Here are 82 books that Historian's Fallacies fans have personally recommended if you like
Historian's Fallacies.
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I am a journalist who has written books on American history for the general reader but not an academic historian or specialist, though I have the utmost respect for both. I like to think I have an independent mind and that I look for ideas that challenge conventional wisdom but are rooted in good sense and critical intelligence. The books I have recommended here reflect this temperament and, I believe, an innate sense of the comic and absurd. These are desperately needed at a time when people take themselves much too seriously—as in a presidential election year.
I love this book—and almost anything Mencken wrote—because he brings his unsparing but good-natured critical intelligence to bear on the politics of his day and on the cultural controversies of the time. Readers will realize if they don’t already, that the absurdities of the present campaign are nothing new, despite what we are told. Mencken’s independence spirit is also refreshing given the tiresome orthodoxies of political pundits today.
Mencken’s bracing intellect and his vivid, bouncy prose are a tonic at any time. He makes today’s journalists seem weak, unreflective, and shallow.
Peerless political commentary on Dewey, Truman, Wallace and their overwrought supporters. On politicians who pander: "If there had been any formidable body of cannibals in the country he would have promised to provide them with free missionaries fattened at the taxpayer's expense."
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I am a journalist who has written books on American history for the general reader but not an academic historian or specialist, though I have the utmost respect for both. I like to think I have an independent mind and that I look for ideas that challenge conventional wisdom but are rooted in good sense and critical intelligence. The books I have recommended here reflect this temperament and, I believe, an innate sense of the comic and absurd. These are desperately needed at a time when people take themselves much too seriously—as in a presidential election year.
I recommend this book because it uses Washington’s own expense accounts submitted to Congress—$400,000 worth of reimbursements he expects—to cast a comic light on the sober and solemn business of war. We tend to take figures like Washington so seriously that we do not see the human—and humorous—side of their lives and works. Kitman did a superb job of showing the lighter side of commanding the Continental Army without diminishing Washington’s greatness.
I love this book because it is consistently amusing when so many books on George Washington are so serious in tone. Kitman manages to humanize Washington, which too few authors do, and in the process, helps the reader keep his or her perspective on the momentous events of the American past. Also, the book is just a lot of fun. We take ourselves much too seriously these days, especially in a presidential campaign year.
In George Washington's Expense Account -- the best-selling expense account in history -- Kitman shows how Washington brilliantly turned his noble gesture of refusing payment for his services as commander in chief of the Continental Army into an opportunity to indulge his insatiable lust for fine food and drink, extravagant clothing, and lavish accommodations. In a close analysis of the document that financed our Revolution, Kitman uncovers more scandals than you can shake a Nixon Cabinet member at -- and serves each up with verve and wit.
I am an early American historian who studies and teaches about America’s interaction with the world. I got interested in the Mediterranean when I started reading angry American screes against Barbary “pirates” who captured Americans and held them as “slaves” in North Africa. These events alerted me to a fascinating cast of American characters, many of them consuls on both shores of the Mediterranean who were involved in freeing the captives but also, I realized, were doing so much more to facilitate American commerce and shape national identity. They are the topic of my latest book!
This is Mark Twain’s hilarious, grumpy account of his travels, mostly through the Mediterranean region just after the Civil War. Even though it’s over a hundred years old, I laughed out loud and found a lot of it to be still recognizable from my own travels.
But it’s also kind of disturbingly non-politically correct, raising lots of troubling questions for me, anyway, about how Americans looked at Catholics and Muslims.
A beautiful edition with the formatting and all 234 images from the original first edition published in 1869. The cover is from an Antonio Joli painting of Rome. Use Amazon's Lookinside feature to compare this edition with others. You'll be impressed by the differences. Don't be fooled by other versions that have no illustrations or contain very small print. Reading our edition will make you feel that you are back traveling the Mediterranean with Mark. If you like our book, be sure to leave a review!
Published under the full name The Innocents Abroad, or The New Pilgrims' Progress, this…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I am a journalist who has written books on American history for the general reader but not an academic historian or specialist, though I have the utmost respect for both. I like to think I have an independent mind and that I look for ideas that challenge conventional wisdom but are rooted in good sense and critical intelligence. The books I have recommended here reflect this temperament and, I believe, an innate sense of the comic and absurd. These are desperately needed at a time when people take themselves much too seriously—as in a presidential election year.
I love this book because Flaubert has meticulously—and with a bracingly acidic intelligence—listed the cliches of his day…meaning what people, without thinking, automatically say about almost any subject, including the stock phrases that must accompany any subject. He exposes superstitions and absurdities that must have driven Flaubert nuts to hear. An American writer, Frank Sullivan, did something similar when he invented “the cliché expert” who would testify before Congress.
I recommend this book because we need to be reminded that our everyday speech and thinking are saturated with thoughtless absurdities. We take so much for granted that it is totally unexamined and ridiculous if it is only pointed out to us, which Flaubert does a masterful job of doing. As the book jacket puts it, “Throughout his life, Flaubert made it a game to eavesdrop for the cliché, the platitude, the borrowed and unquestioned idea with which the ‘right thinking’…
Throughout his life Flaubert made it a game to eavesdrop for the cliche, the platitude, the borrowed and unquestioned idea with which the "right thinking" swaddle their minds. After his death his little treasury of absurdities, of half-truths and social lies, was published as a Dictionnaire des idees recues. Because its devastating humor and irony are often dependent on the phrasing in vernacular French, the Dictionnairewas long considered untranslatable. This notion was taken as a challenge by Jacques Barzun. Determined to find the exact English equivalent for each "accepted idea" Flaubert recorded, he has succeeded in documenting our own inanities.…
My sister once remarked that listening to our mother’s stories about living during World War II made it sound like we missed something really exciting. That is what history has always been for me–something I missed out on, for better or worse. What would it really have been like? Could I have survived? Family genealogies bring history to me on a personal level; archaeology and paleontology extend that wonder much deeper into the past. During the time I taught anatomy and human evolution at the University of Indianapolis, I tried to be as interdisciplinary as possible, both in study and teaching. I continue this in my retirement.
After reading David Hackett’s book, I cannot think of American society in the same way again. The United States is touted as the great melting pot, but we all know that cultural nuggets may refuse to mix thoroughly with the rest. What I learned from this book is that even within white Angle-America, behavior patterns that differentiated Englishmen hundreds of years ago persist in America today. This book is not about red states and blue states, but it is impossible to read it and not see the connections.
Hackett traces the colonial immigration of four populations who settled the colonies–New England Puritans, Quakers and others of the Middle Colonies, Cavaliers of the South, and the Scotch-Irish of the Appalachian back-country. They differed significantly in geographic origins, speech, architecture, family structure and values, gender roles, food, dress, work patterns, and the concept of freedom.
Eighty percent of Americans have no British ancestors. According to David Hackett Fischer, however, their day-to-day lives are profoundly influenced by folkways transplanted from Britain to the New World with the first settlers. Residual, yet persistent, aspects of these 17th Century folkways are indentifiable, Fischer argues, in areas as divers as politics, education, and attitudes towards gender, sexuality, age, and child-raising. Making use of both traditional and revisionist scholarship, this ground-breaking work documents how each successive wave of early emigration-Puritans to the North-East; Royalist aristocrats to the South; the Friends to the Delaware Valley; Irish and North Britons to the…
I became a historian of the American Revolution back in the early 1970s and have been working on that subject ever since. Most of my writings pivot on national politics, the origins of the Constitution, and James Madison. But explaining why the Revolution occurred and why it took the course it did remain subjects that still fascinate me.
We think of the American victories at Saratoga in 1777 and Yorktown in 1781 as the decisive battles of the war (and so, in a sense, they were). But in this Pulitzer Prize winner, Fischer makes a strong case that George Washington’s surprising victories at Trenton and Princeton were just as momentous, keeping “the Cause” alive at a moment when the Continental Army was on the verge of dissolution. Fischer provides a vivid account of the flow of battle and the key decisions that gave the Americans their advantage.
Six months after the Declaration of Independence, the American Revolution was all but lost. A powerful British force had routed the Americans at New York, occupied three colonies, and advanced within sight of Philadelphia.
Yet, as David Hackett Fischer recounts in this riveting history, George Washington-and many other Americans-refused to let the Revolution die. On Christmas night, as a howling nor'easter struck the Delaware Valley, he led his men across the river and attacked the exhausted Hessian garrison at Trenton, killing or capturing nearly a thousand men. A second battle of Trenton followed within days. The Americans held off a…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
As a child, I was always drawn to stories told through both words and illustrations. Why should that have to end in adulthood? Spoiler: it doesn’t, because there are SO many incredible graphic memoirs and novels written with adult audiences in mind. As a graphic memoirist myself, I love to see how other artists explore the form. I share recommendations in this genre every month in my newsletter, Haley Wrote This.
This is one of those books I am just WAITING to give my niece and nephews when they’re old enough to read it. It is such a great guide for how to have conversations born out of curiosity rather than fear.
I also think the formatting of the story and illustrations is inventive, fun, and informative. I consider this graphic memoir a must-read for anyone interested in dipping a toe in the genre.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW, TIME, BUZZFEED, ESQUIRE, LIBRARY JOURNAL AND KIRKUS REVIEWS
LONGLISTED FOR THE PEN/OPEN BOOK AWARD
'Hilarious and heart-rending' Celeste Ng
'Heartbreaking, but also infused with levity and humour. What stands out most is the fierce compassion with which she parses the complexities of family and love' Time
How brown is too brown?
Can Indians be racist?
What does real love between really different people look like?
Like many six-year-olds, Mira Jacob's half-Jewish, half-Indian son, Z, has questions about everything - and as tensions from the…
Science fiction for grownups not only means avoiding magic and supernatural elements but grounding the stories’ “what-ifs” in hard science and/or narrative anthropology. When we (readers) are invited to a story, we come with a willing suspension of disbelief, and I have as strong a suspension of disbelief as anyone—what if dinosaurs could be grown from ancient DNA, or what if an asteroid struck the earth? However, the ground rules of what-ifs should be laid out and should not include a sweeping suspension of the laws of physics, nature, and common sense. So, no hundred-and-ten-pound woman, with toothpick arms and dressed in cleavage-revealing spandex, beating up twelve burly guys.
I love anthropology, so what could be better than an alien anthropologist who visits 1350 Earth to study the Black Plague, hoping to find clues to help her civilization respond to a different plague?
Anthropological principles presented through narrative storytelling define science fiction for grownups.
In medieval Italy, Niccolucio, a young Florentine Carthusian monk, leads a devout life until the Black Death kills all of his brothers, leaving him alone and filled with doubt. Habidah, an anthropologist from an alien world racked by plague, is overwhelmed by the suffering. Unable to maintain her neutrality, she saves Niccolucio from the brink of death. Habidah discovers that neither her home's plague nor her assignment on Niccolucio's ravaged planet are as she's been led to believe. Suddenly the pair are drawn into a worlds-spanning conspiracy to topple an empire larger than the human imagination can contain.
Decades ago, I fell madly, gladly, and giddily in love with Italian. This passion inspired La Bella Lingua: My Love Affair with the World’s Most Enchanting Language, which became a New York Times best-seller and won an Italian knighthood for my contributions to promoting Italy’s language. Intrigued by the world’s most famous portrait, I wrote Mona Lisa: A Life Discovered, an Amazon Best Book of the Year, translated into seven languages. My most recent journeys through Italian culture are La Passione: How Italy Seduced the World and ‘A’ Is for Amore, an e-book written during the pandemic and available free on my website.
During a plague that killed a quarter of Florence’s citizens, Boccaccio crafted an exuberant, entertaining, death-defying work of literature. In this book, seven young women and three young men taking refuge in a country villa swap 100 tales of love, lust, mischief, and treachery.
I read a translation of The Decameron during a sabbatical in Italy and was swept back in time. In every village, I’d look around a piazza and see characters straight from its pages: wily merchants, corrupt politicians, clever wives, henpecked husbands, bumbling fools. This book still resonates in the 21st century—a tribute to Boccaccio’s skill as a spell-weaver. Some of his stories are shamelessly, laughably bawdy. But all remind us that, even as everything changes, our shared humanity remains the same.
In the summer of 1348, as the Black Death ravages their city, ten young Florentines take refuge in the countryside...
Taken from the Greek, meaning 'ten-day event', Boccaccio's Decameron sees his characters amuse themselves by each telling a story a day, for the ten days of their confinement - a hundred stories of love and adventure, life and death, and surprising twists of fate. Less preoccupied with abstract concepts of morality or religion than earthly values, the tales range from the bawdy Peronella, hiding her lover in a tub, to Ser Cepperallo, who, despite his unholy effrontery, becomes a Saint.…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
I make prints and visual books. I founded Bridge Press, now in Kennebunk, Maine, 1989 to publish limited edition artist's books and etchings. The name of the press underscores the collaborative nature of book making. Visual books offered possibilities for the continuity, connection, and unfolding of images—each image is complete yet linked to every other through the structure of the book. Books seemed an ideal vehicle to assemble and connect my prints, to order and unfold a sequence of images, with defined and recurrent shapes, motifs, and composition, and to create a setting in which each image is complete yet linked to every other through the structure of the binding or enclosure.
An endlessly fascinating and extensive compendium of reproductions of photographs, diagrams, charts, maps, paintings – bizarre, sublime, caustic, illuminating – from the ancients to the modern era. Each image retains something of its historical context, yet they are arrayed with a compelling visual logic by a brilliant visual editor.
An exploration of echoes and resonances across two millennia of visual culture, celebrating ten years of The Public Domain Review.
Gathering a remarkable collection of over 500 public domain images, Affinities is a carefully curated visual journey illuminating connections across more than two thousand years of image-making. Drawing on a decade of archival immersion at The Public Domain Review, the book has been assembled from a vast array of sources: from manuscripts to museum catalogues, ship logs to primers on Victorian magic. The images are arranged in a single captivating sequence which unfurls according to a dreamlike logic, through a…
