89 Books Like Home Again

I am a professional historian and have published both nonfiction and fiction. I present research in my academic books and spin that research into stories in my novels, but sometimes I wonder whether it doesn’t come out to the same thing–I interpret the evidence in light of my own experiences and look at it through the narrow lens of contemporary values. Is that so very different from making it up? That’s why I like to write (and read) novels that inquire into the nature of our conceptions and raise the question of whether there is such a thing as Truth with a capital T. 

Success isn’t about money. It’s about character and personal experiences. I accept Viktor Frankl’s conclusion that fulfillment comes from having a purpose, caring for others, and living life with love. From my earliest movie heroes like Lash LaRue, Tom Mix, and Roy Rogers, to John Wayne, Cary Grant, and George Clooney, my favorite heroes have been modest and kind. Book heroes like Donna Leon’s Inspector Guido Brunetti, Louise Penny’s Armand Gamache, and John Le Carre’s George Smiley are modest and kind. This returns us to Lou Gehrig, my authentic, real-life hero. His early influence is clear in my heroic Duff Malone character.

Anyone who’s attended high school knows it’s often survival of the fittest outside class and a sort of shadow-boxing inside of it. At my late-1970s prep school in the suburbs of Los Angeles, some days unfolded like a “Mad Max” meets “Dead Society” cage match. While everything changed when the school went coed in 1980, the scars would last into the next millennia for many. Mine did, and it’d thrust me on a journey not only into classic literature of the young-male archetype, but also historical figures who dared to challenge the Establishment for something bigger than themselves. I couldn’t have written my second novel, Later Days, without living what I wrote or eagerly reading the books below.

I’ve become fascinated with the unconventional tumultuous world of the 1920s ever since I discovered my grandmother’s box of mementos that led to my debut historical fiction, Whistling Women and Crowing Hens. The lesser-known parts of our country’s history draw me in, and the potential for strong female characters keeps me writing. Before I fell down many research rabbit holes, I thought the 1920s were just speakeasies, fringed flappers, and bathtub gin—while entertaining, it’s only the “big city” side of this transformative decade. I’ve found I prefer reading what everyday townspeople experienced, or how “normal” women became unexpected heroes, or ways people persevered after the turmoil WWI caused. There are so many undiscovered stories to be told!

This recommendation list is a celebration of these authors’ creativity! Like every reader I love a good story, and this list highlights five books that not only weave entertainment within their respective genres—but also tell their stories in unique visual ways by being fearless with formatting. I love being into a story and seeing there’s a journal entry or letter coming up—it’s like an intimate view into the characters’ world and experiences, and I want to eat it up! If you’re interested in finding more authors who do this, Googling “epistolary novels” will help.

Novels about humanity move me, as I love the messiness and complexities of imperfection. Because I’m passionate about reading these kinds of books, I’m also passionate about writing them. My first book, Paint Me Fearless, debuted at #1 on Amazon’s Hot New Release List in Christian Contemporary Fiction in 2021. It seemed readers found relevance in subjects like challenging family dynamics, weight issues, crippling insecurity, and the repercussions of abuse. My subsequent books continue in this vein. I aspire to write stories that reflect universal emotions like heartache and grief, but also joy and laughter. One reviewer described my books as a “rollicking good time,” which was a good day because I strive to entertain. 

I’ve always loved suspenseful books, and I enjoy creating my own characters and helping them strengthen their faith as they triumph in difficult circumstances. I want to encourage other Christians with my writing, and introduce others to Christ who may be searching to see how God can change their lives. I also want to provide readers with a fun getaway of excitement, suspense, and thrills. I am an attorney and see many cases that don’t conclude with a happy ending, however, God can take what men meant for evil, and turn it into good, and there is a positive and encouraging ending waiting in each of my books.

Novels about humanity move me, as I love the messiness and complexities of imperfection. Because I’m passionate about reading these kinds of books, I’m also passionate about writing them. My first book, Paint Me Fearless, debuted at #1 on Amazon’s Hot New Release List in Christian Contemporary Fiction in 2021. It seemed readers found relevance in subjects like challenging family dynamics, weight issues, crippling insecurity, and the repercussions of abuse. My subsequent books continue in this vein. I aspire to write stories that reflect universal emotions like heartache and grief, but also joy and laughter. One reviewer described my books as a “rollicking good time,” which was a good day because I strive to entertain. 

Heather Clark is the author of Red Comet: The Short Life and Blazing Art of Sylvia Plath which was a finalist for the 2021 Pulitzer Prize and the National Book Critics Circle Award in Biography, and a Book of the Year at The Guardian, O the Oprah Magazine, Entertainment Weekly, The Times (London), Lit Hub, Good Morning America Book Club, and elsewhere. She is currently working on a new group biography about the Boston years of Sylvia Plath, Anne Sexton, Adrienne Rich, and Maxine Kumin, under contract with Knopf. She is a professor of Contemporary Poetry at the University of Huddersfield in Yorkshire, England.

I have enjoyed personal experiences that are probably unlike those of most women my age and background. I thought it would be a unique example to write about myself, growing up as a local child in British Colonial Singapore, at a time when most other local children who grew up in Singapore during the early 50s and 60s had lives fraught with hardships, poverty, and distress. The common theme is extensive in all the book references I have made, as every story is about someone’s growing-up years in an Oriental or Eastern environment, and their relationships or lack thereof, with their respective parent(s).