90 Books Like Horse Gone Silent

Some books stay with you for a lifetime. Such is the case with Black Beauty for me.

This historical fiction novel (although it wasn’t “Historical” when it was written!”) is considered a classic because of its staying power and message. Anna Sewell’s work inspired the creation of the ASPCA because of the depictions of animal cruelty in the book.

Now, half a century later, it has inspired me to not only write historical fiction horse stories but I also chose to write in first person from the horse’s point of view the way Black Beauty is written.

To stick with my love of historical novels, this book is about rescuing Gamal, the last diving horse in the U.S.

In the early 1900s horses were used in a carnival stunt in which the horse with a rider on board would dive off a platform several stories high and plunge into a tiny pool of water. This is the non-fiction story of the last known diving horse. 

If you are like me, you love a good horse story. Combine that with history and this non-fiction story of the last diving horse was a perfect fit for me. As a lifelong horse lover and owner, I can't imagine asking my horses to jump off a high dive into a tiny pool. And I can't imagine being the rider that goes down with him!

This long-out-of-print book that came out in the 1960s introduced me to Witez II, the subject of my new book. While And Miles to Go is also historical fiction, it uses the real details of the life of Witez from his birth in Poland to his capture by the Nazis during WWII.

When I am writing a new novel about a little-known horse or horse-related event, I buy all the nonfiction books on the subject that I can find.  Once the print copy arrives, I can highlight, write notes in margins, dogear corners, and so forth, to help me with my research. This was the case with my latest book.

I purchased several nonfiction books about the army's "Operation Cowboy" during WWII during which they rescued the horses stolen by the Nazis. This book was written in the 1960s, so the closest to the time of the actual event of… show more.

This book is a novel by Marguerite Henry, based on the true story of the Godolphin Arabian, one of the founding stallions of the Thoroughbred breed. The story follows the journey of Sham, an Arabian horse, and his caretaker Agba, from the stables of the Sultan of Morocco to the streets of London. Agba remains loyal to Sham through many trials and tribulations until his true value is recognized.

I grew up on a horse farm, have ridden horses since I was a little girl, and spent many years training and competing dressage horses. People become equestrians because of the special connection that a horse can have with a human. Sham’s and Agba’s story is about this special, transcendent love. This book has remained one of my favorites in part because I found my own “Sham.”

This is an unlikely story, yet it is also a true one. Harry de Leyer, a Dutch immigrant, saved a horse named Snowman from the slaughterhouse. Harry trained Snowman to become a show-jumping champion. This is a story about an incredible long shot and about a man who believed in his horse. What’s not to love?

I am a third-generation horsewoman, and I grew up hearing stories about the “great horses.” I remember my mother sharing the tale of Snowman and Harry de Leyer with me. For the most part, equestrian stars are incredibly expensive, pedigreed animals. Snowman, in contrast, pulled a plow. The story of Snowman makes it seem possible that we can also find or encounter our own magical plow horse who can carry us to the rarified air of the top of the equestrian world.

I enjoyed this story, even though it was more about the rivalry between mother and daughter striving for Olympic Gold than it was about horses.

The horse jumping world is filled with backstabbing competitors, abuse of gorgeous animals, and risk of serious injury. Patterson dwells more on this than the very real connection riders have with their mounts. Still, it is a fun, engaging read.

Galway-based writer Kate Thompson heard the Scottish folk song "Annan Water" in her local pub. It tells of a doomed rider who crosses a flooded river to meet his Annie. Thompson fills out the sparse narrative into a modern setting, and makes the ballad a character in her story when Michael is haunted by the words: "And woe betide you, Annan Water / By night you are a gloomy river." She harnesses its resonance, harness being apt as the story centres around Michael's horse-dealing family as well as his attraction to another Annie. There is tragedy in the story, as in the ballad—Thompson believes children should not be protected from death. Certainly children brought up on ballads, as I was, face sisters killing sisters, hangings, and, of course, drownings.

Naughty, pun-laden, wise-cracking, and wildly sexy, Riders was the first of Jilly Cooper’s ‘Rutshire Chronicles’ introducing us to the Cotswolds show-jumping set, led by the thoroughly unreconstructed Rupert Campbell-Black whose ruthless bid to win Olympic gold sweeps up all in his wake. The male characters, alternately strutting around in breeches and dinner suits and trailed by adoring Labradors and women, are all a wonderfully undomesticated pack. The feisty heroines who take them on inevitably end up swooning. It’s the horses – a brave bold and talented herd – that are by far the most noble characters and provide many genuinely moving moments. Riders is about as politically correct as a cigar in a maternity ward and unapologetically British from hunting cap to mahogany-topped boot, yet it remains the best ‘grown-up pony book’ in existence, still adored by tens of thousands of fans.

High, Wide, and Handsome is a non-fiction, pictorial history of Australian Showjumping from 1900-1950. These black and white photos depict the very different riding styles of showjumpers during these earlier years. Riding in long stirrups and even side-saddle, these fearless riders tackled enormous jumps on their courageous horses, up to nearly eight feet in height. Other photos show them jumping three or four abreast, the Section Fours, the riders sometimes going so far as to colour-co-ordinate their horses.

I rode with the late Colonel for many years when he traveled to America. He was classically trained in dressage and a judge of the sport in Europe. I own all of his books and DVDs. He was always about the horse first. He was still riding and training up through his eighties which is testimony enough as to why dressage, if done properly, helps not only the horse but the human rider as well with longevity and proper posture.