Here are 100 books that I Am an Executioner fans have personally recommended if you like
I Am an Executioner.
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Perhaps because I get bored easily, or maybe because I hear voices, I have found that my writing lends itself to exploration (different points of view, traditions, styles). I write to learn and to play. I distrust writers whose characters all sound like them, live lives like their own. It feels completely unfanciful, completely disinterested in the long literary tradition of make-believe. Writing and reading, at the end of the day, are ways for me to escape boredom meaningfully, and why should I wish to do that with stories that don’t offer up a small amount of the great kaleidoscope that is life?
The first story alone has enough jampacked into it to be more thrilling and entertaining than many novels.
A team of Confederate rejects man a rudimentary submarine on a mission near the end of the Civil War. From there we are taken across eras and across the globe to stories of near-future whaling missions that are hastening climate catastrophe, imperial Russian ships stuck on ice, a camp counselor taking his charges on ever-zanier adventures.
Though largely unified in their explorations of people plugging away in spite of ill-fated circumstances, the range of this author’s characters dazzles. As much as this is a master course on authentically capturing voices of all ages, places, and periods, Rutherford convincingly captures location as well using it as a character as much as setting.
The stories in The Peripatetic Coffin and Other Stories, a collection from Ethan Rutherford, map the surprising ways in which the world we think we know can unexpectedly reveal its darker contours.
In stories that are alternately funny, persuasive, and compelling, unforgettable characters are confronted with, and battle against, the limitations of their lives.
Rutherford’s work has been selected by Alice Sebold for inclusion in the volume of The Best American Short Stories that she edited, and also published in Ploughshares, One Story, and American Short Fiction.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Perhaps because I get bored easily, or maybe because I hear voices, I have found that my writing lends itself to exploration (different points of view, traditions, styles). I write to learn and to play. I distrust writers whose characters all sound like them, live lives like their own. It feels completely unfanciful, completely disinterested in the long literary tradition of make-believe. Writing and reading, at the end of the day, are ways for me to escape boredom meaningfully, and why should I wish to do that with stories that don’t offer up a small amount of the great kaleidoscope that is life?
Whether we are told a story by the collective voice of dying and dead girls after a horrific accident, or one about an Ottoman wrestling champ on a world tour, or even the reflections of the god Apollo on the human affinity for war, Bucak is adept at bringing the reader along as a confidant through some truly bizarre tales (one of my favorites is about the chess-playing robot “the Turk” falling in love).
Whether the story is close to its characters or respectfully removed, the tenderness and care the writer gives to evocatively portraying so many different stories is at the forefront so even if they might not be as tonally different as some others in this list, they make such diverse threads feel unified and, together, satisfying.
In Ayse Papatya Bucak's dreamlike narratives, dead girls recount the effects of an earthquake and a chess-playing automaton falls in love. A student stops eating and no one knows whether her act is personal or political. A Turkish wrestler, a hero in the East, is seen as a brute in the West. The anguish of an Armenian refugee is "performed" at an American fund-raiser. An Ottoman ambassador in Paris amasses a tantalizing collection of erotic art. And in the masterful title story, the Greek god Apollo confronts his personal history and bewails his Homeric reputation as he tries to memorialize,…
Perhaps because I get bored easily, or maybe because I hear voices, I have found that my writing lends itself to exploration (different points of view, traditions, styles). I write to learn and to play. I distrust writers whose characters all sound like them, live lives like their own. It feels completely unfanciful, completely disinterested in the long literary tradition of make-believe. Writing and reading, at the end of the day, are ways for me to escape boredom meaningfully, and why should I wish to do that with stories that don’t offer up a small amount of the great kaleidoscope that is life?
Similar to The Trojan War Museum, these stories are tonally more in synch (after all, with a title like that, it’s hard to overstate the role attitude plays in these), but also like Trojan War Museum, it’s a wonderful collection that shows how absolutely not-repetitive an attitude can feel when its voices are given such specific and niche jargons for each story, such interesting and far-flung locales and, such wacky and hopeless situations for its characters to overcome.
Jim Shepard is a must read for anyone interested in writing against the adage: “write what you know”. Also, the story “Zero Meter Diving Team” is one of my all time favorites.
Following his widely acclaimed Project X and Love and Hydrogen—“Here is the effect of these two books,” wrote the Chicago Tribune: “A reader finishes them buzzing with awe”—Jim Shepard now gives us his first entirely new collection in more than a decade.
Like You’d Understand, Anyway reaches from Chernobyl to Bridgeport, with a host of narrators only Shepard could bring to pitch-perfect life. Among them: a middle-aged Aeschylus taking his place at Marathon, still vying for parental approval. A maddeningly indefatigable Victorian explorer hauling his expedition, whaleboat and all, through the Great Australian Desert in midsummer. The first woman in…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Perhaps because I get bored easily, or maybe because I hear voices, I have found that my writing lends itself to exploration (different points of view, traditions, styles). I write to learn and to play. I distrust writers whose characters all sound like them, live lives like their own. It feels completely unfanciful, completely disinterested in the long literary tradition of make-believe. Writing and reading, at the end of the day, are ways for me to escape boredom meaningfully, and why should I wish to do that with stories that don’t offer up a small amount of the great kaleidoscope that is life?
Though these stories are actually linked, told over a century and a half through many generations of one family, the characters are so different that what acts as the unifying thread for this book more than anything is its exploration of imperialism’s traumas, perpetrated, experienced, and inherited.
Like my own work that seeks to explore a country’s identity through many different members and eras, Serizawa paints a portrait of Japan before and after the Second World War in breathtaking scope to remind us that events in history have much longer roots and much greater reaches than we recognize.
Winner of the PEN/Open Book Award Winner of The Story Prize Spotlight Award
A kaleidoscopic portrait of five generations scattered across Asia and the United States, Inheritors is a heartbreakingly beautiful and brutal exploration of a Japanese family fragmented by the Pacific side of World War II. A retired doctor is forced to confront the moral consequences of his wartime actions. His brother’s wife, compelled to speak of a fifty-year-old murder, reveals the shattering realities of life in Occupied Japan. Half a century later, her estranged American granddaughter winds her way back East, pursuing her absent father’s secrets. Decades into…
I have always believed that everyone has a story to tell. I have connected to people throughout my life because I chose to sit, listen, and share stories. I do this in my own neighborhood and on my travels worldwide. I do it with people I don’t have anything in common with and people I think I might not like. Every time, without exception, I learn something. Often, I am inspired. These experiences have tested and grown my compassion, empathy, kindness, and understanding capacity. I suppose this is why I love reading. It’s like meeting strangers and sharing stories.
In the beginning, I found Dolly shallow and ridiculous. I reminded myself that she was in her late teens and twenties. I am so glad I withheld my judgment. I loved watching her grow as a human. It was like seeing my own daughter learn from her mistakes.
Her honest and authentic storytelling had me in hysterics. When she experienced her first and subsequent heartbreak, I cried. Her loneliness broke my heart. Any single woman, regardless of age, can relate. I loved her female friendships and the importance and value she gave them. I related to every bit of her story.
Winner of Autobiography of the Year at the National Book Awards 2018 Shortlisted for the Waterstones Book of the Year 2018
'This is the book we will thrust into our friends' hands, the book that will help heal a broken heart. Her pages wrap around you like a warm hug' Evening Standard
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When it comes to the trials and triumphs of becoming a grown up, journalist Dolly Alderton has seen and tried it all. She vividly recounts falling in love, wrestling with self-sabotage, finding a job, throwing a socially disastrous Rod-Stewart themed house…
Absurdity gets a bad rap in fiction and storytelling, I think. “It’s too silly,” they say. But for those who can take a step back and appreciate how absurd our own world is—our everyday life—there’s nothing more real than absurdity. (I’m saying “absurd” an absurd amount of times. Let’s just say it’s purposeful.) It might be played for laughs at times, but if it’s done right, it gives you perspective. Sometimes we all need to look through a funhouse mirror to realize that we’re only human. These five books share that spirit and have made me laugh, think, and occasionally reevaluate my entire life in a spiral of existential dread—with a smile on my face.
For those who don’t know Raphael Bob-Waksberg, he created Bojack Horseman. For those who don’t know Bojack Horseman, watch it immediately—it might be the best-written television show ever.
Bob-Waksberg has an unmatched talent for creating an absolutely nonsensical world and then breaking your heart with the characters living in it. In this collection, he does it again and again, story after story, all about love.
It made me chuckle, then broke me, then somehow put me back together again.
Written with all the scathing dark humor that is a hallmark of BoJack Horseman, Raphael Bob-Waksberg delivers a fabulously off-beat collection of short stories about love—the best and worst thing in the universe.
Featuring:
• A young engaged couple forced to deal with interfering relatives dictating the appropriate number of ritual goat sacrifices for their wedding.
• A pair of lonely commuters who ride the subway in silence, forever, eternally failing to make that longed-for contact.
• A struggling employee at a theme park of U.S. presidents who discovers that love can’t be genetically modified.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’ve been reading YA since I was a young adult myself, and I’ve always favored stories with a strong romantic angle. As a kid, I loved The Baby-Sitters Club’s starry-eyed Stacey and Sweet Valley High’s boy-crazy Jessica; as an adult, I flock to the romance section of bookstores and libraries. When the urge to try my hand at writing struck, I drafted young adult romances without even considering other categories or genres. I will always choose a meet-cute, witty banter, and sizzling chemistry over fast-paced action, clever twists, and high-concepts plots. When it comes to reading and writing, I love love!
One of my all-time favorite novels, How to Love is a deeply affecting story full of soaring highs and heartbreaking lows. Its protagonist, Reena, is a wonderful example of a strong female character; she’s flawed but inherently good, wildly determined, and fiercely devoted to those she loves—particularly her young daughter and Sawyer, the ultimate bad-boy-with-a-good-heart. How to Love is an unflinching and beautifully-written emotional rollercoaster, and a must-read for fans of contemporary young adult romance.
This is a love story. But it's not what you think. This is not a first kiss, or a first date. This is not love at first sight. This is a boy and a girl falling in messy, unpredictable, thrilling love. This is the complicated route to happiness that follows.
This is real. This is life. This is how to love.
Before:
Reena has loved Sawyer LeGrande for as long as she can remember. But he's never noticed her, until one day... he does. They fall in messy, complicated love. But then Sawyer disappears from their humid Florida town, leaving…
I was a weird kid. Often accused of ‘thinking too much’, I cut my literary teeth on Stephen King, Ray Bradbury, Phillip K Dick, and Shirley Jackson. Raised on their dark milk, I grew up wanting more than hollow scares and mindless eviscerations. Don’t just give me a scary story, give me a scary story that resonates, one that raises a lens to our world, our history, the rules we’re asked to live by. Unsettle me, make me think. Most of all, give me characters worth my precious time. These are the kind of stories I endeavor to write and the ones I most enjoy reading. I hope you enjoy this small selection as much as I have.
Beneath the surface of this beautifully written old-style fairytale there lies a compelling examination of free will. This thematic depth adds a delicious, chewy meat to what is already an enjoyable romantic read. I loved the characters here. Jenny’s repeated struggle to overcome the fairytale roles that are imposed upon her, and the properly dark consequences of failure in the fairy realm, make this an excellent YA romance adventure that's hard to forget.
A darkly compelling mix of romance, fairy tale, and suspense from a new voice in teen fiction
The trees swallowed her brother whole, and Jenny was there to see it. Now seventeen, she revisits the woods where Tom was taken, resolving to say good-bye at last. Instead, she's lured into the trees, where she finds strange and dangerous creatures who seem to consider her the threat. Among them is Jack, mercurial and magnetic, with secrets of his own. Determined to find her brother, with or without Jack's help, Jenny struggles to navigate a faerie world where stunning beauty masks some…
Marcia Naomi Berger's passion is to help people create lasting, fulfilling marriages. An experienced clinical social worker, psychotherapist, and medical school clinical faculty member, Berger has held senior-level positions in child welfare, alcoholism treatment, and psychiatry. She says, "I stayed single for a long time because of my parent's divorce. Now happily married for over thirty-four years, I fill my books with the hard-earned wisdom I've gained professionally and personally."
This book can help many communication-challenged couples. It offers specific guidance on how to talk about topics for partners to address to foster long-term happiness. Couples who are dating and not yet committed will learn if deal-breakers exist by having conversations about whether they want children, what fidelity means to them, whether they're likely to support each other's goals and dreams, and more.
I strongly agree with the authors' ideas about addressing conflict with the goal of understanding rather than winning, making your relationship your top priority to succeed in marriage, and having fun together.
Many happily married people implement the ideas naturally without following the Eight Dates formula. However, as a couples therapist, I know that many will benefit from having the kinds of conversations the authors prescribe. I'm recommending this book to couples in my practice.
Happily Ever After is not by chance - it's By Choice.
John and Julie Gottman are cofounders of the Gottman Institute, bestselling authors, and award-winning researchers. Together, they have a deep understanding of what makes relationships work. Now, they bring that lifetime's worth of knowledge, research, and wisdom to bear in Eight Dates, a program of how, why, and when to have eight basic conversations with your partner that can result in a lifetime of love. Eight Dates is written for any serious couple, and its dates are structured around the concepts of trust, dealing with conflict, sex and intimacy,…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’m a philosopher who’s taught mostly undergraduates for over thirty years at small liberal arts colleges in the US, and I’ve held research fellowships at the University of Edinburgh and Williams College. I’ve co-authored three “toolkit” books – The Philosopher’s Toolkit, The Ethics Toolkit, and The Critical Thinking Toolkit. My more scholarly work, however, has focused on skepticism, for example in Hume’s Scepticism. I also like to write about pop culture, especially for collections like my Big Lebowski and Philosophy. Fundamentally, though, I’m just a lover of dialectic and an explorer in the world of ideas. Nothing, for me, is more enjoyable.
This book really captures what it’s like to do philosophy in an informed but informal way. Philosophy as Socrates practiced it, and as it often is at its best, is a dialogue among several interlocutors. Different people share their different views on a topic, compare them, scrutinize and criticize them, and hopefully improve them. Phillips started a movement of Socratic cafés where people got together to do just that. The topics recorded here analyze love in its various forms (erotic, familial, friendly, hospitable, spiritual, and philosophical). Love is, in fact, basic to philosophy, which, as the word philosophia implies, is the love of wisdom. Read this in conjunction with Plato’s dialogues about Socrates’ trial and death: Euthyphro, Apology, Crito, and Phaedo.
Christopher Phillips goes to the heart of philosophy and Socratic discourse to discover what we're all looking for: the kind of love that makes life worthwhile. That is, love not defined only as eros, or erotic love, but in all its classical varieties. Love of neighbor, love of country, love of God, love of life, and love of wisdom-each is clarified and invigorated in Phillips's Socratic dialogues with people from all walks of life and from all over the world.
