79 Books Like Here She Comes Now

I roll very hard for books about amazing people who make themselves seem human, too, not via false modesty but just people honest about their journey and the mistakes they made along the way.

Tina Fey was the youngest favorite child growing up in Philadelphia and had to learn that the wider world would not always give you a gold star on your homework the way she had always been given as the baby of her family and the only girl. And when she moved to Chicago to make it in sketch and improv comedy, she worked as a receptionist during the day, wrote cold scripts for SNL, and trained at Improv Olympic at night with the likes of Rachel Dratch and Scott Adsit. She was not the best in the room, far from it, and I love her and her clarity and directness for telling us, the reader, how… show more.

Before I knew Leslie Jamison as one of my favorite contemporary essayists and spotted bylines in the New Yorker, she wrote this memoir/cultural biography of alcoholism, which, if you’ve ever read books about alcoholism, is different and bold and brave and shining like a new dime different than all of them. 

Jamison and I are both veterans of 12-step programs. And most of our tribe has read enough memoirs of addiction and seen enough movies of the same to last us about 3 lifetimes. But Ms. Jamison goes one very important step further, telling the stories of famous authors she idolized who made being drunk all the time part of their image and work and then asks the very important question “Why are only male authors allowed to be sloppy drunks and have it be charming instead of dangerous and pathetic?” 

I love these kinds of questions, and I love… show more.

There’s no feeling I like better than the feeling that you are becoming smarter with each page turning of the book in your hand. Professor Elaine Showalter made history in 1977 with a big thick book called A Literature of Their Own: British Women Novelists from Brontë to Lessing which essentially put the Wikipedia of British Women Novelists, known and unknown, between two covers, with every entry written by someone who knew their stuff cold and was overjoyed to share it with you. 

This is the American writers version and even with writers we all have heard of in school or just by spending time in bookstores and libraries, every page Prof. Showalter has something you didn’t know about Maya Angelou even if you figured, as I did, you’ve read every word ever written by and about Maya Angelou. 

Reading this book, I felt like I was best friends with… show more.

I grew up in a family of all brothers and male cousins and with a second-wave feminist mother who marched with Gloria Steinem and Bella Abzug. So while my role models of feminine badassery were clear growing up, they were also few. Feeling like I was missing out, I often sought them out in my professional life and in my reading for fun. 

Lillian Hellman was as bad ass as they came. The author of a dozen plays, three memoirs, holder of six or so honorary degrees, blacklisted during McCarthyism who, to my amazement came roaring back with this book, among others to wow little me, who grow up rather ordinary in a rather ordinary midwestern college town. I was not romantically partnered with the greatest detective novelist in American history like Ms. Hellman was with Dashiel Hammett. I did stare down a hostile government trying to ruin my life… show more.

With Gender, Branding, and the Modern Music Industry, Kristin Lieb provides an enlightening but often troubling account of the contemporary pop music industry. By focusing on women artists in the post-MTV era, Lieb demonstrates that female pop singers are judged more than ever on their sex appeal—despite the advances of the women’s movement over the past several decades. Lieb draws from both theorists and music industry insiders, giving her conclusions weight and credibility. Yet despite its frequently disturbing findings, the book is not overly cynical. Lieb, an energetic writer, has managed to maintain her enthusiasm for pop music.

Viv Albertine’s memoir is raw and completely unfiltered, just like punk itself. I was hooked from the first page because it lives and breathes punk while also documenting its history.

Having photographed the New York and Boston punk scene firsthand, I connected deeply with her storytelling. It reminded me of the energy I felt photographing the bands back in the late 1970s.

I happened to have spent time with Patti Schemel when my band Scarce toured for a month with Hole in 1995. Patti is the real deal when it comes to being a musician. She’s a badass on the drums, and in real life.

I really enjoyed the intimate moments she shared about Kurt Cobain. They are tender and sweet, and show a very different side of his public persona. She takes us into the back scenes of what was like to be in a band as it took off, backing up the very unpredictable Courtney Love onstage, and what it means to be a rock star.

I also loved that she spent time writing about what it was like to be a lesbian in the male-dominated rock world, where women are seen often as simply something pretty to look at.

Her personality really shines through her writing. She’s fierce, honest,… show more.

In many ways, my trilogy is an open love letter to the many female singers and musicians I've admired ever since I was young. While extensively referencing numerous artists as befitting the context of my story, it pained me I had to leave out many noteworthy examples for practical purposes. Women Who Rock goes a long way towards making up the difference. This powerhouse book represents a compendium of extraordinary ladies who have contributed to the evolution of pop music in our culture, but who rarely get as much credit as they deserve collectively. The assembled stories force you to sit up and take notice of their impressive accomplishments. 

You’re thrown into the world of grunge music here with a couple, Jane and Elijah, who meet in a chat room (historical fiction!).

Soon enough, the couple is worldwide famous, something Jane had always wanted. Jane, who writes the songs, is misunderstood and underappreciated, while Elijah takes center stage. That’s okay with Jane until Elijah disappears, and Jane is heartbroken and lost while also being demonized by their fans.

This is a wonderfully compelling page-turner with likeable characters and some dislikeable ones, too.

I’ve always been really into crime fiction, and when you throw in a gritty concert setting, I’m all in. This book nailed that feeling, the sound, and the unspoken tension between past and present. It’s very cool how the concert setting wasn’t just the background noise but part of the mystery itself.

It felt like being backstage at a show where something’s just a little off. It kept me flipping pages way too late, and honestly, that’s when you know a crime novel really delivers.