Here are 100 books that Hollywood Westerns and American Myth fans have personally recommended if you like
Hollywood Westerns and American Myth.
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I’m a historian, with a special interest in the 20th century. I’ve written about Freud’s Vienna, the aftermath of the First World War, strikes in the 1920s and 1930s in America’s cotton South, the plot to assassinate Hitler, and the notorious 1940s gangsters nicknamed “Murder, Inc.”. What intrigues me about the 20th century are the era’s underlying values and the shocking and violent collisions among them. In Casablanca’s Conscience, I use the great film as a lens with which to take another look at the tumultuous times just a generation ago.
Isenberg has explored all the Hollywood archives and has produced a delightful and fascinating story of the actors, the director and producer, the writers, and all the technicians who created the film. A splendid guide to Casablanca and a great example of an in-depth, how-it-was-made history of a single film.
Casablanca is "not one movie," Umberto Eco once quipped; "it is 'movies.'" Film historian Noah Isenberg's We'll Always Have Casablanca offers a rich account of the film's origins, the myths and realities behind its production, and the reasons it remains so revered today, over seventy-five years after its premiere.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’m a historian, with a special interest in the 20th century. I’ve written about Freud’s Vienna, the aftermath of the First World War, strikes in the 1920s and 1930s in America’s cotton South, the plot to assassinate Hitler, and the notorious 1940s gangsters nicknamed “Murder, Inc.”. What intrigues me about the 20th century are the era’s underlying values and the shocking and violent collisions among them. In Casablanca’s Conscience, I use the great film as a lens with which to take another look at the tumultuous times just a generation ago.
Kracauer was a German film critic in the Weimar years. This classic text, first published in 1947, relates the crisis of German culture in the 1920s and 1930s–which climaxed in Hitler and Nazism–to famous Weimar films, like The Cabinet of Dr. Caligari, and M. Kracauer’s effort to track Germany’s cultural zeitgeist in the movies. This relation is not without controversy.
His book remains a fine example of the struggle to see mass psychology in the movies and the movies in the context of mass psychology.
An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism
First published in 1947, From Caligari to Hitler remains an undisputed landmark study of the rich cinematic history of the Weimar Republic. Prominent film critic Siegfried Kracauer examines German society from 1921 to 1933, in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel. He explores the connections among film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer makes a startling…
I’m a historian, with a special interest in the 20th century. I’ve written about Freud’s Vienna, the aftermath of the First World War, strikes in the 1920s and 1930s in America’s cotton South, the plot to assassinate Hitler, and the notorious 1940s gangsters nicknamed “Murder, Inc.”. What intrigues me about the 20th century are the era’s underlying values and the shocking and violent collisions among them. In Casablanca’s Conscience, I use the great film as a lens with which to take another look at the tumultuous times just a generation ago.
Blake’s book explores the way in which a distinctly Catholic sensibility shaped the cinematic imaginations of Alfred Hitchcock, Martin Scorsese, John Ford, Francis Ford Coppola, and Brian De Palma.
Blake’s point is not that these filmmakers were pious or even believers. He does demonstrate, though, that the Catholic cultures in which these filmmakers grew up significantly influenced both the stories they told and the images they created.
Blake, a noted film critic, reveals a Catholic imagination at work in the films of Martin Scorsese, Alfred Hitchcock, Frank Capra, John Ford, Francis Ford Coppola, and Brian De Palma. Their movies are permeated with such Catholic ideas as sacramentality (the sacred is present in the profane things of the world), mediation (God works in our lives through specific people and things), and communion (salvation depends on belonging to a community).
Trapped in our world, the fae are dying from drugs, contaminants, and hopelessness. Kicked out of the dark fae court for tainting his body and magic, Riasg only wants one thing: to die a bit faster. It’s already the end of his world, after all.
I’m a historian, with a special interest in the 20th century. I’ve written about Freud’s Vienna, the aftermath of the First World War, strikes in the 1920s and 1930s in America’s cotton South, the plot to assassinate Hitler, and the notorious 1940s gangsters nicknamed “Murder, Inc.”. What intrigues me about the 20th century are the era’s underlying values and the shocking and violent collisions among them. In Casablanca’s Conscience, I use the great film as a lens with which to take another look at the tumultuous times just a generation ago.
Yes, of course, just about everyone has heard of Roger Ebert (d. 2013), the great film critic for the Chicago Sun-Times and co-host, with Gene Siskel of the PBS program Sneak Previews. But have you ever read any of his reviews? They’re delightful–smart, funny, touching, and thoroughly readable.
Ebert must have seen every film ever made (his reviews are arranged in these collections alphabetically by film title). In each short review he offered, not just his opinion of the film in question, but striking insights into the film’s themes, meanings, symbols, and underlying philosophy.
Any film lover should immediately obtain all four collections.
America’s most trusted and best-known film critic Roger Ebert presents one hundred brilliant essays on some of the best movies ever made.
Roger Ebert, the famed film writer and critic, wrote biweekly essays for a feature called "The Great Movies," in which he offered a fresh and fervent appreciation of a great film. The Great Movies collects one hundred of these essays, each one of them a gem of critical appreciation and an amalgam of love, analysis, and history that will send readers back to that film with a fresh set of eyes and renewed enthusiasm–or perhaps to an avid…
A university professor for 40 years (now emerita), I focused my most recent research on moral psychology. I am also a political junkie, so perhaps it is no surprise that I have combined these two interests. As both a social psychologist and political psychologist, I have conducted numerous studies on the moral underpinnings of our political ideologies. In addition to two books, I have published over 90 papers, many devoted to morality and/or politics, and I was awarded a generous three-year National Science Foundation grant to study the two moralities that are discussed in my book.
Social Psychologist John Jost is a giant in the field of political psychology. In this book the reader is treated to a collection of his superb essays on political ideology.
From neuroscience to psychology and sociology, Jost draws on research to present a complete picture of the nature, role, and implications of our political ideologies. Anyone interested in politics, and political psychology in particular, would benefit from the knowledge and insights Jost offers in this book.
This book brings together for the first time an updated, revised collection of influential essays and articles that capture some of the most exciting scientific and scholarly contributions to the topic of political ideology. John Jost tackles fundamental questions about how psychology, neuroscience, and societal factors impact political attitudes and group divisions. In what sense, if any, are ordinary citizens "ideological"? Is it useful to locate political attitudes on a single dimension of representation? Are there meaningful differences in the beliefs, opinions, and values of leftists and rights-or liberals and conservatives? How are personality traits related to ideological preferences? What…
Michael Patrick Lynch is Board of Trustees Distinguished Professor of Philosophy and Provost Professor of the Humanities at the University of Connecticut. His books have been translated into a dozen languages and include On Truth in Politics: Why Democracy Demands It, The Internet of Us, True to Life (Editor’s Choice, The New York Times Sunday Book Review), and Know-it-All Society (winner of the 2019 George Orwell Award). Lynch’s work has been profiled in The New Yorker, The New York Times, Nature, The Guardian, The Washington Post, and many other publications worldwide; his 2017 TED talk has been viewed nearly 2 million times. He lives in CT with his family and one very philosophical dog.
This book gave me a deeper appreciation of how moral intuitions shape political divisions—not as accidents of ideology but as features of human psychology. Haidt’s metaphor of the elephant and the rider helped me see why rational argument so often fails to persuade across political lines: because reason follows intuition, not the other way around.
His mapping of multiple “moral taste buds”—including authority, loyalty, and sanctity—also challenged the narrow moral frameworks that dominate secular discourse. While I don’t agree with everything—particularly his optimistic lean toward moral equilibrium or his underemphasis on structural power—I admire his effort to move us beyond outrage toward curiosity. It’s a valuable guide for understanding why we talk past one another—and how we might start listening instead.
'A landmark contribution to humanity's understanding of itself' The New York Times
Why can it sometimes feel as though half the population is living in a different moral universe? Why do ideas such as 'fairness' and 'freedom' mean such different things to different people? Why is it so hard to see things from another viewpoint? Why do we come to blows over politics and religion?
Jonathan Haidt reveals that we often find it hard to get along because our minds are hardwired to be moralistic, judgemental and self-righteous. He explores how morality evolved to enable us to form communities, and…
Everyday Medical Miracles
by
Joseph S. Sanfilippo (editor),
Frontiers of Women from the healthcare perspective. A compilation of 60 true short stories written by an extensive array of healthcare providers, physicians, and advanced practice providers.
All designed to give you, the reader, a glimpse into the day-to-day activities of all of us who provide your health care. Come…
I am researching how elites and societies in Russia and East Central Europe have adapted to the social, political, and economic transformation processes following the end of Communism. What fascinates me about this topic is understanding why many of these countries continued to fall back to the same patterns of re-autocratization as they did during the Communist times. My answer is that it is because many institutions and elites in these regions have continued certain policies and behaviors from Communist times, which are still affecting their politics and economics. I also examine the impact of the transformational shock on Russia's international revisionism and democratic backsliding across the region.
This is one of my favorite books on the topic: it explains how and why electorates in postcommunist Europe became disillusioned with the promises of modernization and liberalization following the collapse of the Communist system. It shows how naïve and cheerful they were at first and how skeptical and disillusioned they’ve subsequently become.
The reforms were painful, and the results of those reforms were not always as expected. This disillusionment led to the rise of populism across the region. The authors also trace similar dynamics in Russia and the United States, which led to the rise of Putin and Trump, respectively.
Why did the West, after winning the Cold War, lose its political balance?
In the early 1990s, hopes for the eastward spread of liberal democracy were high. And yet the transformation of Eastern European countries gave rise to a bitter repudiation of liberalism itself, not only there but also back in the heartland of the West.
In this brilliant work of political history, Ivan Krastev and Stephen Holmes argue that the supposed end of Communism turned out to be only the beginning of the age of the autocrat. Reckoning with the history of the last thirty years, they show that…
I am a journalist who spent 15 years reporting from all over the world – Kabul, Baghdad, New Delhi, Beijing, Washington D.C. – returning to London in 2015 to report on the UK’s relations with Europe. Then Brexit happened. As a reporter, I’d chronicled the rise of China and India after 9/11 and the 2008 financial crisis, but I’d failed to understand how far Britain had been consumed by the forces of populism that have roiled all Western democracies. I’ve spent the last eight years reporting on the fallout, from both sides of the English Channel; trying to unpack what went wrong, and see what we can do about it.
A profound analysis of why the apparently global triumph of Western liberalism in 1989 turned sour for millions of those who believed they were joining a new world order – but came away disappointed.
This book traces how, following the collapse of the Soviet Union, the hubris of Western elites helped spawn the populist and opportunistic leaders – from Russia’s Putin, to Hungary’s Orban and Donald Trump in the US – that emerged after the 2008 global financial crisis.
That systemic failure cracked the veneer of the competence of Western capitalism (which had long masked rising inequality and flat middle-class wages) and opened the door to a politics of chaos that seeks to capitalise on that world of chaos, not fix it.
*Winner of the 2020 Lionel Gelber Prize* FINANCIAL TIMES, ECONOMIST, PROSPECT and EVENING STANDARD BOOK OF THE YEAR PICK
A landmark book that completely transforms our understanding of the crisis of liberalism, from two pre-eminent intellectuals
Why did the West, after winning the Cold War, lose its political balance?
In the early 1990s, hopes for the eastward spread of liberal democracy were high. And yet the transformation of Eastern European countries gave rise to a bitter repudiation of liberalism itself, not only in the East but also back in the heartland of the West.
I am fascinated by humanity’s search for meaning. That is what I am exploring as I read philosophy and as I write my biographies of extraordinary individuals. Sue Prideaux has written award-winning books on Edvard Munch and his painting The Scream, the playwright August Strindberg, and the philosopher Friedrich Nietzsche. She acted as consultant to Sotheby’s when they sold The Scream for a record-breaking $120 million.
Nietzsche said; “Only those with very large lungs have the right to write long sentences.” Montaigne was of the same opinion. He pre-dated Nietzsche in couching his philosophy simply and clearly in short, sharp aphorisms. Like Nietzsche’s aphorisms, they are often very funny.
How to get on well with people, how to deal with violence, how to adjust to losing someone you love? How to live?
This question obsessed Renaissance nobleman Michel Eyquem de Montaigne (1533-92), who wrote free-roaming explorations of his thought and experience, unlike anything written before. Into these essays he put whatever was in his head: his tastes in wine and food, his childhood memories, the way his dog's ears twitched when it was dreaming, events in the appalling civil wars raging around him. The Essays was an instant bestseller, and over four hundred years later, readers still come to…
Karl's War is a coming-of-age-meets-thriller set in Germany on the eve of Hitler coming to power. Karl – a reluctant poster boy for the Nazis – meets Jewish Ben and his world is up-turned.
Ben and his family flee to France. Karl joins the German army but deserts and finds…
The United States Old West is a legend, a myth, a land of contradictions. I grew up and have never left this vast land of scorching deserts, soaring peaks, misty coasts, and redwoods that touch the heavens. I grew up on the myths – Tombstone, Billy the Kid, Calamity Jane, Pearl Hart. What I love most are the stories of the women of the West, who survive with grit, wiles, and no small amount of courage. I love finding the lesser known women through novels and research and seeing their lives bloom before my eyes. Cowgirls, sufragettes, doctors, ex-slaves, Cheyenne, Arapahoe, cattle rustlers, homesteaders, dancehall girls.
The Comanche Kid is a breathtaking book that follows Jane, who witnesses her family's murder and her sister's kidnapping during a Comanche raid.
She disguises herself as her brother and embarks on a journey to find her sister and seek revenge. Along the way, she joins a cattle drive, encountering cowboys, Buffalo soldiers, and Comanches, experiencing the beauty and wrath of the West.
This intense novel fearlessly exposes the atrocities committed by all parties, while highlighting the destructive nature of vengeance. Nonetheless, it remains a compassionate tale of bravery and forgiveness. Trust me on this – you will not forget this novel. It’s on my shelf next to True Grit.
An epic new western in the grand tradition of True Grit and Lonesome Dove. A 2022 Western Writers of America Spur Award Finalist for Best Traditional Western Novel.
"The best western I’ve read in a long, long time. Though a first novel, Daniels writes with the sure hand of an old-pro. His voice is authentic and riveting. I can’t recommend this one more highly!” - Peter Brandvold, author of over 70 westerns, including 11 Lou Prophet novels & 15 Sheriff Ben Stillman westerns.
Out of nowhere Comanches attack—and sixteen year-old Jane narrowly survives the slaughter of her family and the…
