100 Books Like Hokusai

A practising artist for more than 60 years, my main source of inspiration is people and the natural world. I work in a variety of media including painting, sculpture, and printmaking. Drawing is the foundation of my art and I always keep a sketchbook handy. As a left-hander in a right-handed world, drawing became my main means of expression from an early age, when I instinctively wrote back-to-front with my left hand but was made to use my right. In addition to my art practice, I have taught drawing and developed a teaching method based on 7 principles that are outlined in Draw Like da Vinci.  

A practising artist for more than 60 years, my main source of inspiration is people and the natural world. I work in a variety of media including painting, sculpture, and printmaking. Drawing is the foundation of my art and I always keep a sketchbook handy. As a left-hander in a right-handed world, drawing became my main means of expression from an early age, when I instinctively wrote back-to-front with my left hand but was made to use my right. In addition to my art practice, I have taught drawing and developed a teaching method based on 7 principles that are outlined in Draw Like da Vinci.  

A practising artist for more than 60 years, my main source of inspiration is people and the natural world. I work in a variety of media including painting, sculpture, and printmaking. Drawing is the foundation of my art and I always keep a sketchbook handy. As a left-hander in a right-handed world, drawing became my main means of expression from an early age, when I instinctively wrote back-to-front with my left hand but was made to use my right. In addition to my art practice, I have taught drawing and developed a teaching method based on 7 principles that are outlined in Draw Like da Vinci.  

A practising artist for more than 60 years, my main source of inspiration is people and the natural world. I work in a variety of media including painting, sculpture, and printmaking. Drawing is the foundation of my art and I always keep a sketchbook handy. As a left-hander in a right-handed world, drawing became my main means of expression from an early age, when I instinctively wrote back-to-front with my left hand but was made to use my right. In addition to my art practice, I have taught drawing and developed a teaching method based on 7 principles that are outlined in Draw Like da Vinci.  

I have travelled much of the area described in this book, including the two halves of what was once Turkestan, and on the Roof of the World which divides them. I collect old maps and books (including historical fiction titles) about the exploration of the region and the machinations of the Great Game. My book is the result of four years of research and writing.

Nearly 50 years ago I was completely taken with the patterns drawn, woven, or embroidered by the Indigenous Peoples of the Upper Amazon of Peru. This was my first experience with the power of pattern and led to a career in collecting and curating the pottery and textiles from that area. By the end of the 1980s, I was ready to start a family and a more settled job. The Design Library was the perfect segue. The patterns created in Europe, Africa, and Asia over the past 250 years are also important cultural statements and are continually re-interpreted by our clients for today's market.

I am a historian of Russia and Eurasia at Hamilton College. I teach courses on Russian history, Central Asia, and the modern Middle East. We usually think of these as separate regions of the world, but in fact they are all connected across the vast Eurasian continent. Russians, Turks, Iranians, Mongols and more have been intertwined with each other throughout their histories. My formal research specialty is Soviet Central Asia. I have written on Stalin’s attempt to destroy Islam, on education and creating a historical narrative for Uzbekistan, and on cotton and manual labor under Khrushchev.

Many people are fascinated by the ancient Silk Road, but don’t know much about how we got from there to the “Stans” that emerged out of the collapse of the Soviet Union in 1991. These books showcase the most recent scholarship on how Central Asia was gradually taken over by the Russian and Chinese empires, and how the republics of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan, and Uzbekistan were created, as well as Xinjiang Province in the People’s Republic of China.

I’m an OB/GYN, passionate about adventuring beyond what’s expected. This has led me to pivot multiple times in my career, now focusing on writing. I’ve written a play, The Post-Roe Monologues, to elevate women’s stories. I cherish the curiosity that drives outer and inner exploration, and I love memoirs that skillfully weave the two. The books on this list feature extraordinary women who took risks, left comfort and safety, and battled vulnerability to step into the unknown. These authors moved beyond the stories they’d believed about themselves–or that others told about them. They invite you to think about living fuller and bigger lives. 

I’m an American Jewish girl who was born knowing that I had been Japanese in my previous lifetime. After graduating with a degree in Japanese studies from Princeton University, I moved to Japan at 21 and became a well-known translator. One day the Geisha Mineko Iwasaki, the inspiration behind Arthur Golden’s Memoirs of a Geisha, asked me to co-author the story of her life. Published in 2002, Geisha, a Life became a bestseller. Writing Geisha awakened memories of my past life as a courtesan in fourteenth-century Kyoto. I began a deep study of reincarnation, which has led me to study the intersection of Buddhism and Psychoanalysis. Please look out for my forthcoming book, Reincarnation Karma.

My sister and I were raised by our single mother in Southeast Detroit, who worked hard to put herself through law school when we were kids. We had a lot of financial struggles growing up, and I had to overcome many obstacles to get where I am today. Because of that, I am drawn to fierce female protagonists who overcome challenges and don’t shy away from struggle. In my own creative writing, I tend to feature strong female characters who have faced some type of instability and have worked hard to better their circumstances. I love an underdog and think there’s a lot of unsung narratives to tell.