Here are 100 books that How the South Won the Civil War fans have personally recommended if you like
How the South Won the Civil War.
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By Laura Hooton, Paul Spickard, and Francisco BeltránAuthor
Why are we passionate about this?
Paul Spickard wrote the first edition of Almost All Aliens. He invited Francisco Beltrán and Laura Hooton, who worked under Dr. Spickard at UC Santa Barbara, to co-author the second edition after working as research assistants and providing suggestions for the second edition. We are all historians of race, ethnicity, immigration, colonialism, and identity, and in our other works and teaching we each think about these topics in different ways. We did the same for this list—this is a list of five books that talk about topics that are important to Almost All Aliens and approaches that have been influential in how we think about the topic.
Kendi’s book is the most recent in a long line of fantastic scholars who have tackled discussions of racism in America, especially anti-Black racism. Kendi focuses specifically on racist ideas, and how those ideas were created and then used to rationalize policies and inequalities for generations. The book is a New York Times Bestseller for a reason: it is accessible, has important ideas that are well-supported, and the reader doesn’t get lost in a history that covers a wide span of time.
Stamped from the Beginning is a redefining history of anti-Black racist ideas that dramatically changes our understanding of the causes and extent of racist thinking itself.
** Winner of the US National Book Award**
Its deeply researched and fast-moving narrative chronicles the journey of racist ideas from fifteenth-century Europe to present-day America through the lives of five major intellectuals - Puritan minister Cotton Mather, President Thomas Jefferson, fiery abolitionist William Lloyd Garrison, brilliant scholar W.E.B. Du Bois, and legendary anti-prison activist Angela Davis - showing how these ideas were developed, disseminated and eventually enshrined in American society.
How Contempt Destroys Democracy
by
Zachary Elwood,
After Trump's 2024 election, many liberal Americans have seen that previous ways of combatting Trump haven't worked—and that some approaches may have even created more support for Trump. If they want to be more effective in their activism, anti-Trump Americans must be willing to consider new ways of thinking about…
I believe in democracy. I think the US has the opportunity to be the world’s first multicultural and inclusive democracy. And I think that’s a very, very hard thing to do. I’ve been writing about democracy through the lens of presidential history my whole career, and I think the US has done some things so impressively well while at the same time it frustratingly keeps failing to live up to its own ideals. The tensions and contradictions in our history as we try to expand and enact those ideas are endlessly fascinating. And I’m nervous that we may be seeing the end of a national commitment to democracy.
I love this book because it’s political science at its best; it uses a lot of great data to study how history affects us in the present; it shows us how hard change is and also what makes it possible. It’s depressing and hopeful and super smart. It’s social science but it’s also very readable.
The lasting effects of slavery on contemporary political attitudes in the American South
Despite dramatic social transformations in the United States during the last 150 years, the South has remained staunchly conservative. Southerners are more likely to support Republican candidates, gun rights, and the death penalty, and southern whites harbor higher levels of racial resentment than whites in other parts of the country. Why haven't these sentiments evolved? Deep Roots shows that the entrenched views of white southerners are a direct consequence of the region's slaveholding history. Today, southern whites who live in areas once reliant on slavery-compared to areas…
I believe in democracy. I think the US has the opportunity to be the world’s first multicultural and inclusive democracy. And I think that’s a very, very hard thing to do. I’ve been writing about democracy through the lens of presidential history my whole career, and I think the US has done some things so impressively well while at the same time it frustratingly keeps failing to live up to its own ideals. The tensions and contradictions in our history as we try to expand and enact those ideas are endlessly fascinating. And I’m nervous that we may be seeing the end of a national commitment to democracy.
This is another readable book—and it’s really important because these authors don’t just focus on the norms that Trump violated and that get so much attention, but actually offer an interesting analysis of the things he did administratively that weakened the office of the presidency and the national government. People tend to think Trump was a poor administrator, and in many ways, of course, he was, but his actions have consequences that we don’t always see and this book tells us about them.
"This is a book for everyone who has developed an unexpected nostalgia for political 'norms' during the Trump years . . . Other books on the Trump White House expertly detail the mayhem inside; this book builds on those works to detail its consequences." ―Carlos Lozada (one of twelve books to read "to understand what's going on")
"Perhaps the most penetrating book to have been written about Trump in office." ―Lawrence Douglas, The Times Literary Supplement
The definitive account of how Donald Trump has wielded the powers of the American presidency
The extraordinary authority of the U.S. presidency has no…
How Contempt Destroys Democracy
by
Zachary Elwood,
After Trump's 2024 election, many liberal Americans have seen that previous ways of combatting Trump haven't worked—and that some approaches may have even created more support for Trump. If they want to be more effective in their activism, anti-Trump Americans must be willing to consider new ways of thinking about…
Michael Patrick Lynch is Board of Trustees Distinguished Professor of Philosophy and Provost Professor of the Humanities at the University of Connecticut. His books have been translated into a dozen languages and include On Truth in Politics: Why Democracy Demands It, The Internet of Us, True to Life (Editor’s Choice, The New York Times Sunday Book Review), and Know-it-All Society (winner of the 2019 George Orwell Award). Lynch’s work has been profiled in The New Yorker, The New York Times, Nature, The Guardian, The Washington Post, and many other publications worldwide; his 2017 TED talk has been viewed nearly 2 million times. He lives in CT with his family and one very philosophical dog.
This book has become a touchstone in conversations about democratic erosion. What I found most compelling was how it uses global and historical patterns to explain how democracies can slide into authoritarianism—slowly, and often legally. It helped me connect institutional changes in the U.S. to larger global trends in democratic backsliding.
Steven Levitsky and Daniel Ziblatt argue that today’s democracies rarely collapse through sudden coups. Instead, they are gradually weakened from within by elected leaders who stretch or disregard institutional norms to expand their own power. These changes frequently occur under the appearance of legality, making democratic decay harder to detect.
Drawing on historical and global examples, the authors show how democracies slide into authoritarianism when two foundational norms begin to erode: mutual toleration (the recognition that political rivals are legitimate) and institutional forbearance (the practice of exercising restraint even when one holds legal authority). When those norms break down,…
'The most important book of the Trump era' The Economist
How does a democracy die? What can we do to save our own? What lessons does history teach us?
In the 21st century democracy is threatened like never before.
Drawing insightful lessons from across history - from Pinochet's murderous Chilean regime to Erdogan's quiet dismantling in Turkey - Levitsky and Ziblatt explain why democracies fail, how leaders like Trump subvert them today and what each of us can do to protect our democratic rights.
'This book looks to history to provide a guide for defending democratic norms when they…
I spent most of my life in the western United States. Born and raised in northern Idaho, a professorial position attracted me to Tucson, Arizona, the long-time home of Edward Abbey. Cactus Ed said it best: “The idea of wilderness needs no defense. It only needs more defenders. Remaining silent about the destruction of nature is an endorsement of that destruction.” Upon reading books by Abbey and others writing about the American West, I became a defender of the idea of wilderness.
The Journey Home is a fitting sequel to Desert Solitaire in which Abbey makes a compelling case for saving what remains of the western United States. A long-time “desert rat,” Abbey lives his message of anarchism with a profound sense of humor. My exposure to Abbey’s writings while I was in college contributed to my love of the American West, where I grew up, and also contributed to my desire to pursue anarchism.
The Journey Home ranges from the surreal cityscapes of Hoboken and Manhattan to the solitary splendor of the deserts and mountains of the Southwest. It is alive with ranchers, dam builders, kissing bugs, and mountain lions. In a voice edged with chagrin, Edward Abbey offers a portrait of the American West that we'll not soon forget, offering us the observations of a man who left the urban world behind to think about the natural world and the myths buried therein.
Abbey, our foremost "ecological philosopher," has a voice like no other. He can be wildly funny, ferociously acerbic, and…
I’m a narrative nonfiction writer interested in a broad range of topics, including but not limited to: food and the people who bring it to us; travel and life in faraway places; human health and the role of medicine; memoir as one person’s story yet illustrative of the human spirit; and the unique and remarkable role dogs play in our lives. I am the same kind of reader: I read across a range of topics, mostly nonfiction. The bookshelves in my house and the record of titles I’ve checked out from my local library show an eclectic taste, as do the books I’m recommending here. I hope you’ll enjoy them!
I had never heard of Rinker Buck—nor of C-Span Book TV, for that matter—when one day, flipping through channels, I landed on him giving a talk about his then-new book, The Oregon Trail. I was smitten. As soon as his talk ended, I rushed to my local library to check out a copy.
Part travelogue, part memoir, part history lesson, The Oregon Trail had me mesmerized from the first page. “Exceptional” is not too strong a word to describe Buck’s skill as a writer and his extraordinary 2000-mile journey in a real covered wagon pulled by mules, tracing the pioneers’ arduous trek.
His insights, humor, and a personality that “doesn’t suffer fools gladly” provide a true understanding of the difficulty such a journey posed 150 years ago.
#1 NEW YORK TIMES BESTSELLER • #1 Indie Next Pick • Winner of the PEN New England Award
“Enchanting…A book filled with so much love…Long before Oregon, Rinker Buck has convinced us that the best way to see America is from the seat of a covered wagon.” —The Wall Street Journal
“Amazing…A real nonfiction thriller.” —Ian Frazier, The New York Review of Books
“Absorbing…Winning…The many layers in The Oregon Trail are linked by Mr. Buck’s voice, which is alert and unpretentious in a manner that put me in mind of Bill Bryson’s comic tone in A Walk…
When writing about quick-witted heroes fighting through danger to protect the innocent and those they love, I draw on the thousands of books and their authors who shaped my own understanding of how a hero behaves; of the principles and emotions which drive a person to persist in the face of massive adversity. Lost in the worlds of those books, inspired by the reading habits of my adopted father, I inhaled these five authors' works in particular. They became an illustrated history of the craft for me, showing through example how adventure writing had evolved and what it could become at its finest.
Louis L'Amour mastered the art of the adventure story. A story where we root for the hero to succeed and live their exuberance with them when they do. In 1965, he published The Sacket Brand, a western about a man and his new bride traveling to their first home together. Ambushed, badly injured, hungry, cold, and desperate, we live his experience of being hunted by enemies while uncovering the mystery of why it's all happening.
When he finally discovers the truth, we cheer as he, in turn, forces his enemies to run from him. Honor, integrity, stubborn principle. Persistence in the face of extreme adversity. Those were the life lessons I received from L'Amour's books and try to pass on in mine.
In The Sackett Brand, Louis L’Amour spins the story of a courageous man who must face overwhelming odds to track down a killer.
Tell Sackett and his bride, Ange, came to Arizona to build a home and start a family. But on Black Mesa, something goes terribly wrong. Tell is ambushed and badly injured. When he finally manages to drag himself back to where he left Ange, she is gone. Desperate, cold, hungry, and with nothing to defend himself, Tell is stalked like a wounded animal. While he hides from his attackers, his rage and frustration mount as he tries…
I am a son of the contemporary American West—born near the Pacific Coast, raised in Texas, and an inveterate traveler of its byways and odd corners. Through the duality of my upbringing, as the son of a well-traveled mother, a suburban sportswriter stepfather, and a father who worked in extractive industries, I’ve seen up close both harmony and dissonance. The work I’m drawn to, whether on the creation end or the consumptive end, goes deep into the lives that play out in these places.
I think it’s easy to live on the fault lines of conflict in the West today and be judgmental about who’s right and who’s wrong. What I love about Elise Atchison’s debut novel is that she avoids those binaries and instead tells the story of a changing Western town through the lens of the land, which bears the transformations—for good or for ill—but also has its own say.
I think Atchison smartly, instinctively employs an excellent piece of writing advice: A good antagonist thinks he/she is the protagonist.
I’m a novelist and admire writing that pushes against the conventions of mainstream fiction, that goes around and beyond the formulaic, commercial concept of plot. In the Western world, we’re especially stuck on what film director Raul Ruiz calls “conflict theory”—the masculinist idea that only conflict can create narrative. Of course conflict is part of life, but hello—there’s more. Conventional plot’s well-worn heroes, helpers, villians, saviours, and conflict-based climax, so closely tied to Hollywood USA, are predictable and unfulfilling. Many people seek something more innovative, like the literary versions of Philip Glass or Fernando Botero.
A mysterious, melancholy narrative translated from French is rendered in stripped-down sentences, following a novelist, Mia, after a death in the family. The subsequent plot of subterfuge and corporate crime is so full and busy with knotty, overly complex occurrences that it begins to seem a deliberate distortion and exaggeration of the convention of plot itself. Through the character of Mia, the gifted Redonnet reports tragic and powerful occurrences in flat, clear prose that packs emotion just under the surface of the affectless sentences. The word “Candy” recurs hauntingly through the novel: as a song title, as the name of a character in a show, and as the name that Mia’s lovers call her. This slight novel leaves searing traces of emotional impact long after you read it.
Candy Story recounts a turbulent year in the life of Mia, a young woman whose apparent calm is perpetually threatened by inner doubts and outer catastrophe. Her modest dreams of happiness are dashed by the deaths of her mother, old friends, and her lover. Mia is a talented writer, the author of an autobiographical novel. Now, assailed by calamity and misfortune, she struggles with writer's block, confounded-at least for the moment-by the senseless world around her. Candy Story is the fourth novel by Marie Redonnet. Translations of the first three-Hotel Splendid, Forever Valley, and Rose Mellie Rose-are also available from…
I’ve been writing about my explorations in the wilderness for over 20 years starting with the first edition of my Tahoe Rim Trail guidebook. I’ve always been fascinated by writers who embark on solo journeys into nature, or just traveling in general, and in so doing discover themselves and what they really want from their lives. While I’ve read my share (and written a few) stories about super feats of human endurance, I find the most satisfaction from reading about ordinary people experiencing life at a scale that makes sense to all of us.
Published 50 years after Desert Solitaire, seventh-generation Utah resident Amy Irvine talks about her respect for Abbey’s impact on her life and writing, while also not holding back on lambasting Abbey for his behavior and hypocrisy. Irvine told Orion magazine, “My goal was not to take Abbey down, but rather to make space for other voices and relationships to the natural world.” While Abbey might be the context for the book, Irvine goes on to deliver a fascinating exploration into her own take on the wonders of wilderness. She can be as hard on herself as she is on Abbey. This book is a great contemporary look at a key question for those of us who explore the wilds: How do we keep from loving it to death?
"A grief–stricken, heart–hopeful, soul song to the American Desert."
—PAM HOUSTON, author of Deep Creek
As Ed Abbey’s Desert Solitaire: A Season in the Wilderness turns fifty, its iconic author, who has inspired generations of rebel–rousing advocacy on behalf of the American West, is due for a tribute as well as a talking to. In Desert Cabal: A New Season in the Wilderness, Amy Irvine admires the man who influenced her life and work while challenging all that is dated—offensive, even—between the covers of Abbey's environmental classic. Irvine names and questions the "lone male" narrative—white and privileged as it is—that…
