punk.My book Hit Girls: Women of Punk in the USA, 1975-1983 details the stories of lesser-known but highly influential women who helped create punk and its adjacent genres.
When I was 15, Liz Phair’s album Exile in Guyville completely turned me on to indie rock. Until then, everything I heard was baked for the radio. Liz’s dry, quivering voice, slipping in and out of key, singing candidly about sex and the unspeakable aspects of relationships, challenged the boys club and spoke to me in a way that Courtney Love and Shirley Manson hadn’t. I think it was her ability to tell a story, or maybe it was that nothing seemed “over-produced.” Either way, many years later, this book gave me important insights on the way Chicago indie-rock functioned in the ‘90s and how much bullshit Liz Phair had to put up with just for being herself.
Although Exile in Guyville was celebrated as one of the year's top records by Spin and the New York Times, it was also, to some, an abomination: a mockery of the Rolling Stones' most revered record and a rare glimpse into the psyche of a shrewd, independent, strong young woman. For these crimes, Liz Phair was run out of her hometown of Chicago, enduring a flame war perpetrated by writers who accused her of being boring, inauthentic, and even a poor musician.
With Exile in Guyville, Phair spoke for all the girls who loved the world of indie rock but…
It’s often been said of musical theatre that the point when the characters begin to sing is the point their emotions become too much to express in words alone. I think that’s one reason I’m so obsessed with books about people connecting over music, art, and performance—it allows for so much passion and intensity. Having sung and played instruments over the years, I know how powerful it can feel to make music with other people, even when you’re not in love! These days, though, I spend more time reading and writing about music than I do playing it.
This romance novel takes the classic “opposites attract” trope and spins it into a heartfelt exploration of loneliness and connection, turning points and second chances. Indie rock guitarist Ali knows she should quit dreaming about her brother’s band hitting the big time and commit to her future career in engineering, but it hurts to let go. Kristen has been a country pop star since she was a kid, and the grueling lifestyle has already taken its toll on her. I loved seeing them gradually come to trust one another through their shared passion for music, and the scenes where they write songs together are as intense and charged as the romantic scenes.
Alison has been in her brother's indie rock band, Right Turn, since she was a teenager. Right as she's about to graduate college and will have to start making real decisions about her future, there comes an offer for them to go on a small tour with pop-country sensation Kristen Nichols, who is looking to make serious changes to her sound and image and believes touring with indie darlings Right Turn will give the new 'her' credibility.
Kristen Nichols is the embodiment of everything about the music industry that Ali scoffs at, but she's offering them an affordable, real tour,…
Everyday Medical Miracles
by
Joseph S. Sanfilippo (editor),
Frontiers of Women from the healthcare perspective. A compilation of 60 true short stories written by an extensive array of healthcare providers, physicians, and advanced practice providers.
All designed to give you, the reader, a glimpse into the day-to-day activities of all of us who provide your health care. Come…
I am a journalist, author, guitarist, singer, and songwriter who has spent my career spreading the gospel of the music I love, notably the Allman Brothers Band and the blues masters. I’ve been a Guitar World writer and editor since 1991, profiled countless musicians for The Wall Street Journal, and lived in Beijing for four years, forming a blues band with three Chinese musicians that toured the country, recorded an album, and won awards. That experience has informed everything I’ve done since, including forming Friends of the Brothers, the premier celebration of the music of the Allman Brothers Band.
I found this book riveting from page one and studied the ease with which Booth alternates chapters of straight biography and his own personal experiences with the band.
This included a drug-fueled slide that contributed to the book, largely chronicling the Stones’ 1969 tour of America, to take 15 years to complete. He writes about this with honesty and without romance, looking the devil in the eye with candor while also offering deep insights into bit characters like BB King and providing the definitive story of the Altamont fiasco.
Stanley Booth, a member of the Rolling Stones’ inner circle, met the band just a few months before Brian Jones drowned in a swimming pool in 1968. He lived with them throughout their 1969 tour across the United States, staying up all night together listening to blues, talking about music, ingesting drugs, and consorting with groupies. His thrilling account culminates with their final concert at Altamont Speedway—a nightmare of beating, stabbing, and killing that would signal the end of a generation’s dreams of peace and freedom. But while this book renders in fine detail the entire history of the Stones,…
I describe myself as equal parts Deadhead and student of the Bible. I have been active in a Presbyterian church for twenty years, which, being adjacent to a seminary, takes a very thorough approach to Bible study. We were deep into the Book of Acts during the Fare Thee Well events (2015), where I was re-acquainted with the intensity of the Deadheads’ devotion and their unfailingly positive spirit. My good wife, new to the scene, commented on how nice everyone was, that no one present was a stranger to any other. It occurred to me that these would all make good church members if only someone would reach out.
I think this is the most thorough history of the band, which is likely the result of it being written by a trained historian.
McNally had a very privileged access by travelling with the band for many years as their principal press contact. One chapter after another is chockfull of invaluable insights into the behind-the-scenes workings of the band, both in its artistic development and business decisions.
I listen to some of their songs differently now after learning more about the context that produced them.
The complete history of one of the most long-lived and legendary bands in rock history, written by its official historian and publicist—a must-have chronicle for all Dead Heads, and for students of rock and the 1960s’ counterculture.
From 1965 to 1995, the Grateful Dead flourished as one of the most beloved, unusual, and accomplished musical entities to ever grace American culture. The creative synchronicity among Jerry Garcia, Bob Weir, Phil Lesh, Bill Kreutzmann, Mickey Hart, and Ron “Pigpen” McKernan exploded out of the artistic ferment of the early sixties’ roots and folk scene, providing the soundtrack for the Dionysian revels…
I discovered BTS a few years ago right in the middle of an era when the world was falling apart and everyone was stuck at home. I know they’ve gotten a lot of people through hard times, but for me they did something arguably more life-changing: they inspired me to write my debut novel featuring a Kpop band who has also achieved worldwide domination, but in my fictional story, must face cancellation, violence, and a retributive girl band who disbanded under the most tragic of circumstances. Now that we’re waiting for BTS’ return from military service, I hope that these books will help hold us over until their return.
No BTS book listicle is complete without this bible of a biography. I loved it for the unexpected stories that broke and expanded my vision of the boys.
My favorite example: Suga revealing that he used to blend chicken breasts in a blender. I never knew meal prep could be this revelatory but it makes me appreciate this book and the blood, sweat, tears, and pulverized dinners that went into the making of the band all the more.
THE FIRST EVER OFFICIAL BOOK― Published in celebration of BTS’s 10th Anniversary, stories that go beyond what you already know about BTS, including unreleased photos, QR codes of videos, and all album information.
After taking their first step into the world on June 13, 2013, BTS will celebrate the 10th anniversary of their debut in June 2023. They have risen to the peak as an iconic global artist and during this meaningful time, they look back on their footsteps in the first official book. In doing so, BTS nurtures the power to build brighter days…
Odette Lefebvre is a serial killer stalking the shadows of Nazi-occupied Paris and must confront both the evils of those she murders and the darkness of her own past.
This young woman's childhood trauma shapes her complex journey through World War II France, where she walks a razor's edge…
My tenure as editor-in-chief of Guitar magazine is well behind me now, but it always lights me up to create content for musicians, and to absorb it. These are my people, you see, a community of curious, empathic, chronically late daydreamers and night owls, good listeners all. I’m not qualified to comment on Adorno’s Aesthetic Theory or Stravinsky’s Poetics of Music, but neither do I want to talk about rock-star memoirs or fawning fictionalizations. No fanfare here, thank you. Instead, these are five books in which musicians may recognize some element of their creative self and come away with a little more fuel for the fire.
That’s right; it’s an entire book of musical notation. Like I said, this list is for players, not civilians.
I love that every note on every original Beatles record is transcribed here, right down to Ringo’s drum fills on “You Won’t See Me” and the guy saying “number nine” a hundred times on “Revolution 9.”
I love sitting down with my kid, who plays guitar, and discovering exactly how to recreate the parts we can’t work out by ear. I love seeing how the Beatles fit the gears together to make the wheels turn on these songs and how they used chords and notes that I have on the piano at my house, too.
(Transcribed Score). A fitting tribute to possibly the greatest pop band ever - The Beatles. This outstanding edition features full scores and lyrics to all 210 titles recorded by The Beatles. Guitar and bass parts are in both standard notation and tablature. Also includes a full discography. Songs include: All You Need Is Love * And I Love Her * Baby You're a Rich Man * Back in the U.S.S.R. * The Ballad of John and Yoko * Blackbird * Can't Buy Me Love * Come Together * Drive My Car * Eleanor Rigby * From Me to You *…
I’ve been fascinated by musicians almost my entire life, but I always wanted more than the slick on-screen video, profile on the Lifestyles of the Rich and Famous, or interview. I wanted to know the whys and hows: why they wrote a certain way, what made them want to be a musician first, and where the inspiration and determination came from. What are they like when they’re hanging out at home, not in the spotlight? This research led me to the music and musicians of Laurel Canyon in particular and how one small area of Los Angeles has managed to create music still influential today.
I love this book for its deep dive into the music and time period of the 1960s and 1970s. It’s a wonderful discovery of the bands that made this era of music so wonderful and how Laurel Canyon was in the center of it.
There are great behind-the-scenes stories and interviews with the people who were there, in the industry and making the music. It’s a great glimpse into the vision, values, and freedom of the time and how it all got funneled into that fantastic music I so love.
Michael Walker’s Laurel Canyon presents the inside story of the once hottest rock and roll neighborhood in LA.
In the late sixties and early seventies, an impromptu collection of musicians colonized a eucalyptus-scented canyon deep in the Hollywood Hills of Los Angeles and melded folk, rock, and savvy American pop into a sound that conquered the world as thoroughly as the songs of the Beatles and the Rolling Stones had before them. Thirty years later, the music made in Laurel Canyon continues to pour from radios, iPods, and concert stages around the world. During the canyon's golden era, the musicians…
Hi, my name is Nick, and I’m a recovering rockist. I’ve collected records and vintage gear; I’ve owned Ray Coleman biographies. I’ve played in garage bands that did terrible punk-rock covers of songs like Cream’s “Sunshine of Your Love.” I even used to subscribe to Rolling Stone magazine. And most embarrassingly, I believed in the power of rock – to effect political change, to free people’s bodies and minds. But if once I was a true believer, today I’ve become a rock ’n’ roll skeptic. And I hope that this list might help you rethink everything you thought you knew about rock, too.
Some time in the 1960s, rock ’n’ roll became rock, and rock became white. That moment forms the core of Jack Hamilton’s exploration of the fraught racial politics of this music in the United States.
Putting different artists into dialogue – such as Dylan and Cooke, or Janis and Aretha – allows Hamilton to excavate the original complexity of genre labels that, over the fifty years since, have too often effaced the original, more complicated story about race, music, and American society.
By the time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become "white"? Just around Midnight reveals the interplay of popular music and racial thought that was responsible for this shift within the music industry and in the minds of fans.
Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the…
Can a free-spirited country girl navigate the world of intrigue, illicit affairs, and power-mongering that is the court of Louis XIV—the Sun King--and still keep her head?
France, 1670. Sixteen-year-old Sylvienne d’Aubert receives an invitation to attend the court of King Louis XIV. She eagerly accepts, unaware of her mother’s…
We all know Little Richard’s great hits like "Long Tall, Sally", "Tutti Frutti" and "Good Golly Miss Molly" and Little Richard’s life was as wild as his records. It’s excess all areas as Spencer Leigh tells the story of Little Richard in Send Me Some Lovin. It is a biography of someone who transformed popular music. Spencer Leigh was born in 1945 and hearing Little Richard for the first time in 1956 changed his life. He is a world expert on the Beatles and he has written a series of music-based biographies – Frank Sinatra, Elvis Presley, Buddy Holly, Bob Dylan, Simon and Garfunkel – all of which are full of facts and opinions.
Published in 1968, this is the only authorised biography of the Beatles.
Davies was in the room when Lennon and McCartney were songwriting, providing insights worth the price of admission alone. He could have interviewed more of the outriders but on the other hand, this is a brilliant account of their claustrophobic world.
There's only one book that ever truly got inside the Beatles and this is it. The landmark, worldwide bestseller that has grown with the Beatles ever since.
During 1967 and 1968 Hunter Davies spent eighteen months with the Beatles at the peak of their powers as they defined a generation and rewrote popular music. As their only ever authorised biographer he had unparalleled access - not just to John, Paul, George and Ringo but to friends, family and colleagues. There when it mattered, he collected a wealth of intimate and revealing material that still makes this the classic Beatles book…
