100 Books Like Hyperart

When I saw this book, translated into English in 2009, I was very skeptical. I’d never enjoyed a graphic novel, and even though I’d enjoyed math in school, I couldn’t imagine reading an entire book devoted to the history of the philosophy of mathematics.

But somehow the sheer audacity of what they had attempted made it catnip to me, and before I knew it, I’d inhaled the whole thing and felt high on the feeling that anything was possible. If this could be a graphic novel, I thought feverishly, couldn’t my old obsession, Maria Lani? If only I could find an illustrator who felt the same way….

I aggressively avoid reading books about animals, let alone ones devoted to a single animal (and one that had been written about before), but Hillenbrand’s brilliantly deployed, meticulous research into all of the human personalities that surrounded Seabiscuit seduced me, and many other readers.

Now that her book has become a bestseller and a feature film, it’s easy to forget how unlikely an accomplishment it was, particularly given her struggles with chronic fatigue, which she later chronicled in a poignant New Yorker essay.

When this book appeared in 1995, devoted to what was probably one of the least visited museums in Los Angeles, the Museum of Jurassic Technology in Los Angeles, California, I knew it was worth a try, given that Weschler was someone I'd already sent a rare fan letter to.

I wasn’t disappointed. He’s the perfect guide for this exquisite project (which I had to make a pilgrimage to straight away) that at first blush seems to be a recherché natural-history museum but turns out to be a fascinating provocation that upended my notions of how we decide what is actually true.

A few years ago, an old friend proposed that we make the dictionary our next book club selection. An idea too ridiculous to resist. But which dictionary to choose?

Unless you're retired, good luck finishing the 22,000-page Oxford English Dictionary. We opted instead for the excellent American Heritage Dictionary, which at ~100 pages per month only took us two years. 

For a guy who thought he knew a lot of words already, I was pulled up short fairly often by discoveries such as "callipygian," "relating to or having buttocks that are considered beautifully proportioned." And even when the word was familiar, the etymology could delight, for example, when I learned that "clue" derived from "Theseus's use of a ball of thread as a guide through the Cretan labyrinth."

And that was just in the letter C.

This remarkable biography has been hugely important to me in the understanding of the great German writer and critic Walter Benjamin. His essays, particularly on the 19th century Arcades, were the basis of my study, "A Human Comedy, Physiognomy and Caricature in 19th century Paris". Eiland and Jennings biography, based on enormous research, introduce us to this complex and enigmatic character and his brilliant criticism.

They provide a revealing portrait of his brief life in the shadow of European catastrophe. Their consummate understanding of Benjamin’s complex layered work gives new insight into this highly influential thinker. A scholarly work of the first order, written with wisdom and  compassion.

This book is the first-person narrative of a young woman experiencing the shock of incapacitating grief after the death of her grandmother, who had been her only family. 

When I was a young woman myself, I lost someone close to me. I had trouble getting out of bed and lost interest in other people and activities. I had just graduated from college and, due to the impending death, had not made plans; as a result, I had no structure to fall back on, no concept of the future to keep me going. There was a sensation that time had stopped.

While stuck in this emotional space, one of the only books that helped me was a translation of this book. Yoshimoto depicts in striking and lyrical detail the sense of apartness and timelessness that grief can engender, and the ways that focusing on details of daily living—like cooking—can assist with… show more.

A Japanese light novel, manga, and anime, Kyo Kara Maoh! is perhaps the foundation upon which my obsession with trope-defying fantasy humor was built. I will admit to watching the anime first (as an impressionable young teenager) and being hooked. It wasn’t like any show I had seen before. It was funny because it made fun of itself and the genres and tropes that normally constrained such a series. And as soon as I found that such a thing existed I wanted it. Tropes are great, but I love them so much more when they’re turned upside down or inside out or stretched out of shape completely, because then you get to see what they’re really made of.

A marvelously coherent and stimulating introduction to the turbulent politics and social and economic life of Japan between revolutionary changes in 1185 and the early sixteenth century, with much to say about cultural life as well. Souyri is as interested in the lives of peasants and traders as in that of shoguns and samurai.

Wilson describes his walking journey along the ancient Kiso Road through the Kiso Valley and the stops he made in the eleven post towns along the road. Today, some of the towns, like Narai, Tsumago, and Magome, are popular tourist destinations because they have maintained something of the look and character of the Edo Period, but in Wilson’s narrative, even the lesser known towns have something interesting to offer. Walker describes personal experiences with local people he met in the inns where he stayed and provides historical and literary backgrounds that add depth to his journey. The Kiso Road was the most scenic segment of the Kisokaidō (aka Nakasendō), the inland road between Kyōto and Edo during the nineteenth century.

This is the work of a cultural sage with deep wisdom to offer on how political issues affect culture, especially literature.

It illuminated to me how significant cultural artifacts of high modernity like the short story as a phenomenon, the work of Charles Baudelaire in relation to the city, the plays of Bertolt Brecht, and the stories of Franz Kafka - that I had once been uncomfortable with because of their density - mattered and needed to be engaged with to make sense of the intellectual currents of the age.

To take my place among a culturally aware Benjamin is a writer I could not sidestep.