Books like Honor Thy Father

The Big Sky is a masterpiece of historical fiction and an often-cited classic novel of the American West. It earns this distinction because of its original characterization, its use of historical and geographical accuracy, its thematic depth, and its symbolism. It is set in the mountain man or fur trade era, and it shows the consequences of White men going into the wilderness. This book introduces the idea, in cultural and environmental terms, that in the occupation of the American West, people ruin the thing they love. This book not only makes it to the top of the lists by western writers, but it also is well appreciated by scholars and students in Western American Literature. 

Riders of Judgment is part of a series of high-geared western novels by Frederick Manfred, whose best-known work is Lord Grizzly. I choose this novel because of its fictional and figurative treatment of the Johnson County War, a famous event in Wyoming history. In his fictional treatment, Manfred gives symbolic and mythic dimensions to his characters, and he tells a compelling story with original, not standard, characters. Several years ago, when Manfred came to our college in Wyoming to participate in a literary conference, he told us about how, in the mid-1950s, he researched the area and interviewed family members of some of the original participants. 

Welcome to Hard Times is a shorter novel. It is of the length of the classic western that was popular at the time that this novel came out (1960). This novel is sometimes described as an anti-western or an ironic western, as it takes a non-heroic view of people dealing with evil in a frontier town. It was made into a movie by the same title, but the movie is not well known. The novel is similar in tone to the movie McCabe and Mrs. Miller, which some people do not like because of its non-heroic or skeptical tone. Readers who like their westerns upbeat and unequivocal may not appreciate Doctorow’s novel, but readers who are willing to consider less-than-pristine views may find an interesting treatment here.

The Sea of Grass is a short novel, standard in length for the time in which it was published (1936), close in time to other short classics such as The Grapes of Wrath and The Postman Always Rings Twice. It is written in first person, and in some respects, it suggests the influence of The Great Gatsby, another short masterpiece some ten years earlier, with an observer narrator, an elegiac tone, an evocative prose style, and interesting figurative language. This novel, like many, draws upon the range war (nesters versus the cattle empire) for its premise, but it becomes a very interesting exploration of human nature and the inevitable passing of time. 

This is the perfect mix of politics and crime fiction, illustrating the old saying that power tends to corrupt and absolute power corrupts absolutely.

Like all the books in this series, I thoroughly enjoy C.J. Box showing me the Wyoming he knows so well, the state’s harsh winters with snow so deep it literally comes up your thighs, the abundant wildlife, and the people.

I love how the story begins with the hero, game warden Joe Pickett, investigating the disappearance of a well-to-do British woman from an elite guest ranch and then unexpectedly spirals headlong into green energy corruption.

Mostly, I appreciate Box’s depiction of self-serving politicians going up against an unassuming game warden who just wants to do his job and go home to his loving family. 

This book delights me. It makes me laugh, it inspires me, and it makes me wish I could have met Elinore Pruitt Stewart. Even though her life certainly wasn't easy, she never lost her hope, her joy, her faith, or her sense of humor.

Stewart wrote these letters to a friend, detailing her successes and failures as a woman homesteader, and hoping to encourage other women to try forging their own lives on the frontier. Wanting to build a better life for herself and her daughter, this widow headed off into the plains of Wyoming, where she took a job keeping house for a rancher while also claiming her own homestead. Her accounts of her new life are funny, moving, and encouraging by turn.

This is a lesser-known work of climate fiction compared to Ministry for the Future, but it is equally impressive in its erudition, realism, and gripping narrative trajectory. Markley has given us a chillingly realistic and affectively charged account of America’s likely near-term future.

I love the way he weaves together developments in climate, rightwing politics, and Artificial Intelligence to show how the American political landscape is likely to evolve over the next twenty to thirty years. While the climate crisis is the main storyline, Markley also shows us how big data and AI may converge to deliver unprecedented advances in the American surveillance state – while also potentially providing emancipatory tools for activists in unforeseen ways.

It is a long book, but hard to put down – and not recommended reading before bedtime!

I love stand-up guys, and the main character, game warden Joe Picket, is drawn into a precarious situation, having to protect his friends and family from evil people and grizzlies alike.

I loved that he’s just an everyday guy, minding his own business and just doing his job, and is called upon to thwart criminals when he’d much rather be protecting elk herds in the mountains of Wyoming. Box’s writing is like listening to a story around the campfire. I stayed up past my bedtime, consistently wanting to keep reading until I fell asleep with the book on my chest.

I really love a lot of the writing between the two world wars — there’s something clear-eyed but lacking in guile, almost willfully large-spirited and generous. The two Muries alternate chapters, Mardie describing everyday life in the beautiful but rapidly-changing Jackson Hole of the 1930s and 40s, while Olaus writes about and illustrates his work as a famous wildlife biologist. I regularly re-read this book when I want to feel good about people and the world.

This book contains two stories that intertwine: that of a girl who has lost her mother, and a mustang mare struggling to keep her foal safe. I like how the mare is portrayed as intelligent and brave, just as the girl is. Both living beings are important characters in the plot, which is wonderful. The prose is skillful and beautiful, and suits competent, older middle-grade readers who will be transported into the wild landscape.