Here are 100 books that Homesick fans have personally recommended if you like
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Charlie Jane Anders is the author of All the Birds in the Sky, which Time Magazine listed as one of the hundred best fantasy novels of all time. Her other books include The City in the Middle of the Night, Victories Greater than Death, and Never Say You Can't Survive: How to Get Through Hard Times By Making Up Stories. She organizes the long-running spoken word series Writers With Drinks, helps to organize tours of local bookstores, and also co-hosts the podcast Our Opinions Are Correct. Her short fiction has appeared in Tin House, Conjunctions, Wired Magazine, Slate, and the Boston Review.
A really great short story collection can sweep you off your feet and take you to a lot of different places, in a way that novels can't quite manage. And Swamy's debut collection is haunting in the best possible way. These dreamlike stories feature characters who are lost and dislocated, carried along by other people's desires, and the best of them have something to say about art as well as relationships. In one story, an artist who is descending into alcoholism gets into a relationship with the god Krishna, and in another, a "laughter artist" has perfected her laughter to the point where all laughter seems artificial. Swamy conveys the feeling of being lost but seen, in a really beautiful, arresting way.
In "A Simple Composition," a husband's professional crisis leads to his wife's discovery of a dark, ecstatic joy. And in the title story, an exhausted mother watches, hypnotised by fear, as a California wildfire approaches her home. Immersive and assured, provocative and probing, these are stories written with the edge and precision of a knife blade. Set in the United States and India, they reveal small but intense moments of beauty, pain, and power that contain the world.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve always enjoyed short story collections. Starting with Ray Bradbury and Stephen King, I became a fan of the short form. And as a burgeoning writer, writing short stories was the best way for me to learn the craft of storytelling. While I started out writing supernatural horror, I gradually found myself combining horror, fantasy, and science fiction with dark comedy and social satire, creating a blend of genres. Several of the short story collections I recommend here were instrumental in my evolution as a short story writer and inspired a number of the stories in my latest collection, Lost Creatures.
I love reading novels and stories that make me wish I’d written them, and this collection by Kelly Link made me wish that time and time again. This book also introduced me to the concept of fabulism, a form of magical realism where elements of the fantastic occur in everyday settings, which is something I find compelling both as a reader and as a writer. Link combines humor, fantasy, magical realism, and more than a touch of horror to create a collection of stories that is unique, weird, and wonderful.
Fantastic, fantastical and utterly incomparable, Kelly Link's new collection explores everything from the essence of ghosts to the nature of love. And hurricanes, astronauts, evil twins, bootleggers, Ouija boards, iguanas, The Wizard of Oz, superheroes, the pyramids . . .
With each story she weaves, Link takes readers deep into an unforgettable, brilliantly constructed universe. Strange, dark and wry, Get in Trouble reveals Kelly Link at the height of her creative powers and stretches the boundaries of what fiction can do.
Charlie Jane Anders is the author of All the Birds in the Sky, which Time Magazine listed as one of the hundred best fantasy novels of all time. Her other books include The City in the Middle of the Night, Victories Greater than Death, and Never Say You Can't Survive: How to Get Through Hard Times By Making Up Stories. She organizes the long-running spoken word series Writers With Drinks, helps to organize tours of local bookstores, and also co-hosts the podcast Our Opinions Are Correct. Her short fiction has appeared in Tin House, Conjunctions, Wired Magazine, Slate, and the Boston Review.
This story collection is mind-blowing in the best way. As its name suggests, a lot of the stories in this book deal with immigrants, including Chinese people who've immigrated to the United States, but also rural people who've migrated to cities. Chai's characters are struggling to balance traditional Confucian values with postmodern urban existence, and a lot of these stories feature tensions between different generations in a single-family. The best story is probably the award-winning "Fish Boy," in which a boy moves from the Chinese countryside to the big city and ends up working at a seafood restaurant whose offerings sound pretty unappetizing. Chai is brilliant at picking up on the subtle nuances of damaged families, and every one of these stories hits home.
In the title story of this timely and innovative collection, a young woman wearing a Prada coat attempts to redeem a coupon for plastic storage bins while her in-laws are at home watching the Chinese news and taking her private phone calls. It is the lively and wise juxtaposition of cultures, generations, and emotions that characterize May-lee Chai's amazing stories. Within them, readers will find a complex blend of cultures spanning China, the Chinese diaspora in America, and finally, the world at large.
With luminous prose and sharp-eyed observations, Chai reveals her characters' hopes and fears, and our own: a…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Charlie Jane Anders is the author of All the Birds in the Sky, which Time Magazine listed as one of the hundred best fantasy novels of all time. Her other books include The City in the Middle of the Night, Victories Greater than Death, and Never Say You Can't Survive: How to Get Through Hard Times By Making Up Stories. She organizes the long-running spoken word series Writers With Drinks, helps to organize tours of local bookstores, and also co-hosts the podcast Our Opinions Are Correct. Her short fiction has appeared in Tin House, Conjunctions, Wired Magazine, Slate, and the Boston Review.
Yap's debut collection is full of brilliant moments and haunting images. She wraps together Filipino folklore with characters who are endlessly rich and fascinating, and the result is sometimes terrifying, sometimes weird and unsettling, and always gorgeous. This book will leave you feeling as if uncanny worlds are waiting for you to discover them, just out of view. Many of these stories go to dark places, but then you stumble on a sweet tale like "A Spell For Foolish Hearts," involving a gay magician, a love potion, and a complicated relationship. You'll wish you could read this book for the first time more than once.
"Am I dead?" Mebuyen sighs. She was hoping the girl would not ask.
Spells and stories, urban legends and immigrant tales: the magic in Isabel Yap's debut collection jumps right off the page, from the joy in her new novella, "A Spell for Foolish Hearts" to the terrifying tension of the urban legend "Have You Heard the One About Anamaria Marquez."
I have always loved history, ever since my childhood obsessions with Boudica, Anne Boleyn, and the witch trials. I love exploring different historical periods through literature, as books can help us develop real feelings of connection and empathy with people who lived in times and places very different from our own. I like to think that, in turn, this encourages us to be more empathetic with others in our own time. Since coming out as lesbian when I was 14, I have read a great deal of queer fiction, seeking to immerse myself in my own queer heritage and culture.
Jordy Rosenberg does something clever and innovative with the historical fiction genre and reimagines the historical figure of Jack Sheppard as a transgender man. This is a bit of a two-for-one as there’s also the metatextual story, told through footnotes, of a contemporary trans academic who comes across the ‘confessions’ of Jack. It’s playful, knowing, and slippery. It made me think a lot about the nature of history and what we project onto the people of the past. It pairs beautifully with the Bad Gays podcast.
I’ve never been to the marsh and fenlands of East England, but the descriptions of them in this book have made me really want to visit them!
Finalist for the Lambda Literary Award, 2019 Finalist for the Publishing Triangle Award, 2019
A New Yorker Book of the Year, 2018 A Huffington Post Book of the Year, 2018 A Buzzfeed Book of the Year, 2018
'Quite simply extraordinary... Imagine if Maggie Nelson, Daphne du Maurier and Daniel Defoe collaborated.' Sarah Perry, author of The Essex Serpent
Jack Sheppard - a transgender carpenter's apprentice - has fled his master's house to become a notorious prison break artist, and Bess Khan has escaped the draining of the fenlands to become a revolutionary mastermind. Together, they find themselves at the center…
I write fantasy romance, or romantic fantasy, and one of my favorite things this little genre niche can do is use its otherworldly setting to re-examine our preconceived notions of romantic relationships. Polyamory exists in the real world, of course, so surely it should also exist in worlds with hauntings, spells, magic-powered giant mecha, and gods who intervene in mortal fates. Here are some books I have loved that make polyamory a fundamental part of their fantasy worldbuilding.
This beautiful and immersive novella is a winter-solstice-themed story about a woman and a genderqueer character who have nothing in common except for their mysterious, chaotic, magical, missingboyfriend. His magical experiment goes wrong and finding him requires them to cooperate. They make their way through a strange and wonderful set of clues that bring them closer together. Layla and Nat were both so richly drawn, and the contrast between their ordinary lives and the eerie, ineffable nature of the magic made the book so memorable for me. The whole cast is marvelously queer, and I laughed out loud a couple of times. A gem.
The world you know is underneath the substance of another, with cracks in the firmament that let the light of its magic in…
Layla and Nat have nothing in common but their boyfriend – enigmatic, brilliant Meraud – and their deep mutual dislike. But when Meraud disappears after an ambitious magical experiment goes wrong, they may be the only ones who can follow the trail of cryptic clues that will bring him safely home.
To return Meraud to this world, the two of them will confront every obstacle: the magic of the wild unknowable, a friendly vicar who's only concerned…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Having moved almost twenty times in my life, I have a passion for home – finding home, creating home, and enjoying home no matter where you land. My personal space is filled with books, my favorites being about homecomings and safe places of peace and restoration. Home fills me with joy and is a theme in each of the historical novels I write. Everyone should have the haven of a home, both here and now and eternally.
Written by one of my favorite historians, this novel explores the rooms and homes that shaped Jane Austen and her timeless literary career. Home indeed shapes us, defines us, and even imbues our work as Lucy Worsley shows. A unique look into the life of a beloved novelist that adds rich layers to the fictional world of Austen and fleshes out her settings of Longbourn, Netherfield, Barton Cottage, etc.
'This is my kind of history: carefully researched but so vivid that you are convinced Lucy Worsley was actually there at the party - or the parsonage.' Antonia Fraser
'A refreshingly unique perspective on Austen and her work and a beautifully nuanced exploration of gender, creativity, and domesticity.' Amanda Foreman
Lucy Worsley 'is a great scene-setter for this tale of triumph and heartbreak.' Sunday Times
On the 200th anniversary of Jane Austen's death, historian Lucy Worsley leads us into the rooms from which our best-loved novelist quietly changed the world.
Family is one of the few truly universal experiences that all human beings have, because we all come from somewhere. Every human on Earth is raised by someone, so it’s something we can all relate to, for good or for ill. Universal experiences like family allow us as human beings to relate to others, and that common ground is what provides joy and meaning in life. I appreciate that I don’t have to have a master’s degree or PhD in family studies or family therapy to glean insights into how our families shape us. My own observations and analytical writer’s mind made me realize the importance of storytelling in keeping families together, especially across generations.
Family is not just a metaphor- it resides in a physical place, and that place is home. I found this book extremely valuable because it takes an anthropological approach to the meaning of home, exploring the sociological, historical, and even scientific reasons why home is so fundamental to the human condition. The image of a hearth stands out most from this book: that the most fundamental way for humans to make food - fire - created the foundation for viewing home as a place that is crucial to our nourishment and flourishing. This basic aspect of human survival led to a space of protection, peace, comfort, and security- a home. And where there is home, there is family.
As the adage goes, home is where the heart is. This may seem self-explanatory, but none of our close primate cousins have anything like homes. Whether we live in an igloo or in Buckingham Palace, the fact that Homo sapiens create homes is one of the greatest puzzles of our evolution. In Home , neuroanthropologist John S. Allen marshals evidence from evolutionary anthropology, neuroscience, the study of emotion, and modern sociology to argue that the home is one of the most important cognitive, technological, and cultural products of our species' evolution. It is because we have homes,relatively secure against whatever…
I’ve lived in the same place for a long time—a complicated yet beautiful place that I love and love to observe. I’ve seen a lot of change, and a lot of folks come and go in my neighborhood and within the walls of my own house. Looking at a building down the street, I can see it two paint jobs ago, the moods of former owners and friends still imprinted there. I’m becoming a relative old-timer here—while the neighborhood sees repeated turnover, I dig in harder. My long track of settledness has nurtured a tendency to chronicle this humble place, to write one version of its story.
I have lived in modest quarters all my life. I believe it would scramble my sense of self if I moved to an opulent, showy house. Home is identity; identity is home.
This is a collection of short memoir pieces by women about the concept of home. In these essays, women bring spouses, children, parents, pets, languages, plants, neighbors, and nature into their home worlds, seeking and sometimes finding comfort and peace. Or, feeling the lack of a home, they travel the world to look for one.
In a sense, this book is about all the searching women do just to feel right with ourselves. Just to find a place where our interior worlds can flourish.
This is the Place is a collection of essays exploring home, from a diverse collection of writers. Home is a loaded word, and a complex idea for most of us: it's a place that can be safe, sentimental, difficult, nourishing, war-torn, or long-lost. It's a place to escape and a place to create. I believe that The essays cover topics like the bonds we form with our stuff, the smells and sounds we crave, the people and plants we cultivate, the qualities that develop because we hail from one place or another.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
The natural world is where I feel at home, and it is also the focus of my work as a writer. In Virginia, where I grew up, I always felt calmest walking footpaths in the mountains. Now I live on a windswept island in Scotland, my little aging caravan a couple of dozen feet from crashing waves. I have always felt curious about how we shape our surroundings and how our surroundings shape us. As a writer and a reader, I probe these questions every day.
As a child, I sometimes sensed the problems of the world and felt an anger at my helplessness to solve them.
The first time I read Kincaid’s writing, I was struck by the way in which she captured those feelings of frustration. She channels a well-worded rage at the ruling class, in this case focused on the treatment—socially, culturally, and environmentally—of Antigua.
From the author of AT THE BOTTOM OF THE RIVER and ANNIE JOHN, a novel set in Antigua, where the idyllic tourist facade hides a colonial legacy of corruption, remedial social investment, and disenfranchised local culture. First published in 1988.