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I grew up watching Formula 1 as a fan, and have been lucky enough to turn my passion into my career as a journalist. I’ve covered F1 races since the early 1990’s, travelling around the world and getting to know many of its biggest stars. One of my proudest moments was winning a prestigious Medaglia d’Oro at the Lorenzo Bandini Awards for my contribution to motorsport journalism. Even though F1 has changed over the years – especially becoming a lot more commercial – I think the fundamentals remain: it's of the very best drivers in the very best cars going at it wheel-to-wheel in that all out quest for victory. That’s why I love it.
The late Gilles Villeneuve may not have been Formula 1’s most successful driver, indeed he never won a world championship, but that did not stop him earning legendary status for his antics being the wheel.
Labelled ‘the craziest devil’ by some of his rivals, Villeneuve was a driver who fans loved because he was always pushing to the maximum and could only operate at the limit – which made him spectacular. I only got to hear about Villeneuve after he died, but I found there was no better book to shed light on what he was like as a driver and as man than Donaldson’s brilliant biography.
Gilles Villeneuve became a legend in his own time, a driver whose skill and daring personified the ideals of Grand Prix racing, the pinnacle of motor sport. With his flamboyantly aggressive, press-on-regardless style in his scarlet Ferrari, he captured the imagination of a vast international audience as no other driver has in recent times.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I grew up watching Formula 1 as a fan, and have been lucky enough to turn my passion into my career as a journalist. I’ve covered F1 races since the early 1990’s, travelling around the world and getting to know many of its biggest stars. One of my proudest moments was winning a prestigious Medaglia d’Oro at the Lorenzo Bandini Awards for my contribution to motorsport journalism. Even though F1 has changed over the years – especially becoming a lot more commercial – I think the fundamentals remain: it's of the very best drivers in the very best cars going at it wheel-to-wheel in that all out quest for victory. That’s why I love it.
Despite his death at the 1994 San Marino Grand Prix, Ayrton Senna’s legend still lives on strong in Formula 1. There have been many books written about him, but the one I have enjoyed the most for the way it both explored the man and career, and the impact of his tragic passing, is this one.
Richard Williams is a fantastic writer and he captures brilliantly just why Senna had this aura – which seems to get bigger with every passing year.
The most definitive and compelling book about the legendary racing driver, now a BAFTA award-winning documentary.
'For the casual racing fan it's a mighty good read, for the Senna fan it's indispensable' Time Out
Millions of people around the world watched in horror on that fateful day in Imola at the 1994 San Marino Grand Prix when Ayrton Senna's car careered off the track at 190mph. The greatest driver in Formula One history was dead.
In this classic sports book, Richard Williams explores the complex Brazilian who was a hero in his own country and an icon to everyone who…
I grew up watching Formula 1 as a fan, and have been lucky enough to turn my passion into my career as a journalist. I’ve covered F1 races since the early 1990’s, travelling around the world and getting to know many of its biggest stars. One of my proudest moments was winning a prestigious Medaglia d’Oro at the Lorenzo Bandini Awards for my contribution to motorsport journalism. Even though F1 has changed over the years – especially becoming a lot more commercial – I think the fundamentals remain: it's of the very best drivers in the very best cars going at it wheel-to-wheel in that all out quest for victory. That’s why I love it.
The status of Formula 1 legends is not just reserved for drivers, because there have been other big personalities involved in grand prix racing who became household names too.
One of those was commentator Murray Walker, who became the voice of F1 on both television and radio. I grew up listening to Walker on the BBC, so it was little wonder that this mini-autobiography Bedside Wheels became such a big hit for me.
In it he recounted some of his funniest moments covering the sport, as well as offers insight into just why he became famous for his commentary gaffes – which he insists throughout are not gaffes, but predictions that are immediately proved wrong!
"She plunged her blade into his chest, feeling it grind along his ribs..."
Outcast swordfighter, Kyer Halidan, was abandoned in a cornfield at age three. Now, twenty years on, she’s searching for answers: Who left her there? And why?
Kyer doesn’t suffer fools, and when she kills a man in…
I grew up watching Formula 1 as a fan, and have been lucky enough to turn my passion into my career as a journalist. I’ve covered F1 races since the early 1990’s, travelling around the world and getting to know many of its biggest stars. One of my proudest moments was winning a prestigious Medaglia d’Oro at the Lorenzo Bandini Awards for my contribution to motorsport journalism. Even though F1 has changed over the years – especially becoming a lot more commercial – I think the fundamentals remain: it's of the very best drivers in the very best cars going at it wheel-to-wheel in that all out quest for victory. That’s why I love it.
Formula 1 may now be a multi-billion dollar industry that is watched by millions around the world every other weekend, but it was not always like that.
The origins of the sport go back to the start of the 20th century, and I’ve always put history book Power and Glory (which comes in two volumes) as perhaps the best exploration of those early years.
Through his detailed research, and the use of impressive archive photos, William Court’s hefty volumes offer some great insight into the legends of the past where grand prix motor racing was almost unrecognisable from how it is today.
I’ve loved the theater ever since I first stepped on stage in a high school production of You Can’t Take It With You. I had one line and was hooked! And as for Shakespeare–I fell in love with the Bard when I was 13 and saw Franco Zeffirelli’s Romeo and Juliet. My best friend and I spent hours reciting the lines (I still remember whole speeches). So, when I was looking for an artsy subject (I love the arts) for my third novel, I naturally turned to the theater. I have a Master of Arts in Drama from the University of Toronto and when I’m not writing, I run Art In Fiction, a website showcasing 1700+ novels inspired by the arts.
Entertaining Mr. Pepys explores the world of British theater during a time when women were finally allowed on stage as actresses. I loved it because of how the author explored her main character’s fascination with acting, which reminded me very much of how Grace in my own book is captivated by the stage and willing to go to any lengths to become an actress. I have read several of Swift’s novels and credit them with inspiring me to write my own novels based on women in the arts.
Perfect for fans of Philippa Gregory, Alison Weir, Anne O'Brien and Elizabeth Chadwick, Deborah Swift brings a unique period in history to vivid, fascinating life in her acclaimed Pepys trilogy.
'A remarkably beguiling read. It transported me to the glitter and filth of seventeenth century London' Martine Bailey, author of The Almanack
'The fusion of historical facts and fiction is so flawless that it is hard to know where reality ends and fiction begins' Readers' Favorite
London, 1666. Elizabeth 'Bird' Carpenter has a wonderful singing voice, and music is her chief passion. When her father persuades her to marry horse-dealer…
I spent 40 years as a soldier studying war. After graduation from Royal Military College, I joined the Armoured Corps. Throughout history, we have regaled each other with stories of war. From Greek myths to Norse sagas to modern movies, we cannot seem to get enough of war stories. And yet, we know that war is inherently a bad idea. It is evil. It is a form of collective madness. War is destructive and cruel, unworthy of our better selves. To paraphrase Abraham Lincoln, war breaks the bonds of our affection and does not speak to our better angels. I study it in order to better understand this madness.
John Masters grippingly tells of his life as a newly commissioned Subaltern in a Gurkha regiment, warts, and all. This book is especially valuable to new infantry platoon commanders, or anyone interested in the challenges of leading at the lowest levels. Masters is a consummate storyteller who takes the reader along with him in his personal journey of discovery as he learns about life, leadership, and the nature of war.
The first of John Master's evocative memoirs about life in the Gurkhas in India on the cusp of WWII
John Masters was a soldier before he became a bestselling novelist. He went to Sandhurst in 1933 at the age of eighteen and was commissioned into the 4th Gurkha Rifles in time to take part in some of the last campaigns on the turbulent north-west frontier of India.
John Masters joined a Gurhka regiment on receiving his commission, and his depiction of garrison life and campaigning on the North-West Frontier has never been surpassed. BUGLES AND A TIGER is a matchless…
A mysterious stranger traps teen siblings in a precarious game where each must overcome their embittered past for the other to survive.
This suspenseful, yet winsome novel explores the power of family and forgiveness. But take heed. The truth can cut like shards of glass, especially for those who’d rather…
I love a good fight scene! It doesn’t need to be long and gruesome, but it must be visceral and make me nervous for those involved. Don’t get me wrong, I also love a good first-kiss scene but unfortunately, my past has made me more adept at recognizing and writing one over the other. I started training in martial arts at the age of nine and continued for thirty years. I don’t train much these days but I took up bowmaking a few years back and now spend a lot of time carving English longbows and First Nations’ bows. I recently also took up Chinese archery.
Mathew Harffy has a lot going for him in the historical fiction world. His fight scenes are not overly technical and are easy to follow. They have just the right amount of blood and gore to make you believe the characters are really in danger but are not simply gratuitous violence. What I really love about this book is his voice when he writes descriptions of the forest and the people who live in it. I grew up in the woods of a small town in Canada, and I know how the forest can be a peaceful, tranquil setting one moment and then suddenly transform into a place of shadows and dread. Judging by the cover of this book, I think Harffy knows this as well.
'Harffy's Dunston is a fantastic creation - old, creaking and misanthropic. The forest is beautifully evoked. A treat of a book' The Times.
AD 838. Deep in the forests of Wessex, Dunston's solitary existence is shattered when he stumbles on a mutilated corpse.
Accused of the murder, Dunston must clear his name and keep the dead man's daughter alive in the face of savage pursuers desperate to prevent a terrible secret from being revealed.
Rushing headlong through Wessex, Dunston will need to use all the skills of survival garnered from a lifetime in the wilderness. And if he has any…
Jane Finch lives in Norfolk, England and is married with one son. Jane has travelled extensively and has also lived in Canada, Spain, and the Caribbean. Having spent over twenty-five years working in English Law, Jane decided to try her hand at writing crime thrillers. Her first novel, Due Process, is based in her hometown in Norfolk. Her book, The Black Widows, published by Solstice Publishing, reached the top ten of Amazon’s crime thriller list. Jane is a member of International Thriller Writers Inc. Now retired, Jane is free to write full-time, when inspired to do so, although she says, “None of my friends tell me anything anymore because they know I’ll write about it!”
When John Darwin got into debt and ran out of money-making ideas, he decided to fake his own death so that his wife could claim the life insurance. The plan was to move to another country and live off the proceeds of his crime. But things didn’t go to plan. The arrogance and ineptitude of John Darwin, and his complete disregard for his family, defies belief. I couldn’t wait to read this book and was not disappointed. It has now been made into a drama by the BBC in the UK.
When Anne Darwin told the world and her family that her husband, John, had disappeared while canoeing in the North Sea, her life changed forever.
She had just lied to the police, the press, her friends and neighbours, insurance companies and her own sons.
While her husband hid in a bedsit in their rental house next door, Anne had to face the music. She claimed the life insurance payouts, endured the police questioning, accepted the consolations and left the country she loved to start her life again.
But why, when she had been perfectly happy with her lifestyle, knowing her…
I’m a public health research scientist who writes humorous historical mysteries set in 1900s Los Angeles among the police matrons of the LAPD. Like you, I read. I love smart, well-researched historical fiction with strong female protagonists and a good romantic subplot. Extra points if the book is funny because studies show laughter is good for you.
In 1940 London, Maggie Hope, a brilliant mind who graduated top of her class, is recruited by Number 10 Downing Street to be…a typist. Of course. She’s a woman. She’s also a crackerjack code breaker. I think you know where this is going. The character is wonderful, the writing strong, the story tight. A highlight for me was when Maggie –a young, virginal, cerebral type—pulls off a daring motorcycle jump with a man on the back because she has to. I don’t know, I think there’s a life lesson somewhere in there.
BARRY AWARD WINNER • Heralding the arrival of a brilliant new heroine, Mr. Churchill’s Secretary captures the drama of an era of unprecedented challenge—and the greatness that rose to meet it.
“With any luck, the adventures of red-haired super-sleuth Maggie Hope will go on forever. . . . Taut, well-plotted, and suspenseful, this is a wartime mystery to sink your teeth into.” —Kate Quinn, New York Times bestselling author of The Rose Code
London, 1940. Winston Churchill has just been sworn in, war rages across the Channel, and the threat of a Blitz looms larger by the day. But none…
In Renaissance Venice, the deadliest weapon isn’t a blade… it’s a secret.
Angelo Mascari is a master swordsman whose greatest battle isn’t fought for crown or country, but for love. When treachery strikes and the Republic turns against him, Angelo is forced into a desperate flight that leads him across…
I wanted to go to the sea ever since I can remember. In the hope of having the nonsense knocked out of me, my father sent me at the tender age of fourteen to the ‘Indefatigable’, a tough sea-training school. This only strengthened my resolve for a life at sea, and I joined the Royal Navy at 15. My family emigrated and I transferred to the Royal Australian Navy and saw service around the world. Although I no longer have an active involvement with the navy, I sail in my imagination through my sea-faring novels.
I’m greatly drawn to the caricaturists and satirists of the late eighteenth and early nineteenth century. In the days before the internet they were often vehicles for witty, sometimes very pointed, commentary on all aspects of society. This book, with prints from the National Maritime Museum, focuses on the Royal Navy during the later eighteenth and early nineteenth century.
Broadsides explores the political and cultural history of the Navy during the later eighteenth and early nineteenth centuries through contemporary caricature. This was a period of intense naval activity - encompassing the Seven Years War, the American War of Independence, the wars against revolutionary and Napoleonic France, and the War of 1812. Naval caricatures were utilised by the press to comment on events, simultaneously reminding the British public of the immediacy of war, whilst satirising the same Navy it was meant to be supporting. The thematic narrative explores topics from politics to invasion, whilst encompassing detailed analysis of the context…
